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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C40CAD it is the complementary color #3BF352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C40CAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C40CAD shade: #C90CA8, #DA1EBB, #EB30CE, #FC42E1 and #FF54F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C40CAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C40CAD shade: #C40CAD, #B3009A, #A20087, #910074 and #800061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C40CAD shade: #C40CAD, #C40C7B, #C40C4A, #C40C18 and #C40C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C40CAD shade: #C40CAD, #A90CC4, #780CC4, #460CC4 and #150CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C40CAD shade matches the following richer shades: #C40CAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C40CAD shade: #C40CAD, #B31DA0, #A22E94, #913F87 and #80507A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C40CAD shade: #770CC4, #A80CC4, #C40CAF, #C40C7E and #C40C4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C40CAD shade: #760769, #9D0A8B, #C40CAD, #EB0FCF and #F131D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C40CAD shade: #C40CAD, #C4460C and #0CC490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C40CAD shade: #C40CAD, #AFC40C and #0CAFC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C40CAD shade: #C40CAD, #C4460C, #0CC422 and #0C8AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C40CAD shade: #C40CAD, #C47E0C, #0CC422 and #0C53C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

Complementary color

CMYK 76 / 0 / 66 / 5

HEX #3BF352

RGB 59 243 82

HSL 127.5, 0.88%, 0.59%

LAB 84.81, -74.87, 62.47

 

CMYK 0 / 94 / 16 / 21

HEX #C90CA8

RGB 201 12 168

HSL 310.48, 0.89%, 0.42%

LAB 46.32, 76.6, -33.84

 

CMYK 0 / 86 / 14 / 15

HEX #DA1EBB

RGB 218 30 187

HSL 309.89, 0.76%, 0.49%

LAB 51.18, 79.9, -37.17

 

CMYK 0 / 80 / 12 / 8

HEX #EB30CE

RGB 235 48 206

HSL 309.3, 0.82%, 0.55%

LAB 56.32, 82.14, -39.84

 

CMYK 0 / 74 / 11 / 1

HEX #FC42E1

RGB 252 66 225

HSL 308.71, 0.97%, 0.62%

LAB 61.68, 83.55, -41.99

 

CMYK 0 / 67 / 4 / 0

HEX #FF54F4

RGB 255 84 244

HSL 303.86, 1%, 0.66%

LAB 65.07, 81.24, -47.21

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 100 / 14 / 30

HEX #B3009A

RGB 179 0 154

HSL 308.38, 1%, 0.35%

LAB 41.08, 71.83, -33.97

 

CMYK 0 / 100 / 17 / 36

HEX #A20087

RGB 162 0 135

HSL 310, 1%, 0.32%

LAB 36.8, 66.16, -29.32

 

CMYK 0 / 100 / 20 / 43

HEX #910074

RGB 145 0 116

HSL 312, 1%, 0.28%

LAB 32.44, 60.39, -24.49

 

CMYK 0 / 100 / 24 / 50

HEX #800061

RGB 128 0 97

HSL 314.53, 1%, 0.25%

LAB 27.99, 54.51, -19.46

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 94 / 37 / 23

HEX #C40C7B

RGB 196 12 123

HSL 323.8, 0.88%, 0.41%

LAB 43.4, 70.48, -11.15

 

CMYK 0 / 94 / 62 / 23

HEX #C40C4A

RGB 196 12 74

HSL 339.78, 0.88%, 0.41%

LAB 41.99, 66.66, 17.57

 

CMYK 0 / 94 / 88 / 23

HEX #C40C18

RGB 196 12 24

HSL 356.09, 0.88%, 0.41%

LAB 41.32, 64.79, 46.25

 

CMYK 0 / 94 / 94 / 23

HEX #C40C0C

RGB 196 12 12

HSL 0, 0.88%, 0.41%

LAB 41.26, 64.62, 51.22

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 14 / 94 / 0 / 23

HEX #A90CC4

RGB 169 12 196

HSL 291.2, 0.88%, 0.41%

LAB 42.28, 75.25, -57.11

 

CMYK 39 / 94 / 0 / 23

HEX #780CC4

RGB 120 12 196

HSL 275.22, 0.88%, 0.41%

LAB 34.48, 68.69, -70.17

 

CMYK 64 / 94 / 0 / 23

HEX #460CC4

RGB 70 12 196

HSL 258.91, 0.88%, 0.41%

LAB 28.25, 64.36, -80.67

 

CMYK 89 / 94 / 0 / 23

HEX #150CC4

RGB 21 12 196

HSL 242.93, 0.88%, 0.41%

LAB 24.98, 62.56, -86.21

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 84 / 11 / 30

HEX #B31DA0

RGB 179 29 160

HSL 307.6, 0.72%, 0.41%

LAB 42.76, 68.66, -34.94

 

