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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4644A it is the complementary color #3B9BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4644A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4644A shade: #C96445, #DA7658, #EB886B, #FC9A7E and #FFAC91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4644A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4644A shade: #C4644A, #B35237, #A24024, #912E11 and #801C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4644A shade: #C4644A and #C44A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4644A shade: #C4644A, #C4854A, #C4A64A, #C1C44A and #A0C44A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4644A shade matches the following richer shades: #C4644A, #D75836, #EB4D23 and #FE420F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4644A shade: #C4644A, #B06F5D, #9D7A70, #8A8584 and #769097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4644A shade: #C44A72, #C44A52, #C4624A, #C4834A and #C4A34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4644A shade: #8D422E, #AC5138, #C4644A, #CE7E69 and #D89988

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4644A shade: #C4644A, #93C44A and #4A62C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4644A shade: #C4644A, #4AC462 and #624AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4644A shade: #C4644A, #93C44A, #4AABC4 and #7A4AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4644A shade: #C4644A, #6EC44A, #4AABC4 and #9F4AC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

Complementary color

CMYK 67 / 14 / 0 / 29

HEX #3B9BB5

RGB 59 155 181

HSL 192.79, 0.51%, 0.47%

LAB 59.62, -19.6, -21.73

 

CMYK 0 / 50 / 66 / 21

HEX #C96445

RGB 201 100 69

HSL 14.09, 0.55%, 0.53%

LAB 53.99, 37.7, 35.85

 

CMYK 0 / 46 / 60 / 15

HEX #DA7658

RGB 218 118 88

HSL 13.85, 0.64%, 0.6%

LAB 60.4, 36.29, 33.78

 

CMYK 0 / 42 / 54 / 8

HEX #EB886B

RGB 235 136 107

HSL 13.59, 0.76%, 0.67%

LAB 66.77, 34.98, 31.91

 

CMYK 0 / 39 / 50 / 1

HEX #FC9A7E

RGB 252 154 126

HSL 13.33, 0.95%, 0.74%

LAB 73.1, 33.79, 30.24

 

CMYK 0 / 33 / 43 / 0

HEX #FFAC91

RGB 255 172 145

HSL 14.73, 1%, 0.78%

LAB 77.76, 27.38, 26.29

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 0 / 54 / 69 / 30

HEX #B35237

RGB 179 82 55

HSL 13.06, 0.53%, 0.46%

LAB 46.84, 37.53, 34.37

 

CMYK 0 / 60 / 78 / 36

HEX #A24024

RGB 162 64 36

HSL 13.33, 0.64%, 0.39%

LAB 40.37, 39.03, 36.88

 

CMYK 0 / 68 / 88 / 43

HEX #912E11

RGB 145 46 17

HSL 13.59, 0.79%, 0.32%

LAB 34.01, 40.42, 39.32

 

CMYK 0 / 78 / 100 / 50

HEX #801C00

RGB 128 28 0

HSL 13.13, 1%, 0.25%

LAB 27.9, 41.33, 40.16

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 0 / 32 / 62 / 23

HEX #C4854A

RGB 196 133 74

HSL 29.02, 0.51%, 0.53%

LAB 60.79, 18.26, 41.06

 

CMYK 0 / 15 / 62 / 23

HEX #C4A64A

RGB 196 166 74

HSL 45.25, 0.51%, 0.53%

LAB 69.11, 0.3, 50.54

 

CMYK 2 / 0 / 62 / 23

HEX #C1C44A

RGB 193 196 74

HSL 61.48, 0.51%, 0.53%

LAB 76.87, -16.55, 58.89

 

CMYK 18 / 0 / 62 / 23

HEX #A0C44A

RGB 160 196 74

HSL 77.7, 0.51%, 0.53%

LAB 74.48, -29.99, 55.61

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 0 / 59 / 75 / 16

HEX #D75836

RGB 215 88 54

HSL 12.67, 0.67%, 0.53%

LAB 53.7, 48.06, 44.14

 

CMYK 0 / 67 / 85 / 8

HEX #EB4D23

RGB 235 77 35

HSL 12.6, 0.83%, 0.53%

LAB 55.17, 59.05, 55.74

 

CMYK 0 / 74 / 94 / 0

HEX #FE420F

RGB 254 66 15

HSL 12.8, 0.99%, 0.53%

LAB 57.08, 68.57, 65.48

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 0 / 37 / 47 / 31

HEX #B06F5D

RGB 176 111 93

HSL 13.01, 0.34%, 0.53%

LAB 53.37, 23.73, 20.78

 

