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Color name
HEX #C48A4E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48A4E it is the complementary color #3B75B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48A4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48A4E shade: #C98A49, #DA9C5C, #EBAE6F, #FCC082 and #FFD295

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48A4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48A4E shade: #C48A4E, #B3783B, #A26628, #915415 and #804202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48A4E shade: #C48A4F, #C46B4F and #C44F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48A4E shade: #C48A4F, #C4AA4F, #BEC44F, #9FC44F and #7FC44F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48A4E shade matches the following richer shades: #C48A4F, #D78B3C, #EA8B29 and #FD8B16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48A4E shade: #C48A4F, #B18A62, #9E8A75, #8B8987 and #78899A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48A4E shade: #C44F52, #C46A4F, #C4894F, #C4A84F and #C0C44F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48A4E shade: #906130, #AF763A, #C48A4F, #CE9F6D and #D8B38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48A4E shade: #C48A4E, #72C44F and #5A4FC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48A4E shade: #C48A4E, #4FC489 and #894FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48A4E shade: #C48A4E, #72C44F, #4F89C4 and #A14FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48A4E shade: #C48A4E, #4FC44F, #4F89C4 and #C44FC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 60 / 23

HEX #C48A4E

RGB 196 138 78

HSL 30.51, 0.5%, 0.54%

LAB 62.05, 15.8, 40.48

 

Complementary color

CMYK 67 / 34 / 0 / 31

HEX #3B75B1

RGB 59 117 177

HSL 210.51, 0.5%, 0.46%

LAB 48.04, 0.62, -37.44

 

CMYK 0 / 31 / 64 / 21

HEX #C98A49

RGB 201 138 73

HSL 30.47, 0.54%, 0.54%

LAB 62.57, 17.58, 43.78

 

CMYK 0 / 28 / 58 / 15

HEX #DA9C5C

RGB 218 156 92

HSL 30.48, 0.63%, 0.61%

LAB 69.08, 16.32, 42.29

 

CMYK 0 / 26 / 53 / 8

HEX #EBAE6F

RGB 235 174 111

HSL 30.48, 0.76%, 0.68%

LAB 75.5, 15.23, 40.84

 

CMYK 0 / 24 / 48 / 1

HEX #FCC082

RGB 252 192 130

HSL 30.49, 0.95%, 0.75%

LAB 81.84, 14.27, 39.45

 

CMYK 0 / 18 / 42 / 0

HEX #FFD295

RGB 255 210 149

HSL 34.53, 1%, 0.79%

LAB 86.76, 7.97, 36.14

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4E

RGB 196 138 78

HSL 30.51, 0.5%, 0.54%

LAB 62.05, 15.8, 40.48

 

CMYK 0 / 33 / 67 / 30

HEX #B3783B

RGB 179 120 59

HSL 30.5, 0.5%, 0.47%

LAB 55.41, 17.16, 42

 

CMYK 0 / 37 / 75 / 36

HEX #A26628

RGB 162 102 40

HSL 30.49, 0.6%, 0.4%

LAB 48.68, 18.76, 43.42

 

CMYK 0 / 42 / 86 / 43

HEX #915415

RGB 145 84 21

HSL 30.48, 0.75%, 0.33%

LAB 41.87, 20.67, 44.36

 

CMYK 0 / 48 / 98 / 50

HEX #804202

RGB 128 66 2

HSL 30.48, 0.97%, 0.25%

LAB 34.98, 22.88, 44.36

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4F

RGB 196 138 79

HSL 30.26, 0.5%, 0.54%

LAB 62.06, 15.88, 39.98

 

CMYK 0 / 45 / 60 / 23

HEX #C46B4F

RGB 196 107 79

HSL 14.36, 0.5%, 0.54%

LAB 54.88, 32.75, 31.23

 

CMYK 0 / 60 / 60 / 23

HEX #C44F4F

RGB 196 79 79

HSL 0, 0.5%, 0.54%

LAB 49.37, 46.82, 24.21

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4F

RGB 196 138 79

HSL 30.26, 0.5%, 0.54%

LAB 62.06, 15.88, 39.98

 

CMYK 0 / 13 / 60 / 23

HEX #C4AA4F

RGB 196 170 79

HSL 46.67, 0.5%, 0.54%

LAB 70.21, -1.48, 49.43

 

CMYK 3 / 0 / 60 / 23

HEX #BEC44F

RGB 190 196 79

HSL 63.08, 0.5%, 0.54%

LAB 76.67, -17.45, 56.48

 

CMYK 19 / 0 / 60 / 23

HEX #9FC44F

RGB 159 196 79

HSL 78.97, 0.5%, 0.54%

LAB 74.45, -29.98, 53.4

 

CMYK 35 / 0 / 60 / 23

HEX #7FC44F

RGB 127 196 79

HSL 95.38, 0.5%, 0.54%

LAB 72.6, -41.82, 50.81

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4F

RGB 196 138 79

HSL 30.26, 0.5%, 0.54%

LAB 62.06, 15.88, 39.98

 

CMYK 0 / 35 / 72 / 16

HEX #D78B3C

RGB 215 139 60

HSL 30.58, 0.66%, 0.54%

LAB 64.35, 22.22, 52.45

 

CMYK 0 / 41 / 82 / 8

HEX #EA8B29

RGB 234 139 41

HSL 30.47, 0.82%, 0.54%

LAB 66.61, 29.43, 63.19

 

