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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7B1EF it is the complementary color #384E10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7B1EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7B1EF shade: #CCB1EA, #DDC3FD, #EED5FF, #FFE7FF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7B1EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7B1EF shade: #C7B1EF, #B69FDC, #A58DC9, #947BB6 and #8369A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7B1EF shade: #C8B2EF, #D8B2EF, #E8B2EF, #EFB2E5 and #EFB2D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7B1EF shade: #C8B2EF, #B7B2EF and #B2B2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7B1EF shade matches the following richer shades: #C8B2EF, #C6ABF6 and #C3A3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7B1EF shade: #C8B2EF, #CABAE7, #CCC1E0, #CEC9D9 and #D0D0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7B1EF shade: #B2BDEF, #B7B2EF, #C8B2EF, #D8B2EF and #E8B2EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7B1EF shade: #976EE1, #AF90E8, #C8B2EF, #E0D5F6 and #F9F7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7B1EF shade: #C7B1EF, #EFB2CE and #B5EFB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7B1EF shade: #C7B1EF, #EFC8B2 and #B2EFC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7B1EF shade: #C7B1EF, #EFB2CE, #DAEFB2 and #B2EFD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7B1EF shade: #C7B1EF, #EFB2BB, #DAEFB2 and #B2EFE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 26 / 0 / 6

HEX #C7B1EF

RGB 199 177 239

HSL 261.29, 0.66%, 0.82%

LAB 75.96, 19.92, -28.02

 

Complementary color

CMYK 28 / 0 / 79 / 69

HEX #384E10

RGB 56 78 16

HSL 81.29, 0.66%, 0.18%

LAB 30.22, -19.04, 32

 

CMYK 13 / 24 / 0 / 8

HEX #CCB1EA

RGB 204 177 234

HSL 268.42, 0.58%, 0.81%

LAB 76.21, 20.42, -24.9

 

CMYK 13 / 23 / 0 / 1

HEX #DDC3FD

RGB 221 195 253

HSL 266.9, 0.94%, 0.88%

LAB 82.64, 19.94, -25.15

 

CMYK 7 / 16 / 0 / 0

HEX #EED5FF

RGB 238 213 255

HSL 275.71, 1%, 0.92%

LAB 88.44, 16.14, -17.29

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 17 / 26 / 0 / 6

HEX #C7B1EF

RGB 199 177 239

HSL 261.29, 0.66%, 0.82%

LAB 75.96, 19.92, -28.02

 

CMYK 17 / 28 / 0 / 14

HEX #B69FDC

RGB 182 159 220

HSL 262.62, 0.47%, 0.74%

LAB 69.4, 20.44, -27.85

 

CMYK 18 / 30 / 0 / 21

HEX #A58DC9

RGB 165 141 201

HSL 264, 0.36%, 0.67%

LAB 62.73, 21.01, -27.69

 

CMYK 19 / 32 / 0 / 29

HEX #947BB6

RGB 148 123 182

HSL 265.42, 0.29%, 0.6%

LAB 55.93, 21.63, -27.56

 

CMYK 20 / 36 / 0 / 36

HEX #8369A3

RGB 131 105 163

HSL 266.9, 0.24%, 0.53%

LAB 48.97, 22.32, -27.46

 

CMYK 16 / 26 / 0 / 6

HEX #C8B2EF

RGB 200 178 239

HSL 261.64, 0.66%, 0.82%

LAB 76.28, 19.68, -27.51

 

CMYK 10 / 26 / 0 / 6

HEX #D8B2EF

RGB 216 178 239

HSL 277.38, 0.66%, 0.82%

LAB 77.68, 24.69, -25.25

 

CMYK 3 / 26 / 0 / 6

HEX #E8B2EF

RGB 232 178 239

HSL 293.11, 0.66%, 0.82%

LAB 79.17, 29.79, -22.84

 

CMYK 0 / 26 / 4 / 6

HEX #EFB2E5

RGB 239 178 229

HSL 309.84, 0.66%, 0.82%

LAB 79.53, 30.24, -16.85

 

CMYK 0 / 26 / 11 / 6

HEX #EFB2D5

RGB 239 178 213

HSL 325.57, 0.66%, 0.82%

LAB 79.04, 27.51, -8.93

 

CMYK 16 / 26 / 0 / 6

HEX #C8B2EF

RGB 200 178 239

HSL 261.64, 0.66%, 0.82%

LAB 76.28, 19.68, -27.51

 

CMYK 23 / 26 / 0 / 6

HEX #B7B2EF

RGB 183 178 239

HSL 244.92, 0.66%, 0.82%

LAB 74.91, 14.51, -29.74

 

CMYK 26 / 26 / 0 / 6

HEX #B2B2EF

RGB 178 178 239

HSL 240, 0.66%, 0.82%

LAB 74.53, 13.03, -30.35

 

CMYK 16 / 26 / 0 / 6

HEX #C8B2EF

RGB 200 178 239

HSL 261.64, 0.66%, 0.82%

LAB 76.28, 19.68, -27.51

 

CMYK 20 / 30 / 0 / 4

HEX #C6ABF6

RGB 198 171 246

HSL 261.6, 0.81%, 0.82%

LAB 74.69, 24.45, -33.77

 

CMYK 23 / 36 / 0 / 0

HEX #C3A3FE

RGB 195 163 254

HSL 261.1, 0.98%, 0.82%

LAB 72.86, 29.79, -40.95

 

CMYK 16 / 26 / 0 / 6

HEX #C8B2EF

RGB 200 178 239

HSL 261.64, 0.66%, 0.82%

LAB 76.28, 19.68, -27.51

 

