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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45CE9 it is the complementary color #3BA316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45CE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45CE9 shade: #C95CE4, #DA6EF7, #EB80FF, #FC92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45CE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45CE9 shade: #C45CE9, #B34AD6, #A238C3, #9126B0 and #80149D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45CE9 shade: #C45DE8, #E85DE7, #E85DC2, #E85D9C and #E85D77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45CE9 shade: #C45DE8, #9E5DE8, #795DE8 and #5D5DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45CE9 shade matches the following richer shades: #C45DE8 and #CB4EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45CE9 shade: #C45DE8, #BD6CDA, #B67BCB, #AF89BC and #A898AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45CE9 shade: #795DE8, #9E5DE8, #C35DE8, #E85DE8 and #E85DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45CE9 shade: #A51DD6, #B739E4, #C45DE8, #D181ED and #DEA6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45CE9 shade: #C45CE9, #E85D66 and #5DE88B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45CE9 shade: #C45CE9, #E8C35D and #5DE8C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45CE9 shade: #C45CE9, #E85D66, #82E85D and #5DE8DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45CE9 shade: #C45CE9, #E87D5D, #82E85D and #5DC8E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 61 / 0 / 9

HEX #C45CE9

RGB 196 92 233

HSL 284.26, 0.76%, 0.64%

LAB 57.34, 62.59, -53.86

 

Complementary color

CMYK 64 / 0 / 87 / 36

HEX #3BA316

RGB 59 163 22

HSL 104.26, 0.76%, 0.36%

LAB 59.14, -53.41, 56.93

 

CMYK 12 / 60 / 0 / 11

HEX #C95CE4

RGB 201 92 228

HSL 288.09, 0.72%, 0.63%

LAB 57.73, 62.81, -50.41

 

CMYK 12 / 55 / 0 / 3

HEX #DA6EF7

RGB 218 110 247

HSL 287.3, 0.9%, 0.7%

LAB 63.98, 62.31, -50.93

 

CMYK 8 / 50 / 0 / 0

HEX #EB80FF

RGB 235 128 255

HSL 290.55, 1%, 0.75%

LAB 69.7, 59.61, -46.15

 

CMYK 1 / 43 / 0 / 0

HEX #FC92FF

RGB 252 146 255

HSL 298.35, 1%, 0.79%

LAB 75.12, 55.46, -37.53

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 16 / 61 / 0 / 9

HEX #C45CE9

RGB 196 92 233

HSL 284.26, 0.76%, 0.64%

LAB 57.34, 62.59, -53.86

 

CMYK 16 / 65 / 0 / 16

HEX #B34AD6

RGB 179 74 214

HSL 285, 0.63%, 0.56%

LAB 51.08, 62.92, -53.27

 

CMYK 17 / 71 / 0 / 24

HEX #A238C3

RGB 162 56 195

HSL 285.76, 0.55%, 0.49%

LAB 44.87, 62.88, -52.42

 

CMYK 18 / 78 / 0 / 31

HEX #9126B0

RGB 145 38 176

HSL 286.52, 0.64%, 0.42%

LAB 38.8, 62.23, -51.16

 

CMYK 18 / 87 / 0 / 38

HEX #80149D

RGB 128 20 157

HSL 287.3, 0.77%, 0.35%

LAB 32.97, 60.54, -49.29

 

CMYK 16 / 60 / 0 / 9

HEX #C45DE8

RGB 196 93 232

HSL 284.46, 0.75%, 0.64%

LAB 57.45, 61.93, -53.12

 

CMYK 0 / 60 / 0 / 9

HEX #E85DE7

RGB 232 93 231

HSL 300.43, 0.75%, 0.64%

LAB 62.3, 70.43, -44.58

 

CMYK 0 / 60 / 16 / 9

HEX #E85DC2

RGB 232 93 194

HSL 316.4, 0.75%, 0.64%

LAB 60.68, 64.7, -26.25

 

CMYK 0 / 60 / 33 / 9

HEX #E85D9C

RGB 232 93 156

HSL 332.81, 0.75%, 0.64%

LAB 59.33, 59.72, -6.42

 

CMYK 0 / 60 / 49 / 9

HEX #E85D77

RGB 232 93 119

HSL 348.78, 0.75%, 0.64%

LAB 58.34, 55.91, 13.73

 

CMYK 16 / 60 / 0 / 9

HEX #C45DE8

RGB 196 93 232

HSL 284.46, 0.75%, 0.64%

LAB 57.45, 61.93, -53.12

 

CMYK 32 / 60 / 0 / 9

HEX #9E5DE8

RGB 158 93 232

HSL 268.06, 0.75%, 0.64%

LAB 52.87, 53.09, -60.73

 

CMYK 48 / 60 / 0 / 9

HEX #795DE8

RGB 121 93 232

HSL 252.09, 0.75%, 0.64%

LAB 49.15, 45.25, -66.9

 

CMYK 60 / 60 / 0 / 9

HEX #5D5DE8

RGB 93 93 232

HSL 240, 0.75%, 0.64%

LAB 46.95, 40.21, -70.58

 

CMYK 16 / 60 / 0 / 9

HEX #C45DE8

RGB 196 93 232

HSL 284.46, 0.75%, 0.64%

LAB 57.45, 61.93, -53.12

 

CMYK 18 / 68 / 0 / 3

HEX #CB4EF7

RGB 203 78 247

HSL 284.38, 0.91%, 0.64%

LAB 56.94, 72.81, -62.26

 

