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Color name
HEX #C4A844

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A844 it is the complementary color #3B57BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A844. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A844 shade: #C9A83F, #DABA52, #EBCC65, #FCDE78 and #FFF08B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A844. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A844 shade: #C4A844, #B39631, #A2841E, #91720B and #806000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A844 shade: #C4A844, #C48644, #C46344 and #C44444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A844 shade: #C4A844, #BDC444, #9BC444, #79C444 and #56C444

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A844 shade matches the following richer shades: #C4A844, #D8B331 and #EBBE1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A844 shade: #C4A844, #B09D58, #9C926C, #888680 and #757B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A844 shade: #C46244, #C48444, #C4A644, #C0C444 and #9EC444

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A844 shade: #8A762B, #AA9035, #C4A844, #CEB764 and #D8C583

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A844 shade: #C4A844, #49C444 and #7344C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A844 shade: #C4A844, #44C4A6 and #A644C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A844 shade: #C4A844, #49C444, #4462C4 and #C044C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A844 shade: #C4A844, #44C466, #4462C4 and #C444A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

Complementary color

CMYK 68 / 53 / 0 / 27

HEX #3B57BB

RGB 59 87 187

HSL 226.88, 0.52%, 0.48%

LAB 40.14, 23.22, -55.9

 

CMYK 0 / 16 / 69 / 21

HEX #C9A83F

RGB 201 168 63

HSL 45.65, 0.56%, 0.52%

LAB 70.02, 0.72, 56.54

 

CMYK 0 / 15 / 62 / 15

HEX #DABA52

RGB 218 186 82

HSL 45.88, 0.65%, 0.59%

LAB 76.46, -0.36, 55.6

 

CMYK 0 / 13 / 57 / 8

HEX #EBCC65

RGB 235 204 101

HSL 46.12, 0.77%, 0.66%

LAB 82.8, -1.27, 54.48

 

CMYK 0 / 12 / 52 / 1

HEX #FCDE78

RGB 252 222 120

HSL 46.36, 0.96%, 0.73%

LAB 89.06, -2.06, 53.3

 

CMYK 0 / 6 / 45 / 0

HEX #FFF08B

RGB 255 240 139

HSL 52.24, 1%, 0.77%

LAB 94.07, -8.23, 50.4

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 0 / 16 / 73 / 30

HEX #B39631

RGB 179 150 49

HSL 46.62, 0.57%, 0.45%

LAB 63.03, -0, 54.54

 

CMYK 0 / 19 / 81 / 36

HEX #A2841E

RGB 162 132 30

HSL 46.36, 0.69%, 0.38%

LAB 56.36, 1.39, 54.7

 

CMYK 0 / 21 / 92 / 43

HEX #91720B

RGB 145 114 11

HSL 46.12, 0.86%, 0.31%

LAB 49.59, 3.1, 53.56

 

CMYK 0 / 25 / 100 / 50

HEX #806000

RGB 128 96 0

HSL 45, 1%, 0.25%

LAB 42.7, 5.18, 50.15

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 0 / 32 / 65 / 23

HEX #C48644

RGB 196 134 68

HSL 30.94, 0.52%, 0.52%

LAB 60.96, 17.31, 44.29

 

CMYK 0 / 49 / 65 / 23

HEX #C46344

RGB 196 99 68

HSL 14.53, 0.52%, 0.52%

LAB 53.03, 36.2, 35.09

 

CMYK 0 / 65 / 65 / 23

HEX #C44444

RGB 196 68 68

HSL 0, 0.52%, 0.52%

LAB 47.35, 51, 28.16

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 4 / 0 / 65 / 23

HEX #BDC444

RGB 189 196 68

HSL 63.28, 0.52%, 0.52%

LAB 76.51, -18.6, 60.87

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 38 / 0 / 65 / 23

HEX #79C444

RGB 121 196 68

HSL 95.16, 0.52%, 0.52%

LAB 72.2, -44.87, 55.02

 

CMYK 56 / 0 / 65 / 23

HEX #56C444

RGB 86 196 68

HSL 111.56, 0.52%, 0.52%

LAB 70.79, -55.34, 53.07

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 0 / 17 / 77 / 15

HEX #D8B331

RGB 216 179 49

HSL 46.71, 0.68%, 0.52%

LAB 74.23, 0.76, 66.5

 

CMYK 0 / 19 / 88 / 8

HEX #EBBE1D

RGB 235 190 29

HSL 46.89, 0.84%, 0.52%

LAB 78.8, 2.66, 76.62

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 0 / 11 / 50 / 31

HEX #B09D58

RGB 176 157 88

HSL 47.05, 0.36%, 0.52%

LAB 65, -2.31, 38.39

 

