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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EC55 it is the complementary color #3813AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EC55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EC55 shade: #CCEC50, #DDFE63, #EEFF76, #FFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EC55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EC55 shade: #C7EC55, #B6DA42, #A5C82F, #94B61C and #83A409

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EC55 shade: #C7EC55, #ECE855, #ECBF55, #EC9655 and #EC6E55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EC55 shade: #C7EC55, #9EEC55, #75EC55, #55EC5D and #55EC86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EC55 shade matches the following richer shades: #C7EC55 and #CEFB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EC55 shade: #C7EC55, #BFDC64, #B7CD73, #AFBE82 and #A8AF92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EC55 shade: #ECBE55, #ECE755, #C8EC55, #A0EC55 and #78EC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EC55 shade: #A8D617, #BAE830, #C7EC55, #D3F07A and #DFF49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EC55 shade: #C7EC55, #55EC96 and #D255EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EC55 shade: #C7EC55, #55C8EC and #EC55C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EC55 shade: #C7EC55, #55EC96, #7855EC and #EC55AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EC55 shade: #C7EC55, #55ECC3, #7855EC and #EC557D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

Complementary color

CMYK 67 / 89 / 0 / 33

HEX #3813AA

RGB 56 19 170

HSL 254.7, 0.8%, 0.37%

LAB 24.35, 54.98, -71.69

 

CMYK 14 / 0 / 66 / 7

HEX #CCEC50

RGB 204 236 80

HSL 72.31, 0.8%, 0.62%

LAB 88.64, -31.02, 69.07

 

CMYK 13 / 0 / 61 / 0

HEX #DDFE63

RGB 221 254 99

HSL 72.77, 0.99%, 0.69%

LAB 94.8, -31.49, 68.46

 

CMYK 7 / 0 / 54 / 0

HEX #EEFF76

RGB 238 255 118

HSL 67.45, 1%, 0.73%

LAB 96.41, -23.96, 62.54

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 17 / 0 / 70 / 15

HEX #B6DA42

RGB 182 218 66

HSL 74.21, 0.67%, 0.56%

LAB 82.1, -32.15, 67.15

 

CMYK 18 / 0 / 77 / 22

HEX #A5C82F

RGB 165 200 47

HSL 73.73, 0.62%, 0.48%

LAB 75.77, -31.52, 67.06

 

CMYK 19 / 0 / 85 / 29

HEX #94B61C

RGB 148 182 28

HSL 73.25, 0.73%, 0.41%

LAB 69.35, -30.71, 66.09

 

CMYK 20 / 0 / 95 / 36

HEX #83A409

RGB 131 164 9

HSL 72.77, 0.9%, 0.34%

LAB 62.84, -29.68, 63.73

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 0 / 2 / 64 / 7

HEX #ECE855

RGB 236 232 85

HSL 58.41, 0.8%, 0.63%

LAB 89.95, -15.98, 69.23

 

CMYK 0 / 19 / 64 / 7

HEX #ECBF55

RGB 236 191 85

HSL 42.12, 0.8%, 0.63%

LAB 79.47, 4.79, 58.06

 

CMYK 0 / 36 / 64 / 7

HEX #EC9655

RGB 236 150 85

HSL 25.83, 0.8%, 0.63%

LAB 69.68, 26.45, 47.05

 

CMYK 0 / 53 / 64 / 7

HEX #EC6E55

RGB 236 110 85

HSL 9.93, 0.8%, 0.63%

LAB 61.34, 46.88, 37.16

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 33 / 0 / 64 / 7

HEX #9EEC55

RGB 158 236 85

HSL 90.99, 0.8%, 0.63%

LAB 85.96, -47.69, 63.47

 

CMYK 50 / 0 / 64 / 7

HEX #75EC55

RGB 117 236 85

HSL 107.28, 0.8%, 0.63%

LAB 84.19, -60.39, 61.02

 

CMYK 64 / 0 / 61 / 7

HEX #55EC5D

RGB 85 236 93

HSL 123.18, 0.8%, 0.63%

LAB 83.29, -67.16, 56.42

 

CMYK 64 / 0 / 43 / 7

HEX #55EC86

RGB 85 236 134

HSL 139.47, 0.8%, 0.63%

LAB 83.78, -61.6, 37.92

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 18 / 0 / 73 / 2

HEX #CEFB45

RGB 206 251 69

HSL 74.84, 0.96%, 0.63%

LAB 92.82, -37.68, 77.15

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 13 / 0 / 55 / 14

HEX #BFDC64

RGB 191 220 100

HSL 74.5, 0.63%, 0.63%

LAB 83.54, -27.1, 54.89

 

