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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7BF4B it is the complementary color #3840B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7BF4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7BF4B shade: #CCBF46, #DDD159, #EEE36C, #FFF57F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7BF4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7BF4B shade: #C7BF4B, #B6AD38, #A59B25, #948912 and #837700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7BF4B shade: #C7BF4B, #C79E4B, #C77C4B, #C75B4B and #C74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7BF4B shade: #C7BF4B, #AEC74B, #8CC74B, #6BC74B and #4BC74D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7BF4B shade matches the following richer shades: #C7BF4B, #DAD038 and #EDE025

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7BF4B shade: #C7BF4B, #B4AF5E, #A19E71, #8E8E84 and #7B7D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7BF4B shade: #C77D4B, #C79E4B, #C7BF4B, #AFC74B and #8DC74B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7BF4B shade: #938C2D, #B3AB37, #C7BF4B, #D1CA6B and #DBD68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7BF4B shade: #C7BF4B, #4BC75C and #8D4BC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7BF4B shade: #C7BF4B, #4BC7BF and #BF4BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7BF4B shade: #C7BF4B, #4BC75C, #4B53C7 and #C74BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7BF4B shade: #C7BF4B, #4BC781, #4B53C7 and #C74B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

Complementary color

CMYK 69 / 64 / 0 / 29

HEX #3840B4

RGB 56 64 180

HSL 236.13, 0.53%, 0.46%

LAB 33.57, 35.08, -62.48

 

CMYK 0 / 6 / 66 / 20

HEX #CCBF46

RGB 204 191 70

HSL 54.18, 0.57%, 0.54%

LAB 76.4, -9.63, 60.33

 

CMYK 0 / 5 / 60 / 13

HEX #DDD159

RGB 221 209 89

HSL 54.55, 0.66%, 0.61%

LAB 82.75, -10.46, 59.5

 

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

CMYK 0 / 4 / 50 / 0

HEX #FFF57F

RGB 255 245 127

HSL 55.31, 1%, 0.75%

LAB 95.2, -11.75, 57.4

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 0 / 5 / 69 / 29

HEX #B6AD38

RGB 182 173 56

HSL 55.71, 0.53%, 0.47%

LAB 69.55, -10.56, 58.36

 

CMYK 0 / 6 / 78 / 35

HEX #A59B25

RGB 165 155 37

HSL 55.31, 0.63%, 0.4%

LAB 62.99, -9.49, 58.46

 

CMYK 0 / 7 / 88 / 42

HEX #948912

RGB 148 137 18

HSL 54.92, 0.78%, 0.33%

LAB 56.32, -8.17, 57.5

 

CMYK 0 / 9 / 100 / 49

HEX #837700

RGB 131 119 0

HSL 54.5, 1%, 0.26%

LAB 49.52, -6.58, 55.1

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 0 / 21 / 62 / 22

HEX #C79E4B

RGB 199 158 75

HSL 40.16, 0.53%, 0.54%

LAB 67.35, 5.96, 48.19

 

CMYK 0 / 38 / 62 / 22

HEX #C77C4B

RGB 199 124 75

HSL 23.71, 0.53%, 0.54%

LAB 59.03, 24.52, 38.56

 

CMYK 0 / 54 / 62 / 22

HEX #C75B4B

RGB 199 91 75

HSL 7.74, 0.53%, 0.54%

LAB 51.99, 41.87, 29.98

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 13 / 0 / 62 / 22

HEX #AEC74B

RGB 174 199 75

HSL 72.1, 0.53%, 0.54%

LAB 76.29, -25.77, 57.42

 

CMYK 30 / 0 / 62 / 22

HEX #8CC74B

RGB 140 199 75

HSL 88.55, 0.53%, 0.54%

LAB 74.15, -38.89, 54.47

 

CMYK 46 / 0 / 62 / 22

HEX #6BC74B

RGB 107 199 75

HSL 104.52, 0.53%, 0.54%

LAB 72.55, -49.95, 52.26

 

CMYK 62 / 0 / 61 / 22

HEX #4BC74D

RGB 75 199 77

HSL 120.97, 0.53%, 0.54%

LAB 71.47, -58.12, 49.88

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 0 / 5 / 74 / 15

HEX #DAD038

RGB 218 208 56

HSL 56.3, 0.69%, 0.54%

LAB 82, -13.01, 71.43

 

CMYK 0 / 5 / 84 / 7

HEX #EDE025

RGB 237 224 37

HSL 56.1, 0.85%, 0.54%

LAB 87.7, -13.56, 82.17

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 0 / 3 / 48 / 29

HEX #B4AF5E

RGB 180 175 94

HSL 56.51, 0.36%, 0.54%

LAB 70.3, -9.62, 41.88

 

