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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A499 it is the complementary color #385B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A499 shade: #CCA494, #DDB6A7, #EEC8BA, #FFDACD and #FFECE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A499 shade: #C7A499, #B69286, #A58073, #946E60 and #835C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A499 shade: #C6A399 and #C69999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A499 shade: #C6A399, #C6B099, #C6BC99, #C4C699 and #B8C699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A499 shade matches the following richer shades: #C6A399, #D39D8C, #E0967F, #ED8F72 and #FA8965

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A499 shade: #C6A399, #BAAAA5, #ADB1B2, #A0B8BF and #93BECC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A499 shade: #C699A6, #C6999A, #C6A399, #C6AF99 and #C6BC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A499 shade: #A97463, #B88C7E, #C6A399, #D5BBB3 and #E4D3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A499 shade: #C7A499, #B3C699 and #99A0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A499 shade: #C7A499, #99C6A3 and #A399C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A499 shade: #C7A499, #B3C699, #99BCC6 and #AC99C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A499 shade: #C7A499, #A5C699, #99BCC6 and #BA99C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

Complementary color

CMYK 45 / 11 / 0 / 60

HEX #385B66

RGB 56 91 102

HSL 194.35, 0.29%, 0.31%

LAB 36.52, -9.38, -10.28

 

CMYK 0 / 20 / 27 / 20

HEX #CCA494

RGB 204 164 148

HSL 17.14, 0.35%, 0.69%

LAB 70.54, 12.35, 13.87

 

CMYK 0 / 18 / 24 / 13

HEX #DDB6A7

RGB 221 182 167

HSL 16.67, 0.44%, 0.76%

LAB 77.05, 11.8, 12.91

 

CMYK 0 / 16 / 22 / 7

HEX #EEC8BA

RGB 238 200 186

HSL 16.15, 0.6%, 0.83%

LAB 83.46, 11.31, 12

 

CMYK 0 / 15 / 20 / 0

HEX #FFDACD

RGB 255 218 205

HSL 15.6, 1%, 0.9%

LAB 89.77, 10.86, 11.15

 

CMYK 0 / 7 / 12 / 0

HEX #FFECE0

RGB 255 236 224

HSL 23.23, 1%, 0.94%

LAB 94.58, 4.49, 8.12

 

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

CMYK 0 / 20 / 26 / 29

HEX #B69286

RGB 182 146 134

HSL 15, 0.25%, 0.62%

LAB 63.53, 11.7, 11.48

 

CMYK 0 / 22 / 30 / 35

HEX #A58073

RGB 165 128 115

HSL 15.6, 0.22%, 0.55%

LAB 56.76, 12.33, 12.53

 

CMYK 0 / 26 / 35 / 42

HEX #946E60

RGB 148 110 96

HSL 16.15, 0.21%, 0.48%

LAB 49.85, 13.07, 13.68

 

CMYK 0 / 30 / 41 / 49

HEX #835C4D

RGB 131 92 77

HSL 16.67, 0.26%, 0.41%

LAB 42.79, 13.94, 14.99

 

CMYK 0 / 18 / 23 / 22

HEX #C6A399

RGB 198 163 153

HSL 13.33, 0.28%, 0.69%

LAB 69.82, 11.32, 10.02

 

CMYK 0 / 23 / 23 / 22

HEX #C69999

RGB 198 153 153

HSL 0, 0.28%, 0.69%

LAB 67.34, 16.79, 6.48

 

CMYK 0 / 18 / 23 / 22

HEX #C6A399

RGB 198 163 153

HSL 13.33, 0.28%, 0.69%

LAB 69.82, 11.32, 10.02

 

CMYK 0 / 11 / 23 / 22

HEX #C6B099

RGB 198 176 153

HSL 30.67, 0.28%, 0.69%

LAB 73.13, 4.27, 14.68

 

CMYK 0 / 5 / 23 / 22

HEX #C6BC99

RGB 198 188 153

HSL 46.67, 0.28%, 0.69%

LAB 76.24, -2.12, 19.01

 

CMYK 1 / 0 / 23 / 22

HEX #C4C699

RGB 196 198 153

HSL 62.67, 0.28%, 0.69%

LAB 78.71, -8.1, 22.39

 

CMYK 7 / 0 / 23 / 22

HEX #B8C699

RGB 184 198 153

HSL 78.67, 0.28%, 0.69%

LAB 77.8, -12.58, 21

 

CMYK 0 / 18 / 23 / 22

HEX #C6A399

RGB 198 163 153

HSL 13.33, 0.28%, 0.69%

LAB 69.82, 11.32, 10.02

 

CMYK 0 / 26 / 34 / 17

HEX #D39D8C

RGB 211 157 140

HSL 14.37, 0.45%, 0.69%

LAB 69.37, 17.81, 16.75

 

CMYK 0 / 33 / 43 / 12

HEX #E0967F

RGB 224 150 127

HSL 14.23, 0.61%, 0.69%

LAB 68.89, 25.17, 23.49

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 45 / 60 / 2

HEX #FA8965

RGB 250 137 101

HSL 14.5, 0.94%, 0.69%

LAB 68.86, 39.76, 38.21

 

