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Color name
HEX #C497F2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C497F2 it is the complementary color #3B680D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C497F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C497F2 shade: #C997ED, #DAA9FF, #EBBBFF, #FCCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C497F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C497F2 shade: #C497F2, #B385DF, #A273CC, #9161B9 and #804FA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C497F2 shade: #C396F2, #DC96F2, #F296EF, #F296D6 and #F296BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C497F2 shade: #C396F2, #AB96F2 and #9696F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C497F2 shade matches the following richer shades: #C396F2 and #C38DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C497F2 shade: #C396F2, #C3A0E8, #C4A9DF, #C4B3D5 and #C4BCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C497F2 shade: #969BF2, #AA96F2, #C296F2, #DB96F2 and #F296F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C497F2 shade: #9A4DE9, #AF71ED, #C396F2, #D8BBF6 and #EDE0FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C497F2 shade: #C497F2, #F296B3 and #96F29E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C497F2 shade: #C497F2, #F2C296 and #96F2C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C497F2 shade: #C497F2, #F296B3, #C5F296 and #96F2D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C497F2 shade: #C497F2, #F29698, #C5F296 and #96F2F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 5

HEX #C497F2

RGB 196 151 242

HSL 269.67, 0.78%, 0.77%

LAB 69.67, 33.99, -39.4

 

Complementary color

CMYK 43 / 0 / 88 / 59

HEX #3B680D

RGB 59 104 13

HSL 89.67, 0.78%, 0.23%

LAB 39.34, -30.71, 41.64

 

CMYK 15 / 36 / 0 / 7

HEX #C997ED

RGB 201 151 237

HSL 274.88, 0.7%, 0.76%

LAB 69.94, 34.37, -36.21

 

CMYK 15 / 34 / 0 / 0

HEX #DAA9FF

RGB 218 169 255

HSL 274.19, 1%, 0.83%

LAB 76.38, 33.47, -35.87

 

CMYK 8 / 27 / 0 / 0

HEX #EBBBFF

RGB 235 187 255

HSL 282.35, 1%, 0.87%

LAB 82.07, 29, -26.98

 

CMYK 1 / 20 / 0 / 0

HEX #FCCDFF

RGB 252 205 255

HSL 296.4, 1%, 0.9%

LAB 87.77, 24.87, -18.19

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 19 / 38 / 0 / 5

HEX #C497F2

RGB 196 151 242

HSL 269.67, 0.78%, 0.77%

LAB 69.67, 33.99, -39.4

 

CMYK 20 / 40 / 0 / 13

HEX #B385DF

RGB 179 133 223

HSL 270.67, 0.58%, 0.7%

LAB 63.08, 34.75, -39.34

 

CMYK 21 / 44 / 0 / 20

HEX #A273CC

RGB 162 115 204

HSL 271.69, 0.47%, 0.63%

LAB 56.39, 35.56, -39.28

 

CMYK 22 / 48 / 0 / 27

HEX #9161B9

RGB 145 97 185

HSL 272.73, 0.39%, 0.55%

LAB 49.58, 36.42, -39.23

 

CMYK 23 / 52 / 0 / 35

HEX #804FA6

RGB 128 79 166

HSL 273.79, 0.36%, 0.48%

LAB 42.66, 37.33, -39.16

 

CMYK 19 / 38 / 0 / 5

HEX #C396F2

RGB 195 150 242

HSL 269.35, 0.78%, 0.77%

LAB 69.35, 34.25, -39.91

 

CMYK 9 / 38 / 0 / 5

HEX #DC96F2

RGB 220 150 242

HSL 285.65, 0.78%, 0.77%

LAB 71.85, 41.61, -35.82

 

CMYK 0 / 38 / 1 / 5

HEX #F296EF

RGB 242 150 239

HSL 301.96, 0.78%, 0.77%

LAB 74.14, 47.66, -30.45

 

CMYK 0 / 38 / 12 / 5

HEX #F296D6

RGB 242 150 214

HSL 318.26, 0.78%, 0.77%

LAB 73.25, 43.42, -18.13

 

CMYK 0 / 38 / 22 / 5

HEX #F296BD

RGB 242 150 189

HSL 334.57, 0.78%, 0.77%

LAB 72.47, 39.59, -5.5

 

CMYK 19 / 38 / 0 / 5

HEX #C396F2

RGB 195 150 242

HSL 269.35, 0.78%, 0.77%

LAB 69.35, 34.25, -39.91

 

CMYK 29 / 38 / 0 / 5

HEX #AB96F2

RGB 171 150 242

HSL 253.7, 0.78%, 0.77%

LAB 67.19, 27.42, -43.44

 

CMYK 38 / 38 / 0 / 5

HEX #9696F2

RGB 150 150 242

HSL 240, 0.78%, 0.77%

LAB 65.52, 21.78, -46.18

 

CMYK 19 / 38 / 0 / 5

HEX #C396F2

RGB 195 150 242

HSL 269.35, 0.78%, 0.77%

LAB 69.35, 34.25, -39.91

 

CMYK 22 / 44 / 0 / 2

HEX #C38DFB

RGB 195 141 251

HSL 269.45, 0.93%, 0.77%

LAB 67.74, 41.19, -47.35

 

CMYK 19 / 38 / 0 / 5

HEX #C396F2

RGB 195 150 242

HSL 269.35, 0.78%, 0.77%

LAB 69.35, 34.25, -39.91

 

