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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7AAA4 it is the complementary color #38555B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7AAA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7AAA4 shade: #CCAA9F, #DDBCB2, #EECEC5, #FFE0D8 and #FFF2EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7AAA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7AAA4 shade: #C7AAA4, #B69891, #A5867E, #94746B and #836258

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7AAA4 shade: #C6A9A3 and #C6A3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7AAA4 shade: #C6A9A3, #C6B2A3, #C6BCA3, #C6C6A3 and #BDC6A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7AAA4 shade matches the following richer shades: #C6A9A3, #D2A197, #DE998B, #EA917F and #F68973

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7AAA4 shade: #C6A9A3, #BAB1AF, #AEB9BB, #A2C0C7 and #96C8D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7AAA4 shade: #C6A3B0, #C6A3A6, #C6A9A3, #C6B2A3 and #C6BCA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7AAA4 shade: #A77970, #B79189, #C6A9A3, #D6C1BC and #E6D9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7AAA4 shade: #C7AAA4, #B9C6A3 and #A3ABC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7AAA4 shade: #C7AAA4, #A3C6A9 and #A9A3C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7AAA4 shade: #C7AAA4, #B9C6A3, #A3C0C6 and #B0A3C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7AAA4 shade: #C7AAA4, #AFC6A3, #A3C0C6 and #BAA3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

Complementary color

CMYK 38 / 7 / 0 / 64

HEX #38555B

RGB 56 85 91

HSL 190.29, 0.24%, 0.29%

LAB 34.18, -9.04, -6.93

 

CMYK 0 / 17 / 22 / 20

HEX #CCAA9F

RGB 204 170 159

HSL 14.67, 0.31%, 0.71%

LAB 72.29, 10.68, 10.29

 

CMYK 0 / 15 / 19 / 13

HEX #DDBCB2

RGB 221 188 178

HSL 13.95, 0.39%, 0.78%

LAB 78.78, 10.21, 9.42

 

CMYK 0 / 13 / 17 / 7

HEX #EECEC5

RGB 238 206 197

HSL 13.17, 0.55%, 0.85%

LAB 85.18, 9.79, 8.6

 

CMYK 0 / 12 / 15 / 0

HEX #FFE0D8

RGB 255 224 216

HSL 12.31, 1%, 0.92%

LAB 91.47, 9.41, 7.82

 

CMYK 0 / 5 / 8 / 0

HEX #FFF2EB

RGB 255 242 235

HSL 21, 1%, 0.96%

LAB 96.31, 3.2, 4.92

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

CMYK 0 / 16 / 20 / 29

HEX #B69891

RGB 182 152 145

HSL 11.35, 0.2%, 0.64%

LAB 65.31, 10.03, 7.84

 

CMYK 0 / 19 / 24 / 35

HEX #A5867E

RGB 165 134 126

HSL 12.31, 0.18%, 0.57%

LAB 58.56, 10.55, 8.76

 

CMYK 0 / 22 / 28 / 42

HEX #94746B

RGB 148 116 107

HSL 13.17, 0.16%, 0.5%

LAB 51.67, 11.15, 9.76

 

CMYK 0 / 25 / 33 / 49

HEX #836258

RGB 131 98 88

HSL 13.95, 0.2%, 0.43%

LAB 44.61, 11.85, 10.88

 

CMYK 0 / 15 / 18 / 22

HEX #C6A9A3

RGB 198 169 163

HSL 10.29, 0.23%, 0.71%

LAB 71.57, 9.58, 7

 

CMYK 0 / 18 / 18 / 22

HEX #C6A3A3

RGB 198 163 163

HSL 0, 0.23%, 0.71%

LAB 70.07, 12.85, 4.83

 

CMYK 0 / 15 / 18 / 22

HEX #C6A9A3

RGB 198 169 163

HSL 10.29, 0.23%, 0.71%

LAB 71.57, 9.58, 7

 

CMYK 0 / 10 / 18 / 22

HEX #C6B2A3

RGB 198 178 163

HSL 25.71, 0.23%, 0.71%

LAB 73.86, 4.71, 10.27

 

CMYK 0 / 5 / 18 / 22

HEX #C6BCA3

RGB 198 188 163

HSL 42.86, 0.23%, 0.71%

LAB 76.45, -0.63, 13.92

 

CMYK 0 / 0 / 18 / 22

HEX #C6C6A3

RGB 198 198 163

HSL 60, 0.23%, 0.71%

LAB 79.06, -5.88, 17.59

 

CMYK 5 / 0 / 18 / 22

HEX #BDC6A3

RGB 189 198 163

HSL 75.43, 0.23%, 0.71%

LAB 78.37, -9.19, 16.52

 

CMYK 0 / 15 / 18 / 22

HEX #C6A9A3

RGB 198 169 163

HSL 10.29, 0.23%, 0.71%

LAB 71.57, 9.58, 7

 

CMYK 0 / 23 / 28 / 18

HEX #D2A197

RGB 210 161 151

HSL 10.17, 0.4%, 0.71%

LAB 70.47, 16.71, 12.21

 

CMYK 0 / 31 / 37 / 13

HEX #DE998B

RGB 222 153 139

HSL 10.12, 0.56%, 0.71%

LAB 69.59, 24.12, 17.8

 

CMYK 0 / 38 / 46 / 8

HEX #EA917F

RGB 234 145 127

HSL 10.09, 0.72%, 0.71%

LAB 68.95, 31.7, 23.78

 