CMYK 0 / 45 / 91 / 1

HEX #FD8B16

RGB 253 139 22

HSL 30.39, 0.98%, 0.54%

LAB 69.04, 36.75, 71.65

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4F

RGB 196 138 79

HSL 30.26, 0.5%, 0.54%

LAB 62.06, 15.88, 39.98

 

CMYK 0 / 22 / 45 / 31

HEX #B18A62

RGB 177 138 98

HSL 30.38, 0.34%, 0.54%

LAB 60.25, 9.56, 27.07

 

CMYK 0 / 13 / 26 / 38

HEX #9E8A75

RGB 158 138 117

HSL 30.73, 0.17%, 0.54%

LAB 58.72, 4.14, 14.02

 

CMYK 0 / 1 / 3 / 45

HEX #8B8987

RGB 139 137 135

HSL 30, 0.02%, 0.54%

LAB 57.2, 0.36, 1.33

 

CMYK 22 / 11 / 0 / 40

HEX #78899A

RGB 120 137 154

HSL 210, 0.14%, 0.54%

LAB 56.3, -2.25, -11.1

 

CMYK 0 / 60 / 58 / 23

HEX #C44F52

RGB 196 79 82

HSL 358.46, 0.5%, 0.54%

LAB 49.42, 47.04, 22.5

 

CMYK 0 / 46 / 60 / 23

HEX #C46A4F

RGB 196 106 79

HSL 13.85, 0.5%, 0.54%

LAB 54.67, 33.28, 30.96

 

CMYK 0 / 30 / 60 / 23

HEX #C4894F

RGB 196 137 79

HSL 29.74, 0.5%, 0.54%

LAB 61.82, 16.43, 39.69

 

CMYK 0 / 14 / 60 / 23

HEX #C4A84F

RGB 196 168 79

HSL 45.64, 0.5%, 0.54%

LAB 69.69, -0.42, 48.84

 

CMYK 2 / 0 / 60 / 23

HEX #C0C44F

RGB 192 196 79

HSL 62.05, 0.5%, 0.54%

LAB 76.83, -16.62, 56.69

 

CMYK 0 / 33 / 67 / 44

HEX #906130

RGB 144 97 48

HSL 30.63, 0.5%, 0.38%

LAB 45.21, 14.01, 35.02

 

CMYK 0 / 33 / 67 / 31

HEX #AF763A

RGB 175 118 58

HSL 30.77, 0.5%, 0.46%

LAB 54.42, 16.47, 41.27

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4F

RGB 196 138 79

HSL 30.26, 0.5%, 0.54%

LAB 62.06, 15.88, 39.98

 

CMYK 0 / 23 / 47 / 19

HEX #CE9F6D

RGB 206 159 109

HSL 30.93, 0.5%, 0.62%

LAB 68.77, 11.22, 32.73

 

CMYK 0 / 17 / 35 / 15

HEX #D8B38C

RGB 216 179 140

HSL 30.79, 0.49%, 0.7%

LAB 75.28, 7.92, 24.94

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4E

RGB 196 138 78

HSL 30.51, 0.5%, 0.54%

LAB 62.05, 15.8, 40.48

 

CMYK 42 / 0 / 60 / 23

HEX #72C44F

RGB 114 196 79

HSL 102.05, 0.5%, 0.54%

LAB 71.97, -46.15, 49.93

 

CMYK 54 / 60 / 0 / 23

HEX #5A4FC4

RGB 90 79 196

HSL 245.64, 0.5%, 0.54%

LAB 40.82, 36.68, -59.95

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4E

RGB 196 138 78

HSL 30.51, 0.5%, 0.54%

LAB 62.05, 15.8, 40.48

 

CMYK 60 / 0 / 30 / 23

HEX #4FC489

RGB 79 196 137

HSL 149.74, 0.5%, 0.54%

LAB 71.52, -46.62, 20.02

 

CMYK 30 / 60 / 0 / 23

HEX #894FC4

RGB 137 79 196

HSL 269.74, 0.5%, 0.54%

LAB 45.49, 46.87, -52.18

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4E

RGB 196 138 78

HSL 30.51, 0.5%, 0.54%

LAB 62.05, 15.8, 40.48

 

CMYK 42 / 0 / 60 / 23

HEX #72C44F

RGB 114 196 79

HSL 102.05, 0.5%, 0.54%

LAB 71.97, -46.15, 49.93

 

CMYK 60 / 30 / 0 / 23

HEX #4F89C4

RGB 79 137 196

HSL 210.26, 0.5%, 0.54%

LAB 55.62, -1.1, -36.37

 

CMYK 18 / 60 / 0 / 23

HEX #A14FC4

RGB 161 79 196

HSL 282.05, 0.5%, 0.54%

LAB 48.45, 52.71, -47.27

 

CMYK 0 / 30 / 60 / 23

HEX #C48A4E

RGB 196 138 78

HSL 30.51, 0.5%, 0.54%

LAB 62.05, 15.8, 40.48

 

CMYK 60 / 0 / 60 / 23

HEX #4FC44F

RGB 79 196 79

HSL 120, 0.5%, 0.54%

LAB 70.67, -55.9, 48.09

 

CMYK 60 / 30 / 0 / 23

HEX #4F89C4

RGB 79 137 196

HSL 210.26, 0.5%, 0.54%

LAB 55.62, -1.1, -36.37

 

CMYK 0 / 60 / 0 / 23

HEX #C44FC4

RGB 196 79 196

HSL 300, 0.5%, 0.54%

LAB 53.29, 61.5, -39.3

 

Description

Color code: HEX #C48A4E | qconv.com Color code: HEX #C48A4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 138 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 138 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 60 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 60% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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