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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EF2E it is the complementary color #3810D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EF2E shade: #CCEF29, #DDFF3C, #EEFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EF2E shade: #C7EF2E, #B6DD1B, #A5CB08, #94B900 and #83A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EF2E shade: #C7EF2E, #EFE32E, #EFAF2E, #EF7B2E and #EF472E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EF2E shade: #C7EF2E, #93EF2E, #5FEF2E, #2EEF31 and #2EEF65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EF2E shade matches the following richer shades: #C7EF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EF2E shade: #C7EF2E, #BCDD40, #B2CA52, #A7B864 and #9CA676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EF2E shade: #EFAE2E, #EFE22E, #C8EF2E, #95EF2E and #61EF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EF2E shade: #98BC0E, #B7E311, #C7EF2E, #D1F254 and #DBF57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EF2E shade: #C7EF2E, #2EEF7B and #C82EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EF2E shade: #C7EF2E, #2EC8EF and #EF2EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EF2E shade: #C7EF2E, #2EEF7B, #542EEF and #EF2EA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EF2E shade: #C7EF2E, #2EEFB5, #542EEF and #EF2E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

Complementary color

CMYK 73 / 92 / 0 / 18

HEX #3810D1

RGB 56 16 209

HSL 252.44, 0.86%, 0.44%

LAB 28.94, 66.04, -87.16

 

CMYK 15 / 0 / 83 / 6

HEX #CCEF29

RGB 204 239 41

HSL 70.61, 0.86%, 0.55%

LAB 89.27, -34.15, 81.61

 

CMYK 13 / 0 / 76 / 0

HEX #DDFF3C

RGB 221 255 60

HSL 70.46, 1%, 0.62%

LAB 94.83, -34.08, 82.12

 

CMYK 7 / 0 / 69 / 0

HEX #EEFF4F

RGB 238 255 79

HSL 65.8, 1%, 0.65%

LAB 96.11, -26.51, 77.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 18 / 0 / 88 / 13

HEX #B6DD1B

RGB 182 221 27

HSL 72.06, 0.78%, 0.49%

LAB 82.77, -35.05, 78.4

 

CMYK 19 / 0 / 96 / 20

HEX #A5CB08

RGB 165 203 8

HSL 71.69, 0.92%, 0.41%

LAB 76.51, -33.96, 75.48

 

CMYK 20 / 0 / 100 / 27

HEX #94B900

RGB 148 185 0

HSL 72, 1%, 0.36%

LAB 70.17, -32.66, 70.99

 

CMYK 22 / 0 / 100 / 35

HEX #83A700

RGB 131 167 0

HSL 72.93, 1%, 0.33%

LAB 63.72, -31.25, 65.62

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 0 / 5 / 81 / 6

HEX #EFE32E

RGB 239 227 46

HSL 56.27, 0.86%, 0.56%

LAB 88.68, -13.97, 80.95

 

CMYK 0 / 27 / 81 / 6

HEX #EFAF2E

RGB 239 175 46

HSL 40.1, 0.86%, 0.56%

LAB 75.58, 12.67, 69.59

 

CMYK 0 / 49 / 81 / 6

HEX #EF7B2E

RGB 239 123 46

HSL 23.94, 0.86%, 0.56%

LAB 63.93, 39.83, 59.15

 

CMYK 0 / 70 / 81 / 6

HEX #EF472E

RGB 239 71 46

HSL 7.77, 0.86%, 0.56%

LAB 55.13, 62.86, 50.95

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 38 / 0 / 81 / 6

HEX #93EF2E

RGB 147 239 46

HSL 88.6, 0.86%, 0.56%

LAB 86.07, -54.97, 76.39

 

CMYK 60 / 0 / 81 / 6

HEX #5FEF2E

RGB 95 239 46

HSL 104.77, 0.86%, 0.56%

LAB 84.15, -69.67, 73.93

 

CMYK 81 / 0 / 79 / 6

HEX #2EEF31

RGB 46 239 49

HSL 120.93, 0.86%, 0.56%

LAB 83.2, -77.77, 71.89

 

CMYK 81 / 0 / 58 / 6

HEX #2EEF65

RGB 46 239 101

HSL 137.1, 0.86%, 0.56%

LAB 83.58, -73.08, 53.07

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 15 / 0 / 71 / 13

HEX #BCDD40

RGB 188 221 64

HSL 72.61, 0.7%, 0.56%

LAB 83.32, -31.28, 69.2

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA52

RGB 178 202 82

HSL 72, 0.53%, 0.56%

LAB 77.47, -25.08, 55.79

 