CMYK 0 / 22 / 29 / 38

HEX #9D7A70

RGB 157 122 112

HSL 13.33, 0.19%, 0.53%

LAB 54.3, 12.09, 10.69

 

CMYK 0 / 4 / 4 / 46

HEX #8A8584

RGB 138 133 132

HSL 10, 0.02%, 0.53%

LAB 55.93, 1.68, 1.2

 

CMYK 22 / 5 / 0 / 41

HEX #769097

RGB 118 144 151

HSL 192.73, 0.14%, 0.53%

LAB 58.07, -7.54, -6.76

 

CMYK 0 / 62 / 42 / 23

HEX #C44A72

RGB 196 74 114

HSL 340.33, 0.51%, 0.53%

LAB 49.31, 52.17, 3.09

 

CMYK 0 / 62 / 58 / 23

HEX #C44A52

RGB 196 74 82

HSL 356.07, 0.51%, 0.53%

LAB 48.56, 49.32, 21.38

 

CMYK 0 / 50 / 62 / 23

HEX #C4624A

RGB 196 98 74

HSL 11.8, 0.51%, 0.53%

LAB 52.91, 37.11, 31.6

 

CMYK 0 / 33 / 62 / 23

HEX #C4834A

RGB 196 131 74

HSL 28.03, 0.51%, 0.53%

LAB 60.3, 19.36, 40.49

 

CMYK 0 / 17 / 62 / 23

HEX #C4A34A

RGB 196 163 74

HSL 43.77, 0.51%, 0.53%

LAB 68.33, 1.9, 49.67

 

CMYK 0 / 53 / 67 / 45

HEX #8D422E

RGB 141 66 46

HSL 12.63, 0.51%, 0.37%

LAB 37.4, 30.22, 26.94

 

CMYK 0 / 53 / 67 / 33

HEX #AC5138

RGB 172 81 56

HSL 12.93, 0.51%, 0.45%

LAB 45.55, 35.36, 32.03

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 0 / 39 / 49 / 19

HEX #CE7E69

RGB 206 126 105

HSL 12.48, 0.51%, 0.61%

LAB 60.84, 28.76, 24.56

 

CMYK 0 / 29 / 37 / 15

HEX #D89988

RGB 216 153 136

HSL 12.75, 0.51%, 0.69%

LAB 68.87, 21.44, 18.35

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 25 / 0 / 62 / 23

HEX #93C44A

RGB 147 196 74

HSL 84.1, 0.51%, 0.53%

LAB 73.66, -35.02, 54.49

 

CMYK 62 / 50 / 0 / 23

HEX #4A62C4

RGB 74 98 196

HSL 228.2, 0.51%, 0.53%

LAB 44.49, 21.86, -54.08

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 50 / 62 / 0 / 23

HEX #624AC4

RGB 98 74 196

HSL 251.8, 0.51%, 0.53%

LAB 40.38, 41.17, -60.64

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 25 / 0 / 62 / 23

HEX #93C44A

RGB 147 196 74

HSL 84.1, 0.51%, 0.53%

LAB 73.66, -35.02, 54.49

 

CMYK 62 / 13 / 0 / 23

HEX #4AABC4

RGB 74 171 196

HSL 192.3, 0.51%, 0.53%

LAB 65.41, -20.81, -21.25

 

CMYK 38 / 62 / 0 / 23

HEX #7A4AC4

RGB 122 74 196

HSL 263.61, 0.51%, 0.53%

LAB 42.79, 46.13, -56.61

 

CMYK 0 / 49 / 62 / 23

HEX #C4644A

RGB 196 100 74

HSL 12.79, 0.51%, 0.53%

LAB 53.32, 36.08, 32.1

 

CMYK 44 / 0 / 62 / 23

HEX #6EC44A

RGB 110 196 74

HSL 102.3, 0.51%, 0.53%

LAB 71.75, -47.91, 51.84

 

CMYK 62 / 13 / 0 / 23

HEX #4AABC4

RGB 74 171 196

HSL 192.3, 0.51%, 0.53%

LAB 65.41, -20.81, -21.25

 

CMYK 19 / 62 / 0 / 23

HEX #9F4AC4

RGB 159 74 196

HSL 281.8, 0.51%, 0.53%

LAB 47.31, 54.63, -49.12

 

Description

Color code: HEX #C4644A | qconv.com Color code: HEX #C4644A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 100 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 100 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 62 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 62% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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