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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E151 it is the complementary color #381EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E151 shade: #CCE14C, #DDF35F, #EEFF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E151 shade: #C7E151, #B6CF3E, #A5BD2B, #94AB18 and #839905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E151 shade: #C7E150, #E1D450, #E1AD50, #E18650 and #E15F50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E151 shade: #C7E150, #A0E150, #79E150, #52E150 and #50E176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E151 shade matches the following richer shades: #C7E150 and #D1F140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E151 shade: #C7E150, #BCD061, #B2C071, #A7AF82 and #9D9F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E151 shade: #E1AC50, #E1D250, #C9E150, #A2E150 and #7CE150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E151 shade: #A2BF20, #BCDB2D, #C7E150, #D2E773 and #DDED97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E151 shade: #C7E151, #50E185 and #BF50E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E151 shade: #C7E151, #50C9E1 and #E150C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E151 shade: #C7E151, #50E185, #6850E1 and #E150AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E151 shade: #C7E151, #50E1B1, #6850E1 and #E15080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

Complementary color

CMYK 68 / 83 / 0 / 32

HEX #381EAE

RGB 56 30 174

HSL 250.83, 0.71%, 0.4%

LAB 26.23, 51.91, -70.98

 

CMYK 9 / 0 / 66 / 12

HEX #CCE14C

RGB 204 225 76

HSL 68.46, 0.71%, 0.59%

LAB 85.61, -26.09, 67.47

 

CMYK 9 / 0 / 61 / 5

HEX #DDF35F

RGB 221 243 95

HSL 68.92, 0.86%, 0.66%

LAB 91.82, -26.64, 66.86

 

CMYK 7 / 0 / 55 / 0

HEX #EEFF72

RGB 238 255 114

HSL 67.23, 1%, 0.72%

LAB 96.37, -24.28, 64.24

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

CMYK 12 / 0 / 70 / 19

HEX #B6CF3E

RGB 182 207 62

HSL 70.34, 0.6%, 0.53%

LAB 78.99, -27.19, 65.51

 

CMYK 13 / 0 / 77 / 26

HEX #A5BD2B

RGB 165 189 43

HSL 69.86, 0.63%, 0.45%

LAB 72.61, -26.47, 65.37

 

CMYK 13 / 0 / 86 / 33

HEX #94AB18

RGB 148 171 24

HSL 69.39, 0.75%, 0.38%

LAB 66.13, -25.55, 64.27

 

CMYK 14 / 0 / 97 / 40

HEX #839905

RGB 131 153 5

HSL 68.92, 0.94%, 0.31%

LAB 59.54, -24.41, 61.72

 

CMYK 12 / 0 / 64 / 12

HEX #C7E150

RGB 199 225 80

HSL 70.76, 0.71%, 0.6%

LAB 85.29, -27.84, 65.48

 

CMYK 0 / 6 / 64 / 12

HEX #E1D450

RGB 225 212 80

HSL 54.62, 0.71%, 0.6%

LAB 83.8, -10.88, 64.52

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 40 / 64 / 12

HEX #E18650

RGB 225 134 80

HSL 22.34, 0.71%, 0.6%

LAB 64.67, 30.14, 43.42

 

CMYK 0 / 58 / 64 / 12

HEX #E15F50

RGB 225 95 80

HSL 6.21, 0.71%, 0.6%

LAB 56.85, 49.72, 34.06

 

CMYK 12 / 0 / 64 / 12

HEX #C7E150

RGB 199 225 80

HSL 70.76, 0.71%, 0.6%

LAB 85.29, -27.84, 65.48

 

CMYK 29 / 0 / 64 / 12

HEX #A0E150

RGB 160 225 80

HSL 86.9, 0.71%, 0.6%

LAB 82.86, -42.68, 62.17

 

CMYK 46 / 0 / 64 / 12

HEX #79E150

RGB 121 225 80

HSL 103.03, 0.71%, 0.6%

LAB 81.01, -55.53, 59.63

 

CMYK 64 / 0 / 64 / 12

HEX #52E150

RGB 82 225 80

HSL 119.17, 0.71%, 0.6%

LAB 79.74, -65.37, 57.88

 

CMYK 64 / 0 / 48 / 12

HEX #50E176

RGB 80 225 118

HSL 135.72, 0.71%, 0.6%

LAB 80.1, -61.04, 41.06

 

CMYK 12 / 0 / 64 / 12

HEX #C7E150

RGB 199 225 80

HSL 70.76, 0.71%, 0.6%

LAB 85.29, -27.84, 65.48

 

CMYK 13 / 0 / 73 / 5

HEX #D1F140

RGB 209 241 64

HSL 70.85, 0.86%, 0.6%

LAB 90.25, -32.22, 76.36

 

CMYK 12 / 0 / 64 / 12

HEX #C7E150

RGB 199 225 80

HSL 70.76, 0.71%, 0.6%

LAB 85.29, -27.84, 65.48

 

