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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C40CBE it is the complementary color #3BF341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C40CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C40CBE shade: #C90CB9, #DA1ECC, #EB30DF, #FC42F2 and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C40CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C40CBE shade: #C40CBE, #B300AB, #A20098, #910085 and #800072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C40CBE shade: #C40CBE, #C40C8C, #C40C5B, #C40C29 and #C40C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C40CBE shade: #C40CBE, #980CC4, #670CC4, #350CC4 and #0C0CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C40CBE shade matches the following richer shades: #C40CBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C40CBE shade: #C40CBE, #B31DAE, #A22E9E, #913F8F and #80507F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C40CBE shade: #650CC4, #960CC4, #C40CC1, #C40C90 and #C40C5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C40CBE shade: #760773, #9D0A98, #C40CBE, #EB0FE4 and #F131EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C40CBE shade: #C40CBE, #C4340C and #0CC47E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C40CBE shade: #C40CBE, #C1C40C and #0CC1C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C40CBE shade: #C40CBE, #C4340C, #0CC40F and #0C9CC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C40CBE shade: #C40CBE, #C46B0C, #0CC40F and #0C65C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

Complementary color

CMYK 76 / 0 / 73 / 5

HEX #3BF341

RGB 59 243 65

HSL 121.96, 0.88%, 0.59%

LAB 84.7, -76.31, 68.53

 

CMYK 0 / 94 / 8 / 21

HEX #C90CB9

RGB 201 12 185

HSL 305.08, 0.89%, 0.42%

LAB 47.21, 78.86, -42.47

 

CMYK 0 / 86 / 6 / 15

HEX #DA1ECC

RGB 218 30 204

HSL 304.47, 0.76%, 0.49%

LAB 52.06, 82.21, -45.62

 

CMYK 0 / 80 / 5 / 8

HEX #EB30DF

RGB 235 48 223

HSL 303.85, 0.82%, 0.55%

LAB 57.18, 84.51, -48.15

 

CMYK 0 / 74 / 4 / 1

HEX #FC42F2

RGB 252 66 242

HSL 303.23, 0.97%, 0.62%

LAB 62.51, 85.99, -50.17

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 100 / 4 / 30

HEX #B300AB

RGB 179 0 171

HSL 302.68, 1%, 0.35%

LAB 42.04, 74.17, -42.67

 

CMYK 0 / 100 / 6 / 36

HEX #A20098

RGB 162 0 152

HSL 303.7, 1%, 0.32%

LAB 37.75, 68.5, -38.25

 

CMYK 0 / 100 / 8 / 43

HEX #910085

RGB 145 0 133

HSL 304.97, 1%, 0.28%

LAB 33.38, 62.73, -33.7

 

CMYK 0 / 100 / 11 / 50

HEX #800072

RGB 128 0 114

HSL 306.56, 1%, 0.25%

LAB 28.91, 56.82, -29

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 94 / 29 / 23

HEX #C40C8C

RGB 196 12 140

HSL 318.26, 0.88%, 0.41%

LAB 44.08, 72.26, -20.55

 

CMYK 0 / 94 / 54 / 23

HEX #C40C5B

RGB 196 12 91

HSL 334.24, 0.88%, 0.41%

LAB 42.39, 67.75, 7.38

 

CMYK 0 / 94 / 79 / 23

HEX #C40C29

RGB 196 12 41

HSL 350.54, 0.88%, 0.41%

LAB 41.47, 65.21, 37.25

 

CMYK 0 / 94 / 94 / 23

HEX #C40C0C

RGB 196 12 12

HSL 0, 0.88%, 0.41%

LAB 41.26, 64.62, 51.22

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 22 / 94 / 0 / 23

HEX #980CC4

RGB 152 12 196

HSL 285.65, 0.88%, 0.41%

LAB 39.45, 72.76, -61.84

 

CMYK 47 / 94 / 0 / 23

HEX #670CC4

RGB 103 12 196

HSL 269.67, 0.88%, 0.41%

LAB 32.11, 66.92, -74.16

 

CMYK 73 / 94 / 0 / 23

HEX #350CC4

RGB 53 12 196

HSL 253.37, 0.88%, 0.41%

LAB 26.75, 63.49, -83.2

 

CMYK 94 / 94 / 0 / 23

HEX #0C0CC4

RGB 12 12 196

HSL 240, 0.88%, 0.41%

LAB 24.72, 62.44, -86.64

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 84 / 3 / 30

HEX #B31DAE

RGB 179 29 174

HSL 302, 0.72%, 0.41%

LAB 43.53, 70.73, -42.07

 

