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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D0DC it is the complementary color #382F23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D0DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D0DC shade: #CCD0D7, #DDE2EA, #EEF4FD and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D0DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D0DC shade: #C7D0DC, #B6BEC9, #A5ACB6, #949AA3 and #838890

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D0DC shade: #C6CFDB, #C6C9DB, #C8C6DB, #CEC6DB and #D4C6DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D0DC shade: #C6CFDB, #C6C9DB and #C6C6DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D0DC shade matches the following richer shades: #C6CFDB, #BFCEE3, #B7CDEA, #B0CCF1 and #A8CBF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D0DC shade: #C6CFDB, #CDD0D4, #D5D1CC, #DCD2C5 and #E4D3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D0DC shade: #C6DADB, #C6D5DB, #C6CFDB, #C6CADB and #C8C6DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D0DC shade: #93A4BB, #ADBACB, #C6CFDB, #DFE4EB and #F9FAFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D0DC shade: #C7D0DC, #D6C6DB and #D8DBC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D0DC shade: #C7D0DC, #DBC6CF and #CFDBC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D0DC shade: #C7D0DC, #D6C6DB, #DBD2C6 and #CBDBC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D0DC shade: #C7D0DC, #DBC6DA, #DBD2C6 and #C6DBC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 5 / 0 / 14

HEX #C7D0DC

RGB 199 208 220

HSL 214.29, 0.23%, 0.82%

LAB 83.14, -0.73, -6.99

 

Complementary color

CMYK 0 / 16 / 38 / 78

HEX #382F23

RGB 56 47 35

HSL 34.29, 0.23%, 0.18%

LAB 20.02, 1.87, 9.23

 

CMYK 5 / 3 / 0 / 16

HEX #CCD0D7

RGB 204 208 215

HSL 218.18, 0.12%, 0.82%

LAB 83.37, -0.04, -3.94

 

CMYK 6 / 3 / 0 / 8

HEX #DDE2EA

RGB 221 226 234

HSL 216.92, 0.24%, 0.89%

LAB 89.72, -0.19, -4.49

 

CMYK 6 / 4 / 0 / 1

HEX #EEF4FD

RGB 238 244 253

HSL 216, 0.79%, 0.96%

LAB 95.98, -0.33, -5.02

 

CMYK 10 / 5 / 0 / 14

HEX #C7D0DC

RGB 199 208 220

HSL 214.29, 0.23%, 0.82%

LAB 83.14, -0.73, -6.99

 

CMYK 9 / 5 / 0 / 21

HEX #B6BEC9

RGB 182 190 201

HSL 214.74, 0.15%, 0.75%

LAB 76.67, -0.59, -6.49

 

CMYK 9 / 5 / 0 / 29

HEX #A5ACB6

RGB 165 172 182

HSL 215.29, 0.1%, 0.68%

LAB 70.09, -0.46, -5.97

 

CMYK 9 / 6 / 0 / 36

HEX #949AA3

RGB 148 154 163

HSL 216, 0.08%, 0.61%

LAB 63.39, -0.32, -5.45

 

CMYK 9 / 6 / 0 / 44

HEX #838890

RGB 131 136 144

HSL 216.92, 0.06%, 0.54%

LAB 56.53, -0.17, -4.91

 

CMYK 10 / 5 / 0 / 14

HEX #C6CFDB

RGB 198 207 219

HSL 214.29, 0.23%, 0.82%

LAB 82.78, -0.73, -6.99

 

CMYK 10 / 8 / 0 / 14

HEX #C6C9DB

RGB 198 201 219

HSL 231.43, 0.23%, 0.82%

LAB 81.23, 2.44, -9.29

 

CMYK 9 / 10 / 0 / 14

HEX #C8C6DB

RGB 200 198 219

HSL 245.71, 0.23%, 0.82%

LAB 80.62, 4.7, -10.19

 

