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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C42B87 it is the complementary color #3BD478. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C42B87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C42B87 shade: #C92B82, #DA3D95, #EB4FA8, #FC61BB and #FF73CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C42B87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C42B87 shade: #C42B87, #B31974, #A20761, #91004E and #80003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C42B87 shade: #C42B87, #C42B5E, #C42B34 and #C42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C42B87 shade: #C42B87, #C42BB0, #AE2BC4, #852BC4 and #5C2BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C42B87 shade matches the following richer shades: #C42B87, #D7178B and #EB048F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C42B87 shade: #C42B87, #B13E83, #9D517F, #8A657B and #767877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C42B87 shade: #AD2BC4, #C42BB2, #C42B89, #C42B60 and #C42B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C42B87 shade: #801C58, #A22370, #C42B87, #D5439B and #DD65AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C42B87 shade: #C42B87, #C4842B and #2BC4C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C42B87 shade: #C42B87, #89C42B and #2B89C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C42B87 shade: #C42B87, #C4842B, #2BC465 and #2B6BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C42B87 shade: #C42B87, #C4B22B, #2BC465 and #2B3DC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

Complementary color

CMYK 72 / 0 / 43 / 17

HEX #3BD478

RGB 59 212 120

HSL 143.92, 0.64%, 0.53%

LAB 75.68, -59.6, 34.34

 

CMYK 0 / 79 / 35 / 21

HEX #C92B82

RGB 201 43 130

HSL 326.96, 0.65%, 0.48%

LAB 46.65, 66.47, -10.45

 

CMYK 0 / 72 / 32 / 15

HEX #DA3D95

RGB 218 61 149

HSL 326.37, 0.68%, 0.55%

LAB 52.3, 67.39, -13.07

 

CMYK 0 / 66 / 29 / 8

HEX #EB4FA8

RGB 235 79 168

HSL 325.77, 0.8%, 0.62%

LAB 58.11, 67.7, -15.16

 

CMYK 0 / 62 / 26 / 1

HEX #FC61BB

RGB 252 97 187

HSL 325.16, 0.96%, 0.68%

LAB 64.03, 67.61, -16.88

 

CMYK 0 / 55 / 19 / 0

HEX #FF73CE

RGB 255 115 206

HSL 321, 1%, 0.73%

LAB 68, 63.25, -21.5

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 86 / 35 / 30

HEX #B31974

RGB 179 25 116

HSL 324.55, 0.75%, 0.4%

LAB 40.48, 63.99, -11.55

 

CMYK 0 / 96 / 40 / 36

HEX #A20761

RGB 162 7 97

HSL 325.16, 0.92%, 0.33%

LAB 35.39, 60.93, -7.51

 

CMYK 0 / 100 / 46 / 43

HEX #91004E

RGB 145 0 78

HSL 327.72, 1%, 0.28%

LAB 30.81, 56.21, -2.32

 

CMYK 0 / 100 / 54 / 50

HEX #80003B

RGB 128 0 59

HSL 332.34, 1%, 0.25%

LAB 26.46, 50.56, 3.69

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 78 / 52 / 23

HEX #C42B5E

RGB 196 43 94

HSL 340, 0.64%, 0.47%

LAB 44.62, 61.82, 8.65

 

CMYK 0 / 78 / 73 / 23

HEX #C42B34

RGB 196 43 52

HSL 356.47, 0.64%, 0.47%

LAB 43.82, 59.29, 33.39

 

CMYK 0 / 78 / 78 / 23

HEX #C42B2B

RGB 196 43 43

HSL 0, 0.64%, 0.47%

LAB 43.71, 58.95, 38.46

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 78 / 10 / 23

HEX #C42BB0

RGB 196 43 176

HSL 307.84, 0.64%, 0.47%

LAB 47.75, 71.1, -36.39

 

CMYK 11 / 78 / 0 / 23

HEX #AE2BC4

RGB 174 43 196

HSL 291.37, 0.64%, 0.47%

LAB 45.24, 69.86, -52.31

 

CMYK 32 / 78 / 0 / 23

HEX #852BC4

RGB 133 43 196

HSL 275.29, 0.64%, 0.47%

LAB 39.07, 62.48, -62.58

 

CMYK 53 / 78 / 0 / 23

HEX #5C2BC4

RGB 92 43 196

HSL 259.22, 0.64%, 0.47%

LAB 33.96, 56.3, -71.15

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 89 / 35 / 16

HEX #D7178B

RGB 215 23 139

HSL 323.75, 0.81%, 0.47%

LAB 48.16, 74.82, -13.38

 

