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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7CF07 it is the complementary color #3830F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7CF07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7CF07 shade: #CCCF02, #DDE115, #EEF328, #FFFF3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7CF07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7CF07 shade: #C7CF07, #B6BD00, #A5AB00, #949900 and #838700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7CF07 shade: #C6CE07, #CEA007, #CE6B07, #CE3507 and #CE0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7CF07 shade: #C6CE07, #91CE07, #5BCE07, #25CE07 and #07CE1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7CF07 shade matches the following richer shades: #C6CE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7CF07 shade: #C6CE07, #B6BD18, #A6AC2A, #969A3B and #86894C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7CF07 shade: #CE6B07, #CEA007, #C8CE07, #92CE07 and #5DCE07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7CF07 shade: #7A7F04, #A0A606, #C6CE07, #ECF609 and #EFF731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7CF07 shade: #C7CF07, #07CE35 and #8507CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7CF07 shade: #C7CF07, #07C8CE and #CE07C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7CF07 shade: #C7CF07, #07CE35, #0E07CE and #CE07A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7CF07 shade: #C7CF07, #07CE71, #0E07CE and #CE0764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 97 / 19

HEX #C7CF07

RGB 199 207 7

HSL 62.4, 0.93%, 0.42%

LAB 80.06, -21.75, 79.34

 

Complementary color

CMYK 77 / 81 / 0 / 3

HEX #3830F8

RGB 56 48 248

HSL 242.4, 0.93%, 0.58%

LAB 37.36, 65.57, -95.46

 

CMYK 1 / 0 / 99 / 19

HEX #CCCF02

RGB 204 207 2

HSL 60.88, 0.98%, 0.41%

LAB 80.44, -19.68, 80.27

 

CMYK 2 / 0 / 91 / 12

HEX #DDE115

RGB 221 225 21

HSL 61.18, 0.83%, 0.48%

LAB 86.64, -21.07, 83.58

 

CMYK 2 / 0 / 84 / 5

HEX #EEF328

RGB 238 243 40

HSL 61.48, 0.89%, 0.55%

LAB 92.76, -22.3, 85.75

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 4 / 0 / 97 / 19

HEX #C7CF07

RGB 199 207 7

HSL 62.4, 0.93%, 0.42%

LAB 80.06, -21.75, 79.34

 

CMYK 4 / 0 / 100 / 26

HEX #B6BD00

RGB 182 189 0

HSL 62.22, 1%, 0.37%

LAB 73.77, -20.24, 74.77

 

CMYK 4 / 0 / 100 / 33

HEX #A5AB00

RGB 165 171 0

HSL 62.11, 1%, 0.34%

LAB 67.37, -18.62, 69.45

 

CMYK 3 / 0 / 100 / 40

HEX #949900

RGB 148 153 0

HSL 61.96, 1%, 0.3%

LAB 60.85, -16.97, 64.03

 

CMYK 3 / 0 / 100 / 47

HEX #838700

RGB 131 135 0

HSL 61.78, 1%, 0.26%

LAB 54.19, -15.28, 58.5

 

CMYK 4 / 0 / 97 / 19

HEX #C6CE07

RGB 198 206 7

HSL 62.41, 0.93%, 0.42%

LAB 79.71, -21.69, 79.04

 

CMYK 0 / 22 / 97 / 19

HEX #CEA007

RGB 206 160 7

HSL 46.13, 0.93%, 0.42%

LAB 68.23, 5.5, 70.91

 

CMYK 0 / 48 / 97 / 19

HEX #CE6B07

RGB 206 107 7

HSL 30.15, 0.93%, 0.42%

LAB 55.74, 34.03, 62.32

 

CMYK 0 / 74 / 97 / 19

HEX #CE3507

RGB 206 53 7

HSL 13.87, 0.93%, 0.42%

LAB 46.56, 58.09, 56.74

 

CMYK 0 / 97 / 97 / 19

HEX #CE0707

RGB 206 7 7

HSL 0, 0.93%, 0.42%

LAB 43.2, 67.61, 55

 

CMYK 4 / 0 / 97 / 19

HEX #C6CE07

RGB 198 206 7

HSL 62.41, 0.93%, 0.42%

LAB 79.71, -21.69, 79.04

 

CMYK 30 / 0 / 97 / 19

HEX #91CE07

RGB 145 206 7

HSL 78.39, 0.93%, 0.42%

LAB 76.18, -43.13, 74.79

 

CMYK 56 / 0 / 97 / 19

HEX #5BCE07

RGB 91 206 7

HSL 94.67, 0.93%, 0.42%

LAB 73.79, -60.71, 71.89

 

CMYK 82 / 0 / 97 / 19

HEX #25CE07

RGB 37 206 7

HSL 110.95, 0.93%, 0.42%

LAB 72.6, -70.88, 70.42

 

CMYK 97 / 0 / 85 / 19

HEX #07CE1F

RGB 7 206 31

HSL 127.24, 0.93%, 0.42%

LAB 72.42, -72.25, 66.43

 

CMYK 4 / 0 / 97 / 19

HEX #C6CE07

RGB 198 206 7

HSL 62.41, 0.93%, 0.42%

LAB 79.71, -21.69, 79.04

 

CMYK 4 / 0 / 97 / 19

HEX #C6CE07

RGB 198 206 7

HSL 62.41, 0.93%, 0.42%

LAB 79.71, -21.69, 79.04

 

CMYK 4 / 0 / 87 / 26

HEX #B6BD18

RGB 182 189 24

HSL 62.55, 0.77%, 0.42%

LAB 73.81, -19.88, 71.65

 