CMYK 0 / 18 / 23 / 22

HEX #C6A399

RGB 198 163 153

HSL 13.33, 0.28%, 0.69%

LAB 69.82, 11.32, 10.02

 

CMYK 0 / 9 / 11 / 27

HEX #BAAAA5

RGB 186 170 165

HSL 14.29, 0.13%, 0.69%

LAB 70.81, 4.9, 4.65

 

CMYK 3 / 1 / 0 / 30

HEX #ADB1B2

RGB 173 177 178

HSL 192, 0.03%, 0.69%

LAB 71.92, -1.21, -1.01

 

CMYK 16 / 4 / 0 / 25

HEX #A0B8BF

RGB 160 184 191

HSL 193.55, 0.19%, 0.69%

LAB 73.23, -6.69, -6.31

 

CMYK 28 / 7 / 0 / 20

HEX #93BECC

RGB 147 190 204

HSL 194.74, 0.36%, 0.69%

LAB 74.44, -10.97, -11.69

 

CMYK 0 / 23 / 16 / 22

HEX #C699A6

RGB 198 153 166

HSL 342.67, 0.28%, 0.69%

LAB 67.68, 18.82, -0.3

 

CMYK 0 / 23 / 22 / 22

HEX #C6999A

RGB 198 153 154

HSL 358.67, 0.28%, 0.69%

LAB 67.37, 16.94, 5.95

 

CMYK 0 / 18 / 23 / 22

HEX #C6A399

RGB 198 163 153

HSL 13.33, 0.28%, 0.69%

LAB 69.82, 11.32, 10.02

 

CMYK 0 / 12 / 23 / 22

HEX #C6AF99

RGB 198 175 153

HSL 29.33, 0.28%, 0.69%

LAB 72.87, 4.81, 14.32

 

CMYK 0 / 5 / 23 / 22

HEX #C6BC99

RGB 198 188 153

HSL 46.67, 0.28%, 0.69%

LAB 76.24, -2.12, 19.01

 

CMYK 0 / 31 / 41 / 34

HEX #A97463

RGB 169 116 99

HSL 14.57, 0.29%, 0.53%

LAB 53.84, 18.71, 17.8

 

CMYK 0 / 24 / 32 / 28

HEX #B88C7E

RGB 184 140 126

HSL 14.48, 0.29%, 0.61%

LAB 62.04, 14.71, 13.94

 

CMYK 0 / 18 / 23 / 22

HEX #C6A399

RGB 198 163 153

HSL 13.33, 0.28%, 0.69%

LAB 69.82, 11.32, 10.02

 

CMYK 0 / 12 / 16 / 16

HEX #D5BBB3

RGB 213 187 179

HSL 14.12, 0.29%, 0.77%

LAB 77.84, 7.96, 7.44

 

CMYK 0 / 7 / 10 / 11

HEX #E4D3CE

RGB 228 211 206

HSL 13.64, 0.29%, 0.85%

LAB 85.78, 5.04, 4.58

 

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

CMYK 10 / 0 / 23 / 22

HEX #B3C699

RGB 179 198 153

HSL 85.33, 0.28%, 0.69%

LAB 77.44, -14.42, 20.45

 

CMYK 23 / 19 / 0 / 22

HEX #99A0C6

RGB 153 160 198

HSL 230.67, 0.28%, 0.69%

LAB 66.51, 5.77, -20.31

 

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

CMYK 23 / 0 / 18 / 22

HEX #99C6A3

RGB 153 198 163

HSL 133.33, 0.28%, 0.69%

LAB 75.95, -21.82, 12.76

 

CMYK 18 / 23 / 0 / 22

HEX #A399C6

RGB 163 153 198

HSL 253.33, 0.28%, 0.69%

LAB 65.47, 12.88, -21.82

 

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

CMYK 10 / 0 / 23 / 22

HEX #B3C699

RGB 179 198 153

HSL 85.33, 0.28%, 0.69%

LAB 77.44, -14.42, 20.45

 

CMYK 23 / 5 / 0 / 22

HEX #99BCC6

RGB 153 188 198

HSL 193.33, 0.28%, 0.69%

LAB 74.07, -9.49, -8.93

 

CMYK 13 / 23 / 0 / 22

HEX #AC99C6

RGB 172 153 198

HSL 265.33, 0.28%, 0.69%

LAB 66.24, 15.8, -20.59

 

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

CMYK 17 / 0 / 23 / 22

HEX #A5C699

RGB 165 198 153

HSL 104, 0.28%, 0.69%

LAB 76.49, -19.46, 18.98

 

CMYK 23 / 5 / 0 / 22

HEX #99BCC6

RGB 153 188 198

HSL 193.33, 0.28%, 0.69%

LAB 74.07, -9.49, -8.93

 

CMYK 6 / 23 / 0 / 22

HEX #BA99C6

RGB 186 153 198

HSL 284, 0.28%, 0.69%

LAB 67.5, 20.42, -18.55

 

Description

Color code: HEX #C7A499 | qconv.com Color code: HEX #C7A499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 164 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 164 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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