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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7BC29 it is the complementary color #3843D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7BC29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7BC29 shade: #CCBC24, #DDCE37, #EEE04A, #FFF25D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7BC29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7BC29 shade: #C7BC29, #B6AA16, #A59803, #948600 and #837400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7BC29 shade: #C6BB28, #C69128, #C66628, #C63B28 and #C62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7BC29 shade: #C6BB28, #A7C628, #7CC628, #51C628 and #28C62A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7BC29 shade matches the following richer shades: #C6BB28, #DACC15 and #EDDD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7BC29 shade: #C6BB28, #B3AB3C, #A09A4F, #8C8962 and #797976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7BC29 shade: #C66528, #C68F28, #C6B928, #A9C628 and #7FC628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7BC29 shade: #827B1A, #A49B21, #C6BB28, #D8CD40 and #DFD663

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7BC29 shade: #C7BC29, #28C63B and #7A28C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7BC29 shade: #C7BC29, #28C6B9 and #B928C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7BC29 shade: #C7BC29, #28C63B, #2835C6 and #C628B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7BC29 shade: #C7BC29, #28C66A, #2835C6 and #C62885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

Complementary color

CMYK 74 / 69 / 0 / 16

HEX #3843D6

RGB 56 67 214

HSL 235.82, 0.66%, 0.53%

LAB 37.32, 44.97, -76.18

 

CMYK 0 / 8 / 82 / 20

HEX #CCBC24

RGB 204 188 36

HSL 54.29, 0.7%, 0.47%

LAB 75.41, -9.56, 71.01

 

CMYK 0 / 7 / 75 / 13

HEX #DDCE37

RGB 221 206 55

HSL 54.58, 0.71%, 0.54%

LAB 81.72, -10.77, 71.59

 

CMYK 0 / 6 / 69 / 7

HEX #EEE04A

RGB 238 224 74

HSL 54.88, 0.83%, 0.61%

LAB 87.96, -11.8, 71.45

 

CMYK 0 / 5 / 64 / 0

HEX #FFF25D

RGB 255 242 93

HSL 55.19, 1%, 0.68%

LAB 94.12, -12.69, 70.89

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

CMYK 0 / 7 / 88 / 29

HEX #B6AA16

RGB 182 170 22

HSL 55.5, 0.78%, 0.4%

LAB 68.57, -10.26, 67.82

 

CMYK 0 / 8 / 98 / 35

HEX #A59803

RGB 165 152 3

HSL 55.19, 0.96%, 0.33%

LAB 62.05, -8.71, 65.14

 

CMYK 0 / 9 / 100 / 42

HEX #948600

RGB 148 134 0

HSL 54.32, 1%, 0.29%

LAB 55.43, -6.87, 60.09

 

CMYK 0 / 11 / 100 / 49

HEX #837400

RGB 131 116 0

HSL 53.13, 1%, 0.26%

LAB 48.66, -4.9, 54.48

 

CMYK 0 / 6 / 80 / 22

HEX #C6BB28

RGB 198 187 40

HSL 55.82, 0.66%, 0.47%

LAB 74.64, -11.52, 69.05

 

CMYK 0 / 27 / 80 / 22

HEX #C69128

RGB 198 145 40

HSL 39.87, 0.66%, 0.47%

LAB 63.68, 10.78, 59.29

 

CMYK 0 / 48 / 80 / 22

HEX #C66628

RGB 198 102 40

HSL 23.54, 0.66%, 0.47%

LAB 53.67, 34.07, 50

 

CMYK 0 / 70 / 80 / 22

HEX #C63B28

RGB 198 59 40

HSL 7.22, 0.66%, 0.47%

LAB 46.02, 54.02, 42.58

 

CMYK 0 / 80 / 80 / 22

HEX #C62828

RGB 198 40 40

HSL 0, 0.66%, 0.47%

LAB 43.77, 60.3, 40.31

 

CMYK 0 / 6 / 80 / 22

HEX #C6BB28

RGB 198 187 40

HSL 55.82, 0.66%, 0.47%

LAB 74.64, -11.52, 69.05

 

CMYK 16 / 0 / 80 / 22

HEX #A7C628

RGB 167 198 40

HSL 71.77, 0.66%, 0.47%

LAB 75.3, -30.06, 68.73

 

CMYK 37 / 0 / 80 / 22

HEX #7CC628

RGB 124 198 40

HSL 88.1, 0.66%, 0.47%

LAB 72.78, -46.48, 65.5

 

CMYK 59 / 0 / 80 / 22

HEX #51C628

RGB 81 198 40

HSL 104.43, 0.66%, 0.47%

LAB 71.07, -59.41, 63.3

 

CMYK 80 / 0 / 79 / 22

HEX #28C62A

RGB 40 198 42

HSL 120.76, 0.66%, 0.47%

LAB 70.18, -66.88, 61.55

 

CMYK 0 / 6 / 80 / 22

HEX #C6BB28

RGB 198 187 40

HSL 55.82, 0.66%, 0.47%

LAB 74.64, -11.52, 69.05

 

CMYK 0 / 6 / 90 / 15

HEX #DACC15

RGB 218 204 21

HSL 55.74, 0.82%, 0.47%

LAB 80.82, -11.98, 78.97

 