CMYK 9 / 0 / 46 / 28

HEX #A7B864

RGB 167 184 100

HSL 72.14, 0.37%, 0.56%

LAB 71.84, -18.94, 40.53

 

CMYK 6 / 0 / 29 / 35

HEX #9CA676

RGB 156 166 118

HSL 72.5, 0.21%, 0.56%

LAB 66.25, -11.78, 23.73

 

CMYK 0 / 27 / 81 / 6

HEX #EFAE2E

RGB 239 174 46

HSL 39.79, 0.86%, 0.56%

LAB 75.34, 13.2, 69.38

 

CMYK 0 / 5 / 81 / 6

HEX #EFE22E

RGB 239 226 46

HSL 55.96, 0.86%, 0.56%

LAB 88.42, -13.47, 80.73

 

CMYK 16 / 0 / 81 / 6

HEX #C8EF2E

RGB 200 239 46

HSL 72.12, 0.86%, 0.56%

LAB 89.02, -35.57, 80.13

 

CMYK 38 / 0 / 81 / 6

HEX #95EF2E

RGB 149 239 46

HSL 87.98, 0.86%, 0.56%

LAB 86.17, -54.3, 76.5

 

CMYK 59 / 0 / 81 / 6

HEX #61EF2E

RGB 97 239 46

HSL 104.15, 0.86%, 0.56%

LAB 84.21, -69.21, 74

 

CMYK 19 / 0 / 93 / 26

HEX #98BC0E

RGB 152 188 14

HSL 72.41, 0.86%, 0.4%

LAB 71.33, -32.22, 70.39

 

CMYK 19 / 0 / 93 / 11

HEX #B7E311

RGB 183 227 17

HSL 72.57, 0.86%, 0.48%

LAB 84.51, -37.56, 81.27

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 14 / 0 / 65 / 5

HEX #D1F254

RGB 209 242 84

HSL 72.53, 0.86%, 0.64%

LAB 90.64, -31.59, 69.72

 

CMYK 11 / 0 / 50 / 4

HEX #DBF57B

RGB 219 245 123

HSL 72.79, 0.86%, 0.72%

LAB 92.48, -26.09, 55.36

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 81 / 0 / 49 / 6

HEX #2EEF7B

RGB 46 239 123

HSL 143.94, 0.86%, 0.56%

LAB 83.83, -70, 43.2

 

CMYK 16 / 81 / 0 / 6

HEX #C82EEF

RGB 200 46 239

HSL 287.88, 0.86%, 0.56%

LAB 52.36, 81.21, -65.19

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 81 / 16 / 0 / 6

HEX #2EC8EF

RGB 46 200 239

HSL 192.12, 0.86%, 0.56%

LAB 74.9, -25.55, -30.26

 

CMYK 0 / 81 / 16 / 6

HEX #EF2EC8

RGB 239 46 200

HSL 312.12, 0.86%, 0.56%

LAB 56.56, 82.63, -35.98

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 81 / 0 / 49 / 6

HEX #2EEF7B

RGB 46 239 123

HSL 143.94, 0.86%, 0.56%

LAB 83.83, -70, 43.2

 

CMYK 65 / 81 / 0 / 6

HEX #542EEF

RGB 84 46 239

HSL 251.81, 0.86%, 0.56%

LAB 37.97, 65.82, -89.31

 

CMYK 0 / 81 / 32 / 6

HEX #EF2EA2

RGB 239 46 162

HSL 323.94, 0.86%, 0.56%

LAB 54.98, 78.16, -16.34

 

CMYK 17 / 0 / 81 / 6

HEX #C7EF2E

RGB 199 239 46

HSL 72.44, 0.86%, 0.56%

LAB 88.96, -35.96, 80.04

 

CMYK 81 / 0 / 24 / 6

HEX #2EEFB5

RGB 46 239 181

HSL 161.97, 0.86%, 0.56%

LAB 84.82, -58.83, 15.26

 

CMYK 65 / 81 / 0 / 6

HEX #542EEF

RGB 84 46 239

HSL 251.81, 0.86%, 0.56%

LAB 37.97, 65.82, -89.31

 

CMYK 0 / 81 / 56 / 6

HEX #EF2E68

RGB 239 46 104

HSL 341.97, 0.86%, 0.56%

LAB 53.28, 73.15, 15.81

 

Description

Color code: HEX #C7EF2E | qconv.com Color code: HEX #C7EF2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 239 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 239 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 81 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 81% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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