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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A63C it is the complementary color #3859C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A63C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A63C shade: #CCA637, #DDB84A, #EECA5D, #FFDC70 and #FFEE83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A63C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A63C shade: #C7A63C, #B69429, #A58216, #947003 and #835E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A63C shade: #C6A63D, #C6813D, #C65C3D and #C63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A63C shade: #C6A63D, #C2C63D, #9DC63D, #78C63D and #53C63D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A63C shade matches the following richer shades: #C6A63D, #DAB029 and #EFBB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A63C shade: #C6A63D, #B29B51, #9E9065, #8A8679 and #757B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A63C shade: #C65B3D, #C67F3D, #C6A43D, #C4C63D and #9FC63D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A63C shade: #897227, #A98D31, #C6A63D, #D0B45D and #D9C37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A63C shade: #C7A63C, #44C63D and #6D3DC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A63C shade: #C7A63C, #3DC6A4 and #A43DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A63C shade: #C7A63C, #44C63D, #3D5FC6 and #BF3DC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A63C shade: #C7A63C, #3DC65F, #3D5FC6 and #C63DA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 70 / 22

HEX #C7A63C

RGB 199 166 60

HSL 45.76, 0.55%, 0.51%

LAB 69.28, 0.75, 56.98

 

Complementary color

CMYK 71 / 54 / 0 / 24

HEX #3859C3

RGB 56 89 195

HSL 225.76, 0.55%, 0.49%

LAB 41.1, 24.41, -59.02

 

CMYK 0 / 19 / 73 / 20

HEX #CCA637

RGB 204 166 55

HSL 44.7, 0.59%, 0.51%

LAB 69.74, 2.68, 59.62

 

CMYK 0 / 17 / 67 / 13

HEX #DDB84A

RGB 221 184 74

HSL 44.9, 0.68%, 0.58%

LAB 76.16, 1.47, 58.88

 

CMYK 0 / 15 / 61 / 7

HEX #EECA5D

RGB 238 202 93

HSL 45.1, 0.81%, 0.65%

LAB 82.49, 0.44, 57.86

 

CMYK 0 / 14 / 56 / 0

HEX #FFDC70

RGB 255 220 112

HSL 45.31, 1%, 0.72%

LAB 88.74, -0.46, 56.73

 

CMYK 0 / 7 / 49 / 0

HEX #FFEE83

RGB 255 238 131

HSL 51.77, 1%, 0.76%

LAB 93.47, -7.96, 53.46

 

CMYK 0 / 17 / 70 / 22

HEX #C7A63C

RGB 199 166 60

HSL 45.76, 0.55%, 0.51%

LAB 69.28, 0.75, 56.98

 

CMYK 0 / 19 / 77 / 29

HEX #B69429

RGB 182 148 41

HSL 45.53, 0.63%, 0.44%

LAB 62.75, 2.07, 57.44

 

CMYK 0 / 21 / 87 / 35

HEX #A58216

RGB 165 130 22

HSL 45.31, 0.76%, 0.37%

LAB 56.11, 3.64, 57.02

 

CMYK 0 / 24 / 98 / 42

HEX #947003

RGB 148 112 3

HSL 45.1, 0.96%, 0.3%

LAB 49.36, 5.52, 55.18

 

CMYK 0 / 28 / 100 / 49

HEX #835E00

RGB 131 94 0

HSL 43.05, 1%, 0.26%

LAB 42.51, 7.8, 50.19

 

CMYK 0 / 16 / 69 / 22

HEX #C6A63D

RGB 198 166 61

HSL 45.99, 0.55%, 0.51%

LAB 69.19, 0.37, 56.44

 

CMYK 0 / 35 / 69 / 22

HEX #C6813D

RGB 198 129 61

HSL 29.78, 0.55%, 0.51%

LAB 59.93, 20.49, 46.65

 