CMYK 0 / 7 / 100 / 7

HEX #EDDD01

RGB 237 221 1

HSL 55.93, 0.99%, 0.47%

LAB 86.86, -12.57, 86.27

 

CMYK 0 / 6 / 80 / 22

HEX #C6BB28

RGB 198 187 40

HSL 55.82, 0.66%, 0.47%

LAB 74.64, -11.52, 69.05

 

CMYK 0 / 4 / 66 / 30

HEX #B3AB3C

RGB 179 171 60

HSL 55.97, 0.5%, 0.47%

LAB 68.78, -10.59, 55.87

 

CMYK 0 / 4 / 51 / 37

HEX #A09A4F

RGB 160 154 79

HSL 55.56, 0.34%, 0.47%

LAB 62.63, -8.38, 39.79

 

CMYK 0 / 2 / 30 / 45

HEX #8C8962

RGB 140 137 98

HSL 55.71, 0.18%, 0.47%

LAB 56.44, -5.39, 21.37

 

CMYK 0 / 0 / 2 / 53

HEX #797976

RGB 121 121 118

HSL 60, 0.01%, 0.47%

LAB 50.74, -0.59, 1.64

 

CMYK 0 / 49 / 80 / 22

HEX #C66528

RGB 198 101 40

HSL 23.16, 0.66%, 0.47%

LAB 53.46, 34.6, 49.8

 

CMYK 0 / 28 / 80 / 22

HEX #C68F28

RGB 198 143 40

HSL 39.11, 0.66%, 0.47%

LAB 63.18, 11.87, 58.83

 

CMYK 0 / 7 / 80 / 22

HEX #C6B928

RGB 198 185 40

HSL 55.06, 0.66%, 0.47%

LAB 74.1, -10.5, 68.58

 

CMYK 15 / 0 / 80 / 22

HEX #A9C628

RGB 169 198 40

HSL 71.01, 0.66%, 0.47%

LAB 75.44, -29.24, 68.9

 

CMYK 36 / 0 / 80 / 22

HEX #7FC628

RGB 127 198 40

HSL 86.96, 0.66%, 0.47%

LAB 72.93, -45.43, 65.69

 

CMYK 0 / 5 / 80 / 49

HEX #827B1A

RGB 130 123 26

HSL 55.96, 0.67%, 0.31%

LAB 50.67, -8.59, 49.74

 

CMYK 0 / 5 / 80 / 36

HEX #A49B21

RGB 164 155 33

HSL 55.88, 0.66%, 0.39%

LAB 62.88, -10.09, 59.6

 

CMYK 0 / 6 / 80 / 22

HEX #C6BB28

RGB 198 187 40

HSL 55.82, 0.66%, 0.47%

LAB 74.64, -11.52, 69.05

 

CMYK 0 / 5 / 70 / 15

HEX #D8CD40

RGB 216 205 64

HSL 55.66, 0.66%, 0.55%

LAB 81.09, -11.98, 67.73

 

CMYK 0 / 4 / 56 / 13

HEX #DFD663

RGB 223 214 99

HSL 55.65, 0.66%, 0.63%

LAB 84.32, -11.43, 56.87

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

CMYK 80 / 0 / 70 / 22

HEX #28C63B

RGB 40 198 59

HSL 127.22, 0.66%, 0.47%

LAB 70.28, -65.58, 55.82

 

CMYK 38 / 80 / 0 / 22

HEX #7A28C6

RGB 122 40 198

HSL 271.14, 0.66%, 0.47%

LAB 37.36, 62.25, -66.61

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

CMYK 80 / 0 / 7 / 22

HEX #28C6B9

RGB 40 198 185

HSL 175.06, 0.66%, 0.47%

LAB 72.46, -41.5, -4.7

 

CMYK 7 / 80 / 0 / 22

HEX #B928C6

RGB 185 40 198

HSL 295.06, 0.66%, 0.47%

LAB 46.85, 73.1, -50.78

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

CMYK 80 / 0 / 70 / 22

HEX #28C63B

RGB 40 198 59

HSL 127.22, 0.66%, 0.47%

LAB 70.28, -65.58, 55.82

 

CMYK 80 / 73 / 0 / 22

HEX #2835C6

RGB 40 53 198

HSL 235.06, 0.66%, 0.47%

LAB 31.98, 46.39, -75.73

 

CMYK 0 / 80 / 9 / 22

HEX #C628B4

RGB 198 40 180

HSL 306.84, 0.66%, 0.47%

LAB 48.03, 72.87, -38.27

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

CMYK 80 / 0 / 46 / 22

HEX #28C66A

RGB 40 198 106

HSL 145.06, 0.66%, 0.47%

LAB 70.79, -59.51, 35.06

 

CMYK 80 / 73 / 0 / 22

HEX #2835C6

RGB 40 53 198

HSL 235.06, 0.66%, 0.47%

LAB 31.98, 46.39, -75.73

 

CMYK 0 / 80 / 33 / 22

HEX #C62885

RGB 198 40 133

HSL 324.68, 0.66%, 0.47%

LAB 45.93, 66.86, -13.43

 

Description

Color code: HEX #C7BC29 | qconv.com Color code: HEX #C7BC29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 188 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 188 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 79% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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