CMYK 0 / 72 / 2 / 36

HEX #A22E9E

RGB 162 46 158

HSL 302.07, 0.56%, 0.41%

LAB 41.38, 59.89, -36.11

 

CMYK 0 / 57 / 1 / 43

HEX #913F8F

RGB 145 63 143

HSL 301.46, 0.39%, 0.41%

LAB 40.5, 45.75, -28.61

 

CMYK 0 / 38 / 1 / 50

HEX #80507F

RGB 128 80 127

HSL 301.25, 0.23%, 0.41%

LAB 40.99, 28.12, -18.29

 

CMYK 48 / 94 / 0 / 23

HEX #650CC4

RGB 101 12 196

HSL 269.02, 0.88%, 0.41%

LAB 31.84, 66.74, -74.61

 

CMYK 23 / 94 / 0 / 23

HEX #960CC4

RGB 150 12 196

HSL 285, 0.88%, 0.41%

LAB 39.13, 72.48, -62.38

 

CMYK 0 / 94 / 2 / 23

HEX #C40CC1

RGB 196 12 193

HSL 300.98, 0.88%, 0.41%

LAB 46.78, 79.13, -47.89

 

CMYK 0 / 94 / 27 / 23

HEX #C40C90

RGB 196 12 144

HSL 316.96, 0.88%, 0.41%

LAB 44.25, 72.72, -22.72

 

CMYK 0 / 94 / 52 / 23

HEX #C40C5F

RGB 196 12 95

HSL 332.93, 0.88%, 0.41%

LAB 42.5, 68.05, 5.01

 

CMYK 0 / 94 / 3 / 54

HEX #760773

RGB 118 7 115

HSL 301.62, 0.89%, 0.25%

LAB 27.41, 53.87, -32.15

 

CMYK 0 / 94 / 3 / 38

HEX #9D0A98

RGB 157 10 152

HSL 302.04, 0.88%, 0.33%

LAB 37.21, 66.45, -39.16

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 94 / 3 / 8

HEX #EB0FE4

RGB 235 15 228

HSL 301.91, 0.88%, 0.49%

LAB 55.69, 90.36, -53.34

 

CMYK 0 / 80 / 2 / 5

HEX #F131EB

RGB 241 49 235

HSL 301.88, 0.87%, 0.57%

LAB 58.88, 87.16, -52.14

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 73 / 94 / 23

HEX #C4340C

RGB 196 52 12

HSL 13.04, 0.88%, 0.41%

LAB 44.54, 55.32, 53.21

 

CMYK 94 / 0 / 36 / 23

HEX #0CC47E

RGB 12 196 126

HSL 157.17, 0.88%, 0.41%

LAB 70.22, -57.12, 23.92

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 2 / 0 / 94 / 23

HEX #C1C40C

RGB 193 196 12

HSL 60.98, 0.88%, 0.41%

LAB 76.58, -18.84, 76.01

 

CMYK 94 / 2 / 0 / 23

HEX #0CC1C4

RGB 12 193 196

HSL 180.98, 0.88%, 0.41%

LAB 71.01, -37.72, -12.88

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 73 / 94 / 23

HEX #C4340C

RGB 196 52 12

HSL 13.04, 0.88%, 0.41%

LAB 44.54, 55.32, 53.21

 

CMYK 94 / 0 / 92 / 23

HEX #0CC40F

RGB 12 196 15

HSL 120.98, 0.88%, 0.41%

LAB 69.18, -69.86, 66.58

 

CMYK 94 / 20 / 0 / 23

HEX #0C9CC4

RGB 12 156 196

HSL 193.04, 0.88%, 0.41%

LAB 59.74, -19.47, -30.06

 

CMYK 0 / 94 / 3 / 23

HEX #C40CBE

RGB 196 12 190

HSL 301.96, 0.88%, 0.41%

LAB 46.6, 78.7, -46.42

 

CMYK 0 / 45 / 94 / 23

HEX #C46B0C

RGB 196 107 12

HSL 30.98, 0.88%, 0.41%

LAB 54.32, 29.94, 59.73

 

CMYK 94 / 0 / 92 / 23

HEX #0CC40F

RGB 12 196 15

HSL 120.98, 0.88%, 0.41%

LAB 69.18, -69.86, 66.58

 

CMYK 94 / 48 / 0 / 23

HEX #0C65C4

RGB 12 101 196

HSL 210.98, 0.88%, 0.41%

LAB 43.32, 13.13, -56.07

 

Description

Color code: HEX #C40CBE | qconv.com Color code: HEX #C40CBE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 12 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 12 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 3 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 3% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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