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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E264 it is the complementary color #381D9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E264 shade: #CCE25F, #DDF472, #EEFF85, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E264 shade: #C7E264, #B6D051, #A5BE3E, #94AC2B and #839A18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E264 shade: #C6E164, #E1DA64, #E1B964, #E19764 and #E17564

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E264 shade: #C6E164, #A5E164, #83E164, #64E167 and #64E189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E264 shade matches the following richer shades: #C6E164 and #CFF055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E264 shade: #C6E164, #BED273, #B5C382, #ADB591 and #A4A6A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E264 shade: #E1B864, #E1D964, #C8E164, #A7E164 and #86E164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E264 shade: #A9CC27, #BADB42, #C6E164, #D3E887 and #E0EEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E264 shade: #C7E264, #64E196 and #C864E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E264 shade: #C7E264, #64C8E1 and #E164C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E264 shade: #C7E264, #64E196, #7D64E1 and #E164AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E264 shade: #C7E264, #64E1BC, #7D64E1 and #E1648A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 56 / 11

HEX #C7E264

RGB 199 226 100

HSL 72.86, 0.68%, 0.64%

LAB 85.73, -26.83, 57.55

 

Complementary color

CMYK 64 / 81 / 0 / 39

HEX #381D9B

RGB 56 29 155

HSL 252.86, 0.68%, 0.36%

LAB 23.95, 46.79, -63.22

 

CMYK 10 / 0 / 58 / 11

HEX #CCE25F

RGB 204 226 95

HSL 70.08, 0.69%, 0.63%

LAB 86.03, -25.27, 60.17

 

CMYK 9 / 0 / 53 / 4

HEX #DDF472

RGB 221 244 114

HSL 70.62, 0.86%, 0.7%

LAB 92.26, -25.65, 59.21

 

CMYK 7 / 0 / 48 / 0

HEX #EEFF85

RGB 238 255 133

HSL 68.36, 1%, 0.76%

LAB 96.57, -22.66, 55.97

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 12 / 0 / 56 / 11

HEX #C7E264

RGB 199 226 100

HSL 72.86, 0.68%, 0.64%

LAB 85.73, -26.83, 57.55

 

CMYK 13 / 0 / 61 / 18

HEX #B6D051

RGB 182 208 81

HSL 72.28, 0.57%, 0.57%

LAB 79.41, -26.45, 58.44

 

CMYK 13 / 0 / 67 / 25

HEX #A5BE3E

RGB 165 190 62

HSL 71.72, 0.51%, 0.49%

LAB 73.01, -25.95, 59.08

 

CMYK 14 / 0 / 75 / 33

HEX #94AC2B

RGB 148 172 43

HSL 71.16, 0.6%, 0.42%

LAB 66.5, -25.3, 59.23

 

CMYK 15 / 0 / 84 / 40

HEX #839A18

RGB 131 154 24

HSL 70.62, 0.73%, 0.35%

LAB 59.89, -24.46, 58.48

 

CMYK 12 / 0 / 56 / 12

HEX #C6E164

RGB 198 225 100

HSL 72.96, 0.68%, 0.64%

LAB 85.39, -26.75, 57.14

 

CMYK 0 / 3 / 56 / 12

HEX #E1DA64

RGB 225 218 100

HSL 56.64, 0.68%, 0.64%

LAB 85.54, -12.54, 57.85

 

CMYK 0 / 18 / 56 / 12

HEX #E1B964

RGB 225 185 100

HSL 40.8, 0.68%, 0.64%

LAB 77.06, 4.4, 48

 

CMYK 0 / 33 / 56 / 12

HEX #E19764

RGB 225 151 100

HSL 24.48, 0.68%, 0.64%

LAB 68.8, 22.51, 37.97

 

CMYK 0 / 48 / 56 / 12

HEX #E17564

RGB 225 117 100

HSL 8.16, 0.68%, 0.64%

LAB 61.35, 40.39, 28.52

 

CMYK 12 / 0 / 56 / 12

HEX #C6E164

RGB 198 225 100

HSL 72.96, 0.68%, 0.64%

LAB 85.39, -26.75, 57.14

 

CMYK 27 / 0 / 56 / 12

HEX #A5E164

RGB 165 225 100

HSL 88.8, 0.68%, 0.64%

LAB 83.32, -39.16, 54.22

 

CMYK 42 / 0 / 56 / 12

HEX #83E164

RGB 131 225 100

HSL 105.12, 0.68%, 0.64%

LAB 81.62, -50.54, 51.8

 

CMYK 56 / 0 / 54 / 12

HEX #64E167

RGB 100 225 103

HSL 121.44, 0.68%, 0.64%

LAB 80.48, -58.76, 48.79

 

CMYK 56 / 0 / 39 / 12

HEX #64E189

RGB 100 225 137

HSL 137.76, 0.68%, 0.64%

LAB 80.94, -53.77, 32.8

 

CMYK 12 / 0 / 56 / 12

HEX #C6E164

RGB 198 225 100

HSL 72.96, 0.68%, 0.64%

LAB 85.39, -26.75, 57.14

 

CMYK 14 / 0 / 65 / 6

HEX #CFF055

RGB 207 240 85

HSL 72.77, 0.84%, 0.64%

LAB 89.97, -31.38, 68.59

 

CMYK 12 / 0 / 56 / 12

HEX #C6E164

RGB 198 225 100

HSL 72.96, 0.68%, 0.64%

LAB 85.39, -26.75, 57.14

 

