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Color name
HEX #C7BC50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7BC50 it is the complementary color #3843AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7BC50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7BC50 shade: #CCBC4B, #DDCE5E, #EEE071, #FFF284 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7BC50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7BC50 shade: #C7BC50, #B6AA3D, #A5982A, #948617 and #837404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7BC50 shade: #C7BC50, #C79C50, #C77C50, #C75C50 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7BC50 shade: #C7BC50, #B2C750, #92C750, #72C750 and #52C750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7BC50 shade matches the following richer shades: #C7BC50, #DACC3E and #EDDB2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7BC50 shade: #C7BC50, #B5AD63, #A29E75, #908F88 and #7D809A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7BC50 shade: #C77C50, #C79C50, #C7BB50, #B4C750 and #94C750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7BC50 shade: #968C2F, #B5AA39, #C7BC50, #D1C86F and #DBD48F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7BC50 shade: #C7BC50, #50C75C and #8C50C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7BC50 shade: #C7BC50, #50C7BB and #BB50C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7BC50 shade: #C7BC50, #50C75C, #505CC7 and #C750BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7BC50 shade: #C7BC50, #50C780, #505CC7 and #C75098

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

Complementary color

CMYK 68 / 62 / 0 / 31

HEX #3843AF

RGB 56 67 175

HSL 234.45, 0.52%, 0.45%

LAB 33.88, 31.41, -59

 

CMYK 0 / 8 / 63 / 20

HEX #CCBC4B

RGB 204 188 75

HSL 52.56, 0.56%, 0.55%

LAB 75.64, -7.78, 57.43

 

CMYK 0 / 7 / 57 / 13

HEX #DDCE5E

RGB 221 206 94

HSL 52.91, 0.65%, 0.62%

LAB 82.01, -8.58, 56.46

 

CMYK 0 / 6 / 53 / 7

HEX #EEE071

RGB 238 224 113

HSL 53.28, 0.79%, 0.69%

LAB 88.3, -9.27, 55.37

 

CMYK 0 / 5 / 48 / 0

HEX #FFF284

RGB 255 242 132

HSL 53.66, 1%, 0.76%

LAB 94.5, -9.85, 54.23

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 0 / 7 / 66 / 29

HEX #B6AA3D

RGB 182 170 61

HSL 54.05, 0.5%, 0.48%

LAB 68.77, -8.71, 55.54

 

CMYK 0 / 8 / 75 / 35

HEX #A5982A

RGB 165 152 42

HSL 53.66, 0.59%, 0.41%

LAB 62.19, -7.67, 55.97

 

CMYK 0 / 9 / 84 / 42

HEX #948617

RGB 148 134 23

HSL 53.28, 0.73%, 0.34%

LAB 55.49, -6.39, 55.53

 

CMYK 0 / 11 / 97 / 49

HEX #837404

RGB 131 116 4

HSL 52.91, 0.94%, 0.26%

LAB 48.67, -4.82, 53.64

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 0 / 22 / 60 / 22

HEX #C79C50

RGB 199 156 80

HSL 38.32, 0.52%, 0.55%

LAB 66.9, 7.4, 45.24

 

CMYK 0 / 38 / 60 / 22

HEX #C77C50

RGB 199 124 80

HSL 22.18, 0.52%, 0.55%

LAB 59.1, 24.88, 35.97

 

CMYK 0 / 54 / 60 / 22

HEX #C75C50

RGB 199 92 80

HSL 6.05, 0.52%, 0.55%

LAB 52.26, 41.72, 27.44

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 11 / 0 / 60 / 22

HEX #B2C750

RGB 178 199 80

HSL 70.59, 0.52%, 0.55%

LAB 76.61, -23.78, 55.72

 

CMYK 27 / 0 / 60 / 22

HEX #92C750

RGB 146 199 80

HSL 86.72, 0.52%, 0.55%

LAB 74.53, -36.25, 52.82

 

CMYK 43 / 0 / 60 / 22

HEX #72C750

RGB 114 199 80

HSL 102.86, 0.52%, 0.55%

LAB 72.89, -47.29, 50.53

 

CMYK 59 / 0 / 60 / 22

HEX #52C750

RGB 82 199 80

HSL 118.99, 0.52%, 0.55%

LAB 71.7, -56.18, 48.86

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 0 / 6 / 72 / 15

HEX #DACC3E

RGB 218 204 62

HSL 54.62, 0.68%, 0.55%

LAB 80.98, -10.73, 68.4

 

CMYK 0 / 8 / 82 / 7

HEX #EDDB2B

RGB 237 219 43

HSL 54.43, 0.84%, 0.55%

LAB 86.43, -10.93, 79.72

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 0 / 4 / 45 / 29

HEX #B5AD63

RGB 181 173 99

HSL 54.15, 0.36%, 0.55%

LAB 69.9, -7.67, 38.89

 