CMYK 10 / 0 / 53 / 18

HEX #BCD061

RGB 188 208 97

HSL 70.81, 0.54%, 0.6%

LAB 79.99, -22.76, 52.1

 

CMYK 7 / 0 / 41 / 25

HEX #B2C071

RGB 178 192 113

HSL 70.63, 0.39%, 0.6%

LAB 75.05, -17.17, 38.15

 

CMYK 5 / 0 / 26 / 31

HEX #A7AF82

RGB 167 175 130

HSL 70.67, 0.22%, 0.6%

LAB 69.82, -10.5, 22.19

 

CMYK 1 / 0 / 8 / 38

HEX #9D9F92

RGB 157 159 146

HSL 69.23, 0.06%, 0.6%

LAB 64.99, -3.13, 6.53

 

CMYK 0 / 24 / 64 / 12

HEX #E1AC50

RGB 225 172 80

HSL 38.07, 0.71%, 0.6%

LAB 73.61, 9.86, 53.56

 

CMYK 0 / 7 / 64 / 12

HEX #E1D250

RGB 225 210 80

HSL 53.79, 0.71%, 0.6%

LAB 83.27, -9.87, 63.98

 

CMYK 11 / 0 / 64 / 12

HEX #C9E150

RGB 201 225 80

HSL 69.93, 0.71%, 0.6%

LAB 85.43, -27.04, 65.66

 

CMYK 28 / 0 / 64 / 12

HEX #A2E150

RGB 162 225 80

HSL 86.07, 0.71%, 0.6%

LAB 82.97, -41.96, 62.32

 

CMYK 45 / 0 / 64 / 12

HEX #7CE150

RGB 124 225 80

HSL 101.79, 0.71%, 0.6%

LAB 81.13, -54.64, 59.8

 

CMYK 15 / 0 / 83 / 25

HEX #A2BF20

RGB 162 191 32

HSL 70.94, 0.71%, 0.44%

LAB 72.92, -29.08, 68.58

 

CMYK 14 / 0 / 79 / 14

HEX #BCDB2D

RGB 188 219 45

HSL 70.69, 0.71%, 0.52%

LAB 82.67, -31.2, 74.48

 

CMYK 12 / 0 / 64 / 12

HEX #C7E150

RGB 199 225 80

HSL 70.76, 0.71%, 0.6%

LAB 85.29, -27.84, 65.48

 

CMYK 9 / 0 / 50 / 9

HEX #D2E773

RGB 210 231 115

HSL 70.86, 0.71%, 0.68%

LAB 88.01, -23.63, 53.58

 

CMYK 7 / 0 / 36 / 7

HEX #DDED97

RGB 221 237 151

HSL 71.16, 0.7%, 0.76%

LAB 90.86, -18.54, 39.93

 

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

CMYK 64 / 0 / 41 / 12

HEX #50E185

RGB 80 225 133

HSL 141.93, 0.71%, 0.6%

LAB 80.32, -58.62, 33.9

 

CMYK 15 / 64 / 0 / 12

HEX #BF50E1

RGB 191 80 225

HSL 285.93, 0.71%, 0.6%

LAB 54.29, 65.19, -54.28

 

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

CMYK 64 / 11 / 0 / 12

HEX #50C9E1

RGB 80 201 225

HSL 189.93, 0.71%, 0.6%

LAB 75.4, -26.31, -21.89

 

CMYK 0 / 64 / 11 / 12

HEX #E150C9

RGB 225 80 201

HSL 309.93, 0.71%, 0.6%

LAB 58, 69.17, -34.47

 

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

CMYK 64 / 0 / 41 / 12

HEX #50E185

RGB 80 225 133

HSL 141.93, 0.71%, 0.6%

LAB 80.32, -58.62, 33.9

 

CMYK 54 / 64 / 0 / 12

HEX #6850E1

RGB 104 80 225

HSL 249.93, 0.71%, 0.6%

LAB 44.4, 47.43, -70.74

 

CMYK 0 / 64 / 24 / 12

HEX #E150AC

RGB 225 80 172

HSL 321.93, 0.71%, 0.6%

LAB 56.8, 65.1, -19.62

 

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

CMYK 64 / 0 / 21 / 12

HEX #50E1B1

RGB 80 225 177

HSL 160.14, 0.71%, 0.6%

LAB 81.14, -49.83, 12.25

 

CMYK 54 / 64 / 0 / 12

HEX #6850E1

RGB 104 80 225

HSL 249.93, 0.71%, 0.6%

LAB 44.4, 47.43, -70.74

 

CMYK 0 / 64 / 43 / 12

HEX #E15080

RGB 225 80 128

HSL 340.14, 0.71%, 0.6%

LAB 55.38, 60.06, 4.09

 

Description

Color code: HEX #C7E151 | qconv.com Color code: HEX #C7E151 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 225 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 225 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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