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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44AEC it is the complementary color #3BB513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44AEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44AEC shade: #C94AE7, #DA5CFA, #EB6EFF, #FC80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44AEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44AEC shade: #C44AEC, #B338D9, #A226C6, #9114B3 and #8002A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44AEC shade: #C44AEC, #EC4AE8, #EC4ABC, #EC4A91 and #EC4A66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44AEC shade: #C44AEC, #984AEC, #6D4AEC and #4A4AEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44AEC shade matches the following richer shades: #C44AEC and #CC3AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44AEC shade: #C44AEC, #BC5BDC, #B46BCB, #AB7BBB and #A38BAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44AEC shade: #6D4AEC, #984AEC, #C34AEC, #EC4AE9 and #EC4ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44AEC shade: #A115CE, #B825E8, #C44AEC, #D070F0 and #DC95F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44AEC shade: #C44AEC, #EC4A53 and #4AEC83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44AEC shade: #C44AEC, #ECC34A and #4AECC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44AEC shade: #C44AEC, #EC4A53, #73EC4A and #4AECE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44AEC shade: #C44AEC, #EC734A, #73EC4A and #4AC3EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

Complementary color

CMYK 67 / 0 / 90 / 29

HEX #3BB513

RGB 59 181 19

HSL 105.19, 0.81%, 0.39%

LAB 64.98, -59.58, 62.63

 

CMYK 13 / 68 / 0 / 9

HEX #C94AE7

RGB 201 74 231

HSL 288.54, 0.77%, 0.6%

LAB 55.16, 70.95, -56.19

 

CMYK 13 / 63 / 0 / 2

HEX #DA5CFA

RGB 218 92 250

HSL 287.85, 0.94%, 0.67%

LAB 61.19, 70.91, -57.01

 

CMYK 8 / 57 / 0 / 0

HEX #EB6EFF

RGB 235 110 255

HSL 291.72, 1%, 0.72%

LAB 66.55, 68.02, -51.12

 

CMYK 1 / 50 / 0 / 0

HEX #FC80FF

RGB 252 128 255

HSL 298.58, 1%, 0.75%

LAB 71.79, 64.15, -42.71

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 18 / 74 / 0 / 15

HEX #B338D9

RGB 179 56 217

HSL 285.84, 0.68%, 0.54%

LAB 48.79, 70.49, -58.66

 

CMYK 18 / 81 / 0 / 22

HEX #A226C6

RGB 162 38 198

HSL 286.5, 0.68%, 0.46%

LAB 42.98, 69.46, -57.21

 

CMYK 19 / 89 / 0 / 30

HEX #9114B3

RGB 145 20 179

HSL 287.17, 0.8%, 0.39%

LAB 37.44, 67.39, -55.15

 

CMYK 20 / 99 / 0 / 37

HEX #8002A0

RGB 128 2 160

HSL 287.85, 0.98%, 0.32%

LAB 32.19, 64.08, -52.38

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 0 / 69 / 2 / 7

HEX #EC4AE8

RGB 236 74 232

HSL 301.48, 0.81%, 0.61%

LAB 60.39, 78.64, -48.11

 

CMYK 0 / 69 / 20 / 7

HEX #EC4ABC

RGB 236 74 188

HSL 317.78, 0.81%, 0.61%

LAB 58.38, 72.3, -26.3

 

CMYK 0 / 69 / 39 / 7

HEX #EC4A91

RGB 236 74 145

HSL 333.7, 0.81%, 0.61%

LAB 56.86, 67.26, -3.58

 

CMYK 0 / 69 / 57 / 7

HEX #EC4A66

RGB 236 74 102

HSL 349.63, 0.81%, 0.61%

LAB 55.78, 63.56, 20.31

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 36 / 69 / 0 / 7

HEX #984AEC

RGB 152 74 236

HSL 268.89, 0.81%, 0.61%

LAB 49.04, 62.1, -69.19

 

CMYK 54 / 69 / 0 / 7

HEX #6D4AEC

RGB 109 74 236

HSL 252.96, 0.81%, 0.61%

LAB 44.53, 54.69, -76.75

 

CMYK 69 / 69 / 0 / 7

HEX #4A4AEC

RGB 74 74 236

HSL 240, 0.81%, 0.61%

LAB 41.86, 50.03, -81.22

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 19 / 77 / 0 / 1

HEX #CC3AFC

RGB 204 58 252

HSL 285.15, 0.97%, 0.61%

LAB 54.96, 80.88, -68.22

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 15 / 59 / 0 / 14

HEX #BC5BDC

RGB 188 91 220

HSL 285.12, 0.65%, 0.61%

LAB 55.42, 58.54, -49.67

 

