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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C458CA it is the complementary color #3BA735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C458CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C458CA shade: #C958C5, #DA6AD8, #EB7CEB, #FC8EFE and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C458CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C458CA shade: #C458CA, #B346B7, #A234A4, #912291 and #80107E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C458CA shade: #C458CA, #CA58B1, #CA5892, #CA5874 and #CA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C458CA shade: #C458CA, #A558CA, #8658CA, #6858CA and #5858CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C458CA shade matches the following richer shades: #C458CA, #D446DC and #E434ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C458CA shade: #C458CA, #B46AB8, #A47BA6, #948D95 and #849F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C458CA shade: #8558CA, #A458CA, #C258CA, #CA58B3 and #CA5895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C458CA shade: #98319E, #B63BBD, #C458CA, #CF77D4 and #DA97DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C458CA shade: #C458CA, #CA6758 and #58CA95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C458CA shade: #C458CA, #CAC258 and #58CAC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C458CA shade: #C458CA, #CA6758, #5FCA58 and #58BBCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C458CA shade: #C458CA, #CA8958, #5FCA58 and #5898CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

Complementary color

CMYK 65 / 0 / 68 / 35

HEX #3BA735

RGB 59 167 53

HSL 116.84, 0.52%, 0.43%

LAB 60.63, -52.69, 48.09

 

CMYK 0 / 56 / 2 / 21

HEX #C958C5

RGB 201 88 197

HSL 302.12, 0.51%, 0.57%

LAB 55.51, 58.99, -36.33

 

CMYK 0 / 51 / 1 / 15

HEX #DA6AD8

RGB 218 106 216

HSL 301.07, 0.6%, 0.64%

LAB 61.8, 58.52, -37.1

 

CMYK 0 / 47 / 0 / 8

HEX #EB7CEB

RGB 235 124 235

HSL 300, 0.74%, 0.7%

LAB 68.08, 57.92, -37.72

 

CMYK 1 / 44 / 0 / 0

HEX #FC8EFE

RGB 252 142 254

HSL 298.93, 0.98%, 0.78%

LAB 74.32, 57.26, -38.24

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 2 / 62 / 0 / 28

HEX #B346B7

RGB 179 70 183

HSL 297.88, 0.45%, 0.5%

LAB 48.74, 58.82, -39.11

 

CMYK 1 / 68 / 0 / 36

HEX #A234A4

RGB 162 52 164

HSL 298.93, 0.52%, 0.42%

LAB 42.49, 58.7, -37.96

 

CMYK 0 / 77 / 0 / 43

HEX #912291

RGB 145 34 145

HSL 300, 0.62%, 0.35%

LAB 36.38, 57.9, -36.34

 

CMYK 0 / 88 / 2 / 50

HEX #80107E

RGB 128 16 126

HSL 301.07, 0.78%, 0.28%

LAB 30.56, 55.96, -34

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 0 / 56 / 12 / 21

HEX #CA58B1

RGB 202 88 177

HSL 313.16, 0.52%, 0.57%

LAB 54.77, 55.98, -25.95

 

CMYK 0 / 56 / 28 / 21

HEX #CA5892

RGB 202 88 146

HSL 329.47, 0.52%, 0.57%

LAB 53.61, 51.49, -9.58

 

CMYK 0 / 56 / 43 / 21

HEX #CA5874

RGB 202 88 116

HSL 345.26, 0.52%, 0.57%

LAB 52.73, 47.94, 6.92

 

CMYK 0 / 56 / 56 / 21

HEX #CA5858

RGB 202 88 88

HSL 0, 0.52%, 0.57%

LAB 52.11, 45.37, 22.67

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 18 / 56 / 0 / 21

HEX #A558CA

RGB 165 88 202

HSL 280.53, 0.52%, 0.57%

LAB 50.97, 50.5, -46.69

 

CMYK 34 / 56 / 0 / 21

HEX #8658CA

RGB 134 88 202

HSL 264.21, 0.52%, 0.57%

LAB 47.38, 42.76, -52.63

 

CMYK 49 / 56 / 0 / 21

HEX #6858CA

RGB 104 88 202

HSL 248.42, 0.52%, 0.57%

LAB 44.5, 35.92, -57.41

 

CMYK 56 / 56 / 0 / 21

HEX #5858CA

RGB 88 88 202

HSL 240, 0.52%, 0.57%

LAB 43.24, 32.72, -59.51

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 4 / 68 / 0 / 14

HEX #D446DC

RGB 212 70 220

HSL 296.8, 0.68%, 0.57%

LAB 55.63, 72.88, -49.14

 

CMYK 4 / 78 / 0 / 7

HEX #E434ED

RGB 228 52 237

HSL 297.08, 0.84%, 0.57%

LAB 57.14, 84.32, -56.16

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 2 / 42 / 0 / 28

HEX #B46AB8

RGB 180 106 184

HSL 296.92, 0.35%, 0.57%

LAB 55.56, 41.67, -29.01

 