CMYK 0 / 2 / 30 / 37

HEX #A19E71

RGB 161 158 113

HSL 56.25, 0.2%, 0.54%

LAB 64.34, -6.22, 23.97

 

CMYK 0 / 0 / 7 / 44

HEX #8E8E84

RGB 142 142 132

HSL 60, 0.04%, 0.54%

LAB 58.75, -1.89, 5.32

 

CMYK 19 / 17 / 0 / 41

HEX #7B7D97

RGB 123 125 151

HSL 235.71, 0.12%, 0.54%

LAB 53.07, 4.97, -14.22

 

CMYK 0 / 37 / 62 / 22

HEX #C77D4B

RGB 199 125 75

HSL 24.19, 0.53%, 0.54%

LAB 59.27, 23.98, 38.84

 

CMYK 0 / 21 / 62 / 22

HEX #C79E4B

RGB 199 158 75

HSL 40.16, 0.53%, 0.54%

LAB 67.35, 5.96, 48.19

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 12 / 0 / 62 / 22

HEX #AFC74B

RGB 175 199 75

HSL 71.61, 0.53%, 0.54%

LAB 76.36, -25.36, 57.52

 

CMYK 29 / 0 / 62 / 22

HEX #8DC74B

RGB 141 199 75

HSL 88.06, 0.53%, 0.54%

LAB 74.2, -38.52, 54.55

 

CMYK 0 / 5 / 69 / 42

HEX #938C2D

RGB 147 140 45

HSL 55.88, 0.53%, 0.38%

LAB 57.22, -9.15, 49.37

 

CMYK 0 / 4 / 69 / 30

HEX #B3AB37

RGB 179 171 55

HSL 56.13, 0.53%, 0.46%

LAB 68.74, -10.87, 57.85

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 0 / 3 / 49 / 18

HEX #D1CA6B

RGB 209 202 107

HSL 55.88, 0.53%, 0.62%

LAB 80.1, -10.41, 47.89

 

CMYK 0 / 2 / 37 / 14

HEX #DBD68A

RGB 219 214 138

HSL 56.3, 0.53%, 0.7%

LAB 84.48, -9.37, 38.17

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 62 / 0 / 54 / 22

HEX #4BC75C

RGB 75 199 92

HSL 128.23, 0.53%, 0.54%

LAB 71.63, -56.28, 43.15

 

CMYK 29 / 62 / 0 / 22

HEX #8D4BC7

RGB 141 75 199

HSL 271.94, 0.53%, 0.54%

LAB 45.38, 50.6, -54.06

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 62 / 0 / 4 / 22

HEX #4BC7BF

RGB 75 199 191

HSL 176.13, 0.53%, 0.54%

LAB 73.61, -35.81, -6.18

 

CMYK 4 / 62 / 0 / 22

HEX #BF4BC7

RGB 191 75 199

HSL 296.13, 0.53%, 0.54%

LAB 52.1, 62.49, -42.95

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 62 / 0 / 54 / 22

HEX #4BC75C

RGB 75 199 92

HSL 128.23, 0.53%, 0.54%

LAB 71.63, -56.28, 43.15

 

CMYK 62 / 58 / 0 / 22

HEX #4B53C7

RGB 75 83 199

HSL 236.13, 0.53%, 0.54%

LAB 40.91, 32.53, -61.6

 

CMYK 0 / 62 / 8 / 22

HEX #C74BB7

RGB 199 75 183

HSL 307.74, 0.53%, 0.54%

LAB 52.5, 61.8, -32.99

 

CMYK 0 / 4 / 62 / 22

HEX #C7BF4B

RGB 199 191 75

HSL 56.13, 0.53%, 0.54%

LAB 76.02, -11.43, 57.7

 

CMYK 62 / 0 / 35 / 22

HEX #4BC781

RGB 75 199 129

HSL 146.13, 0.53%, 0.54%

LAB 72.18, -50.24, 25.14

 

CMYK 62 / 58 / 0 / 22

HEX #4B53C7

RGB 75 83 199

HSL 236.13, 0.53%, 0.54%

LAB 40.91, 32.53, -61.6

 

CMYK 0 / 62 / 27 / 22

HEX #C74B91

RGB 199 75 145

HSL 326.13, 0.53%, 0.54%

LAB 50.94, 56.3, -13.05

 

Description

Color code: HEX #C7BF4B | qconv.com Color code: HEX #C7BF4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 191 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 191 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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