CMYK 11 / 47 / 0 / 20

HEX #B46BCB

RGB 180 107 203

HSL 285.63, 0.48%, 0.61%

LAB 56.62, 44.91, -38.22

 

CMYK 9 / 34 / 0 / 27

HEX #AB7BBB

RGB 171 123 187

HSL 285, 0.32%, 0.61%

LAB 58.43, 30.08, -26.37

 

CMYK 5 / 19 / 0 / 33

HEX #A38BAB

RGB 163 139 171

HSL 285, 0.16%, 0.61%

LAB 60.95, 15.02, -13.48

 

CMYK 54 / 69 / 0 / 7

HEX #6D4AEC

RGB 109 74 236

HSL 252.96, 0.81%, 0.61%

LAB 44.53, 54.69, -76.75

 

CMYK 36 / 69 / 0 / 7

HEX #984AEC

RGB 152 74 236

HSL 268.89, 0.81%, 0.61%

LAB 49.04, 62.1, -69.19

 

CMYK 17 / 69 / 0 / 7

HEX #C34AEC

RGB 195 74 236

HSL 284.81, 0.81%, 0.61%

LAB 54.61, 70.63, -59.92

 

CMYK 0 / 69 / 1 / 7

HEX #EC4AE9

RGB 236 74 233

HSL 301.11, 0.81%, 0.61%

LAB 60.44, 78.8, -48.59

 

CMYK 0 / 69 / 19 / 7

HEX #EC4ABE

RGB 236 74 190

HSL 317.04, 0.81%, 0.61%

LAB 58.46, 72.57, -27.33

 

CMYK 22 / 90 / 0 / 19

HEX #A115CE

RGB 161 21 206

HSL 285.41, 0.81%, 0.45%

LAB 42.11, 74.55, -63.27

 

CMYK 21 / 84 / 0 / 9

HEX #B825E8

RGB 184 37 232

HSL 285.23, 0.81%, 0.53%

LAB 48.69, 79.55, -67.31

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 13 / 53 / 0 / 6

HEX #D070F0

RGB 208 112 240

HSL 285, 0.81%, 0.69%

LAB 62.75, 57.44, -49.08

 

CMYK 9 / 39 / 0 / 5

HEX #DC95F3

RGB 220 149 243

HSL 285.32, 0.8%, 0.77%

LAB 71.68, 42.34, -36.64

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 0 / 69 / 65 / 7

HEX #EC4A53

RGB 236 74 83

HSL 356.67, 0.81%, 0.61%

LAB 55.44, 62.36, 31

 

CMYK 69 / 0 / 44 / 7

HEX #4AEC83

RGB 74 236 131

HSL 141.11, 0.81%, 0.61%

LAB 83.49, -64.02, 38.97

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 0 / 17 / 69 / 7

HEX #ECC34A

RGB 236 195 74

HSL 44.81, 0.81%, 0.61%

LAB 80.38, 2.09, 63.73

 

CMYK 69 / 0 / 17 / 7

HEX #4AECC3

RGB 74 236 195

HSL 164.81, 0.81%, 0.61%

LAB 84.68, -51.13, 7.82

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 0 / 69 / 65 / 7

HEX #EC4A53

RGB 236 74 83

HSL 356.67, 0.81%, 0.61%

LAB 55.44, 62.36, 31

 

CMYK 51 / 0 / 69 / 7

HEX #73EC4A

RGB 115 236 74

HSL 104.81, 0.81%, 0.61%

LAB 84.03, -61.86, 65.12

 

CMYK 69 / 0 / 3 / 7

HEX #4AECE4

RGB 74 236 228

HSL 177.04, 0.81%, 0.61%

LAB 85.53, -42.73, -8.29

 

CMYK 17 / 69 / 0 / 7

HEX #C44AEC

RGB 196 74 236

HSL 285.19, 0.81%, 0.61%

LAB 54.75, 70.84, -59.69

 

CMYK 0 / 51 / 69 / 7

HEX #EC734A

RGB 236 115 74

HSL 15.19, 0.81%, 0.61%

LAB 62.16, 43.82, 44.01

 

CMYK 51 / 0 / 69 / 7

HEX #73EC4A

RGB 115 236 74

HSL 104.81, 0.81%, 0.61%

LAB 84.03, -61.86, 65.12

 

CMYK 69 / 17 / 0 / 7

HEX #4AC3EC

RGB 74 195 236

HSL 195.19, 0.81%, 0.61%

LAB 73.9, -20.83, -30.14

 

Description

Color code: HEX #C44AEC | qconv.com Color code: HEX #C44AEC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 74 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 74 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 69 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 69% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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