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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AE62 it is the complementary color #3B519D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AE62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AE62 shade: #C9AE5D, #DAC070, #EBD283, #FCE496 and #FFF6A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AE62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AE62 shade: #C4AE62, #B39C4F, #A28A3C, #917829 and #806616

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AE62 shade: #C4AE63, #C49463, #C47A63 and #C46363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AE62 shade: #C4AE63, #BFC463, #A5C463, #8BC463 and #71C463

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AE62 shade matches the following richer shades: #C4AE63, #D5B852, #E6C141 and #F8CB2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AE62 shade: #C4AE63, #B2A475, #A19B86, #909197 and #7E88A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AE62 shade: #C47A63, #C49363, #C4AD63, #C0C463 and #A7C463

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AE62 shade: #9A853A, #B89E45, #C4AE63, #CFBD81 and #DACD9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AE62 shade: #C4AE62, #66C463 and #8763C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AE62 shade: #C4AE62, #63C4AD and #AD63C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AE62 shade: #C4AE62, #66C463, #637AC4 and #C063C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AE62 shade: #C4AE62, #63C47D, #637AC4 and #C463AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 50 / 23

HEX #C4AE62

RGB 196 174 98

HSL 46.53, 0.45%, 0.58%

LAB 71.48, -2.05, 41.63

 

Complementary color

CMYK 62 / 48 / 0 / 38

HEX #3B519D

RGB 59 81 157

HSL 226.53, 0.45%, 0.42%

LAB 36.46, 16.3, -44.05

 

CMYK 0 / 13 / 54 / 21

HEX #C9AE5D

RGB 201 174 93

HSL 45, 0.5%, 0.58%

LAB 71.88, -0.39, 44.72

 

CMYK 0 / 12 / 49 / 15

HEX #DAC070

RGB 218 192 112

HSL 45.28, 0.59%, 0.65%

LAB 78.33, -1.13, 43.46

 

CMYK 0 / 11 / 44 / 8

HEX #EBD283

RGB 235 210 131

HSL 45.58, 0.72%, 0.72%

LAB 84.69, -1.75, 42.23

 

CMYK 0 / 10 / 40 / 1

HEX #FCE496

RGB 252 228 150

HSL 45.88, 0.94%, 0.79%

LAB 90.95, -2.3, 41.03

 

CMYK 0 / 4 / 34 / 0

HEX #FFF6A9

RGB 255 246 169

HSL 53.72, 1%, 0.83%

LAB 96.01, -8.07, 38.18

 

CMYK 0 / 11 / 50 / 23

HEX #C4AE62

RGB 196 174 98

HSL 46.53, 0.45%, 0.58%

LAB 71.48, -2.05, 41.63

 

CMYK 0 / 13 / 56 / 30

HEX #B39C4F

RGB 179 156 79

HSL 46.2, 0.4%, 0.51%

LAB 64.9, -1.28, 42.9

 

CMYK 0 / 15 / 63 / 36

HEX #A28A3C

RGB 162 138 60

HSL 45.88, 0.46%, 0.44%

LAB 58.21, -0.36, 44.11

 

CMYK 0 / 17 / 72 / 43

HEX #917829

RGB 145 120 41

HSL 45.58, 0.56%, 0.36%

LAB 51.4, 0.79, 45.1

 

CMYK 0 / 20 / 83 / 50

HEX #806616

RGB 128 102 22

HSL 45.28, 0.71%, 0.29%

LAB 44.45, 2.24, 45.45

 

CMYK 0 / 11 / 49 / 23

HEX #C4AE63

RGB 196 174 99

HSL 46.39, 0.45%, 0.58%

LAB 71.49, -1.95, 41.14

 

CMYK 0 / 24 / 49 / 23

HEX #C49463

RGB 196 148 99

HSL 30.31, 0.45%, 0.58%

LAB 64.82, 12.09, 32.81

 