CMYK 0 / 54 / 69 / 22

HEX #C65C3D

RGB 198 92 61

HSL 13.58, 0.55%, 0.51%

LAB 51.83, 40.14, 37.6

 

CMYK 0 / 69 / 69 / 22

HEX #C63D3D

RGB 198 61 61

HSL 0, 0.55%, 0.51%

LAB 46.55, 54.12, 31.4

 

CMYK 0 / 16 / 69 / 22

HEX #C6A63D

RGB 198 166 61

HSL 45.99, 0.55%, 0.51%

LAB 69.19, 0.37, 56.44

 

CMYK 2 / 0 / 69 / 22

HEX #C2C63D

RGB 194 198 61

HSL 61.75, 0.55%, 0.51%

LAB 77.4, -17.89, 64.59

 

CMYK 21 / 0 / 69 / 22

HEX #9DC63D

RGB 157 198 61

HSL 77.96, 0.55%, 0.51%

LAB 74.76, -33.02, 61.08

 

CMYK 39 / 0 / 69 / 22

HEX #78C63D

RGB 120 198 61

HSL 94.16, 0.55%, 0.51%

LAB 72.71, -46.59, 58.32

 

CMYK 58 / 0 / 69 / 22

HEX #53C63D

RGB 83 198 61

HSL 110.36, 0.55%, 0.51%

LAB 71.26, -57.46, 56.36

 

CMYK 0 / 16 / 69 / 22

HEX #C6A63D

RGB 198 166 61

HSL 45.99, 0.55%, 0.51%

LAB 69.19, 0.37, 56.44

 

CMYK 0 / 19 / 81 / 15

HEX #DAB029

RGB 218 176 41

HSL 45.76, 0.71%, 0.51%

LAB 73.62, 2.94, 68.59

 

CMYK 0 / 22 / 92 / 6

HEX #EFBB14

RGB 239 187 20

HSL 45.75, 0.87%, 0.51%

LAB 78.43, 5.8, 78.16

 

CMYK 0 / 16 / 69 / 22

HEX #C6A63D

RGB 198 166 61

HSL 45.99, 0.55%, 0.51%

LAB 69.19, 0.37, 56.44

 

CMYK 0 / 13 / 54 / 30

HEX #B29B51

RGB 178 155 81

HSL 45.77, 0.39%, 0.51%

LAB 64.57, -1.01, 41.48

 

CMYK 0 / 9 / 36 / 38

HEX #9E9065

RGB 158 144 101

HSL 45.26, 0.23%, 0.51%

LAB 60.03, -1.39, 24.77

 

CMYK 0 / 3 / 12 / 46

HEX #8A8679

RGB 138 134 121

HSL 45.88, 0.07%, 0.51%

LAB 55.92, -0.9, 7.53

 

CMYK 18 / 13 / 0 / 44

HEX #757B8E

RGB 117 123 142

HSL 225.6, 0.1%, 0.51%

LAB 51.72, 1.97, -11.04

 

CMYK 0 / 54 / 69 / 22

HEX #C65B3D

RGB 198 91 61

HSL 13.14, 0.55%, 0.51%

LAB 51.64, 40.64, 37.38

 

CMYK 0 / 36 / 69 / 22

HEX #C67F3D

RGB 198 127 61

HSL 28.91, 0.55%, 0.51%

LAB 59.45, 21.59, 46.13

 

CMYK 0 / 17 / 69 / 22

HEX #C6A43D

RGB 198 164 61

HSL 45.11, 0.55%, 0.51%

LAB 68.67, 1.44, 55.9

 

CMYK 1 / 0 / 69 / 22

HEX #C4C63D

RGB 196 198 61

HSL 60.88, 0.55%, 0.51%

LAB 77.56, -17.05, 64.8

 

CMYK 20 / 0 / 69 / 22

HEX #9FC63D

RGB 159 198 61

HSL 77.08, 0.55%, 0.51%

LAB 74.89, -32.23, 61.25

 