CMYK 0 / 6 / 31 / 39

HEX #9C926C

RGB 156 146 108

HSL 47.5, 0.2%, 0.52%

LAB 60.52, -2.4, 21.52

 

CMYK 0 / 1 / 6 / 47

HEX #888680

RGB 136 134 128

HSL 45, 0.03%, 0.52%

LAB 55.93, -0.4, 3.48

 

CMYK 21 / 17 / 0 / 42

HEX #757B94

RGB 117 123 148

HSL 228.39, 0.13%, 0.52%

LAB 51.93, 3.4, -14.23

 

CMYK 0 / 50 / 65 / 23

HEX #C46244

RGB 196 98 68

HSL 14.06, 0.52%, 0.52%

LAB 52.83, 36.72, 34.85

 

CMYK 0 / 33 / 65 / 23

HEX #C48444

RGB 196 132 68

HSL 30, 0.52%, 0.52%

LAB 60.48, 18.41, 43.75

 

CMYK 0 / 15 / 65 / 23

HEX #C4A644

RGB 196 166 68

HSL 45.94, 0.52%, 0.52%

LAB 69.06, -0.09, 53.21

 

CMYK 2 / 0 / 65 / 23

HEX #C0C444

RGB 192 196 68

HSL 61.88, 0.52%, 0.52%

LAB 76.74, -17.34, 61.19

 

CMYK 19 / 0 / 65 / 23

HEX #9EC444

RGB 158 196 68

HSL 77.81, 0.52%, 0.52%

LAB 74.3, -31.22, 57.88

 

CMYK 0 / 14 / 69 / 46

HEX #8A762B

RGB 138 118 43

HSL 47.37, 0.52%, 0.35%

LAB 50.14, -1.2, 42.67

 

CMYK 0 / 15 / 69 / 33

HEX #AA9035

RGB 170 144 53

HSL 46.67, 0.52%, 0.44%

LAB 60.56, -0.53, 50.07

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 0 / 11 / 51 / 19

HEX #CEB764

RGB 206 183 100

HSL 46.98, 0.52%, 0.6%

LAB 74.77, -2.45, 44.83

 

CMYK 0 / 9 / 39 / 15

HEX #D8C583

RGB 216 197 131

HSL 46.59, 0.52%, 0.68%

LAB 79.71, -2.61, 35.52

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 63 / 0 / 65 / 23

HEX #49C444

RGB 73 196 68

HSL 117.66, 0.52%, 0.52%

LAB 70.4, -58.44, 52.53

 

CMYK 41 / 65 / 0 / 23

HEX #7344C4

RGB 115 68 196

HSL 262.03, 0.52%, 0.52%

LAB 40.84, 47.87, -59.81

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 65 / 0 / 15 / 23

HEX #44C4A6

RGB 68 196 166

HSL 165.94, 0.52%, 0.52%

LAB 71.87, -42.11, 4.83

 

CMYK 15 / 65 / 0 / 23

HEX #A644C4

RGB 166 68 196

HSL 285.94, 0.52%, 0.52%

LAB 47.27, 59.01, -49.12

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 63 / 0 / 65 / 23

HEX #49C444

RGB 73 196 68

HSL 117.66, 0.52%, 0.52%

LAB 70.4, -58.44, 52.53

 

CMYK 65 / 50 / 0 / 23

HEX #4462C4

RGB 68 98 196

HSL 225.94, 0.52%, 0.52%

LAB 44.16, 20.82, -54.62

 

CMYK 2 / 65 / 0 / 23

HEX #C044C4

RGB 192 68 196

HSL 298.13, 0.52%, 0.52%

LAB 51.07, 65.05, -42.85

 

CMYK 0 / 14 / 65 / 23

HEX #C4A844

RGB 196 168 68

HSL 46.88, 0.52%, 0.52%

LAB 69.58, -1.16, 53.77

 

CMYK 65 / 0 / 48 / 23

HEX #44C466

RGB 68 196 102

HSL 135.94, 0.52%, 0.52%

LAB 70.64, -55.15, 36.99

 

CMYK 65 / 50 / 0 / 23

HEX #4462C4

RGB 68 98 196

HSL 225.94, 0.52%, 0.52%

LAB 44.16, 20.82, -54.62

 

CMYK 0 / 65 / 17 / 23

HEX #C444A2

RGB 196 68 162

HSL 315.94, 0.52%, 0.52%

LAB 50.07, 60.69, -24.5

 

Description

Color code: HEX #C4A844 | qconv.com Color code: HEX #C4A844 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 168 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 168 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 65% 23% C M Y K

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Provide designers and agencies with accurate color values.

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