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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45458 it is the complementary color #3BABA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45458 shade: #C95453, #DA6666, #EB7879, #FC8A8C and #FF9C9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45458 shade: #C45458, #B34245, #A23032, #911E1F and #800C0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45458 shade: #C45458 and #C45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45458 shade: #C45458, #C45476, #C45494, #C454B3 and #B754C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45458 shade matches the following richer shades: #C45458, #D74146, #E92E35 and #FC1C24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45458 shade: #C45458, #B16669, #9F797A, #8C8B8B and #7A9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45458 shade: #C45495, #C45477, #C45459, #C46C54 and #C48A54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45458 shade: #933235, #B23D41, #C45458, #CE7276 and #D99194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45458 shade: #C45458, #B3C454 and #5486C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45458 shade: #C45458, #59C454 and #5459C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45458 shade: #C45458, #B3C454, #54C4BE and #6454C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45458 shade: #C45458, #91C454, #54C4BE and #8654C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

Complementary color

CMYK 65 / 0 / 2 / 33

HEX #3BABA7

RGB 59 171 167

HSL 177.86, 0.49%, 0.45%

LAB 64.04, -31.87, -7.21

 

CMYK 0 / 58 / 59 / 21

HEX #C95453

RGB 201 84 83

HSL 0.51, 0.52%, 0.56%

LAB 51.13, 46.54, 24.3

 

CMYK 0 / 53 / 53 / 15

HEX #DA6666

RGB 218 102 102

HSL 0, 0.61%, 0.63%

LAB 57.43, 45.46, 22.03

 

CMYK 0 / 49 / 49 / 8

HEX #EB7879

RGB 235 120 121

HSL 359.48, 0.74%, 0.7%

LAB 63.73, 44.36, 20.08

 

CMYK 0 / 45 / 44 / 1

HEX #FC8A8C

RGB 252 138 140

HSL 358.95, 0.95%, 0.76%

LAB 70.01, 43.29, 18.39

 

CMYK 0 / 39 / 38 / 0

HEX #FF9C9F

RGB 255 156 159

HSL 358.18, 1%, 0.81%

LAB 74.53, 37.22, 14.24

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 0 / 63 / 61 / 30

HEX #B34245

RGB 179 66 69

HSL 358.41, 0.46%, 0.48%

LAB 44.1, 46.12, 22.84

 

CMYK 0 / 70 / 69 / 36

HEX #A23032

RGB 162 48 50

HSL 358.95, 0.54%, 0.41%

LAB 37.89, 46.83, 25.98

 

CMYK 0 / 79 / 79 / 43

HEX #911E1F

RGB 145 30 31

HSL 359.48, 0.66%, 0.34%

LAB 31.91, 46.99, 29.81

 

CMYK 0 / 91 / 91 / 50

HEX #800C0C

RGB 128 12 12

HSL 0, 0.83%, 0.27%

LAB 26.39, 46.04, 33.91

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 0 / 57 / 40 / 23

HEX #C45476

RGB 196 84 118

HSL 341.79, 0.49%, 0.55%

LAB 51.13, 48.03, 3.32

 

CMYK 0 / 57 / 24 / 23

HEX #C45494

RGB 196 84 148

HSL 325.71, 0.49%, 0.55%

LAB 52.08, 51.77, -13.15

 

CMYK 0 / 57 / 9 / 23

HEX #C454B3

RGB 196 84 179

HSL 309.11, 0.49%, 0.55%

LAB 53.31, 56.44, -29.44

 

CMYK 7 / 57 / 0 / 23

HEX #B754C4

RGB 183 84 196

HSL 293.04, 0.49%, 0.55%

LAB 52.28, 55.91, -41.02

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 0 / 70 / 67 / 16

HEX #D74146

RGB 215 65 70

HSL 358, 0.65%, 0.55%

LAB 50.3, 58.48, 31.38

 

CMYK 0 / 80 / 77 / 9

HEX #E92E35

RGB 233 46 53

HSL 357.75, 0.81%, 0.55%

LAB 51.31, 69.03, 43.1

 

CMYK 0 / 89 / 86 / 1

HEX #FC1C24

RGB 252 28 36

HSL 357.86, 0.97%, 0.55%

LAB 53.66, 77.17, 55.35

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 0 / 42 / 41 / 31

HEX #B16669

RGB 177 102 105

HSL 357.6, 0.32%, 0.55%

LAB 51.69, 30.43, 11.48

 