CMYK 16 / 31 / 0 / 9

HEX #C3A0E8

RGB 195 160 232

HSL 269.17, 0.61%, 0.77%

LAB 71.26, 26.53, -31.47

 

CMYK 12 / 24 / 0 / 13

HEX #C4A9DF

RGB 196 169 223

HSL 270, 0.46%, 0.77%

LAB 73.18, 19.96, -23.6

 

CMYK 8 / 16 / 0 / 16

HEX #C4B3D5

RGB 196 179 213

HSL 270, 0.29%, 0.77%

LAB 75.31, 12.43, -14.92

 

CMYK 4 / 8 / 0 / 20

HEX #C4BCCC

RGB 196 188 204

HSL 270, 0.14%, 0.77%

LAB 77.32, 5.78, -7.04

 

CMYK 38 / 36 / 0 / 5

HEX #969BF2

RGB 150 155 242

HSL 236.74, 0.78%, 0.77%

LAB 66.78, 18.91, -44.21

 

CMYK 30 / 38 / 0 / 5

HEX #AA96F2

RGB 170 150 242

HSL 253.04, 0.78%, 0.77%

LAB 67.1, 27.15, -43.58

 

CMYK 20 / 38 / 0 / 5

HEX #C296F2

RGB 194 150 242

HSL 268.7, 0.78%, 0.77%

LAB 69.25, 33.95, -40.07

 

CMYK 10 / 38 / 0 / 5

HEX #DB96F2

RGB 219 150 242

HSL 285, 0.78%, 0.77%

LAB 71.75, 41.31, -35.99

 

CMYK 0 / 38 / 1 / 5

HEX #F296F0

RGB 242 150 240

HSL 301.3, 0.78%, 0.77%

LAB 74.18, 47.84, -30.94

 

CMYK 34 / 67 / 0 / 9

HEX #9A4DE9

RGB 154 77 233

HSL 269.62, 0.78%, 0.61%

LAB 49.57, 60.39, -66.63

 

CMYK 26 / 52 / 0 / 7

HEX #AF71ED

RGB 175 113 237

HSL 270, 0.78%, 0.69%

LAB 59.01, 47.81, -53.58

 

CMYK 19 / 38 / 0 / 5

HEX #C396F2

RGB 195 150 242

HSL 269.35, 0.78%, 0.77%

LAB 69.35, 34.25, -39.91

 

CMYK 12 / 24 / 0 / 4

HEX #D8BBF6

RGB 216 187 246

HSL 269.49, 0.77%, 0.85%

LAB 80.06, 21.25, -25.38

 

CMYK 6 / 11 / 0 / 2

HEX #EDE0FB

RGB 237 224 251

HSL 268.89, 0.77%, 0.93%

LAB 90.91, 9.29, -11.51

 

CMYK 19 / 38 / 0 / 5

HEX #C497F2

RGB 196 151 242

HSL 269.67, 0.78%, 0.77%

LAB 69.67, 33.99, -39.4

 

CMYK 0 / 38 / 26 / 5

HEX #F296B3

RGB 242 150 179

HSL 341.09, 0.78%, 0.77%

LAB 72.19, 38.18, -0.37

 

CMYK 38 / 0 / 35 / 5

HEX #96F29E

RGB 150 242 158

HSL 125.22, 0.78%, 0.77%

LAB 88.19, -44.11, 32.14

 

CMYK 19 / 38 / 0 / 5

HEX #C497F2

RGB 196 151 242

HSL 269.67, 0.78%, 0.77%

LAB 69.67, 33.99, -39.4

 

CMYK 0 / 20 / 38 / 5

HEX #F2C296

RGB 242 194 150

HSL 28.7, 0.78%, 0.77%

LAB 81.65, 11.34, 28.64

 

CMYK 38 / 0 / 20 / 5

HEX #96F2C2

RGB 150 242 194

HSL 148.7, 0.78%, 0.77%

LAB 88.87, -37.73, 14.63

 

CMYK 19 / 38 / 0 / 5

HEX #C497F2

RGB 196 151 242

HSL 269.67, 0.78%, 0.77%

LAB 69.67, 33.99, -39.4

 

CMYK 0 / 38 / 26 / 5

HEX #F296B3

RGB 242 150 179

HSL 341.09, 0.78%, 0.77%

LAB 72.19, 38.18, -0.37

 

CMYK 19 / 0 / 38 / 5

HEX #C5F296

RGB 197 242 150

HSL 89.35, 0.78%, 0.77%

LAB 90.59, -29.83, 39.76

 

CMYK 38 / 0 / 12 / 5

HEX #96F2D5

RGB 150 242 213

HSL 161.09, 0.78%, 0.77%

LAB 89.3, -33.85, 5.37

 

CMYK 19 / 38 / 0 / 5

HEX #C497F2

RGB 196 151 242

HSL 269.67, 0.78%, 0.77%

LAB 69.67, 33.99, -39.4

 

CMYK 0 / 38 / 37 / 5

HEX #F29698

RGB 242 150 152

HSL 358.7, 0.78%, 0.77%

LAB 71.53, 34.77, 13.65

 

CMYK 19 / 0 / 38 / 5

HEX #C5F296

RGB 197 242 150

HSL 89.35, 0.78%, 0.77%

LAB 90.59, -29.83, 39.76

 

CMYK 38 / 0 / 1 / 5

HEX #96F2F0

RGB 150 242 240

HSL 178.7, 0.78%, 0.77%

LAB 89.99, -27.79, -7.7

 

Description

Color code: HEX #C497F2 | qconv.com Color code: HEX #C497F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 151 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 151 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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