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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A8B6 it is the complementary color #385749. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A8B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A8B6 shade: #CCA8B1, #DDBAC4, #EECCD7, #FFDEEA and #FFF0FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A8B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A8B6 shade: #C7A8B6, #B696A3, #A58490, #94727D and #83606A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A8B6 shade: #C7A7B6, #C7A7AD and #C7A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A8B6 shade: #C7A7B6, #C7A7BE, #C7A7C7, #BFA7C7 and #B6A7C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A8B6 shade matches the following richer shades: #C7A7B6, #D29CB4, #DE90B3, #E985B2 and #F579B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A8B6 shade: #C7A7B6, #BBB3B7, #B0BEB8, #A4CAB9 and #99D6BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A8B6 shade: #C7A7C7, #C7A7BE, #C7A7B6, #C7A7AE and #C7A9A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A8B6 shade: #A7758B, #B78EA1, #C7A7B6, #D7C1CB and #E7DAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A8B6 shade: #C7A8B6, #C7BEA7 and #A7C3C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A8B6 shade: #C7A8B6, #B6C7A7 and #A7B6C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A8B6 shade: #C7A8B6, #C7BEA7, #A7C7B8 and #A7B0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A8B6 shade: #C7A8B6, #C6C7A7, #A7C7B8 and #A8A7C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 9 / 22

HEX #C7A8B6

RGB 199 168 182

HSL 332.9, 0.22%, 0.72%

LAB 71.91, 13.64, -2.97

 

Complementary color

CMYK 36 / 0 / 16 / 66

HEX #385749

RGB 56 87 73

HSL 152.9, 0.22%, 0.28%

LAB 34.27, -14.95, 4.52

 

CMYK 0 / 18 / 13 / 20

HEX #CCA8B1

RGB 204 168 177

HSL 345, 0.26%, 0.73%

LAB 72.24, 14.6, 0.32

 

CMYK 0 / 16 / 11 / 13

HEX #DDBAC4

RGB 221 186 196

HSL 342.86, 0.34%, 0.8%

LAB 78.74, 14.13, -0.37

 

CMYK 0 / 14 / 10 / 7

HEX #EECCD7

RGB 238 204 215

HSL 340.59, 0.5%, 0.87%

LAB 85.13, 13.71, -1.03

 

CMYK 0 / 13 / 8 / 0

HEX #FFDEEA

RGB 255 222 234

HSL 338.18, 1%, 0.94%

LAB 91.43, 13.32, -1.66

 

CMYK 0 / 6 / 1 / 0

HEX #FFF0FD

RGB 255 240 253

HSL 308, 1%, 0.97%

LAB 96.27, 7.28, -4.44

 

CMYK 0 / 16 / 9 / 22

HEX #C7A8B6

RGB 199 168 182

HSL 332.9, 0.22%, 0.72%

LAB 71.91, 13.64, -2.97

 

CMYK 0 / 18 / 10 / 29

HEX #B696A3

RGB 182 150 163

HSL 335.63, 0.18%, 0.65%

LAB 65.28, 14.1, -2.32

 

CMYK 0 / 20 / 13 / 35

HEX #A58490

RGB 165 132 144

HSL 338.18, 0.15%, 0.58%

LAB 58.52, 14.62, -1.63

 

CMYK 0 / 23 / 16 / 42

HEX #94727D

RGB 148 114 125

HSL 340.59, 0.14%, 0.51%

LAB 51.62, 15.2, -0.89

 

CMYK 0 / 27 / 19 / 49

HEX #83606A

RGB 131 96 106

HSL 342.86, 0.15%, 0.45%

LAB 44.56, 15.86, -0.08

 

CMYK 0 / 16 / 9 / 22

HEX #C7A7B6

RGB 199 167 182

HSL 331.88, 0.22%, 0.72%

LAB 71.66, 14.19, -3.34

 

CMYK 0 / 16 / 13 / 22

HEX #C7A7AD

RGB 199 167 173

HSL 348.75, 0.22%, 0.72%

LAB 71.42, 12.66, 1.27

 