CMYK 11 / 0 / 44 / 20

HEX #B7CD73

RGB 183 205 115

HSL 74.67, 0.47%, 0.63%

LAB 79.02, -21.46, 42.21

 

CMYK 8 / 0 / 32 / 25

HEX #AFBE82

RGB 175 190 130

HSL 75, 0.32%, 0.63%

LAB 74.54, -15.19, 28.65

 

CMYK 4 / 0 / 17 / 31

HEX #A8AF92

RGB 168 175 146

HSL 74.48, 0.15%, 0.63%

LAB 70.22, -7.65, 14.06

 

CMYK 0 / 19 / 64 / 7

HEX #ECBE55

RGB 236 190 85

HSL 41.72, 0.8%, 0.63%

LAB 79.22, 5.32, 57.78

 

CMYK 0 / 2 / 64 / 7

HEX #ECE755

RGB 236 231 85

HSL 58.01, 0.8%, 0.63%

LAB 89.69, -15.49, 68.96

 

CMYK 15 / 0 / 64 / 7

HEX #C8EC55

RGB 200 236 85

HSL 74.3, 0.8%, 0.63%

LAB 88.41, -32.25, 66.81

 

CMYK 32 / 0 / 64 / 7

HEX #A0EC55

RGB 160 236 85

HSL 90.2, 0.8%, 0.63%

LAB 86.07, -47, 63.61

 

CMYK 49 / 0 / 64 / 7

HEX #78EC55

RGB 120 236 85

HSL 106.09, 0.8%, 0.63%

LAB 84.3, -59.57, 61.17

 

CMYK 21 / 0 / 89 / 16

HEX #A8D617

RGB 168 214 23

HSL 74.45, 0.81%, 0.46%

LAB 79.89, -37.52, 76.35

 

CMYK 20 / 0 / 79 / 9

HEX #BAE830

RGB 186 232 48

HSL 75, 0.8%, 0.55%

LAB 86.19, -37.81, 76.77

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 12 / 0 / 49 / 6

HEX #D3F07A

RGB 211 240 122

HSL 74.75, 0.8%, 0.71%

LAB 90.59, -26.87, 53.42

 

CMYK 9 / 0 / 35 / 4

HEX #DFF49F

RGB 223 244 159

HSL 74.82, 0.79%, 0.79%

LAB 92.97, -20.23, 38.72

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 64 / 0 / 36 / 7

HEX #55EC96

RGB 85 236 150

HSL 145.83, 0.8%, 0.63%

LAB 84.03, -58.84, 30.23

 

CMYK 11 / 64 / 0 / 7

HEX #D255EC

RGB 210 85 236

HSL 289.67, 0.8%, 0.63%

LAB 58.28, 69.44, -53.94

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 64 / 15 / 0 / 7

HEX #55C8EC

RGB 85 200 236

HSL 194.3, 0.8%, 0.63%

LAB 75.64, -21.72, -27.45

 

CMYK 0 / 64 / 15 / 7

HEX #EC55C8

RGB 236 85 200

HSL 314.3, 0.8%, 0.63%

LAB 60.34, 69.86, -30.14

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 64 / 0 / 36 / 7

HEX #55EC96

RGB 85 236 150

HSL 145.83, 0.8%, 0.63%

LAB 84.03, -58.84, 30.23

 

CMYK 49 / 64 / 0 / 7

HEX #7855EC

RGB 120 85 236

HSL 253.91, 0.8%, 0.63%

LAB 47.68, 50.64, -71.55

 

CMYK 0 / 64 / 28 / 7

HEX #EC55AA

RGB 236 85 170

HSL 326.23, 0.8%, 0.63%

LAB 59.19, 65.89, -14.68

 

CMYK 16 / 0 / 64 / 7

HEX #C7EC55

RGB 199 236 85

HSL 74.7, 0.8%, 0.63%

LAB 88.35, -32.64, 66.72

 

CMYK 64 / 0 / 17 / 7

HEX #55ECC3

RGB 85 236 195

HSL 163.71, 0.8%, 0.63%

LAB 84.93, -49.44, 8.2

 

CMYK 49 / 64 / 0 / 7

HEX #7855EC

RGB 120 85 236

HSL 253.91, 0.8%, 0.63%

LAB 47.68, 50.64, -71.55

 

CMYK 0 / 64 / 47 / 7

HEX #EC557D

RGB 236 85 125

HSL 344.11, 0.8%, 0.63%

LAB 57.86, 61.1, 9.64

 

Description

Color code: HEX #C7EC55 | qconv.com Color code: HEX #C7EC55 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 236 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 236 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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