CMYK 0 / 38 / 49 / 23

HEX #C47A63

RGB 196 122 99

HSL 14.23, 0.45%, 0.58%

LAB 58.56, 26.37, 24.7

 

CMYK 0 / 49 / 49 / 23

HEX #C46363

RGB 196 99 99

HSL 0, 0.45%, 0.58%

LAB 53.56, 38.63, 18

 

CMYK 0 / 11 / 49 / 23

HEX #C4AE63

RGB 196 174 99

HSL 46.39, 0.45%, 0.58%

LAB 71.49, -1.95, 41.14

 

CMYK 3 / 0 / 49 / 23

HEX #BFC463

RGB 191 196 99

HSL 63.09, 0.45%, 0.58%

LAB 76.96, -15.41, 47.64

 

CMYK 16 / 0 / 49 / 23

HEX #A5C463

RGB 165 196 99

HSL 79.18, 0.45%, 0.58%

LAB 75.06, -25.77, 44.92

 

CMYK 29 / 0 / 49 / 23

HEX #8BC463

RGB 139 196 99

HSL 95.26, 0.45%, 0.58%

LAB 73.46, -35.47, 42.6

 

CMYK 42 / 0 / 49 / 23

HEX #71C463

RGB 113 196 99

HSL 111.34, 0.45%, 0.58%

LAB 72.16, -44.14, 40.71

 

CMYK 0 / 11 / 49 / 23

HEX #C4AE63

RGB 196 174 99

HSL 46.39, 0.45%, 0.58%

LAB 71.49, -1.95, 41.14

 

CMYK 0 / 14 / 62 / 16

HEX #D5B852

RGB 213 184 82

HSL 46.72, 0.61%, 0.58%

LAB 75.47, -1.42, 54.38

 

CMYK 0 / 16 / 72 / 10

HEX #E6C141

RGB 230 193 65

HSL 46.55, 0.77%, 0.58%

LAB 79.24, 0.14, 65.96

 

CMYK 0 / 18 / 81 / 3

HEX #F8CB2F

RGB 248 203 47

HSL 46.57, 0.93%, 0.58%

LAB 83.38, 1.95, 76.44

 

CMYK 0 / 11 / 49 / 23

HEX #C4AE63

RGB 196 174 99

HSL 46.39, 0.45%, 0.58%

LAB 71.49, -1.95, 41.14

 

CMYK 0 / 8 / 34 / 30

HEX #B2A475

RGB 178 164 117

HSL 46.23, 0.28%, 0.58%

LAB 67.5, -2.06, 26.27

 

CMYK 0 / 4 / 17 / 37

HEX #A19B86

RGB 161 155 134

HSL 46.67, 0.13%, 0.58%

LAB 63.95, -1.47, 11.8

 

CMYK 5 / 4 / 0 / 41

HEX #909197

RGB 144 145 151

HSL 231.43, 0.03%, 0.58%

LAB 60.26, 0.83, -3.3

 

CMYK 25 / 20 / 0 / 34

HEX #7E88A9

RGB 126 136 169

HSL 226.05, 0.2%, 0.58%

LAB 56.99, 3.92, -18.64

 

CMYK 0 / 38 / 49 / 23

HEX #C47A63

RGB 196 122 99

HSL 14.23, 0.45%, 0.58%

LAB 58.56, 26.37, 24.7

 

CMYK 0 / 25 / 49 / 23

HEX #C49363

RGB 196 147 99

HSL 29.69, 0.45%, 0.58%

LAB 64.57, 12.64, 32.49

 

CMYK 0 / 12 / 49 / 23

HEX #C4AD63

RGB 196 173 99

HSL 45.77, 0.45%, 0.58%

LAB 71.23, -1.42, 40.82

 

CMYK 2 / 0 / 49 / 23

HEX #C0C463

RGB 192 196 99

HSL 62.47, 0.45%, 0.58%

LAB 77.03, -15.01, 47.75

 

CMYK 15 / 0 / 49 / 23

HEX #A7C463

RGB 167 196 99

HSL 77.94, 0.45%, 0.58%

LAB 75.2, -24.99, 45.12

 