CMYK 3 / 0 / 76 / 33

HEX #A6AC2A

RGB 166 172 42

HSL 62.77, 0.61%, 0.42%

LAB 67.86, -17.67, 61.33

 

CMYK 3 / 0 / 62 / 40

HEX #969A3B

RGB 150 154 59

HSL 62.53, 0.45%, 0.42%

LAB 61.58, -14.36, 47.95

 

CMYK 2 / 0 / 45 / 46

HEX #86894C

RGB 134 137 76

HSL 62.95, 0.29%, 0.42%

LAB 55.56, -10.67, 32.23

 

CMYK 0 / 48 / 97 / 19

HEX #CE6B07

RGB 206 107 7

HSL 30.15, 0.93%, 0.42%

LAB 55.74, 34.03, 62.32

 

CMYK 0 / 22 / 97 / 19

HEX #CEA007

RGB 206 160 7

HSL 46.13, 0.93%, 0.42%

LAB 68.23, 5.5, 70.91

 

CMYK 3 / 0 / 97 / 19

HEX #C8CE07

RGB 200 206 7

HSL 61.81, 0.93%, 0.42%

LAB 79.86, -20.84, 79.22

 

CMYK 29 / 0 / 97 / 19

HEX #92CE07

RGB 146 206 7

HSL 78.09, 0.93%, 0.42%

LAB 76.23, -42.75, 74.86

 

CMYK 55 / 0 / 97 / 19

HEX #5DCE07

RGB 93 206 7

HSL 94.07, 0.93%, 0.42%

LAB 73.86, -60.17, 71.97

 

CMYK 4 / 0 / 97 / 50

HEX #7A7F04

RGB 122 127 4

HSL 62.44, 0.94%, 0.26%

LAB 51.07, -15.1, 55.08

 

CMYK 4 / 0 / 96 / 35

HEX #A0A606

RGB 160 166 6

HSL 62.25, 0.93%, 0.34%

LAB 65.56, -18.2, 67.15

 

CMYK 4 / 0 / 97 / 19

HEX #C6CE07

RGB 198 206 7

HSL 62.41, 0.93%, 0.42%

LAB 79.71, -21.69, 79.04

 

CMYK 4 / 0 / 96 / 4

HEX #ECF609

RGB 236 246 9

HSL 62.53, 0.93%, 0.5%

LAB 93.35, -25.02, 90.39

 

CMYK 3 / 0 / 80 / 3

HEX #EFF731

RGB 239 247 49

HSL 62.42, 0.93%, 0.58%

LAB 93.92, -23.54, 84.71

 

CMYK 4 / 0 / 97 / 19

HEX #C7CF07

RGB 199 207 7

HSL 62.4, 0.93%, 0.42%

LAB 80.06, -21.75, 79.34

 

CMYK 97 / 0 / 74 / 19

HEX #07CE35

RGB 7 206 53

HSL 133.87, 0.93%, 0.42%

LAB 72.52, -70.89, 60.21

 

CMYK 35 / 97 / 0 / 19

HEX #8507CE

RGB 133 7 206

HSL 277.99, 0.93%, 0.42%

LAB 37.11, 72.84, -71.62

 

CMYK 4 / 0 / 97 / 19

HEX #C7CF07

RGB 199 207 7

HSL 62.4, 0.93%, 0.42%

LAB 80.06, -21.75, 79.34

 

CMYK 97 / 3 / 0 / 19

HEX #07C8CE

RGB 7 200 206

HSL 181.81, 0.93%, 0.42%

LAB 73.42, -38.03, -14.7

 

CMYK 0 / 97 / 3 / 19

HEX #CE07C8

RGB 206 7 200

HSL 301.81, 0.93%, 0.42%

LAB 48.81, 82.24, -48.6

 

CMYK 4 / 0 / 97 / 19

HEX #C7CF07

RGB 199 207 7

HSL 62.4, 0.93%, 0.42%

LAB 80.06, -21.75, 79.34

 

CMYK 97 / 0 / 74 / 19

HEX #07CE35

RGB 7 206 53

HSL 133.87, 0.93%, 0.42%

LAB 72.52, -70.89, 60.21

 

CMYK 93 / 97 / 0 / 19

HEX #0E07CE

RGB 14 7 206

HSL 242.11, 0.93%, 0.42%

LAB 25.87, 66.1, -90.59

 

CMYK 0 / 97 / 22 / 19

HEX #CE07A0

RGB 206 7 160

HSL 313.87, 0.93%, 0.42%

LAB 46.73, 77.01, -28.37

 

CMYK 4 / 0 / 97 / 19

HEX #C7CF07

RGB 199 207 7

HSL 62.4, 0.93%, 0.42%

LAB 80.06, -21.75, 79.34

 

CMYK 97 / 0 / 45 / 19

HEX #07CE71

RGB 7 206 113

HSL 151.96, 0.93%, 0.42%

LAB 73.14, -63.28, 34.48

 

CMYK 93 / 97 / 0 / 19

HEX #0E07CE

RGB 14 7 206

HSL 242.11, 0.93%, 0.42%

LAB 25.87, 66.1, -90.59

 

CMYK 0 / 97 / 51 / 19

HEX #CE0764

RGB 206 7 100

HSL 331.96, 0.93%, 0.42%

LAB 44.51, 71.2, 5.02

 

Description

Color code: HEX #C7CF07 | qconv.com Color code: HEX #C7CF07 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 207 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 207 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 97 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 97% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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