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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D04C it is the complementary color #382FB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D04C shade: #CCD047, #DDE25A, #EEF46D, #FFFF80 and #FFFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D04C shade: #C7D04C, #B6BE39, #A5AC26, #949A13 and #838800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D04C shade: #C7CF4D, #CFB54D, #CF924D, #CF6F4D and #CF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D04C shade: #C7CF4D, #A3CF4D, #80CF4D, #5DCF4D and #4DCF60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D04C shade matches the following richer shades: #C7CF4D, #D6E23B and #E6F429

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D04C shade: #C7CF4D, #B7BD5F, #A7AB72, #979984 and #888796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D04C shade: #CF934D, #CFB54D, #C7CF4D, #A4CF4D and #81CF4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D04C shade: #98A02A, #B7C133, #C7CF4D, #D1D86E and #DBE18E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D04C shade: #C7D04C, #4DCF70 and #A44DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D04C shade: #C7D04C, #4DC7CF and #CF4DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D04C shade: #C7D04C, #4DCF70, #564DCF and #CF4DAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D04C shade: #C7D04C, #4DCF97, #564DCF and #CF4D86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 63 / 18

HEX #C7D04C

RGB 199 208 76

HSL 64.09, 0.58%, 0.56%

LAB 80.61, -19.9, 62.17

 

Complementary color

CMYK 69 / 74 / 0 / 30

HEX #382FB3

RGB 56 47 179

HSL 244.09, 0.58%, 0.44%

LAB 29.73, 44.93, -68.18

 

CMYK 2 / 0 / 66 / 18

HEX #CCD047

RGB 204 208 71

HSL 61.75, 0.59%, 0.55%

LAB 80.96, -18.13, 64.64

 

CMYK 2 / 0 / 60 / 11

HEX #DDE25A

RGB 221 226 90

HSL 62.21, 0.7%, 0.62%

LAB 87.24, -18.83, 63.98

 

CMYK 2 / 0 / 55 / 4

HEX #EEF46D

RGB 238 244 109

HSL 62.67, 0.86%, 0.69%

LAB 93.44, -19.41, 63.09

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 4 / 0 / 63 / 18

HEX #C7D04C

RGB 199 208 76

HSL 64.09, 0.58%, 0.56%

LAB 80.61, -19.9, 62.17

 

CMYK 4 / 0 / 70 / 25

HEX #B6BE39

RGB 182 190 57

HSL 63.61, 0.54%, 0.48%

LAB 74.23, -19.17, 62.62

 

CMYK 4 / 0 / 78 / 33

HEX #A5AC26

RGB 165 172 38

HSL 63.13, 0.64%, 0.41%

LAB 67.76, -18.26, 62.48

 

CMYK 4 / 0 / 88 / 40

HEX #949A13

RGB 148 154 19

HSL 62.67, 0.78%, 0.34%

LAB 61.18, -17.15, 61.25

 

CMYK 4 / 0 / 100 / 47

HEX #838800

RGB 131 136 0

HSL 62.21, 1%, 0.27%

LAB 54.48, -15.81, 58.71

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 0 / 13 / 63 / 19

HEX #CFB54D

RGB 207 181 77

HSL 48, 0.58%, 0.56%

LAB 74.09, -2.73, 54.95

 

CMYK 0 / 29 / 63 / 19

HEX #CF924D

RGB 207 146 77

HSL 31.85, 0.58%, 0.56%

LAB 65.25, 16.03, 45.04

 

CMYK 0 / 46 / 63 / 19

HEX #CF6F4D

RGB 207 111 77

HSL 15.69, 0.58%, 0.56%

LAB 57.24, 34.86, 35.58

 

CMYK 0 / 63 / 63 / 19

HEX #CF4D4D

RGB 207 77 77

HSL 0, 0.58%, 0.56%

LAB 50.81, 51.4, 27.62

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 21 / 0 / 63 / 19

HEX #A3CF4D

RGB 163 207 77

HSL 80.31, 0.58%, 0.56%

LAB 77.84, -33.73, 58.05

 

CMYK 38 / 0 / 63 / 19

HEX #80CF4D

RGB 128 207 77

HSL 96.46, 0.58%, 0.56%

LAB 75.92, -46.36, 55.39

 

CMYK 55 / 0 / 63 / 19

HEX #5DCF4D

RGB 93 207 77

HSL 112.62, 0.58%, 0.56%

LAB 74.5, -56.74, 53.43

 

CMYK 63 / 0 / 54 / 19

HEX #4DCF60

RGB 77 207 96

HSL 128.77, 0.58%, 0.56%

LAB 74.22, -58.24, 44.38

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 5 / 0 / 74 / 11

HEX #D6E23B

RGB 214 226 59

HSL 64.31, 0.74%, 0.56%

LAB 86.51, -23.38, 74.55

 

CMYK 6 / 0 / 83 / 4

HEX #E6F429

RGB 230 244 41

HSL 64.14, 0.9%, 0.56%

LAB 92.44, -26.01, 85.02

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 3 / 0 / 50 / 26

HEX #B7BD5F

RGB 183 189 95

HSL 63.83, 0.42%, 0.56%

LAB 74.37, -15.5, 46.34

 