CMYK 0 / 44 / 53 / 4

HEX #F68973

RGB 246 137 115

HSL 10.08, 0.88%, 0.71%

LAB 68.55, 39.31, 30.12

 

CMYK 0 / 15 / 18 / 22

HEX #C6A9A3

RGB 198 169 163

HSL 10.29, 0.23%, 0.71%

LAB 71.57, 9.58, 7

 

CMYK 0 / 5 / 6 / 27

HEX #BAB1AF

RGB 186 177 175

HSL 10.91, 0.07%, 0.71%

LAB 72.88, 2.84, 2.16

 

CMYK 7 / 1 / 0 / 27

HEX #AEB9BB

RGB 174 185 187

HSL 189.23, 0.09%, 0.71%

LAB 74.37, -3.41, -2.33

 

CMYK 19 / 4 / 0 / 22

HEX #A2C0C7

RGB 162 192 199

HSL 191.35, 0.25%, 0.71%

LAB 75.76, -8.57, -6.9

 

CMYK 29 / 5 / 0 / 17

HEX #96C8D3

RGB 150 200 211

HSL 190.82, 0.41%, 0.71%

LAB 77.58, -13.68, -10.77

 

CMYK 0 / 18 / 11 / 22

HEX #C6A3B0

RGB 198 163 176

HSL 337.71, 0.23%, 0.71%

LAB 70.41, 14.98, -1.87

 

CMYK 0 / 18 / 16 / 22

HEX #C6A3A6

RGB 198 163 166

HSL 354.86, 0.23%, 0.71%

LAB 70.14, 13.33, 3.28

 

CMYK 0 / 15 / 18 / 22

HEX #C6A9A3

RGB 198 169 163

HSL 10.29, 0.23%, 0.71%

LAB 71.57, 9.58, 7

 

CMYK 0 / 10 / 18 / 22

HEX #C6B2A3

RGB 198 178 163

HSL 25.71, 0.23%, 0.71%

LAB 73.86, 4.71, 10.27

 

CMYK 0 / 5 / 18 / 22

HEX #C6BCA3

RGB 198 188 163

HSL 42.86, 0.23%, 0.71%

LAB 76.45, -0.63, 13.92

 

CMYK 0 / 28 / 33 / 35

HEX #A77970

RGB 167 121 112

HSL 9.82, 0.24%, 0.55%

LAB 55.13, 16.7, 12.02

 

CMYK 0 / 21 / 25 / 28

HEX #B79189

RGB 183 145 137

HSL 10.43, 0.24%, 0.63%

LAB 63.45, 13.09, 9.69

 

CMYK 0 / 15 / 18 / 22

HEX #C6A9A3

RGB 198 169 163

HSL 10.29, 0.23%, 0.71%

LAB 71.57, 9.58, 7

 

CMYK 0 / 10 / 12 / 16

HEX #D6C1BC

RGB 214 193 188

HSL 11.54, 0.24%, 0.79%

LAB 79.65, 6.57, 5.2

 

CMYK 0 / 6 / 7 / 10

HEX #E6D9D6

RGB 230 217 214

HSL 11.25, 0.24%, 0.87%

LAB 87.63, 3.94, 3.06

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

CMYK 7 / 0 / 18 / 22

HEX #B9C6A3

RGB 185 198 163

HSL 82.29, 0.23%, 0.71%

LAB 78.08, -10.65, 16.06

 

CMYK 18 / 14 / 0 / 22

HEX #A3ABC6

RGB 163 171 198

HSL 226.29, 0.23%, 0.71%

LAB 70.17, 2.84, -14.7

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

CMYK 18 / 0 / 15 / 22

HEX #A3C6A9

RGB 163 198 169

HSL 130.29, 0.23%, 0.71%

LAB 76.7, -17.36, 10.69

 

CMYK 15 / 18 / 0 / 22

HEX #A9A3C6

RGB 169 163 198

HSL 250.29, 0.23%, 0.71%

LAB 68.54, 9.22, -17.12

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

CMYK 7 / 0 / 18 / 22

HEX #B9C6A3

RGB 185 198 163

HSL 82.29, 0.23%, 0.71%

LAB 78.08, -10.65, 16.06

 

CMYK 18 / 3 / 0 / 22

HEX #A3C0C6

RGB 163 192 198

HSL 190.29, 0.23%, 0.71%

LAB 75.8, -8.47, -6.3

 

CMYK 11 / 18 / 0 / 22

HEX #B0A3C6

RGB 176 163 198

HSL 262.29, 0.23%, 0.71%

LAB 69.11, 11.52, -16.19

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

CMYK 12 / 0 / 18 / 22

HEX #AFC6A3

RGB 175 198 163

HSL 99.43, 0.23%, 0.71%

LAB 77.37, -14.25, 14.96

 

CMYK 18 / 3 / 0 / 22

HEX #A3C0C6

RGB 163 192 198

HSL 190.29, 0.23%, 0.71%

LAB 75.8, -8.47, -6.3

 

CMYK 6 / 18 / 0 / 22

HEX #BAA3C6

RGB 186 163 198

HSL 279.43, 0.23%, 0.71%

LAB 69.97, 14.86, -14.81

 

Description

Color code: HEX #C7AAA4 | qconv.com Color code: HEX #C7AAA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 170 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 170 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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