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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45F5A it is the complementary color #3BA0A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45F5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45F5A shade: #C95F55, #DA7168, #EB837B, #FC958E and #FFA7A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45F5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45F5A shade: #C45F5A, #B34D47, #A23B34, #912921 and #80170E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45F5A shade: #C35F5A and #C35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45F5A shade: #C35F5A, #C37B5A, #C3975A, #C3B45A and #B6C35A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45F5A shade matches the following richer shades: #C35F5A, #D54E47, #E73E35 and #F92D23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45F5A shade: #C35F5A, #B16F6C, #9F7F7E, #8D9090 and #7AA0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45F5A shade: #C35A8E, #C35A72, #C35D5A, #C3795A and #C3955A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45F5A shade: #953A35, #B34640, #C35F5A, #CE7C78 and #D99996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45F5A shade: #C45F5A, #AAC35A and #5A80C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45F5A shade: #C45F5A, #5AC35D and #5D5AC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45F5A shade: #C45F5A, #AAC35A, #5AC0C3 and #725AC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45F5A shade: #C45F5A, #8BC35A, #5AC0C3 and #925AC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 54 / 23

HEX #C45F5A

RGB 196 95 90

HSL 2.83, 0.47%, 0.56%

LAB 52.57, 39.88, 21.95

 

Complementary color

CMYK 64 / 3 / 0 / 35

HEX #3BA0A5

RGB 59 160 165

HSL 182.83, 0.47%, 0.44%

LAB 60.59, -27.08, -11.23

 

CMYK 0 / 53 / 58 / 21

HEX #C95F55

RGB 201 95 85

HSL 5.17, 0.52%, 0.56%

LAB 53.23, 41.34, 25.86

 

CMYK 0 / 48 / 52 / 15

HEX #DA7168

RGB 218 113 104

HSL 4.74, 0.61%, 0.63%

LAB 59.63, 40.13, 23.81

 

CMYK 0 / 44 / 48 / 8

HEX #EB837B

RGB 235 131 123

HSL 4.29, 0.74%, 0.7%

LAB 66, 38.98, 22.04

 

CMYK 0 / 41 / 44 / 1

HEX #FC958E

RGB 252 149 142

HSL 3.82, 0.95%, 0.77%

LAB 72.32, 37.9, 20.47

 

CMYK 0 / 35 / 37 / 0

HEX #FFA7A1

RGB 255 167 161

HSL 3.83, 1%, 0.82%

LAB 76.96, 31.74, 16.55

 

CMYK 0 / 52 / 54 / 23

HEX #C45F5A

RGB 196 95 90

HSL 2.83, 0.47%, 0.56%

LAB 52.57, 39.88, 21.95

 

CMYK 0 / 57 / 60 / 30

HEX #B34D47

RGB 179 77 71

HSL 3.33, 0.43%, 0.49%

LAB 46.11, 41.07, 24.21

 

CMYK 0 / 64 / 68 / 36

HEX #A23B34

RGB 162 59 52

HSL 3.82, 0.51%, 0.42%

LAB 39.68, 42.19, 26.94

 

CMYK 0 / 72 / 77 / 43

HEX #912921

RGB 145 41 33

HSL 4.29, 0.63%, 0.35%

LAB 33.38, 43.06, 30.21

 

CMYK 0 / 82 / 89 / 50

HEX #80170E

RGB 128 23 14

HSL 4.74, 0.8%, 0.28%

LAB 27.39, 43.27, 33.83

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 37 / 54 / 24

HEX #C37B5A

RGB 195 123 90

HSL 18.86, 0.47%, 0.56%

LAB 58.51, 24.59, 29.66

 

CMYK 0 / 23 / 54 / 24

HEX #C3975A

RGB 195 151 90

HSL 34.86, 0.47%, 0.56%

LAB 65.34, 9.21, 38.2

 

CMYK 0 / 8 / 54 / 24

HEX #C3B45A

RGB 195 180 90

HSL 51.43, 0.47%, 0.56%

LAB 72.88, -6.32, 47.24

 

CMYK 7 / 0 / 54 / 24

HEX #B6C35A

RGB 182 195 90

HSL 67.43, 0.47%, 0.56%

LAB 75.89, -19.37, 50.48

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 63 / 67 / 16

HEX #D54E47

RGB 213 78 71

HSL 2.96, 0.63%, 0.56%

LAB 51.89, 52.64, 32.66

 

CMYK 0 / 73 / 77 / 9

HEX #E73E35

RGB 231 62 53

HSL 3.03, 0.79%, 0.56%

LAB 52.61, 63.74, 44.36

 

CMYK 0 / 82 / 86 / 2

HEX #F92D23

RGB 249 45 35

HSL 2.8, 0.95%, 0.56%

LAB 54.17, 73.19, 55.98

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 37 / 39 / 31

HEX #B16F6C

RGB 177 111 108

HSL 2.61, 0.31%, 0.56%

LAB 53.81, 25.82, 12.68

 

CMYK 0 / 20 / 21 / 38

HEX #9F7F7E

RGB 159 127 126

HSL 1.82, 0.15%, 0.56%

LAB 56.14, 12.16, 5.22

 