CMYK 2 / 0 / 33 / 33

HEX #A7AB72

RGB 167 171 114

HSL 64.21, 0.25%, 0.56%

LAB 68.43, -10.6, 28.93

 

CMYK 1 / 0 / 14 / 40

HEX #979984

RGB 151 153 132

HSL 65.71, 0.09%, 0.56%

LAB 62.53, -4.55, 10.8

 

CMYK 9 / 10 / 0 / 41

HEX #888796

RGB 136 135 150

HSL 244, 0.07%, 0.56%

LAB 56.84, 3.45, -7.86

 

CMYK 0 / 29 / 63 / 19

HEX #CF934D

RGB 207 147 77

HSL 32.31, 0.58%, 0.56%

LAB 65.49, 15.49, 45.32

 

CMYK 0 / 13 / 63 / 19

HEX #CFB54D

RGB 207 181 77

HSL 48, 0.58%, 0.56%

LAB 74.09, -2.73, 54.95

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 21 / 0 / 63 / 19

HEX #A4CF4D

RGB 164 207 77

HSL 79.85, 0.58%, 0.56%

LAB 77.91, -33.35, 58.14

 

CMYK 38 / 0 / 63 / 19

HEX #81CF4D

RGB 129 207 77

HSL 96, 0.58%, 0.56%

LAB 75.96, -46.02, 55.46

 

CMYK 5 / 0 / 74 / 37

HEX #98A02A

RGB 152 160 42

HSL 64.07, 0.58%, 0.4%

LAB 63.33, -17.62, 56.67

 

CMYK 5 / 0 / 74 / 24

HEX #B7C133

RGB 183 193 51

HSL 64.23, 0.58%, 0.48%

LAB 75.11, -20.53, 65.61

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 3 / 0 / 49 / 15

HEX #D1D86E

RGB 209 216 110

HSL 63.96, 0.58%, 0.64%

LAB 83.86, -17.16, 50.96

 

CMYK 3 / 0 / 37 / 12

HEX #DBE18E

RGB 219 225 142

HSL 64.34, 0.58%, 0.72%

LAB 87.42, -14.43, 39.94

 

CMYK 4 / 0 / 63 / 18

HEX #C7D04C

RGB 199 208 76

HSL 64.09, 0.58%, 0.56%

LAB 80.61, -19.9, 62.17

 

CMYK 63 / 0 / 46 / 19

HEX #4DCF70

RGB 77 207 112

HSL 136.15, 0.58%, 0.56%

LAB 74.43, -55.91, 36.83

 

CMYK 21 / 63 / 0 / 19

HEX #A44DCF

RGB 164 77 207

HSL 280.15, 0.58%, 0.56%

LAB 49.14, 56.72, -52.49

 

CMYK 4 / 0 / 63 / 18

HEX #C7D04C

RGB 199 208 76

HSL 64.09, 0.58%, 0.56%

LAB 80.61, -19.9, 62.17

 

CMYK 63 / 4 / 0 / 19

HEX #4DC7CF

RGB 77 199 207

HSL 183.69, 0.58%, 0.56%

LAB 74.14, -31.04, -14.06

 

CMYK 0 / 63 / 4 / 19

HEX #CF4DC7

RGB 207 77 199

HSL 303.69, 0.58%, 0.56%

LAB 54.76, 65.58, -38.6

 

CMYK 4 / 0 / 63 / 18

HEX #C7D04C

RGB 199 208 76

HSL 64.09, 0.58%, 0.56%

LAB 80.61, -19.9, 62.17

 

CMYK 63 / 0 / 46 / 19

HEX #4DCF70

RGB 77 207 112

HSL 136.15, 0.58%, 0.56%

LAB 74.43, -55.91, 36.83

 

CMYK 58 / 63 / 0 / 19

HEX #564DCF

RGB 86 77 207

HSL 244.15, 0.58%, 0.56%

LAB 40.88, 40.64, -66.23

 

CMYK 0 / 63 / 16 / 19

HEX #CF4DAD

RGB 207 77 173

HSL 315.69, 0.58%, 0.56%

LAB 53.59, 61.57, -25.39

 

CMYK 4 / 0 / 63 / 18

HEX #C7D04C

RGB 199 208 76

HSL 64.09, 0.58%, 0.56%

LAB 80.61, -19.9, 62.17

 

CMYK 63 / 0 / 27 / 19

HEX #4DCF97

RGB 77 207 151

HSL 154.15, 0.58%, 0.56%

LAB 75.1, -48.65, 17.51

 

CMYK 58 / 63 / 0 / 19

HEX #564DCF

RGB 86 77 207

HSL 244.15, 0.58%, 0.56%

LAB 40.88, 40.64, -66.23

 

CMYK 0 / 63 / 35 / 19

HEX #CF4D86

RGB 207 77 134

HSL 333.69, 0.58%, 0.56%

LAB 52.17, 56.49, -4.52

 

Description

Color code: HEX #C7D04C | qconv.com Color code: HEX #C7D04C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 208 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 208 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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