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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A2A9 it is the complementary color #385D56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A2A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A2A9 shade: #CCA2A4, #DDB4B7, #EEC6CA, #FFD8DD and #FFEAF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A2A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A2A9 shade: #C7A2A9, #B69096, #A57E83, #946C70 and #835A5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A2A9 shade: #C7A2A9 and #C7A2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A2A9 shade: #C7A2A9, #C7A2B3, #C7A2BD, #C7A2C7 and #BDA2C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A2A9 shade matches the following richer shades: #C7A2A9, #D396A2, #DF8A9A, #EB7E93 and #F7728B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A2A9 shade: #C7A2A9, #BBAEB0, #AFBAB8, #A3C6BF and #97D2C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A2A9 shade: #C7A2BD, #C7A2B3, #C7A2A9, #C7A5A2 and #C7AEA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A2A9 shade: #A86E79, #B88891, #C7A2A9, #D7BCC1 and #E6D6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A2A9 shade: #C7A2A9, #C7C7A2 and #A2B8C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A2A9 shade: #C7A2A9, #A9C7A2 and #A2A9C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A2A9 shade: #C7A2A9, #C7C7A2, #A2C7C0 and #A2A2C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A2A9 shade: #C7A2A9, #BCC7A2, #A2C7C0 and #ADA2C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

Complementary color

CMYK 40 / 0 / 8 / 64

HEX #385D56

RGB 56 93 86

HSL 168.65, 0.25%, 0.29%

LAB 36.63, -15.06, -0.16

 

CMYK 0 / 21 / 20 / 20

HEX #CCA2A4

RGB 204 162 164

HSL 357.14, 0.29%, 0.72%

LAB 70.43, 15.79, 4.87

 

CMYK 0 / 19 / 17 / 13

HEX #DDB4B7

RGB 221 180 183

HSL 355.61, 0.38%, 0.79%

LAB 76.94, 15.26, 4.07

 

CMYK 0 / 17 / 15 / 7

HEX #EEC6CA

RGB 238 198 202

HSL 354, 0.54%, 0.85%

LAB 83.35, 14.78, 3.31

 

CMYK 0 / 15 / 13 / 0

HEX #FFD8DD

RGB 255 216 221

HSL 352.31, 1%, 0.92%

LAB 89.67, 14.33, 2.59

 

CMYK 0 / 8 / 6 / 0

HEX #FFEAF0

RGB 255 234 240

HSL 342.86, 1%, 0.96%

LAB 94.48, 8.12, -0.33

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 21 / 18 / 29

HEX #B69096

RGB 182 144 150

HSL 350.53, 0.21%, 0.64%

LAB 63.42, 15.27, 2.3

 

CMYK 0 / 24 / 21 / 35

HEX #A57E83

RGB 165 126 131

HSL 352.31, 0.18%, 0.57%

LAB 56.64, 15.87, 3.13

 

CMYK 0 / 27 / 24 / 42

HEX #946C70

RGB 148 108 112

HSL 354, 0.16%, 0.5%

LAB 49.73, 16.55, 4.05

 

CMYK 0 / 31 / 29 / 49

HEX #835A5D

RGB 131 90 93

HSL 355.61, 0.19%, 0.43%

LAB 42.65, 17.33, 5.08

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 19 / 19 / 22

HEX #C7A2A2

RGB 199 162 162

HSL 0, 0.25%, 0.71%

LAB 69.89, 13.61, 5.14

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 19 / 10 / 22

HEX #C7A2B3

RGB 199 162 179

HSL 332.43, 0.25%, 0.71%

LAB 70.34, 16.41, -3.62

 

CMYK 0 / 19 / 5 / 22

HEX #C7A2BD

RGB 199 162 189

HSL 316.22, 0.25%, 0.71%

LAB 70.63, 18.17, -8.72

 

CMYK 0 / 19 / 0 / 22

HEX #C7A2C7

RGB 199 162 199

HSL 300, 0.25%, 0.71%

LAB 70.94, 20.02, -13.79

 

CMYK 5 / 19 / 0 / 22

HEX #BDA2C7

RGB 189 162 199

HSL 283.78, 0.25%, 0.71%

LAB 70.02, 16.63, -15.26

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 29 / 23 / 17

HEX #D396A2

RGB 211 150 162

HSL 348.2, 0.41%, 0.71%

LAB 68.22, 24.63, 2.89

 

CMYK 0 / 38 / 31 / 13

HEX #DF8A9A

RGB 223 138 154

HSL 348.71, 0.57%, 0.71%

LAB 66.67, 34.37, 5.31

 

CMYK 0 / 46 / 37 / 8

HEX #EB7E93

RGB 235 126 147

HSL 348.44, 0.73%, 0.71%

LAB 65.51, 44.03, 7.8

 