CMYK 0 / 14 / 62 / 40

HEX #9A853A

RGB 154 133 58

HSL 46.88, 0.45%, 0.42%

LAB 56.04, -1.31, 42.43

 

CMYK 0 / 14 / 63 / 28

HEX #B89E45

RGB 184 158 69

HSL 46.43, 0.45%, 0.5%

LAB 65.81, -0.95, 48.87

 

CMYK 0 / 11 / 49 / 23

HEX #C4AE63

RGB 196 174 99

HSL 46.39, 0.45%, 0.58%

LAB 71.49, -1.95, 41.14

 

CMYK 0 / 9 / 38 / 19

HEX #CFBD81

RGB 207 189 129

HSL 46.15, 0.45%, 0.66%

LAB 76.83, -2.24, 32.66

 

CMYK 0 / 6 / 27 / 15

HEX #DACD9F

RGB 218 205 159

HSL 46.78, 0.44%, 0.74%

LAB 82.42, -2.56, 24.58

 

CMYK 0 / 11 / 50 / 23

HEX #C4AE62

RGB 196 174 98

HSL 46.53, 0.45%, 0.58%

LAB 71.48, -2.05, 41.63

 

CMYK 48 / 0 / 49 / 23

HEX #66C463

RGB 102 196 99

HSL 118.14, 0.45%, 0.58%

LAB 71.69, -47.41, 40.03

 

CMYK 31 / 49 / 0 / 23

HEX #8763C4

RGB 135 99 196

HSL 262.27, 0.45%, 0.58%

LAB 49.57, 35.23, -45.67

 

CMYK 0 / 11 / 50 / 23

HEX #C4AE62

RGB 196 174 98

HSL 46.53, 0.45%, 0.58%

LAB 71.48, -2.05, 41.63

 

CMYK 49 / 0 / 12 / 23

HEX #63C4AD

RGB 99 196 173

HSL 165.77, 0.45%, 0.58%

LAB 72.99, -34.2, 2.78

 

CMYK 12 / 49 / 0 / 23

HEX #AD63C4

RGB 173 99 196

HSL 285.77, 0.45%, 0.58%

LAB 53.81, 45.7, -38.69

 

CMYK 0 / 11 / 50 / 23

HEX #C4AE62

RGB 196 174 98

HSL 46.53, 0.45%, 0.58%

LAB 71.48, -2.05, 41.63

 

CMYK 48 / 0 / 49 / 23

HEX #66C463

RGB 102 196 99

HSL 118.14, 0.45%, 0.58%

LAB 71.69, -47.41, 40.03

 

CMYK 49 / 38 / 0 / 23

HEX #637AC4

RGB 99 122 196

HSL 225.77, 0.45%, 0.58%

LAB 52.46, 12.22, -41.27

 

CMYK 2 / 49 / 0 / 23

HEX #C063C4

RGB 192 99 196

HSL 297.53, 0.45%, 0.58%

LAB 56.2, 51.09, -34.77

 

CMYK 0 / 11 / 50 / 23

HEX #C4AE62

RGB 196 174 98

HSL 46.53, 0.45%, 0.58%

LAB 71.48, -2.05, 41.63

 

CMYK 49 / 0 / 36 / 23

HEX #63C47D

RGB 99 196 125

HSL 136.08, 0.45%, 0.58%

LAB 71.97, -44.18, 27.09

 

CMYK 49 / 38 / 0 / 23

HEX #637AC4

RGB 99 122 196

HSL 225.77, 0.45%, 0.58%

LAB 52.46, 12.22, -41.27

 

CMYK 0 / 49 / 13 / 23

HEX #C463AA

RGB 196 99 170

HSL 316.08, 0.45%, 0.58%

LAB 55.65, 47.79, -20.61

 

Description

Color code: HEX #C4AE62 | qconv.com Color code: HEX #C4AE62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 174 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 174 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 50 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 50% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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