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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7CD37 it is the complementary color #3832C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7CD37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7CD37 shade: #CCCD32, #DDDF45, #EEF158, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7CD37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7CD37 shade: #C7CD37, #B6BB24, #A5A911, #949700 and #838500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7CD37 shade: #C7CD37, #CDAA37, #CD8237, #CD5937 and #CD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7CD37 shade: #C7CD37, #9ECD37, #76CD37, #4DCD37 and #37CD48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7CD37 shade matches the following richer shades: #C7CD37, #D9E122 and #ECF50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7CD37 shade: #C7CD37, #B4B84B, #A1A45F, #8F9073 and #7C7C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7CD37 shade: #CD8237, #CDAA37, #C8CD37, #A0CD37 and #78CD37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7CD37 shade: #898E23, #A9AF2B, #C7CD37, #D0D558 and #D9DD79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7CD37 shade: #C7CD37, #37CD5A and #9637CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7CD37 shade: #C7CD37, #37C8CD and #CD37C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7CD37 shade: #C7CD37, #37CD5A, #3C37CD and #CD37AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7CD37 shade: #C7CD37, #37CD87, #3C37CD and #CD377D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

Complementary color

CMYK 72 / 75 / 0 / 22

HEX #3832C8

RGB 56 50 200

HSL 242.4, 0.6%, 0.49%

LAB 32.46, 50.02, -76.07

 

CMYK 0 / 0 / 76 / 20

HEX #CCCD32

RGB 204 205 50

HSL 60.39, 0.61%, 0.5%

LAB 80.03, -17.66, 71.1

 

CMYK 1 / 0 / 69 / 13

HEX #DDDF45

RGB 221 223 69

HSL 60.78, 0.71%, 0.57%

LAB 86.29, -18.59, 71.16

 

CMYK 1 / 0 / 63 / 5

HEX #EEF158

RGB 238 241 88

HSL 61.18, 0.85%, 0.65%

LAB 92.48, -19.37, 70.74

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 3 / 0 / 81 / 27

HEX #B6BB24

RGB 182 187 36

HSL 61.99, 0.68%, 0.44%

LAB 73.29, -18.56, 68.47

 

CMYK 2 / 0 / 90 / 34

HEX #A5A911

RGB 165 169 17

HSL 61.58, 0.82%, 0.36%

LAB 66.84, -17.36, 66.76

 

CMYK 2 / 0 / 100 / 41

HEX #949700

RGB 148 151 0

HSL 61.19, 1%, 0.3%

LAB 60.27, -15.94, 63.61

 

CMYK 2 / 0 / 100 / 48

HEX #838500

RGB 131 133 0

HSL 60.9, 1%, 0.26%

LAB 53.6, -14.22, 58.06

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 0 / 17 / 73 / 20

HEX #CDAA37

RGB 205 170 55

HSL 46, 0.6%, 0.51%

LAB 70.87, 0.99, 60.76

 

CMYK 0 / 37 / 73 / 20

HEX #CD8237

RGB 205 130 55

HSL 30, 0.6%, 0.51%

LAB 60.98, 22.62, 50.84

 

CMYK 0 / 57 / 73 / 20

HEX #CD5937

RGB 205 89 55

HSL 13.6, 0.6%, 0.51%

LAB 52.29, 43.96, 41.63

 

CMYK 0 / 73 / 73 / 20

HEX #CD3737

RGB 205 55 55

HSL 0, 0.6%, 0.51%

LAB 46.96, 58.25, 35.68

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 23 / 0 / 73 / 20

HEX #9ECD37

RGB 158 205 55

HSL 78.8, 0.6%, 0.51%

LAB 76.8, -36.19, 65.28

 

CMYK 42 / 0 / 73 / 20

HEX #76CD37

RGB 118 205 55

HSL 94.8, 0.6%, 0.51%

LAB 74.69, -50.51, 62.5

 

CMYK 62 / 0 / 73 / 20

HEX #4DCD37

RGB 77 205 55

HSL 111.2, 0.6%, 0.51%

LAB 73.23, -61.79, 60.55

 

CMYK 73 / 0 / 65 / 20

HEX #37CD48

RGB 55 205 72

HSL 126.8, 0.6%, 0.51%

LAB 72.85, -64.45, 53.44

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 4 / 0 / 85 / 12

HEX #D9E122

RGB 217 225 34

HSL 62.51, 0.76%, 0.51%

LAB 86.36, -22.48, 81.04

 