CMYK 0 / 54 / 44 / 3

HEX #F7728B

RGB 247 114 139

HSL 348.72, 0.89%, 0.71%

LAB 64.7, 53.16, 11.44

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 7 / 6 / 27

HEX #BBAEB0

RGB 187 174 176

HSL 350.77, 0.09%, 0.71%

LAB 72.21, 5.01, 0.65

 

CMYK 6 / 0 / 1 / 27

HEX #AFBAB8

RGB 175 186 184

HSL 169.09, 0.07%, 0.71%

LAB 74.63, -4.18, -0.31

 

CMYK 18 / 0 / 4 / 22

HEX #A3C6BF

RGB 163 198 191

HSL 168, 0.23%, 0.71%

LAB 77.24, -13.07, -0.39

 

CMYK 28 / 0 / 5 / 18

HEX #97D2C7

RGB 151 210 199

HSL 168.81, 0.4%, 0.71%

LAB 80.06, -21.17, -0.64

 

CMYK 0 / 19 / 5 / 22

HEX #C7A2BD

RGB 199 162 189

HSL 316.22, 0.25%, 0.71%

LAB 70.63, 18.17, -8.72

 

CMYK 0 / 19 / 10 / 22

HEX #C7A2B3

RGB 199 162 179

HSL 332.43, 0.25%, 0.71%

LAB 70.34, 16.41, -3.62

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 17 / 19 / 22

HEX #C7A5A2

RGB 199 165 162

HSL 4.86, 0.25%, 0.71%

LAB 70.64, 11.97, 6.22

 

CMYK 0 / 13 / 19 / 22

HEX #C7AEA2

RGB 199 174 162

HSL 19.46, 0.25%, 0.71%

LAB 72.91, 7.09, 9.47

 

CMYK 0 / 35 / 28 / 34

HEX #A86E79

RGB 168 110 121

HSL 348.62, 0.25%, 0.55%

LAB 52.79, 24.59, 3.44

 

CMYK 0 / 26 / 21 / 28

HEX #B88891

RGB 184 136 145

HSL 348.75, 0.25%, 0.63%

LAB 61.52, 19.7, 2.4

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 13 / 10 / 16

HEX #D7BCC1

RGB 215 188 193

HSL 348.89, 0.25%, 0.79%

LAB 78.62, 10.42, 1.01

 

CMYK 0 / 7 / 6 / 10

HEX #E6D6D9

RGB 230 214 217

HSL 348.75, 0.24%, 0.87%

LAB 86.96, 6.02, 0.5

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 0 / 19 / 22

HEX #C7C7A2

RGB 199 199 162

HSL 60, 0.25%, 0.71%

LAB 79.38, -6.18, 18.58

 

CMYK 19 / 8 / 0 / 22

HEX #A2B8C7

RGB 162 184 199

HSL 204.32, 0.25%, 0.71%

LAB 73.6, -4.32, -10.12

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 15 / 0 / 19 / 22

HEX #A9C7A2

RGB 169 199 162

HSL 108.65, 0.25%, 0.71%

LAB 77.22, -17.04, 15.23

 

CMYK 19 / 15 / 0 / 22

HEX #A2A9C7

RGB 162 169 199

HSL 228.65, 0.25%, 0.71%

LAB 69.6, 3.84, -16.12

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 0 / 0 / 19 / 22

HEX #C7C7A2

RGB 199 199 162

HSL 60, 0.25%, 0.71%

LAB 79.38, -6.18, 18.58

 

CMYK 19 / 0 / 4 / 22

HEX #A2C7C0

RGB 162 199 192

HSL 168.65, 0.25%, 0.71%

LAB 77.48, -13.7, -0.59

 

CMYK 19 / 19 / 0 / 22

HEX #A2A2C7

RGB 162 162 199

HSL 240, 0.25%, 0.71%

LAB 67.76, 7.73, -18.91

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2A9

RGB 199 162 169

HSL 348.65, 0.25%, 0.71%

LAB 70.07, 14.73, 1.52

 

CMYK 6 / 0 / 19 / 22

HEX #BCC7A2

RGB 188 199 162

HSL 77.84, 0.25%, 0.71%

LAB 78.55, -10.23, 17.29

 

CMYK 19 / 0 / 4 / 22

HEX #A2C7C0

RGB 162 199 192

HSL 168.65, 0.25%, 0.71%

LAB 77.48, -13.7, -0.59

 

CMYK 13 / 19 / 0 / 22

HEX #ADA2C7

RGB 173 162 199

HSL 257.84, 0.25%, 0.71%

LAB 68.64, 11.3, -17.49

 

Description

Color code: HEX #C7A2A9 | qconv.com Color code: HEX #C7A2A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 162 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 162 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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