CMYK 6 / 10 / 0 / 14

HEX #CEC6DB

RGB 206 198 219

HSL 262.86, 0.23%, 0.82%

LAB 81.08, 6.68, -9.44

 

CMYK 3 / 10 / 0 / 14

HEX #D4C6DB

RGB 212 198 219

HSL 280, 0.23%, 0.82%

LAB 81.57, 8.69, -8.67

 

CMYK 10 / 5 / 0 / 14

HEX #C6CFDB

RGB 198 207 219

HSL 214.29, 0.23%, 0.82%

LAB 82.78, -0.73, -6.99

 

CMYK 10 / 8 / 0 / 14

HEX #C6C9DB

RGB 198 201 219

HSL 231.43, 0.23%, 0.82%

LAB 81.23, 2.44, -9.29

 

CMYK 10 / 10 / 0 / 14

HEX #C6C6DB

RGB 198 198 219

HSL 240, 0.23%, 0.82%

LAB 80.46, 4.04, -10.43

 

CMYK 10 / 5 / 0 / 14

HEX #C6CFDB

RGB 198 207 219

HSL 214.29, 0.23%, 0.82%

LAB 82.78, -0.73, -6.99

 

CMYK 16 / 9 / 0 / 11

HEX #BFCEE3

RGB 191 206 227

HSL 215, 0.39%, 0.82%

LAB 82.25, -0.82, -12.1

 

CMYK 22 / 12 / 0 / 8

HEX #B7CDEA

RGB 183 205 234

HSL 214.12, 0.55%, 0.82%

LAB 81.66, -1.25, -16.78

 

CMYK 27 / 15 / 0 / 5

HEX #B0CCF1

RGB 176 204 241

HSL 214.15, 0.7%, 0.82%

LAB 81.16, -1.21, -21.31

 

CMYK 33 / 18 / 0 / 2

HEX #A8CBF9

RGB 168 203 249

HSL 214.07, 0.87%, 0.82%

LAB 80.67, -1.03, -26.37

 

CMYK 10 / 5 / 0 / 14

HEX #C6CFDB

RGB 198 207 219

HSL 214.29, 0.23%, 0.82%

LAB 82.78, -0.73, -6.99

 

CMYK 3 / 2 / 0 / 17

HEX #CDD0D4

RGB 205 208 212

HSL 214.29, 0.08%, 0.82%

LAB 83.36, -0.28, -2.34

 

CMYK 0 / 2 / 4 / 16

HEX #D5D1CC

RGB 213 209 204

HSL 33.33, 0.1%, 0.82%

LAB 84.02, 0.49, 2.95

 

CMYK 0 / 5 / 10 / 14

HEX #DCD2C5

RGB 220 210 197

HSL 33.91, 0.25%, 0.82%

LAB 84.66, 1.24, 7.66

 

CMYK 0 / 7 / 17 / 11

HEX #E4D3BD

RGB 228 211 189

HSL 33.85, 0.42%, 0.82%

LAB 85.38, 2.34, 13.01

 

CMYK 10 / 0 / 0 / 14

HEX #C6DADB

RGB 198 218 219

HSL 182.86, 0.23%, 0.82%

LAB 85.64, -6.46, -2.78

 

CMYK 10 / 3 / 0 / 14

HEX #C6D5DB

RGB 198 213 219

HSL 197.14, 0.23%, 0.82%

LAB 84.33, -3.87, -4.7

 

CMYK 10 / 5 / 0 / 14

HEX #C6CFDB

RGB 198 207 219

HSL 214.29, 0.23%, 0.82%

LAB 82.78, -0.73, -6.99

 

CMYK 10 / 8 / 0 / 14

HEX #C6CADB

RGB 198 202 219

HSL 228.57, 0.23%, 0.82%

LAB 81.49, 1.91, -8.91

 

CMYK 9 / 10 / 0 / 14

HEX #C8C6DB

RGB 200 198 219

HSL 245.71, 0.23%, 0.82%

LAB 80.62, 4.7, -10.19

 