CMYK 0 / 72 / 9 / 36

HEX #A22E94

RGB 162 46 148

HSL 307.24, 0.56%, 0.41%

LAB 40.85, 58.28, -30.91

 

CMYK 0 / 57 / 7 / 43

HEX #913F87

RGB 145 63 135

HSL 307.32, 0.39%, 0.41%

LAB 40.12, 44.31, -24.33

 

CMYK 0 / 38 / 5 / 50

HEX #80507A

RGB 128 80 122

HSL 307.5, 0.23%, 0.41%

LAB 40.79, 27.12, -15.54

 

CMYK 39 / 94 / 0 / 23

HEX #770CC4

RGB 119 12 196

HSL 274.89, 0.88%, 0.41%

LAB 34.34, 68.58, -70.41

 

CMYK 14 / 94 / 0 / 23

HEX #A80CC4

RGB 168 12 196

HSL 290.87, 0.88%, 0.41%

LAB 42.11, 75.1, -57.4

 

CMYK 0 / 94 / 11 / 23

HEX #C40CAF

RGB 196 12 175

HSL 306.85, 0.88%, 0.41%

LAB 45.76, 76.6, -38.93

 

CMYK 0 / 94 / 36 / 23

HEX #C40C7E

RGB 196 12 126

HSL 322.83, 0.88%, 0.41%

LAB 43.51, 70.78, -12.83

 

CMYK 0 / 94 / 61 / 23

HEX #C40C4C

RGB 196 12 76

HSL 339.13, 0.88%, 0.41%

LAB 42.03, 66.77, 16.36

 

CMYK 0 / 94 / 11 / 54

HEX #760769

RGB 118 7 105

HSL 307.03, 0.89%, 0.25%

LAB 26.8, 52.31, -26.67

 

CMYK 0 / 94 / 11 / 38

HEX #9D0A8B

RGB 157 10 139

HSL 307.35, 0.88%, 0.33%

LAB 36.46, 64.55, -32.39

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 94 / 12 / 8

HEX #EB0FCF

RGB 235 15 207

HSL 307.64, 0.88%, 0.49%

LAB 54.56, 87.54, -43.19

 

CMYK 0 / 80 / 10 / 5

HEX #F131D9

RGB 241 49 217

HSL 307.5, 0.87%, 0.57%

LAB 57.95, 84.61, -43.47

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 64 / 94 / 23

HEX #C4460C

RGB 196 70 12

HSL 18.91, 0.88%, 0.41%

LAB 47.16, 48.2, 54.88

 

CMYK 94 / 0 / 27 / 23

HEX #0CC490

RGB 12 196 144

HSL 163.04, 0.88%, 0.41%

LAB 70.57, -53.13, 14.79

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 11 / 0 / 94 / 23

HEX #AFC40C

RGB 175 196 12

HSL 66.85, 0.88%, 0.41%

LAB 75.21, -26.49, 74.36

 

CMYK 94 / 11 / 0 / 23

HEX #0CAFC4

RGB 12 175 196

HSL 186.85, 0.88%, 0.41%

LAB 65.53, -29.18, -21.17

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 64 / 94 / 23

HEX #C4460C

RGB 196 70 12

HSL 18.91, 0.88%, 0.41%

LAB 47.16, 48.2, 54.88

 

CMYK 94 / 0 / 83 / 23

HEX #0CC422

RGB 12 196 34

HSL 127.17, 0.88%, 0.41%

LAB 69.24, -69.11, 62.82

 

CMYK 94 / 30 / 0 / 23

HEX #0C8AC4

RGB 12 138 196

HSL 198.91, 0.88%, 0.41%

LAB 54.28, -9.54, -38.59

 

CMYK 0 / 94 / 12 / 23

HEX #C40CAD

RGB 196 12 173

HSL 307.5, 0.88%, 0.41%

LAB 45.66, 76.33, -37.92

 

CMYK 0 / 36 / 94 / 23

HEX #C47E0C

RGB 196 126 12

HSL 37.17, 0.88%, 0.41%

LAB 58.68, 19.63, 62.82

 

CMYK 94 / 0 / 83 / 23

HEX #0CC422

RGB 12 196 34

HSL 127.17, 0.88%, 0.41%

LAB 69.24, -69.11, 62.82

 

CMYK 94 / 58 / 0 / 23

HEX #0C53C4

RGB 12 83 196

HSL 216.85, 0.88%, 0.41%

LAB 38.29, 24.99, -64.23

 

Description

Color code: HEX #C40CAD | qconv.com Color code: HEX #C40CAD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 12 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 12 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 12 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 12% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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