CMYK 16 / 60 / 0 / 9

HEX #C45DE8

RGB 196 93 232

HSL 284.46, 0.75%, 0.64%

LAB 57.45, 61.93, -53.12

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CDA

RGB 189 108 218

HSL 284.18, 0.6%, 0.64%

LAB 58.61, 49.97, -43.49

 

CMYK 10 / 39 / 0 / 20

HEX #B67BCB

RGB 182 123 203

HSL 284.25, 0.43%, 0.64%

LAB 60.27, 36.84, -32.5

 

CMYK 7 / 27 / 0 / 26

HEX #AF89BC

RGB 175 137 188

HSL 284.71, 0.28%, 0.64%

LAB 62.2, 23.7, -21.11

 

CMYK 3 / 12 / 0 / 32

HEX #A898AD

RGB 168 152 173

HSL 285.71, 0.11%, 0.64%

LAB 64.8, 9.82, -8.79

 

CMYK 48 / 60 / 0 / 9

HEX #795DE8

RGB 121 93 232

HSL 252.09, 0.75%, 0.64%

LAB 49.15, 45.25, -66.9

 

CMYK 32 / 60 / 0 / 9

HEX #9E5DE8

RGB 158 93 232

HSL 268.06, 0.75%, 0.64%

LAB 52.87, 53.09, -60.73

 

CMYK 16 / 60 / 0 / 9

HEX #C35DE8

RGB 195 93 232

HSL 284.03, 0.75%, 0.64%

LAB 57.32, 61.69, -53.34

 

CMYK 0 / 60 / 0 / 9

HEX #E85DE8

RGB 232 93 232

HSL 300, 0.75%, 0.64%

LAB 62.35, 70.6, -45.06

 

CMYK 0 / 60 / 16 / 9

HEX #E85DC3

RGB 232 93 195

HSL 315.97, 0.75%, 0.64%

LAB 60.72, 64.84, -26.76

 

CMYK 23 / 86 / 0 / 16

HEX #A51DD6

RGB 165 29 214

HSL 284.11, 0.76%, 0.48%

LAB 43.85, 75.1, -65.03

 

CMYK 20 / 75 / 0 / 11

HEX #B739E4

RGB 183 57 228

HSL 284.21, 0.76%, 0.56%

LAB 50.21, 72.98, -62.59

 

CMYK 16 / 60 / 0 / 9

HEX #C45DE8

RGB 196 93 232

HSL 284.46, 0.75%, 0.64%

LAB 57.45, 61.93, -53.12

 

CMYK 12 / 46 / 0 / 7

HEX #D181ED

RGB 209 129 237

HSL 284.44, 0.75%, 0.72%

LAB 66.04, 48.49, -42.24

 

CMYK 8 / 31 / 0 / 5

HEX #DEA6F2

RGB 222 166 242

HSL 284.21, 0.75%, 0.8%

LAB 75.58, 33.65, -30.04

 

CMYK 16 / 61 / 0 / 9

HEX #C45CE9

RGB 196 92 233

HSL 284.26, 0.76%, 0.64%

LAB 57.34, 62.59, -53.86

 

CMYK 0 / 60 / 56 / 9

HEX #E85D66

RGB 232 93 102

HSL 356.12, 0.75%, 0.64%

LAB 57.98, 54.52, 23.15

 

CMYK 60 / 0 / 40 / 9

HEX #5DE88B

RGB 93 232 139

HSL 139.86, 0.75%, 0.64%

LAB 82.86, -57.69, 34.28

 

CMYK 16 / 61 / 0 / 9

HEX #C45CE9

RGB 196 92 233

HSL 284.26, 0.76%, 0.64%

LAB 57.34, 62.59, -53.86

 

CMYK 0 / 16 / 60 / 9

HEX #E8C35D

RGB 232 195 93

HSL 44.03, 0.75%, 0.64%

LAB 80.17, 1.56, 55.1

 

CMYK 60 / 0 / 16 / 9

HEX #5DE8C3

RGB 93 232 195

HSL 164.03, 0.75%, 0.64%

LAB 83.96, -46.35, 6.83

 

CMYK 16 / 61 / 0 / 9

HEX #C45CE9

RGB 196 92 233

HSL 284.26, 0.76%, 0.64%

LAB 57.34, 62.59, -53.86

 

CMYK 0 / 60 / 56 / 9

HEX #E85D66

RGB 232 93 102

HSL 356.12, 0.75%, 0.64%

LAB 57.98, 54.52, 23.15

 

CMYK 44 / 0 / 60 / 9

HEX #82E85D

RGB 130 232 93

HSL 104.03, 0.75%, 0.64%

LAB 83.57, -54.38, 57.14

 

CMYK 60 / 0 / 4 / 9

HEX #5DE8DF

RGB 93 232 223

HSL 176.12, 0.75%, 0.64%

LAB 84.67, -39.42, -6.87

 

CMYK 16 / 61 / 0 / 9

HEX #C45CE9

RGB 196 92 233

HSL 284.26, 0.76%, 0.64%

LAB 57.34, 62.59, -53.86

 

CMYK 0 / 46 / 60 / 9

HEX #E87D5D

RGB 232 125 93

HSL 13.81, 0.75%, 0.64%

LAB 63.85, 38.44, 35.75

 

CMYK 44 / 0 / 60 / 9

HEX #82E85D

RGB 130 232 93

HSL 104.03, 0.75%, 0.64%

LAB 83.57, -54.38, 57.14

 

CMYK 60 / 14 / 0 / 9

HEX #5DC8E8

RGB 93 200 232

HSL 193.81, 0.75%, 0.64%

LAB 75.74, -21.56, -25.11

 

Description

Color code: HEX #C45CE9 | qconv.com Color code: HEX #C45CE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 92 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 92 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 61 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 61% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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