CMYK 0 / 16 / 16 / 22

HEX #C7A7A7

RGB 199 167 167

HSL 0, 0.22%, 0.72%

LAB 71.26, 11.67, 4.36

 

CMYK 0 / 16 / 9 / 22

HEX #C7A7B6

RGB 199 167 182

HSL 331.88, 0.22%, 0.72%

LAB 71.66, 14.19, -3.34

 

CMYK 0 / 16 / 5 / 22

HEX #C7A7BE

RGB 199 167 190

HSL 316.88, 0.22%, 0.72%

LAB 71.89, 15.61, -7.41

 

CMYK 0 / 16 / 0 / 22

HEX #C7A7C7

RGB 199 167 199

HSL 300, 0.22%, 0.72%

LAB 72.16, 17.27, -11.96

 

CMYK 4 / 16 / 0 / 22

HEX #BFA7C7

RGB 191 167 199

HSL 285, 0.22%, 0.72%

LAB 71.44, 14.54, -13.11

 

CMYK 9 / 16 / 0 / 22

HEX #B6A7C7

RGB 182 167 199

HSL 268.13, 0.22%, 0.72%

LAB 70.67, 11.51, -14.35

 

CMYK 0 / 16 / 9 / 22

HEX #C7A7B6

RGB 199 167 182

HSL 331.88, 0.22%, 0.72%

LAB 71.66, 14.19, -3.34

 

CMYK 0 / 26 / 14 / 18

HEX #D29CB4

RGB 210 156 180

HSL 333.33, 0.38%, 0.72%

LAB 70.02, 23.8, -4.53

 

CMYK 0 / 35 / 19 / 13

HEX #DE90B3

RGB 222 144 179

HSL 333.08, 0.54%, 0.72%

LAB 68.56, 34.35, -5.99

 

CMYK 0 / 43 / 24 / 9

HEX #E985B2

RGB 233 133 178

HSL 333, 0.69%, 0.72%

LAB 67.51, 43.74, -6.83

 

CMYK 0 / 51 / 28 / 4

HEX #F579B1

RGB 245 121 177

HSL 332.9, 0.86%, 0.72%

LAB 66.72, 53.51, -7.27

 

CMYK 0 / 16 / 9 / 22

HEX #C7A7B6

RGB 199 167 182

HSL 331.88, 0.22%, 0.72%

LAB 71.66, 14.19, -3.34

 

CMYK 0 / 4 / 2 / 27

HEX #BBB3B7

RGB 187 179 183

HSL 330, 0.06%, 0.72%

LAB 73.69, 3.56, -1.03

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB8

RGB 176 190 184

HSL 154.29, 0.1%, 0.72%

LAB 75.77, -5.96, 1.36

 

CMYK 19 / 0 / 8 / 21

HEX #A4CAB9

RGB 164 202 185

HSL 153.16, 0.26%, 0.72%

LAB 78.25, -16.01, 4.32

 

CMYK 29 / 0 / 13 / 16

HEX #99D6BA

RGB 153 214 186

HSL 152.46, 0.43%, 0.72%

LAB 80.97, -25.26, 7.61

 

CMYK 0 / 16 / 0 / 22

HEX #C7A7C7

RGB 199 167 199

HSL 300, 0.22%, 0.72%

LAB 72.16, 17.27, -11.96

 

CMYK 0 / 16 / 5 / 22

HEX #C7A7BE

RGB 199 167 190

HSL 316.88, 0.22%, 0.72%

LAB 71.89, 15.61, -7.41

 

CMYK 0 / 16 / 9 / 22

HEX #C7A7B6

RGB 199 167 182

HSL 331.88, 0.22%, 0.72%

LAB 71.66, 14.19, -3.34

 

CMYK 0 / 16 / 13 / 22

HEX #C7A7AE

RGB 199 167 174

HSL 346.88, 0.22%, 0.72%

LAB 71.44, 12.82, 0.76

 

CMYK 0 / 15 / 16 / 22

HEX #C7A9A7

RGB 199 169 167

HSL 3.75, 0.22%, 0.72%

LAB 71.76, 10.59, 5.08

 

