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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C47A49 it is the complementary color #3B85B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C47A49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C47A49 shade: #C97A44, #DA8C57, #EB9E6A, #FCB07D and #FFC290

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C47A49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C47A49 shade: #C47A49, #B36836, #A25623, #914410 and #803200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C47A49 shade: #C47A4A, #C4594A and #C44A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C47A49 shade: #C47A4A, #C49B4A, #C4BC4A, #AAC44A and #89C44A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C47A49 shade matches the following richer shades: #C47A4A, #D77636, #EB7223 and #FE6E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C47A49 shade: #C47A4A, #B07E5D, #9D8270, #8A8684 and #768A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C47A49 shade: #C44A5C, #C4584A, #C4784A, #C4994A and #C4BA4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C47A49 shade: #8D542E, #AC6638, #C47A4A, #CE9169 and #D8A888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C47A49 shade: #C47A49, #7CC44A and #4A4CC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C47A49 shade: #C47A49, #4AC478 and #784AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C47A49 shade: #C47A49, #7CC44A, #4A95C4 and #914AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C47A49 shade: #C47A49, #58C44A, #4A95C4 and #B64AC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 63 / 23

HEX #C47A49

RGB 196 122 73

HSL 23.9, 0.51%, 0.53%

LAB 58.17, 24.22, 38.49

 

Complementary color

CMYK 68 / 27 / 0 / 29

HEX #3B85B6

RGB 59 133 182

HSL 203.9, 0.51%, 0.47%

LAB 53.04, -7.12, -32.48

 

CMYK 0 / 39 / 66 / 21

HEX #C97A44

RGB 201 122 68

HSL 24.36, 0.55%, 0.53%

LAB 58.75, 25.98, 41.94

 

CMYK 0 / 36 / 60 / 15

HEX #DA8C57

RGB 218 140 87

HSL 24.27, 0.64%, 0.6%

LAB 65.24, 24.56, 40.24

 

CMYK 0 / 33 / 55 / 8

HEX #EB9E6A

RGB 235 158 106

HSL 24.19, 0.76%, 0.67%

LAB 71.66, 23.31, 38.64

 

CMYK 0 / 30 / 50 / 1

HEX #FCB07D

RGB 252 176 125

HSL 24.09, 0.95%, 0.74%

LAB 78.01, 22.21, 37.14

 

CMYK 0 / 24 / 44 / 0

HEX #FFC290

RGB 255 194 144

HSL 27.03, 1%, 0.78%

LAB 82.84, 15.77, 33.58

 

CMYK 0 / 38 / 63 / 23

HEX #C47A49

RGB 196 122 73

HSL 23.9, 0.51%, 0.53%

LAB 58.17, 24.22, 38.49

 

CMYK 0 / 42 / 70 / 30

HEX #B36836

RGB 179 104 54

HSL 24, 0.54%, 0.46%

LAB 51.55, 25.75, 40.25

 

CMYK 0 / 47 / 78 / 36

HEX #A25623

RGB 162 86 35

HSL 24.09, 0.64%, 0.39%

LAB 44.88, 27.5, 41.97

 

CMYK 0 / 53 / 89 / 43

HEX #914410

RGB 145 68 16

HSL 24.19, 0.8%, 0.32%

LAB 38.18, 29.48, 43.16

 

CMYK 0 / 61 / 100 / 50

HEX #803200

RGB 128 50 0

HSL 23.44, 1%, 0.25%

LAB 31.51, 31.59, 42.93

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 0 / 55 / 62 / 23

HEX #C4594A

RGB 196 89 74

HSL 7.38, 0.51%, 0.53%

LAB 51.12, 41.67, 29.37

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 0 / 21 / 62 / 23

HEX #C49B4A

RGB 196 155 74

HSL 39.84, 0.51%, 0.53%

LAB 66.27, 6.22, 47.36

 

CMYK 0 / 4 / 62 / 23

HEX #C4BC4A

RGB 196 188 74

HSL 56.07, 0.51%, 0.53%

LAB 74.95, -11.23, 56.91

 

CMYK 13 / 0 / 62 / 23

HEX #AAC44A

RGB 170 196 74

HSL 72.79, 0.51%, 0.53%

LAB 75.15, -26, 56.54

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 0 / 45 / 75 / 16

HEX #D77636

RGB 215 118 54

HSL 23.85, 0.67%, 0.53%

LAB 59.59, 33.14, 50.29

 

CMYK 0 / 51 / 85 / 8

HEX #EB7223

RGB 235 114 35

HSL 23.7, 0.83%, 0.53%

LAB 61.5, 42.46, 61.02

 

CMYK 0 / 57 / 94 / 0

HEX #FE6E0F

RGB 254 110 15

HSL 23.85, 0.99%, 0.53%

LAB 63.55, 51.17, 69.45

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 0 / 28 / 47 / 31

HEX #B07E5D

RGB 176 126 93

HSL 23.86, 0.34%, 0.53%

LAB 57.02, 15.33, 25.6

 

CMYK 0 / 17 / 29 / 38

HEX #9D8270

RGB 157 130 112

HSL 24, 0.19%, 0.53%

LAB 56.39, 7.53, 13.62

 

