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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7CD32 it is the complementary color #3832CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7CD32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7CD32 shade: #CCCD2D, #DDDF40, #EEF153, #FFFF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7CD32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7CD32 shade: #C7CD32, #B6BB1F, #A5A90C, #949700 and #838500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7CD32 shade: #C7CD31, #CDA931, #CD7F31, #CD5531 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7CD32 shade: #C7CD31, #9DCD31, #73CD31, #49CD31 and #31CD43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7CD32 shade matches the following richer shades: #C7CD31, #DAE11D and #EDF608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7CD32 shade: #C7CD31, #B4B846, #A1A45A, #8E8F6F and #7B7A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7CD32 shade: #CD7F31, #CDA831, #C8CD31, #9ECD31 and #75CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7CD32 shade: #868A21, #A7AC29, #C7CD31, #D0D552 and #D9DD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7CD32 shade: #C7CD32, #31CD56 and #9431CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7CD32 shade: #C7CD32, #31C8CD and #CD31C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7CD32 shade: #C7CD32, #31CD56, #3631CD and #CD31A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7CD32 shade: #C7CD32, #31CD84, #3631CD and #CD317A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 76 / 20

HEX #C7CD32

RGB 199 205 50

HSL 62.32, 0.61%, 0.5%

LAB 79.63, -19.76, 70.59

 

Complementary color

CMYK 73 / 76 / 0 / 20

HEX #3832CD

RGB 56 50 205

HSL 242.32, 0.61%, 0.5%

LAB 32.98, 51.6, -78.12

 

CMYK 0 / 0 / 78 / 20

HEX #CCCD2D

RGB 204 205 45

HSL 60.38, 0.64%, 0.49%

LAB 80, -17.85, 72.56

 

CMYK 1 / 0 / 71 / 13

HEX #DDDF40

RGB 221 223 64

HSL 60.75, 0.71%, 0.56%

LAB 86.26, -18.82, 72.88

 

CMYK 1 / 0 / 66 / 5

HEX #EEF153

RGB 238 241 83

HSL 61.14, 0.85%, 0.64%

LAB 92.45, -19.65, 72.62

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD32

RGB 199 205 50

HSL 62.32, 0.61%, 0.5%

LAB 79.63, -19.76, 70.59

 

CMYK 3 / 0 / 83 / 27

HEX #B6BB1F

RGB 182 187 31

HSL 61.92, 0.72%, 0.43%

LAB 73.28, -18.71, 69.71

 

CMYK 2 / 0 / 93 / 34

HEX #A5A90C

RGB 165 169 12

HSL 61.53, 0.87%, 0.35%

LAB 66.83, -17.44, 67.53

 

CMYK 2 / 0 / 100 / 41

HEX #949700

RGB 148 151 0

HSL 61.19, 1%, 0.3%

LAB 60.27, -15.94, 63.61

 

CMYK 2 / 0 / 100 / 48

HEX #838500

RGB 131 133 0

HSL 60.9, 1%, 0.26%

LAB 53.6, -14.22, 58.06

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD31

RGB 199 205 49

HSL 62.31, 0.61%, 0.5%

LAB 79.63, -19.8, 70.89

 

CMYK 0 / 18 / 76 / 20

HEX #CDA931

RGB 205 169 49

HSL 46.15, 0.61%, 0.5%

LAB 70.58, 1.26, 62.71

 

CMYK 0 / 38 / 76 / 20

HEX #CD7F31

RGB 205 127 49

HSL 30, 0.61%, 0.5%

LAB 60.23, 23.98, 52.76

 

CMYK 0 / 59 / 76 / 20

HEX #CD5531

RGB 205 85 49

HSL 13.85, 0.61%, 0.5%

LAB 51.49, 45.61, 43.9

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD31

RGB 199 205 49

HSL 62.31, 0.61%, 0.5%

LAB 79.63, -19.8, 70.89

 

CMYK 23 / 0 / 76 / 20

HEX #9DCD31

RGB 157 205 49

HSL 78.46, 0.61%, 0.5%

LAB 76.71, -36.88, 67.13

 

CMYK 44 / 0 / 76 / 20

HEX #73CD31

RGB 115 205 49

HSL 94.62, 0.61%, 0.5%

LAB 74.53, -51.84, 64.29

 

CMYK 64 / 0 / 76 / 20

HEX #49CD31

RGB 73 205 49

HSL 110.77, 0.61%, 0.5%

LAB 73.09, -63.08, 62.4

 

CMYK 76 / 0 / 67 / 20

HEX #31CD43

RGB 49 205 67

HSL 126.92, 0.61%, 0.5%

LAB 72.71, -65.84, 55.3

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD31

RGB 199 205 49

HSL 62.31, 0.61%, 0.5%

LAB 79.63, -19.8, 70.89

 

CMYK 3 / 0 / 87 / 12

HEX #DAE11D

RGB 218 225 29

HSL 62.14, 0.77%, 0.5%

LAB 86.43, -22.18, 82.07

 

CMYK 4 / 0 / 97 / 4

HEX #EDF608

RGB 237 246 8

HSL 62.27, 0.94%, 0.5%

LAB 93.42, -24.62, 90.55

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD31

RGB 199 205 49

HSL 62.31, 0.61%, 0.5%

LAB 79.63, -19.8, 70.89

 