CMYK 21 / 12 / 0 / 27

HEX #93A4BB

RGB 147 164 187

HSL 214.5, 0.23%, 0.65%

LAB 66.78, -0.91, -13.83

 

CMYK 15 / 8 / 0 / 20

HEX #ADBACB

RGB 173 186 203

HSL 214, 0.22%, 0.74%

LAB 75.02, -1, -10.09

 

CMYK 10 / 5 / 0 / 14

HEX #C6CFDB

RGB 198 207 219

HSL 214.29, 0.23%, 0.82%

LAB 82.78, -0.73, -6.99

 

CMYK 5 / 3 / 0 / 8

HEX #DFE4EB

RGB 223 228 235

HSL 215, 0.23%, 0.9%

LAB 90.4, -0.38, -3.99

 

CMYK 1 / 0 / 0 / 2

HEX #F9FAFB

RGB 249 250 251

HSL 210, 0.2%, 0.98%

LAB 98.22, -0.15, -0.6

 

CMYK 10 / 5 / 0 / 14

HEX #C7D0DC

RGB 199 208 220

HSL 214.29, 0.23%, 0.82%

LAB 83.14, -0.73, -6.99

 

CMYK 2 / 10 / 0 / 14

HEX #D6C6DB

RGB 214 198 219

HSL 285.71, 0.23%, 0.82%

LAB 81.73, 9.36, -8.41

 

CMYK 1 / 0 / 10 / 14

HEX #D8DBC6

RGB 216 219 198

HSL 68.57, 0.23%, 0.82%

LAB 86.67, -4.66, 9.97

 

CMYK 10 / 5 / 0 / 14

HEX #C7D0DC

RGB 199 208 220

HSL 214.29, 0.23%, 0.82%

LAB 83.14, -0.73, -6.99

 

CMYK 0 / 10 / 5 / 14

HEX #DBC6CF

RGB 219 198 207

HSL 334.29, 0.23%, 0.82%

LAB 81.81, 8.9, -1.81

 

CMYK 5 / 0 / 10 / 14

HEX #CFDBC6

RGB 207 219 198

HSL 94.29, 0.23%, 0.82%

LAB 86.01, -7.8, 8.94

 

CMYK 10 / 5 / 0 / 14

HEX #C7D0DC

RGB 199 208 220

HSL 214.29, 0.23%, 0.82%

LAB 83.14, -0.73, -6.99

 

CMYK 2 / 10 / 0 / 14

HEX #D6C6DB

RGB 214 198 219

HSL 285.71, 0.23%, 0.82%

LAB 81.73, 9.36, -8.41

 

CMYK 0 / 4 / 10 / 14

HEX #DBD2C6

RGB 219 210 198

HSL 34.29, 0.23%, 0.82%

LAB 84.6, 1.05, 7.04

 

CMYK 7 / 0 / 10 / 14

HEX #CBDBC6

RGB 203 219 198

HSL 105.71, 0.23%, 0.82%

LAB 85.72, -9.18, 8.49

 

CMYK 10 / 5 / 0 / 14

HEX #C7D0DC

RGB 199 208 220

HSL 214.29, 0.23%, 0.82%

LAB 83.14, -0.73, -6.99

 

CMYK 0 / 10 / 0 / 14

HEX #DBC6DA

RGB 219 198 218

HSL 302.86, 0.23%, 0.82%

LAB 82.11, 10.87, -7.26

 

CMYK 0 / 4 / 10 / 14

HEX #DBD2C6

RGB 219 210 198

HSL 34.29, 0.23%, 0.82%

LAB 84.6, 1.05, 7.04

 

CMYK 10 / 0 / 9 / 14

HEX #C6DBC7

RGB 198 219 199

HSL 122.86, 0.23%, 0.82%

LAB 85.4, -10.71, 7.45

 

Description

Color code: HEX #C7D0DC | qconv.com Color code: HEX #C7D0DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 208 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 208 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 5 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 5% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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