CMYK 2 / 0 / 0 / 44

HEX #8D9090

RGB 141 144 144

HSL 180, 0.01%, 0.56%

LAB 59.55, -1.09, -0.39

 

CMYK 25 / 1 / 0 / 36

HEX #7AA0A2

RGB 122 160 162

HSL 183, 0.18%, 0.56%

LAB 63.25, -12.43, -5.29

 

CMYK 0 / 54 / 27 / 24

HEX #C35A8E

RGB 195 90 142

HSL 330.29, 0.47%, 0.56%

LAB 52.8, 47.77, -8.53

 

CMYK 0 / 54 / 42 / 24

HEX #C35A72

RGB 195 90 114

HSL 346.29, 0.47%, 0.56%

LAB 51.98, 44.34, 6.91

 

CMYK 0 / 52 / 54 / 24

HEX #C35D5A

RGB 195 93 90

HSL 1.71, 0.47%, 0.56%

LAB 52.03, 40.52, 21.2

 

CMYK 0 / 38 / 54 / 24

HEX #C3795A

RGB 195 121 90

HSL 17.71, 0.47%, 0.56%

LAB 58.05, 25.68, 29.07

 

CMYK 0 / 24 / 54 / 24

HEX #C3955A

RGB 195 149 90

HSL 33.71, 0.47%, 0.56%

LAB 64.83, 10.31, 37.58

 

CMYK 0 / 61 / 64 / 42

HEX #953A35

RGB 149 58 53

HSL 3.13, 0.48%, 0.4%

LAB 37.25, 37.95, 22.82

 

CMYK 0 / 61 / 64 / 30

HEX #B34640

RGB 179 70 64

HSL 3.13, 0.47%, 0.48%

LAB 44.71, 43.95, 26.61

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 40 / 42 / 19

HEX #CE7C78

RGB 206 124 120

HSL 2.79, 0.47%, 0.64%

LAB 60.69, 31.39, 15.85

 

CMYK 0 / 29 / 31 / 15

HEX #D99996

RGB 217 153 150

HSL 2.69, 0.47%, 0.72%

LAB 69.28, 23.58, 11.18

 

CMYK 0 / 52 / 54 / 23

HEX #C45F5A

RGB 196 95 90

HSL 2.83, 0.47%, 0.56%

LAB 52.57, 39.88, 21.95

 

CMYK 13 / 0 / 54 / 24

HEX #AAC35A

RGB 170 195 90

HSL 74.29, 0.47%, 0.56%

LAB 75.02, -24.2, 49.24

 

CMYK 54 / 34 / 0 / 24

HEX #5A80C3

RGB 90 128 195

HSL 218.29, 0.47%, 0.56%

LAB 53.55, 6.22, -39.02

 

CMYK 0 / 52 / 54 / 23

HEX #C45F5A

RGB 196 95 90

HSL 2.83, 0.47%, 0.56%

LAB 52.57, 39.88, 21.95

 

CMYK 54 / 0 / 52 / 24

HEX #5AC35D

RGB 90 195 93

HSL 121.71, 0.47%, 0.56%

LAB 70.87, -51.07, 41.85

 

CMYK 52 / 54 / 0 / 24

HEX #5D5AC3

RGB 93 90 195

HSL 241.71, 0.47%, 0.56%

LAB 43.62, 30.24, -54.82

 

CMYK 0 / 52 / 54 / 23

HEX #C45F5A

RGB 196 95 90

HSL 2.83, 0.47%, 0.56%

LAB 52.57, 39.88, 21.95

 

CMYK 13 / 0 / 54 / 24

HEX #AAC35A

RGB 170 195 90

HSL 74.29, 0.47%, 0.56%

LAB 75.02, -24.2, 49.24

 

CMYK 54 / 2 / 0 / 24

HEX #5AC0C3

RGB 90 192 195

HSL 181.71, 0.47%, 0.56%

LAB 72.1, -28.63, -10.55

 

CMYK 42 / 54 / 0 / 24

HEX #725AC3

RGB 114 90 195

HSL 253.71, 0.47%, 0.56%

LAB 45.4, 34.93, -51.87

 

CMYK 0 / 52 / 54 / 23

HEX #C45F5A

RGB 196 95 90

HSL 2.83, 0.47%, 0.56%

LAB 52.57, 39.88, 21.95

 

CMYK 29 / 0 / 54 / 24

HEX #8BC35A

RGB 139 195 90

HSL 92, 0.47%, 0.56%

LAB 73.06, -36.02, 46.45

 

CMYK 54 / 2 / 0 / 24

HEX #5AC0C3

RGB 90 192 195

HSL 181.71, 0.47%, 0.56%

LAB 72.1, -28.63, -10.55

 

CMYK 25 / 54 / 0 / 24

HEX #925AC3

RGB 146 90 195

HSL 272, 0.47%, 0.56%

LAB 48.71, 42.95, -46.38

 

Description

Color code: HEX #C45F5A | qconv.com Color code: HEX #C45F5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 95 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 95 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 54 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 54% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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