CMYK 2 / 0 / 62 / 28

HEX #B4B846

RGB 180 184 70

HSL 62.11, 0.45%, 0.5%

LAB 72.51, -16.21, 55.62

 

CMYK 2 / 0 / 45 / 36

HEX #A1A45A

RGB 161 164 90

HSL 62.43, 0.29%, 0.5%

LAB 65.64, -12.17, 37.86

 

CMYK 1 / 0 / 22 / 44

HEX #8E8F6F

RGB 142 143 111

HSL 61.88, 0.13%, 0.5%

LAB 58.55, -5.98, 16.96

 

CMYK 7 / 8 / 0 / 48

HEX #7B7A84

RGB 123 122 132

HSL 246, 0.04%, 0.5%

LAB 51.61, 2.44, -5.31

 

CMYK 0 / 38 / 76 / 20

HEX #CD7F31

RGB 205 127 49

HSL 30, 0.61%, 0.5%

LAB 60.23, 23.98, 52.76

 

CMYK 0 / 18 / 76 / 20

HEX #CDA831

RGB 205 168 49

HSL 45.77, 0.61%, 0.5%

LAB 70.32, 1.79, 62.47

 

CMYK 2 / 0 / 76 / 20

HEX #C8CD31

RGB 200 205 49

HSL 61.92, 0.61%, 0.5%

LAB 79.71, -19.38, 70.99

 

CMYK 23 / 0 / 76 / 20

HEX #9ECD31

RGB 158 205 49

HSL 78.08, 0.61%, 0.5%

LAB 76.77, -36.49, 67.21

 

CMYK 43 / 0 / 76 / 20

HEX #75CD31

RGB 117 205 49

HSL 93.85, 0.61%, 0.5%

LAB 74.61, -51.2, 64.4

 

CMYK 3 / 0 / 76 / 46

HEX #868A21

RGB 134 138 33

HSL 62.29, 0.61%, 0.34%

LAB 55.44, -14.57, 51.86

 

CMYK 3 / 0 / 76 / 33

HEX #A7AC29

RGB 167 172 41

HSL 62.29, 0.62%, 0.42%

LAB 67.93, -17.27, 61.75

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD31

RGB 199 205 49

HSL 62.31, 0.61%, 0.5%

LAB 79.63, -19.8, 70.89

 

CMYK 2 / 0 / 62 / 16

HEX #D0D552

RGB 208 213 82

HSL 62.29, 0.61%, 0.58%

LAB 82.7, -18.28, 62.13

 

CMYK 2 / 0 / 48 / 13

HEX #D9DD74

RGB 217 221 116

HSL 62.29, 0.61%, 0.66%

LAB 85.87, -15.91, 50.67

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD32

RGB 199 205 50

HSL 62.32, 0.61%, 0.5%

LAB 79.63, -19.76, 70.59

 

CMYK 76 / 0 / 58 / 20

HEX #31CD56

RGB 49 205 86

HSL 134.23, 0.61%, 0.5%

LAB 72.88, -63.71, 47.31

 

CMYK 28 / 76 / 0 / 20

HEX #9431CD

RGB 148 49 205

HSL 278.08, 0.61%, 0.5%

LAB 42.61, 64.83, -61.96

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD32

RGB 199 205 50

HSL 62.32, 0.61%, 0.5%

LAB 79.63, -19.76, 70.59

 

CMYK 76 / 2 / 0 / 20

HEX #31C8CD

RGB 49 200 205

HSL 181.92, 0.61%, 0.5%

LAB 73.78, -35.79, -13.58

 

CMYK 0 / 76 / 2 / 20

HEX #CD31C8

RGB 205 49 200

HSL 301.92, 0.61%, 0.5%

LAB 51.09, 74.92, -44.99

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD32

RGB 199 205 50

HSL 62.32, 0.61%, 0.5%

LAB 79.63, -19.76, 70.59

 

CMYK 76 / 0 / 58 / 20

HEX #31CD56

RGB 49 205 86

HSL 134.23, 0.61%, 0.5%

LAB 72.88, -63.71, 47.31

 

CMYK 74 / 76 / 0 / 20

HEX #3631CD

RGB 54 49 205

HSL 241.92, 0.61%, 0.5%

LAB 32.68, 51.96, -78.63

 

CMYK 0 / 76 / 18 / 20

HEX #CD31A8

RGB 205 49 168

HSL 314.23, 0.61%, 0.5%

LAB 49.5, 70.31, -28.82

 

CMYK 3 / 0 / 76 / 20

HEX #C7CD32

RGB 199 205 50

HSL 62.32, 0.61%, 0.5%

LAB 79.63, -19.76, 70.59

 

CMYK 76 / 0 / 36 / 20

HEX #31CD84

RGB 49 205 132

HSL 151.92, 0.61%, 0.5%

LAB 73.53, -56.17, 25.29

 

CMYK 74 / 76 / 0 / 20

HEX #3631CD

RGB 54 49 205

HSL 241.92, 0.61%, 0.5%

LAB 32.68, 51.96, -78.63

 

CMYK 0 / 76 / 40 / 20

HEX #CD317A

RGB 205 49 122

HSL 331.92, 0.61%, 0.5%

LAB 47.73, 64.94, -3.9

 

Description

Color code: HEX #C7CD32 | qconv.com Color code: HEX #C7CD32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 205 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 205 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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