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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49E70 it is the complementary color #3B618F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49E70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49E70 shade: #C99E6B, #DAB07E, #EBC291, #FCD4A4 and #FFE6B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49E70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49E70 shade: #C49E70, #B38C5D, #A27A4A, #916837 and #805624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49E70 shade: #C39D6E, #C3856E, #C36E6E and #C36E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49E70 shade: #C39D6E, #C3B46E, #BCC36E, #A5C36E and #8EC36E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49E70 shade matches the following richer shades: #C39D6E, #D49E5D, #E4A04D and #F5A13C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49E70 shade: #C39D6E, #B39B7E, #A2998F, #92989F and #8196B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49E70 shade: #C36E6E, #C3856E, #C39B6E, #C3B26E and #BEC36E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49E70 shade: #9E7440, #B78950, #C39D6E, #CFB08B and #DBC4A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49E70 shade: #C49E70, #85C36E and #796EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49E70 shade: #C49E70, #6EC39B and #9B6EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49E70 shade: #C49E70, #85C36E, #6E96C3 and #AC6EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49E70 shade: #C49E70, #6EC371, #6E96C3 and #C36EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 43 / 23

HEX #C49E70

RGB 196 158 112

HSL 32.86, 0.42%, 0.6%

LAB 67.55, 7.96, 29.34

 

Complementary color

CMYK 59 / 32 / 0 / 44

HEX #3B618F

RGB 59 97 143

HSL 212.86, 0.42%, 0.4%

LAB 40.35, 1.05, -29.45

 

CMYK 0 / 21 / 47 / 21

HEX #C99E6B

RGB 201 158 107

HSL 32.55, 0.47%, 0.6%

LAB 67.97, 9.5, 32.67

 

CMYK 0 / 19 / 42 / 15

HEX #DAB07E

RGB 218 176 126

HSL 32.61, 0.55%, 0.67%

LAB 74.48, 8.72, 31.36

 

CMYK 0 / 17 / 38 / 8

HEX #EBC291

RGB 235 194 145

HSL 32.67, 0.69%, 0.75%

LAB 80.9, 8.04, 30.13

 

CMYK 0 / 16 / 35 / 1

HEX #FCD4A4

RGB 252 212 164

HSL 32.73, 0.94%, 0.82%

LAB 87.22, 7.44, 28.98

 

CMYK 0 / 10 / 28 / 0

HEX #FFE6B7

RGB 255 230 183

HSL 39.17, 1%, 0.86%

LAB 92.25, 1.68, 26.05

 

CMYK 0 / 19 / 43 / 23

HEX #C49E70

RGB 196 158 112

HSL 32.86, 0.42%, 0.6%

LAB 67.55, 7.96, 29.34

 

CMYK 0 / 22 / 48 / 30

HEX #B38C5D

RGB 179 140 93

HSL 32.79, 0.36%, 0.53%

LAB 60.9, 8.77, 30.68

 

CMYK 0 / 25 / 54 / 36

HEX #A27A4A

RGB 162 122 74

HSL 32.73, 0.37%, 0.46%

LAB 54.13, 9.74, 32.12

 

CMYK 0 / 28 / 62 / 43

HEX #916837

RGB 145 104 55

HSL 32.67, 0.45%, 0.39%

LAB 47.23, 10.91, 33.65

 

CMYK 0 / 33 / 72 / 50

HEX #805624

RGB 128 86 36

HSL 32.61, 0.56%, 0.32%

LAB 40.2, 12.35, 35.16

 

CMYK 0 / 19 / 44 / 24

HEX #C39D6E

RGB 195 157 110

HSL 33.18, 0.41%, 0.6%

LAB 67.16, 7.88, 29.89

 

CMYK 0 / 32 / 44 / 24

HEX #C3856E

RGB 195 133 110

HSL 16.24, 0.41%, 0.6%

LAB 61.22, 21.06, 22.03

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 0 / 19 / 44 / 24

HEX #C39D6E

RGB 195 157 110

HSL 33.18, 0.41%, 0.6%

LAB 67.16, 7.88, 29.89

 

CMYK 0 / 8 / 44 / 24

HEX #C3B46E

RGB 195 180 110

HSL 49.41, 0.41%, 0.6%

LAB 73.14, -4.45, 37.55

 

CMYK 4 / 0 / 44 / 24

HEX #BCC36E

RGB 188 195 110

HSL 64.94, 0.41%, 0.6%

LAB 76.59, -15.04, 41.75

 

CMYK 15 / 0 / 44 / 24

HEX #A5C36E

RGB 165 195 110

HSL 81.18, 0.41%, 0.6%

LAB 74.92, -24.06, 39.31

 

CMYK 27 / 0 / 44 / 24

HEX #8EC36E

RGB 142 195 110

HSL 97.41, 0.41%, 0.6%

LAB 73.49, -32.58, 37.2

 

CMYK 0 / 19 / 44 / 24

HEX #C39D6E

RGB 195 157 110

HSL 33.18, 0.41%, 0.6%

LAB 67.16, 7.88, 29.89

 

CMYK 0 / 25 / 56 / 17

HEX #D49E5D

RGB 212 158 93

HSL 32.77, 0.58%, 0.6%

LAB 68.93, 12.82, 41.43

 

CMYK 0 / 30 / 66 / 11

HEX #E4A04D

RGB 228 160 77

HSL 32.98, 0.74%, 0.6%

LAB 70.99, 17.34, 52.16

 

CMYK 0 / 34 / 76 / 4

HEX #F5A13C

RGB 245 161 60

HSL 32.76, 0.9%, 0.6%

LAB 73.04, 23.07, 62.38

 