CMYK 0 / 3 / 4 / 46

HEX #8A8684

RGB 138 134 132

HSL 20, 0.02%, 0.53%

LAB 56.21, 1.11, 1.6

 

CMYK 22 / 9 / 0 / 41

HEX #768A97

RGB 118 138 151

HSL 203.64, 0.14%, 0.53%

LAB 56.35, -4.18, -9.32

 

CMYK 0 / 62 / 53 / 23

HEX #C44A5C

RGB 196 74 92

HSL 351.15, 0.51%, 0.53%

LAB 48.77, 50.1, 15.63

 

CMYK 0 / 55 / 62 / 23

HEX #C4584A

RGB 196 88 74

HSL 6.89, 0.51%, 0.53%

LAB 50.93, 42.17, 29.13

 

CMYK 0 / 39 / 62 / 23

HEX #C4784A

RGB 196 120 74

HSL 22.62, 0.51%, 0.53%

LAB 57.72, 25.38, 37.43

 

CMYK 0 / 22 / 62 / 23

HEX #C4994A

RGB 196 153 74

HSL 38.85, 0.51%, 0.53%

LAB 65.76, 7.31, 46.78

 

CMYK 0 / 5 / 62 / 23

HEX #C4BA4A

RGB 196 186 74

HSL 55.08, 0.51%, 0.53%

LAB 74.41, -10.2, 56.33

 

CMYK 0 / 40 / 67 / 45

HEX #8D542E

RGB 141 84 46

HSL 24, 0.51%, 0.37%

LAB 41.53, 20.08, 31.79

 

CMYK 0 / 41 / 67 / 33

HEX #AC6638

RGB 172 102 56

HSL 23.79, 0.51%, 0.45%

LAB 50.17, 24, 37.39

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 0 / 30 / 49 / 19

HEX #CE9169

RGB 206 145 105

HSL 23.76, 0.51%, 0.61%

LAB 65.27, 18.44, 30.37

 

CMYK 0 / 22 / 37 / 15

HEX #D8A888

RGB 216 168 136

HSL 24, 0.51%, 0.69%

LAB 72.48, 13.34, 23.3

 

CMYK 0 / 38 / 63 / 23

HEX #C47A49

RGB 196 122 73

HSL 23.9, 0.51%, 0.53%

LAB 58.17, 24.22, 38.49

 

CMYK 37 / 0 / 62 / 23

HEX #7CC44A

RGB 124 196 74

HSL 95.41, 0.51%, 0.53%

LAB 72.4, -43.32, 52.74

 

CMYK 62 / 61 / 0 / 23

HEX #4A4CC4

RGB 74 76 196

HSL 239.02, 0.51%, 0.53%

LAB 38.92, 35.71, -63.1

 

CMYK 0 / 38 / 63 / 23

HEX #C47A49

RGB 196 122 73

HSL 23.9, 0.51%, 0.53%

LAB 58.17, 24.22, 38.49

 

CMYK 62 / 0 / 39 / 23

HEX #4AC478

RGB 74 196 120

HSL 142.62, 0.51%, 0.53%

LAB 71.07, -50.92, 28.37

 

CMYK 39 / 62 / 0 / 23

HEX #784AC4

RGB 120 74 196

HSL 262.62, 0.51%, 0.53%

LAB 42.58, 45.69, -56.97

 

CMYK 0 / 38 / 63 / 23

HEX #C47A49

RGB 196 122 73

HSL 23.9, 0.51%, 0.53%

LAB 58.17, 24.22, 38.49

 

CMYK 37 / 0 / 62 / 23

HEX #7CC44A

RGB 124 196 74

HSL 95.41, 0.51%, 0.53%

LAB 72.4, -43.32, 52.74

 

CMYK 62 / 24 / 0 / 23

HEX #4A95C4

RGB 74 149 196

HSL 203.11, 0.51%, 0.53%

LAB 58.92, -8.93, -31.25

 

CMYK 26 / 62 / 0 / 23

HEX #914AC4

RGB 145 74 196

HSL 274.92, 0.51%, 0.53%

LAB 45.5, 51.33, -52.11

 

CMYK 0 / 38 / 63 / 23

HEX #C47A49

RGB 196 122 73

HSL 23.9, 0.51%, 0.53%

LAB 58.17, 24.22, 38.49

 

CMYK 55 / 0 / 62 / 23

HEX #58C44A

RGB 88 196 74

HSL 113.11, 0.51%, 0.53%

LAB 70.9, -54.23, 50.66

 

CMYK 62 / 24 / 0 / 23

HEX #4A95C4

RGB 74 149 196

HSL 203.11, 0.51%, 0.53%

LAB 58.92, -8.93, -31.25

 

CMYK 7 / 62 / 0 / 23

HEX #B64AC4

RGB 182 74 196

HSL 293.11, 0.51%, 0.53%

LAB 50.49, 60.18, -43.86

 

Description

Color code: HEX #C47A49 | qconv.com Color code: HEX #C47A49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 122 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 122 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 63 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 63% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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