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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C47AD9 it is the complementary color #3B8526. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C47AD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C47AD9 shade: #C97AD4, #DA8CE7, #EB9EFA, #FCB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C47AD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C47AD9 shade: #C47AD9, #B368C6, #A256B3, #9144A0 and #80328D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C47AD9 shade: #C377D8, #D877D4, #D877B9, #D8779F and #D87785

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C47AD9 shade: #C377D8, #A977D8, #8F77D8 and #7777D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C47AD9 shade matches the following richer shades: #C377D8, #CB69E6 and #D35BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C47AD9 shade: #C377D8, #BB85CA, #B393BC, #ABA1AE and #A4AFA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C47AD9 shade: #8E77D8, #A877D8, #C277D8, #D877D5 and #D877BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C47AD9 shade: #A637C6, #B557CF, #C377D8, #D197E1 and #DFB8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C47AD9 shade: #C47AD9, #D8777A and #77D89B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C47AD9 shade: #C47AD9, #D8C277 and #77D8C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C47AD9 shade: #C47AD9, #D8777A, #8ED877 and #77D8D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C47AD9 shade: #C47AD9, #D89177, #8ED877 and #77BED8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 44 / 0 / 15

HEX #C47AD9

RGB 196 122 217

HSL 286.74, 0.56%, 0.66%

LAB 62.22, 44.42, -37.2

 

Complementary color

CMYK 56 / 0 / 71 / 48

HEX #3B8526

RGB 59 133 38

HSL 106.74, 0.56%, 0.34%

LAB 49.31, -41.27, 42.33

 

CMYK 5 / 42 / 0 / 17

HEX #C97AD4

RGB 201 122 212

HSL 292.67, 0.51%, 0.65%

LAB 62.58, 44.91, -33.79

 

CMYK 6 / 39 / 0 / 9

HEX #DA8CE7

RGB 218 140 231

HSL 291.43, 0.65%, 0.73%

LAB 69.06, 44.16, -34.14

 

CMYK 6 / 37 / 0 / 2

HEX #EB9EFA

RGB 235 158 250

HSL 290.22, 0.9%, 0.8%

LAB 75.46, 43.42, -34.45

 

CMYK 1 / 31 / 0 / 0

HEX #FCB0FF

RGB 252 176 255

HSL 297.72, 1%, 0.85%

LAB 81.27, 40.11, -28.05

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 10 / 44 / 0 / 15

HEX #C47AD9

RGB 196 122 217

HSL 286.74, 0.56%, 0.66%

LAB 62.22, 44.42, -37.2

 

CMYK 10 / 47 / 0 / 22

HEX #B368C6

RGB 179 104 198

HSL 287.87, 0.45%, 0.59%

LAB 55.65, 45.19, -36.9

 

CMYK 9 / 52 / 0 / 30

HEX #A256B3

RGB 162 86 179

HSL 289.03, 0.38%, 0.52%

LAB 49, 45.93, -36.53

 

CMYK 9 / 58 / 0 / 37

HEX #9144A0

RGB 145 68 160

HSL 290.22, 0.4%, 0.45%

LAB 42.3, 46.56, -36.03

 

CMYK 9 / 65 / 0 / 45

HEX #80328D

RGB 128 50 141

HSL 291.43, 0.48%, 0.37%

LAB 35.58, 46.96, -35.32

 

CMYK 10 / 45 / 0 / 15

HEX #C377D8

RGB 195 119 216

HSL 287.01, 0.55%, 0.66%

LAB 61.44, 45.51, -37.87

 

CMYK 0 / 45 / 2 / 15

HEX #D877D4

RGB 216 119 212

HSL 302.47, 0.55%, 0.66%

LAB 63.79, 50.89, -31.78

 

CMYK 0 / 45 / 14 / 15

HEX #D877B9

RGB 216 119 185

HSL 319.18, 0.55%, 0.66%

LAB 62.76, 46.36, -18.14

 

CMYK 0 / 45 / 26 / 15

HEX #D8779F

RGB 216 119 159

HSL 335.26, 0.55%, 0.66%

LAB 61.91, 42.51, -4.58

 

CMYK 0 / 45 / 38 / 15

HEX #D87785

RGB 216 119 133

HSL 351.34, 0.55%, 0.66%

LAB 61.21, 39.23, 9.33

 

CMYK 10 / 45 / 0 / 15

HEX #C377D8

RGB 195 119 216

HSL 287.01, 0.55%, 0.66%

LAB 61.44, 45.51, -37.87

 

CMYK 22 / 45 / 0 / 15

HEX #A977D8

RGB 169 119 216

HSL 270.93, 0.55%, 0.66%

LAB 58.59, 38.08, -42.55

 

CMYK 34 / 45 / 0 / 15

HEX #8F77D8

RGB 143 119 216

HSL 254.85, 0.55%, 0.66%

LAB 56.08, 30.95, -46.68

 

CMYK 45 / 45 / 0 / 15

HEX #7777D8

RGB 119 119 216

HSL 240, 0.55%, 0.66%

LAB 54.1, 24.87, -49.94

 

CMYK 10 / 45 / 0 / 15

HEX #C377D8

RGB 195 119 216

HSL 287.01, 0.55%, 0.66%

LAB 61.44, 45.51, -37.87

 

CMYK 12 / 54 / 0 / 10

HEX #CB69E6

RGB 203 105 230

HSL 287.04, 0.71%, 0.66%

LAB 60.35, 57.59, -47.36

 

CMYK 14 / 63 / 0 / 4

HEX #D35BF4

RGB 211 91 244

HSL 287.06, 0.87%, 0.66%

LAB 59.76, 68.63, -56.01

 