CMYK 1 / 26 / 0 / 35

HEX #A47BA6

RGB 164 123 166

HSL 297.21, 0.19%, 0.57%

LAB 56.89, 23.48, -16.75

 

CMYK 1 / 5 / 0 / 42

HEX #948D95

RGB 148 141 149

HSL 292.5, 0.04%, 0.57%

LAB 59.45, 4.13, -3.32

 

CMYK 17 / 0 / 18 / 38

HEX #849F83

RGB 132 159 131

HSL 117.86, 0.13%, 0.57%

LAB 62.79, -15.01, 11.53

 

CMYK 34 / 56 / 0 / 21

HEX #8558CA

RGB 133 88 202

HSL 263.68, 0.52%, 0.57%

LAB 47.28, 42.51, -52.8

 

CMYK 19 / 56 / 0 / 21

HEX #A458CA

RGB 164 88 202

HSL 280, 0.52%, 0.57%

LAB 50.85, 50.25, -46.89

 

CMYK 4 / 56 / 0 / 21

HEX #C258CA

RGB 194 88 202

HSL 295.79, 0.52%, 0.57%

LAB 54.78, 58.03, -40.42

 

CMYK 0 / 56 / 11 / 21

HEX #CA58B3

RGB 202 88 179

HSL 312.11, 0.52%, 0.57%

LAB 54.86, 56.29, -26.98

 

CMYK 0 / 56 / 26 / 21

HEX #CA5895

RGB 202 88 149

HSL 327.89, 0.52%, 0.57%

LAB 53.71, 51.89, -11.19

 

CMYK 4 / 69 / 0 / 38

HEX #98319E

RGB 152 49 158

HSL 296.7, 0.53%, 0.41%

LAB 40.15, 56.46, -38.17

 

CMYK 4 / 69 / 0 / 26

HEX #B63BBD

RGB 182 59 189

HSL 296.77, 0.52%, 0.49%

LAB 47.94, 64.98, -43.85

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 2 / 44 / 0 / 17

HEX #CF77D4

RGB 207 119 212

HSL 296.77, 0.52%, 0.65%

LAB 62.69, 48.25, -33.58

 

CMYK 2 / 32 / 0 / 13

HEX #DA97DE

RGB 218 151 222

HSL 296.62, 0.52%, 0.73%

LAB 71.09, 36.6, -26.07

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 0 / 49 / 56 / 21

HEX #CA6758

RGB 202 103 88

HSL 7.89, 0.52%, 0.57%

LAB 55.03, 37.88, 26.49

 

CMYK 56 / 0 / 26 / 21

HEX #58CA95

RGB 88 202 149

HSL 152.11, 0.52%, 0.57%

LAB 73.86, -44.75, 16.9

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 0 / 4 / 56 / 21

HEX #CAC258

RGB 202 194 88

HSL 55.79, 0.52%, 0.57%

LAB 77.19, -10.79, 53.3

 

CMYK 56 / 0 / 4 / 21

HEX #58CAC2

RGB 88 202 194

HSL 175.79, 0.52%, 0.57%

LAB 74.96, -34.08, -5.77

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 0 / 49 / 56 / 21

HEX #CA6758

RGB 202 103 88

HSL 7.89, 0.52%, 0.57%

LAB 55.03, 37.88, 26.49

 

CMYK 53 / 0 / 56 / 21

HEX #5FCA58

RGB 95 202 88

HSL 116.32, 0.52%, 0.57%

LAB 73.14, -53.12, 46.98

 

CMYK 56 / 7 / 0 / 21

HEX #58BBCA

RGB 88 187 202

HSL 187.89, 0.52%, 0.57%

LAB 70.79, -24.61, -16.36

 

CMYK 3 / 56 / 0 / 21

HEX #C458CA

RGB 196 88 202

HSL 296.84, 0.52%, 0.57%

LAB 55.05, 58.55, -39.97

 

CMYK 0 / 32 / 56 / 21

HEX #CA8958

RGB 202 137 88

HSL 25.79, 0.52%, 0.57%

LAB 62.64, 19.65, 36.1

 

CMYK 53 / 0 / 56 / 21

HEX #5FCA58

RGB 95 202 88

HSL 116.32, 0.52%, 0.57%

LAB 73.14, -53.12, 46.98

 

CMYK 56 / 25 / 0 / 21

HEX #5898CA

RGB 88 152 202

HSL 206.32, 0.52%, 0.57%

LAB 60.6, -5.96, -31.96

 

Description

Color code: HEX #C458CA | qconv.com Color code: HEX #C458CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 88 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 88 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 56 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 56% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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