CMYK 10 / 0 / 45 / 18

HEX #BED273

RGB 190 210 115

HSL 72.63, 0.51%, 0.64%

LAB 80.89, -21.2, 44.64

 

CMYK 7 / 0 / 33 / 24

HEX #B5C382

RGB 181 195 130

HSL 72.92, 0.35%, 0.64%

LAB 76.35, -15.43, 31.12

 

CMYK 4 / 0 / 20 / 29

HEX #ADB591

RGB 173 181 145

HSL 73.33, 0.2%, 0.64%

LAB 72.21, -9.1, 17.44

 

CMYK 1 / 0 / 4 / 35

HEX #A4A6A0

RGB 164 166 160

HSL 80, 0.03%, 0.64%

LAB 67.8, -1.84, 2.84

 

CMYK 0 / 18 / 56 / 12

HEX #E1B864

RGB 225 184 100

HSL 40.32, 0.68%, 0.64%

LAB 76.81, 4.92, 47.7

 

CMYK 0 / 4 / 56 / 12

HEX #E1D964

RGB 225 217 100

HSL 56.16, 0.68%, 0.64%

LAB 85.28, -12.04, 57.55

 

CMYK 11 / 0 / 56 / 12

HEX #C8E164

RGB 200 225 100

HSL 72, 0.68%, 0.64%

LAB 85.53, -25.97, 57.33

 

CMYK 26 / 0 / 56 / 12

HEX #A7E164

RGB 167 225 100

HSL 87.84, 0.68%, 0.64%

LAB 83.44, -38.43, 54.38

 

CMYK 40 / 0 / 56 / 12

HEX #86E164

RGB 134 225 100

HSL 103.68, 0.68%, 0.64%

LAB 81.75, -49.61, 51.99

 

CMYK 17 / 0 / 81 / 20

HEX #A9CC27

RGB 169 204 39

HSL 72.73, 0.68%, 0.48%

LAB 77.14, -32.09, 70.68

 

CMYK 15 / 0 / 70 / 14

HEX #BADB42

RGB 186 219 66

HSL 72.94, 0.68%, 0.56%

LAB 82.64, -31.03, 67.78

 

CMYK 12 / 0 / 56 / 12

HEX #C6E164

RGB 198 225 100

HSL 72.96, 0.68%, 0.64%

LAB 85.39, -26.75, 57.14

 

CMYK 9 / 0 / 42 / 9

HEX #D3E887

RGB 211 232 135

HSL 72.99, 0.68%, 0.72%

LAB 88.6, -21.7, 44.78

 

CMYK 6 / 0 / 29 / 7

HEX #E0EEAA

RGB 224 238 170

HSL 72.35, 0.67%, 0.8%

LAB 91.64, -15.52, 31.45

 

CMYK 12 / 0 / 56 / 11

HEX #C7E264

RGB 199 226 100

HSL 72.86, 0.68%, 0.64%

LAB 85.73, -26.83, 57.55

 

CMYK 56 / 0 / 33 / 12

HEX #64E196

RGB 100 225 150

HSL 144, 0.68%, 0.64%

LAB 81.16, -51.47, 26.45

 

CMYK 11 / 56 / 0 / 12

HEX #C864E1

RGB 200 100 225

HSL 288, 0.68%, 0.64%

LAB 58.82, 58.25, -47.01

 

CMYK 12 / 0 / 56 / 11

HEX #C7E264

RGB 199 226 100

HSL 72.86, 0.68%, 0.64%

LAB 85.73, -26.83, 57.55

 

CMYK 56 / 11 / 0 / 12

HEX #64C8E1

RGB 100 200 225

HSL 192, 0.68%, 0.64%

LAB 75.73, -22.27, -21.33

 

CMYK 0 / 56 / 11 / 12

HEX #E164C8

RGB 225 100 200

HSL 312, 0.68%, 0.64%

LAB 61.04, 60.6, -29.18

 

CMYK 12 / 0 / 56 / 11

HEX #C7E264

RGB 199 226 100

HSL 72.86, 0.68%, 0.64%

LAB 85.73, -26.83, 57.55

 

CMYK 56 / 0 / 33 / 12

HEX #64E196

RGB 100 225 150

HSL 144, 0.68%, 0.64%

LAB 81.16, -51.47, 26.45

 

CMYK 44 / 56 / 0 / 12

HEX #7D64E1

RGB 125 100 225

HSL 252, 0.68%, 0.64%

LAB 50.58, 40.08, -60.63

 

CMYK 0 / 56 / 22 / 12

HEX #E164AF

RGB 225 100 175

HSL 324, 0.68%, 0.64%

LAB 60.08, 56.92, -16.37

 

CMYK 12 / 0 / 56 / 11

HEX #C7E264

RGB 199 226 100

HSL 72.86, 0.68%, 0.64%

LAB 85.73, -26.83, 57.55

 

CMYK 56 / 0 / 16 / 12

HEX #64E1BC

RGB 100 225 188

HSL 162.24, 0.68%, 0.64%

LAB 81.94, -43.58, 7.66

 

CMYK 44 / 56 / 0 / 12

HEX #7D64E1

RGB 125 100 225

HSL 252, 0.68%, 0.64%

LAB 50.58, 40.08, -60.63

 

CMYK 0 / 56 / 39 / 12

HEX #E1648A

RGB 225 100 138

HSL 341.76, 0.68%, 0.64%

LAB 58.93, 52.31, 3.35

 

Description

Color code: HEX #C7E264 | qconv.com Color code: HEX #C7E264 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 226 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 226 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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