CMYK 0 / 30 / 17 / 35

HEX #A7758B

RGB 167 117 139

HSL 333.6, 0.22%, 0.56%

LAB 54.87, 23.05, -4.09

 

CMYK 0 / 22 / 12 / 28

HEX #B78EA1

RGB 183 142 161

HSL 332.2, 0.22%, 0.64%

LAB 63.33, 18.59, -4.05

 

CMYK 0 / 16 / 9 / 22

HEX #C7A7B6

RGB 199 167 182

HSL 331.88, 0.22%, 0.72%

LAB 71.66, 14.19, -3.34

 

CMYK 0 / 10 / 6 / 16

HEX #D7C1CB

RGB 215 193 203

HSL 332.73, 0.22%, 0.8%

LAB 80.12, 9.47, -2.18

 

CMYK 0 / 6 / 3 / 9

HEX #E7DAE0

RGB 231 218 224

HSL 332.31, 0.21%, 0.88%

LAB 88.22, 5.49, -1.35

 

CMYK 0 / 16 / 9 / 22

HEX #C7A8B6

RGB 199 168 182

HSL 332.9, 0.22%, 0.72%

LAB 71.91, 13.64, -2.97

 

CMYK 0 / 5 / 16 / 22

HEX #C7BEA7

RGB 199 190 167

HSL 43.13, 0.22%, 0.72%

LAB 77.14, -0.69, 12.75

 

CMYK 16 / 2 / 0 / 22

HEX #A7C3C7

RGB 167 195 199

HSL 187.5, 0.22%, 0.72%

LAB 76.9, -8.56, -5.18

 

CMYK 0 / 16 / 9 / 22

HEX #C7A8B6

RGB 199 168 182

HSL 332.9, 0.22%, 0.72%

LAB 71.91, 13.64, -2.97

 

CMYK 9 / 0 / 16 / 22

HEX #B6C7A7

RGB 182 199 167

HSL 91.88, 0.22%, 0.72%

LAB 78.22, -11.59, 14.09

 

CMYK 16 / 9 / 0 / 22

HEX #A7B6C7

RGB 167 182 199

HSL 211.88, 0.22%, 0.72%

LAB 73.41, -1.64, -10.36

 

CMYK 0 / 16 / 9 / 22

HEX #C7A8B6

RGB 199 168 182

HSL 332.9, 0.22%, 0.72%

LAB 71.91, 13.64, -2.97

 

CMYK 0 / 5 / 16 / 22

HEX #C7BEA7

RGB 199 190 167

HSL 43.13, 0.22%, 0.72%

LAB 77.14, -0.69, 12.75

 

CMYK 16 / 0 / 8 / 22

HEX #A7C7B8

RGB 167 199 184

HSL 151.88, 0.22%, 0.72%

LAB 77.59, -13.69, 3.93

 

CMYK 16 / 12 / 0 / 22

HEX #A7B0C7

RGB 167 176 199

HSL 223.13, 0.22%, 0.72%

LAB 71.82, 1.61, -12.74

 

CMYK 0 / 16 / 9 / 22

HEX #C7A8B6

RGB 199 168 182

HSL 332.9, 0.22%, 0.72%

LAB 71.91, 13.64, -2.97

 

CMYK 1 / 0 / 16 / 22

HEX #C6C7A7

RGB 198 199 167

HSL 61.88, 0.22%, 0.72%

LAB 79.41, -5.78, 15.94

 

CMYK 16 / 0 / 8 / 22

HEX #A7C7B8

RGB 167 199 184

HSL 151.88, 0.22%, 0.72%

LAB 77.59, -13.69, 3.93

 

CMYK 16 / 16 / 0 / 22

HEX #A8A7C7

RGB 168 167 199

HSL 241.88, 0.22%, 0.72%

LAB 69.53, 6.89, -16.18

 

Description

Color code: HEX #C7A8B6 | qconv.com Color code: HEX #C7A8B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 168 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 168 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 9 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 9% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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