CMYK 0 / 98 / 39 / 8

HEX #EB048F

RGB 235 4 143

HSL 323.9, 0.97%, 0.47%

LAB 51.53, 81.29, -10.33

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 65 / 26 / 31

HEX #B13E83

RGB 177 62 131

HSL 324, 0.48%, 0.47%

LAB 44.84, 53.55, -14.2

 

CMYK 0 / 48 / 19 / 38

HEX #9D517F

RGB 157 81 127

HSL 323.68, 0.32%, 0.47%

LAB 45.06, 37.52, -11.73

 

CMYK 0 / 27 / 11 / 46

HEX #8A657B

RGB 138 101 123

HSL 324.32, 0.15%, 0.47%

LAB 47.16, 18.62, -6.42

 

CMYK 2 / 0 / 1 / 53

HEX #767877

RGB 118 120 119

HSL 150, 0.01%, 0.47%

LAB 50.24, -0.95, 0.28

 

CMYK 12 / 78 / 0 / 23

HEX #AD2BC4

RGB 173 43 196

HSL 290.98, 0.64%, 0.47%

LAB 45.08, 69.67, -52.58

 

CMYK 0 / 78 / 9 / 23

HEX #C42BB2

RGB 196 43 178

HSL 307.06, 0.64%, 0.47%

LAB 47.85, 71.39, -37.4

 

CMYK 0 / 78 / 30 / 23

HEX #C42B89

RGB 196 43 137

HSL 323.14, 0.64%, 0.47%

LAB 46, 66.02, -15.78

 

CMYK 0 / 78 / 51 / 23

HEX #C42B60

RGB 196 43 96

HSL 339.22, 0.64%, 0.47%

LAB 44.67, 61.97, 7.48

 

CMYK 0 / 78 / 72 / 23

HEX #C42B37

RGB 196 43 55

HSL 355.29, 0.64%, 0.47%

LAB 43.86, 59.42, 31.65

 

CMYK 0 / 78 / 31 / 50

HEX #801C58

RGB 128 28 88

HSL 324, 0.64%, 0.31%

LAB 29.72, 47.16, -10.89

 

CMYK 0 / 78 / 31 / 36

HEX #A22370

RGB 162 35 112

HSL 323.62, 0.64%, 0.39%

LAB 37.94, 56.89, -13.2

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 69 / 27 / 16

HEX #D5439B

RGB 213 67 155

HSL 323.84, 0.63%, 0.55%

LAB 52.43, 64.67, -16.51

 

CMYK 0 / 54 / 22 / 13

HEX #DD65AD

RGB 221 101 173

HSL 324, 0.64%, 0.63%

LAB 59.61, 54.96, -15.99

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 33 / 78 / 23

HEX #C4842B

RGB 196 132 43

HSL 34.9, 0.64%, 0.47%

LAB 60.26, 17.13, 54.9

 

CMYK 78 / 0 / 2 / 23

HEX #2BC4C1

RGB 43 196 193

HSL 178.82, 0.64%, 0.47%

LAB 72.12, -38.05, -9.55

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 30 / 0 / 78 / 23

HEX #89C42B

RGB 137 196 43

HSL 83.14, 0.64%, 0.47%

LAB 72.87, -40.79, 64.97

 

CMYK 78 / 30 / 0 / 23

HEX #2B89C4

RGB 43 137 196

HSL 203.14, 0.64%, 0.47%

LAB 54.44, -6.69, -38.31

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 33 / 78 / 23

HEX #C4842B

RGB 196 132 43

HSL 34.9, 0.64%, 0.47%

LAB 60.26, 17.13, 54.9

 

CMYK 78 / 0 / 48 / 23

HEX #2BC465

RGB 43 196 101

HSL 142.75, 0.64%, 0.47%

LAB 70.13, -59.28, 36.74

 

CMYK 78 / 45 / 0 / 23

HEX #2B6BC4

RGB 43 107 196

HSL 214.9, 0.64%, 0.47%

LAB 45.65, 11.57, -52.27

 

CMYK 0 / 78 / 31 / 23

HEX #C42B87

RGB 196 43 135

HSL 323.92, 0.64%, 0.47%

LAB 45.92, 65.79, -14.68

 

CMYK 0 / 9 / 78 / 23

HEX #C4B22B

RGB 196 178 43

HSL 52.94, 0.64%, 0.47%

LAB 72.06, -7.65, 65.79

 

CMYK 78 / 0 / 48 / 23

HEX #2BC465

RGB 43 196 101

HSL 142.75, 0.64%, 0.47%

LAB 70.13, -59.28, 36.74

 

CMYK 78 / 69 / 0 / 23

HEX #2B3DC4

RGB 43 61 196

HSL 232.94, 0.64%, 0.47%

LAB 33.64, 41.17, -71.81

 

Description

Color code: HEX #C42B87 | qconv.com Color code: HEX #C42B87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 43 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 43 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 31 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 31% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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