CMYK 0 / 19 / 44 / 24

HEX #C39D6E

RGB 195 157 110

HSL 33.18, 0.41%, 0.6%

LAB 67.16, 7.88, 29.89

 

CMYK 0 / 13 / 30 / 30

HEX #B39B7E

RGB 179 155 126

HSL 32.83, 0.26%, 0.6%

LAB 65.38, 4.42, 18.49

 

CMYK 0 / 6 / 12 / 36

HEX #A2998F

RGB 162 153 143

HSL 31.58, 0.09%, 0.6%

LAB 63.71, 1.51, 6.42

 

CMYK 8 / 4 / 0 / 38

HEX #92989F

RGB 146 152 159

HSL 212.31, 0.06%, 0.6%

LAB 62.57, -0.73, -4.42

 

CMYK 27 / 15 / 0 / 31

HEX #8196B0

RGB 129 150 176

HSL 213.19, 0.23%, 0.6%

LAB 61.32, -1.39, -16.02

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 0 / 32 / 44 / 24

HEX #C3856E

RGB 195 133 110

HSL 16.24, 0.41%, 0.6%

LAB 61.22, 21.06, 22.03

 

CMYK 0 / 21 / 44 / 24

HEX #C39B6E

RGB 195 155 110

HSL 31.76, 0.41%, 0.6%

LAB 66.65, 8.97, 29.23

 

CMYK 0 / 9 / 44 / 24

HEX #C3B26E

RGB 195 178 110

HSL 48, 0.41%, 0.6%

LAB 72.61, -3.4, 36.89

 

CMYK 3 / 0 / 44 / 24

HEX #BEC36E

RGB 190 195 110

HSL 63.53, 0.41%, 0.6%

LAB 76.74, -14.24, 41.97

 

CMYK 0 / 27 / 59 / 38

HEX #9E7440

RGB 158 116 64

HSL 33.19, 0.42%, 0.44%

LAB 51.98, 10.53, 34.81

 

CMYK 0 / 25 / 56 / 28

HEX #B78950

RGB 183 137 80

HSL 33.2, 0.42%, 0.52%

LAB 60.37, 10.95, 37.08

 

CMYK 0 / 19 / 44 / 24

HEX #C39D6E

RGB 195 157 110

HSL 33.18, 0.41%, 0.6%

LAB 67.16, 7.88, 29.89

 

CMYK 0 / 15 / 33 / 19

HEX #CFB08B

RGB 207 176 139

HSL 32.65, 0.41%, 0.68%

LAB 73.66, 5.85, 23.13

 

CMYK 0 / 11 / 23 / 14

HEX #DBC4A8

RGB 219 196 168

HSL 32.94, 0.41%, 0.76%

LAB 80.39, 3.76, 17.02

 

CMYK 0 / 19 / 43 / 23

HEX #C49E70

RGB 196 158 112

HSL 32.86, 0.42%, 0.6%

LAB 67.55, 7.96, 29.34

 

CMYK 32 / 0 / 44 / 24

HEX #85C36E

RGB 133 195 110

HSL 103.76, 0.41%, 0.6%

LAB 72.99, -35.71, 36.46

 

CMYK 38 / 44 / 0 / 24

HEX #796EC3

RGB 121 110 195

HSL 247.76, 0.41%, 0.6%

LAB 50.87, 24.74, -43.11

 

CMYK 0 / 19 / 43 / 23

HEX #C49E70

RGB 196 158 112

HSL 32.86, 0.42%, 0.6%

LAB 67.55, 7.96, 29.34

 

CMYK 44 / 0 / 21 / 24

HEX #6EC39B

RGB 110 195 155

HSL 151.76, 0.41%, 0.6%

LAB 72.7, -35, 12.17

 

CMYK 21 / 44 / 0 / 24

HEX #9B6EC3

RGB 155 110 195

HSL 271.76, 0.41%, 0.6%

LAB 54.09, 34.27, -37.82

 

CMYK 0 / 19 / 43 / 23

HEX #C49E70

RGB 196 158 112

HSL 32.86, 0.42%, 0.6%

LAB 67.55, 7.96, 29.34

 

CMYK 32 / 0 / 44 / 24

HEX #85C36E

RGB 133 195 110

HSL 103.76, 0.41%, 0.6%

LAB 72.99, -35.71, 36.46

 

CMYK 44 / 23 / 0 / 24

HEX #6E96C3

RGB 110 150 195

HSL 211.76, 0.41%, 0.6%

LAB 60.84, -1.77, -27.57

 

CMYK 12 / 44 / 0 / 24

HEX #AC6EC3

RGB 172 110 195

HSL 283.76, 0.41%, 0.6%

LAB 55.95, 39.29, -34.77

 

CMYK 0 / 19 / 43 / 23

HEX #C49E70

RGB 196 158 112

HSL 32.86, 0.42%, 0.6%

LAB 67.55, 7.96, 29.34

 

CMYK 44 / 0 / 42 / 24

HEX #6EC371

RGB 110 195 113

HSL 122.12, 0.41%, 0.6%

LAB 71.92, -42.64, 33.34

 

CMYK 44 / 23 / 0 / 24

HEX #6E96C3

RGB 110 150 195

HSL 211.76, 0.41%, 0.6%

LAB 60.84, -1.77, -27.57

 

CMYK 0 / 44 / 2 / 24

HEX #C36EC0

RGB 195 110 192

HSL 302.12, 0.41%, 0.6%

LAB 58.56, 45.63, -28.78

 

Description

Color code: HEX #C49E70 | qconv.com Color code: HEX #C49E70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 158 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 158 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 43 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 43% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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