CMYK 0 / 2 / 28 / 36

HEX #A29E75

RGB 162 158 117

HSL 54.67, 0.19%, 0.55%

LAB 64.5, -5.27, 22

 

CMYK 0 / 1 / 6 / 44

HEX #908F88

RGB 144 143 136

HSL 52.5, 0.03%, 0.55%

LAB 59.3, -0.96, 3.84

 

CMYK 19 / 17 / 0 / 40

HEX #7D809A

RGB 125 128 154

HSL 233.79, 0.13%, 0.55%

LAB 54.17, 4.6, -14.29

 

CMYK 0 / 38 / 60 / 22

HEX #C77C50

RGB 199 124 80

HSL 22.18, 0.52%, 0.55%

LAB 59.1, 24.88, 35.97

 

CMYK 0 / 22 / 60 / 22

HEX #C79C50

RGB 199 156 80

HSL 38.32, 0.52%, 0.55%

LAB 66.9, 7.4, 45.24

 

CMYK 0 / 6 / 60 / 22

HEX #C7BB50

RGB 199 187 80

HSL 53.95, 0.52%, 0.55%

LAB 74.99, -9.04, 54.39

 

CMYK 10 / 0 / 60 / 22

HEX #B4C750

RGB 180 199 80

HSL 69.58, 0.52%, 0.55%

LAB 76.76, -22.97, 55.92

 

CMYK 26 / 0 / 60 / 22

HEX #94C750

RGB 148 199 80

HSL 85.71, 0.52%, 0.55%

LAB 74.65, -35.5, 52.99

 

CMYK 0 / 7 / 69 / 41

HEX #968C2F

RGB 150 140 47

HSL 54.17, 0.52%, 0.39%

LAB 57.51, -7.68, 48.91

 

CMYK 0 / 6 / 69 / 29

HEX #B5AA39

RGB 181 170 57

HSL 54.68, 0.52%, 0.47%

LAB 68.66, -9.37, 57.03

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 0 / 4 / 47 / 18

HEX #D1C86F

RGB 209 200 111

HSL 54.49, 0.52%, 0.63%

LAB 79.62, -9.02, 45.37

 

CMYK 0 / 3 / 35 / 14

HEX #DBD48F

RGB 219 212 143

HSL 54.47, 0.51%, 0.71%

LAB 84.03, -7.78, 35.05

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 60 / 0 / 54 / 22

HEX #50C75C

RGB 80 199 92

HSL 126.05, 0.52%, 0.55%

LAB 71.78, -55.17, 43.36

 

CMYK 30 / 60 / 0 / 22

HEX #8C50C7

RGB 140 80 199

HSL 270.25, 0.52%, 0.55%

LAB 46.23, 47.78, -52.71

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 60 / 0 / 6 / 22

HEX #50C7BB

RGB 80 199 187

HSL 173.95, 0.52%, 0.55%

LAB 73.64, -36.01, -3.96

 

CMYK 6 / 60 / 0 / 22

HEX #BB50C7

RGB 187 80 199

HSL 293.95, 0.52%, 0.55%

LAB 52.32, 59.33, -42.65

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 60 / 0 / 54 / 22

HEX #50C75C

RGB 80 199 92

HSL 126.05, 0.52%, 0.55%

LAB 71.78, -55.17, 43.36

 

CMYK 60 / 54 / 0 / 22

HEX #505CC7

RGB 80 92 199

HSL 233.95, 0.52%, 0.55%

LAB 43.48, 27.76, -57.41

 

CMYK 0 / 60 / 6 / 22

HEX #C750BB

RGB 199 80 187

HSL 306.05, 0.52%, 0.55%

LAB 53.46, 60.33, -33.81

 

CMYK 0 / 6 / 60 / 22

HEX #C7BC50

RGB 199 188 80

HSL 54.45, 0.52%, 0.55%

LAB 75.26, -9.56, 54.69

 

CMYK 60 / 0 / 36 / 22

HEX #50C780

RGB 80 199 128

HSL 144.2, 0.52%, 0.55%

LAB 72.3, -49.4, 25.85

 

CMYK 60 / 54 / 0 / 22

HEX #505CC7

RGB 80 92 199

HSL 233.95, 0.52%, 0.55%

LAB 43.48, 27.76, -57.41

 

CMYK 0 / 60 / 24 / 22

HEX #C75098

RGB 199 80 152

HSL 323.7, 0.52%, 0.55%

LAB 52, 55.05, -15.59

 

Description

Color code: HEX #C7BC50 | qconv.com Color code: HEX #C7BC50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 188 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 188 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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