CMYK 13 / 19 / 0 / 9

HEX #CABAE7

RGB 202 186 231

HSL 261.33, 0.48%, 0.82%

LAB 78.14, 14.25, -20.36

 

CMYK 9 / 14 / 0 / 12

HEX #CCC1E0

RGB 204 193 224

HSL 261.29, 0.33%, 0.82%

LAB 79.82, 9.69, -14.04

 

CMYK 5 / 7 / 0 / 15

HEX #CEC9D9

RGB 206 201 217

HSL 258.75, 0.17%, 0.82%

LAB 81.79, 4.7, -7.33

 

CMYK 0 / 0 / 0 / 18

HEX #D0D0D1

RGB 208 208 209

HSL 240, 0.01%, 0.82%

LAB 83.51, 0.19, -0.5

 

CMYK 26 / 21 / 0 / 6

HEX #B2BDEF

RGB 178 189 239

HSL 229.18, 0.66%, 0.82%

LAB 77.34, 6.99, -26.05

 

CMYK 23 / 26 / 0 / 6

HEX #B7B2EF

RGB 183 178 239

HSL 244.92, 0.66%, 0.82%

LAB 74.91, 14.51, -29.74

 

CMYK 16 / 26 / 0 / 6

HEX #C8B2EF

RGB 200 178 239

HSL 261.64, 0.66%, 0.82%

LAB 76.28, 19.68, -27.51

 

CMYK 10 / 26 / 0 / 6

HEX #D8B2EF

RGB 216 178 239

HSL 277.38, 0.66%, 0.82%

LAB 77.68, 24.69, -25.25

 

CMYK 3 / 26 / 0 / 6

HEX #E8B2EF

RGB 232 178 239

HSL 293.11, 0.66%, 0.82%

LAB 79.17, 29.79, -22.84

 

CMYK 33 / 51 / 0 / 12

HEX #976EE1

RGB 151 110 225

HSL 261.39, 0.66%, 0.66%

LAB 55.24, 40.49, -53.02

 

CMYK 25 / 38 / 0 / 9

HEX #AF90E8

RGB 175 144 232

HSL 261.14, 0.66%, 0.74%

LAB 65.66, 29.51, -40.32

 

CMYK 16 / 26 / 0 / 6

HEX #C8B2EF

RGB 200 178 239

HSL 261.64, 0.66%, 0.82%

LAB 76.28, 19.68, -27.51

 

CMYK 9 / 13 / 0 / 4

HEX #E0D5F6

RGB 224 213 246

HSL 260, 0.65%, 0.9%

LAB 87.04, 9.89, -14.76

 

CMYK 2 / 2 / 0 / 1

HEX #F9F7FD

RGB 249 247 253

HSL 260, 0.6%, 0.98%

LAB 97.53, 1.73, -2.65

 

CMYK 17 / 26 / 0 / 6

HEX #C7B1EF

RGB 199 177 239

HSL 261.29, 0.66%, 0.82%

LAB 75.96, 19.92, -28.02

 

CMYK 0 / 26 / 14 / 6

HEX #EFB2CE

RGB 239 178 206

HSL 332.46, 0.66%, 0.82%

LAB 78.84, 26.38, -5.44

 

CMYK 24 / 0 / 26 / 6

HEX #B5EFB2

RGB 181 239 178

HSL 117.05, 0.66%, 0.82%

LAB 89.29, -29.82, 23.71

 

CMYK 17 / 26 / 0 / 6

HEX #C7B1EF

RGB 199 177 239

HSL 261.29, 0.66%, 0.82%

LAB 75.96, 19.92, -28.02

 

CMYK 0 / 16 / 26 / 6

HEX #EFC8B2

RGB 239 200 178

HSL 21.64, 0.66%, 0.82%

LAB 83.38, 10.55, 16.15

 

CMYK 26 / 0 / 16 / 6

HEX #B2EFC8

RGB 178 239 200

HSL 141.64, 0.66%, 0.82%

LAB 89.57, -26.94, 12.71

 

CMYK 17 / 26 / 0 / 6

HEX #C7B1EF

RGB 199 177 239

HSL 261.29, 0.66%, 0.82%

LAB 75.96, 19.92, -28.02

 

CMYK 0 / 26 / 14 / 6

HEX #EFB2CE

RGB 239 178 206

HSL 332.46, 0.66%, 0.82%

LAB 78.84, 26.38, -5.44

 

CMYK 9 / 0 / 26 / 6

HEX #DAEFB2

RGB 218 239 178

HSL 80.66, 0.66%, 0.82%

LAB 91.62, -17.09, 27.28

 

CMYK 26 / 0 / 11 / 6

HEX #B2EFD4

RGB 178 239 212

HSL 153.44, 0.66%, 0.82%

LAB 89.84, -24.65, 6.85

 

CMYK 17 / 26 / 0 / 6

HEX #C7B1EF

RGB 199 177 239

HSL 261.29, 0.66%, 0.82%

LAB 75.96, 19.92, -28.02

 

CMYK 0 / 26 / 22 / 6

HEX #EFB2BB

RGB 239 178 187

HSL 351.15, 0.66%, 0.82%

LAB 78.33, 23.47, 4.13

 

CMYK 9 / 0 / 26 / 6

HEX #DAEFB2

RGB 218 239 178

HSL 80.66, 0.66%, 0.82%

LAB 91.62, -17.09, 27.28

 

CMYK 26 / 0 / 4 / 6

HEX #B2EFE6

RGB 178 239 230

HSL 171.15, 0.66%, 0.82%

LAB 90.28, -20.98, -1.89

 

Description

Color code: HEX #C7B1EF | qconv.com Color code: HEX #C7B1EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 177 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 177 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 26 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 26% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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