CMYK 0 / 17 / 72 / 46

HEX #897227

RGB 137 114 39

HSL 45.92, 0.56%, 0.35%

LAB 48.88, 0.38, 43.15

 

CMYK 0 / 17 / 71 / 34

HEX #A98D31

RGB 169 141 49

HSL 46, 0.55%, 0.43%

LAB 59.62, 0.44, 50.8

 

CMYK 0 / 16 / 69 / 22

HEX #C6A63D

RGB 198 166 61

HSL 45.99, 0.55%, 0.51%

LAB 69.19, 0.37, 56.44

 

CMYK 0 / 13 / 55 / 18

HEX #D0B45D

RGB 208 180 93

HSL 45.39, 0.55%, 0.59%

LAB 74.09, -0.62, 47.5

 

CMYK 0 / 10 / 42 / 15

HEX #D9C37D

RGB 217 195 125

HSL 45.65, 0.55%, 0.67%

LAB 79.19, -1.81, 37.95

 

CMYK 0 / 17 / 70 / 22

HEX #C7A63C

RGB 199 166 60

HSL 45.76, 0.55%, 0.51%

LAB 69.28, 0.75, 56.98

 

CMYK 66 / 0 / 69 / 22

HEX #44C63D

RGB 68 198 61

HSL 116.93, 0.55%, 0.51%

LAB 70.84, -60.84, 55.8

 

CMYK 45 / 69 / 0 / 22

HEX #6D3DC6

RGB 109 61 198

HSL 261.02, 0.55%, 0.51%

LAB 39.01, 50.9, -63.98

 

CMYK 0 / 17 / 70 / 22

HEX #C7A63C

RGB 199 166 60

HSL 45.76, 0.55%, 0.51%

LAB 69.28, 0.75, 56.98

 

CMYK 69 / 0 / 17 / 22

HEX #3DC6A4

RGB 61 198 164

HSL 165.11, 0.55%, 0.51%

LAB 72.27, -44.56, 6.48

 

CMYK 17 / 69 / 0 / 22

HEX #A43DC6

RGB 164 61 198

HSL 285.11, 0.55%, 0.51%

LAB 46.05, 61.91, -52.24

 

CMYK 0 / 17 / 70 / 22

HEX #C7A63C

RGB 199 166 60

HSL 45.76, 0.55%, 0.51%

LAB 69.28, 0.75, 56.98

 

CMYK 66 / 0 / 69 / 22

HEX #44C63D

RGB 68 198 61

HSL 116.93, 0.55%, 0.51%

LAB 70.84, -60.84, 55.8

 

CMYK 69 / 52 / 0 / 22

HEX #3D5FC6

RGB 61 95 198

HSL 225.11, 0.55%, 0.51%

LAB 43.14, 22.35, -57.44

 

CMYK 4 / 69 / 0 / 22

HEX #BF3DC6

RGB 191 61 198

HSL 296.93, 0.55%, 0.51%

LAB 50.09, 67.8, -45.57

 

CMYK 0 / 17 / 70 / 22

HEX #C7A63C

RGB 199 166 60

HSL 45.76, 0.55%, 0.51%

LAB 69.28, 0.75, 56.98

 

CMYK 69 / 0 / 52 / 22

HEX #3DC65F

RGB 61 198 95

HSL 134.89, 0.55%, 0.51%

LAB 71.01, -58.22, 40.87

 

CMYK 69 / 52 / 0 / 22

HEX #3D5FC6

RGB 61 95 198

HSL 225.11, 0.55%, 0.51%

LAB 43.14, 22.35, -57.44

 

CMYK 0 / 69 / 17 / 22

HEX #C63DA4

RGB 198 61 164

HSL 314.89, 0.55%, 0.51%

LAB 49.52, 64.16, -26.51

 

Description

Color code: HEX #C7A63C | qconv.com Color code: HEX #C7A63C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 166 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 166 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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