CMYK 4 / 0 / 94 / 4

HEX #ECF50E

RGB 236 245 14

HSL 62.34, 0.92%, 0.51%

LAB 93.09, -24.51, 89.8

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 2 / 0 / 59 / 28

HEX #B4B84B

RGB 180 184 75

HSL 62.2, 0.43%, 0.51%

LAB 72.56, -15.86, 53.49

 

CMYK 2 / 0 / 42 / 36

HEX #A1A45F

RGB 161 164 95

HSL 62.61, 0.27%, 0.51%

LAB 65.71, -11.63, 35.37

 

CMYK 1 / 0 / 20 / 44

HEX #8F9073

RGB 143 144 115

HSL 62.07, 0.12%, 0.51%

LAB 59, -5.5, 15.33

 

CMYK 8 / 8 / 0 / 47

HEX #7C7C87

RGB 124 124 135

HSL 240, 0.04%, 0.51%

LAB 52.34, 2.29, -5.96

 

CMYK 0 / 37 / 73 / 20

HEX #CD8237

RGB 205 130 55

HSL 30, 0.6%, 0.51%

LAB 60.98, 22.62, 50.84

 

CMYK 0 / 17 / 73 / 20

HEX #CDAA37

RGB 205 170 55

HSL 46, 0.6%, 0.51%

LAB 70.87, 0.99, 60.76

 

CMYK 2 / 0 / 73 / 20

HEX #C8CD37

RGB 200 205 55

HSL 62, 0.6%, 0.51%

LAB 79.74, -19.13, 69.11

 

CMYK 22 / 0 / 73 / 20

HEX #A0CD37

RGB 160 205 55

HSL 78, 0.6%, 0.51%

LAB 76.93, -35.41, 65.44

 

CMYK 41 / 0 / 73 / 20

HEX #78CD37

RGB 120 205 55

HSL 94, 0.6%, 0.51%

LAB 74.78, -49.86, 62.61

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 3 / 0 / 75 / 31

HEX #A9AF2B

RGB 169 175 43

HSL 62.73, 0.61%, 0.43%

LAB 68.95, -17.85, 62.1

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 2 / 0 / 59 / 16

HEX #D0D558

RGB 208 213 88

HSL 62.4, 0.6%, 0.59%

LAB 82.76, -17.87, 59.65

 

CMYK 2 / 0 / 45 / 13

HEX #D9DD79

RGB 217 221 121

HSL 62.4, 0.6%, 0.67%

LAB 85.93, -15.44, 48.36

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 73 / 0 / 56 / 20

HEX #37CD5A

RGB 55 205 90

HSL 134, 0.6%, 0.51%

LAB 73.03, -62.33, 45.66

 

CMYK 27 / 73 / 0 / 20

HEX #9637CD

RGB 150 55 205

HSL 278, 0.6%, 0.51%

LAB 43.69, 62.92, -60.21

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 73 / 2 / 0 / 20

HEX #37C8CD

RGB 55 200 205

HSL 182, 0.6%, 0.51%

LAB 73.89, -35.14, -13.41

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 73 / 0 / 56 / 20

HEX #37CD5A

RGB 55 205 90

HSL 134, 0.6%, 0.51%

LAB 73.03, -62.33, 45.66

 

CMYK 71 / 73 / 0 / 20

HEX #3C37CD

RGB 60 55 205

HSL 242, 0.6%, 0.51%

LAB 34.19, 49.27, -76.12

 

CMYK 0 / 73 / 17 / 20

HEX #CD37AA

RGB 205 55 170

HSL 314, 0.6%, 0.51%

LAB 50.23, 68.75, -28.86

 

CMYK 3 / 0 / 73 / 20

HEX #C7CD37

RGB 199 205 55

HSL 62.4, 0.6%, 0.51%

LAB 79.66, -19.55, 69.01

 

CMYK 73 / 0 / 34 / 20

HEX #37CD87

RGB 55 205 135

HSL 152, 0.6%, 0.51%

LAB 73.69, -54.78, 23.95

 

CMYK 71 / 73 / 0 / 20

HEX #3C37CD

RGB 60 55 205

HSL 242, 0.6%, 0.51%

LAB 34.19, 49.27, -76.12

 

CMYK 0 / 73 / 39 / 20

HEX #CD377D

RGB 205 55 125

HSL 332, 0.6%, 0.51%

LAB 48.5, 63.33, -4.58

 

Description

Color code: HEX #C7CD37 | qconv.com Color code: HEX #C7CD37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 205 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 205 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 73 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 73% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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