CMYK 10 / 45 / 0 / 15

HEX #C377D8

RGB 195 119 216

HSL 287.01, 0.55%, 0.66%

LAB 61.44, 45.51, -37.87

 

CMYK 7 / 34 / 0 / 21

HEX #BB85CA

RGB 187 133 202

HSL 286.96, 0.39%, 0.66%

LAB 63.01, 32.68, -27.64

 

CMYK 5 / 22 / 0 / 26

HEX #B393BC

RGB 179 147 188

HSL 286.83, 0.23%, 0.66%

LAB 65.03, 19.41, -16.78

 

CMYK 2 / 7 / 0 / 32

HEX #ABA1AE

RGB 171 161 174

HSL 286.15, 0.07%, 0.66%

LAB 67.43, 6.06, -5.42

 

CMYK 6 / 0 / 9 / 31

HEX #A4AFA0

RGB 164 175 160

HSL 104, 0.09%, 0.66%

LAB 70.24, -6.69, 6.36

 

CMYK 34 / 45 / 0 / 15

HEX #8E77D8

RGB 142 119 216

HSL 254.23, 0.55%, 0.66%

LAB 55.99, 30.69, -46.83

 

CMYK 22 / 45 / 0 / 15

HEX #A877D8

RGB 168 119 216

HSL 270.31, 0.55%, 0.66%

LAB 58.49, 37.8, -42.72

 

CMYK 10 / 45 / 0 / 15

HEX #C277D8

RGB 194 119 216

HSL 286.39, 0.55%, 0.66%

LAB 61.33, 45.23, -38.06

 

CMYK 0 / 45 / 1 / 15

HEX #D877D5

RGB 216 119 213

HSL 301.86, 0.55%, 0.66%

LAB 63.83, 51.07, -32.27

 

CMYK 0 / 45 / 13 / 15

HEX #D877BB

RGB 216 119 187

HSL 317.94, 0.55%, 0.66%

LAB 62.83, 46.68, -19.17

 

CMYK 16 / 72 / 0 / 22

HEX #A637C6

RGB 166 55 198

HSL 286.57, 0.57%, 0.5%

LAB 45.52, 64.67, -53.08

 

CMYK 13 / 58 / 0 / 19

HEX #B557CF

RGB 181 87 207

HSL 287, 0.56%, 0.58%

LAB 53.11, 56.1, -46.02

 

CMYK 10 / 45 / 0 / 15

HEX #C377D8

RGB 195 119 216

HSL 287.01, 0.55%, 0.66%

LAB 61.44, 45.51, -37.87

 

CMYK 7 / 33 / 0 / 12

HEX #D197E1

RGB 209 151 225

HSL 287.03, 0.55%, 0.74%

LAB 70.26, 34.35, -29.06

 

CMYK 5 / 22 / 0 / 8

HEX #DFB8EB

RGB 223 184 235

HSL 285.88, 0.56%, 0.82%

LAB 79.6, 22.9, -20.13

 

CMYK 10 / 44 / 0 / 15

HEX #C47AD9

RGB 196 122 217

HSL 286.74, 0.56%, 0.66%

LAB 62.22, 44.42, -37.2

 

CMYK 0 / 45 / 44 / 15

HEX #D8777A

RGB 216 119 122

HSL 358.14, 0.55%, 0.66%

LAB 60.96, 38.02, 15.28

 

CMYK 45 / 0 / 28 / 15

HEX #77D89B

RGB 119 216 155

HSL 142.27, 0.55%, 0.66%

LAB 79.27, -42.05, 21.38

 

CMYK 10 / 44 / 0 / 15

HEX #C47AD9

RGB 196 122 217

HSL 286.74, 0.56%, 0.66%

LAB 62.22, 44.42, -37.2

 

CMYK 0 / 10 / 45 / 15

HEX #D8C277

RGB 216 194 119

HSL 46.39, 0.55%, 0.66%

LAB 78.76, -2.31, 40.44

 

CMYK 45 / 0 / 10 / 15

HEX #77D8C2

RGB 119 216 194

HSL 166.39, 0.55%, 0.66%

LAB 80.14, -33.86, 1.95

 

CMYK 10 / 44 / 0 / 15

HEX #C47AD9

RGB 196 122 217

HSL 286.74, 0.56%, 0.66%

LAB 62.22, 44.42, -37.2

 

CMYK 0 / 45 / 44 / 15

HEX #D8777A

RGB 216 119 122

HSL 358.14, 0.55%, 0.66%

LAB 60.96, 38.02, 15.28

 

CMYK 34 / 0 / 45 / 15

HEX #8ED877

RGB 142 216 119

HSL 105.77, 0.55%, 0.66%

LAB 79.72, -40.93, 40.58

 

CMYK 45 / 0 / 1 / 15

HEX #77D8D5

RGB 119 216 213

HSL 178.14, 0.55%, 0.66%

LAB 80.65, -29.29, -7.43

 

CMYK 10 / 44 / 0 / 15

HEX #C47AD9

RGB 196 122 217

HSL 286.74, 0.56%, 0.66%

LAB 62.22, 44.42, -37.2

 

CMYK 0 / 33 / 45 / 15

HEX #D89177

RGB 216 145 119

HSL 16.08, 0.55%, 0.66%

LAB 66.66, 23.87, 24.74

 

CMYK 34 / 0 / 45 / 15

HEX #8ED877

RGB 142 216 119

HSL 105.77, 0.55%, 0.66%

LAB 79.72, -40.93, 40.58

 

CMYK 45 / 12 / 0 / 15

HEX #77BED8

RGB 119 190 216

HSL 196.08, 0.55%, 0.66%

LAB 73.35, -15.47, -19.99

 

Description

Color code: HEX #C47AD9 | qconv.com Color code: HEX #C47AD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 122 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 122 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 44 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 44% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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