CMYK 0 / 24 / 23 / 38

HEX #9F797A

RGB 159 121 122

HSL 358.42, 0.17%, 0.55%

LAB 54.5, 14.96, 5.19

 

CMYK 0 / 1 / 1 / 45

HEX #8C8B8B

RGB 140 139 139

HSL 0, 0%, 0.55%

LAB 57.95, 0.37, 0.12

 

CMYK 23 / 0 / 1 / 38

HEX #7A9E9D

RGB 122 158 157

HSL 178.33, 0.16%, 0.55%

LAB 62.53, -12.51, -3.54

 

CMYK 0 / 57 / 24 / 23

HEX #C45495

RGB 196 84 149

HSL 325.18, 0.49%, 0.55%

LAB 52.11, 51.9, -13.69

 

CMYK 0 / 57 / 39 / 23

HEX #C45477

RGB 196 84 119

HSL 341.25, 0.49%, 0.55%

LAB 51.16, 48.14, 2.76

 

CMYK 0 / 57 / 55 / 23

HEX #C45459

RGB 196 84 89

HSL 357.32, 0.49%, 0.55%

LAB 50.45, 45.23, 19.71

 

CMYK 0 / 45 / 57 / 23

HEX #C46C54

RGB 196 108 84

HSL 12.86, 0.49%, 0.55%

LAB 55.18, 32.61, 28.79

 

CMYK 0 / 30 / 57 / 23

HEX #C48A54

RGB 196 138 84

HSL 28.93, 0.49%, 0.55%

LAB 62.13, 16.26, 37.44

 

CMYK 0 / 66 / 64 / 42

HEX #933235

RGB 147 50 53

HSL 358.14, 0.49%, 0.39%

LAB 35.48, 40.99, 20.51

 

CMYK 0 / 66 / 63 / 30

HEX #B23D41

RGB 178 61 65

HSL 357.95, 0.49%, 0.47%

LAB 43.04, 47.71, 23.87

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 0 / 45 / 43 / 19

HEX #CE7276

RGB 206 114 118

HSL 357.39, 0.48%, 0.63%

LAB 58.48, 36.48, 13.93

 

CMYK 0 / 33 / 32 / 15

HEX #D99194

RGB 217 145 148

HSL 357.5, 0.49%, 0.71%

LAB 67.38, 27.63, 9.61

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 9 / 0 / 57 / 23

HEX #B3C454

RGB 179 196 84

HSL 69.11, 0.49%, 0.55%

LAB 75.89, -21.59, 53.16

 

CMYK 57 / 32 / 0 / 23

HEX #5486C4

RGB 84 134 196

HSL 213.21, 0.49%, 0.55%

LAB 54.99, 1.68, -37.35

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 55 / 0 / 57 / 23

HEX #59C454

RGB 89 196 84

HSL 117.32, 0.49%, 0.55%

LAB 71.04, -52.85, 46.32

 

CMYK 57 / 55 / 0 / 23

HEX #5459C4

RGB 84 89 196

HSL 237.32, 0.49%, 0.55%

LAB 42.79, 29.38, -56.79

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 9 / 0 / 57 / 23

HEX #B3C454

RGB 179 196 84

HSL 69.11, 0.49%, 0.55%

LAB 75.89, -21.59, 53.16

 

CMYK 57 / 0 / 3 / 23

HEX #54C4BE

RGB 84 196 190

HSL 176.79, 0.49%, 0.55%

LAB 72.95, -33.07, -6.59

 

CMYK 49 / 57 / 0 / 23

HEX #6454C4

RGB 100 84 196

HSL 248.57, 0.49%, 0.55%

LAB 42.82, 35.67, -56.68

 

CMYK 0 / 57 / 55 / 23

HEX #C45458

RGB 196 84 88

HSL 357.86, 0.49%, 0.55%

LAB 50.43, 45.15, 20.28

 

CMYK 26 / 0 / 57 / 23

HEX #91C454

RGB 145 196 84

HSL 87.32, 0.49%, 0.55%

LAB 73.64, -34.88, 50

 

CMYK 57 / 0 / 3 / 23

HEX #54C4BE

RGB 84 196 190

HSL 176.79, 0.49%, 0.55%

LAB 72.95, -33.07, -6.59

 

CMYK 32 / 57 / 0 / 23

HEX #8654C4

RGB 134 84 196

HSL 266.79, 0.49%, 0.55%

LAB 46.17, 43.45, -51.11

 

Description

Color code: HEX #C45458 | qconv.com Color code: HEX #C45458 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 84 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 84 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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