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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39B94 it is the complementary color #3C646B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39B94 shade: #C89B8F, #D9ADA2, #EABFB5, #FBD1C8 and #FFE3DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39B94 shade: #C39B94, #B28981, #A1776E, #90655B and #7F5348

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39B94 shade: #C29A93 and #C29393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39B94 shade: #C29A93, #C2A793, #C2B393, #C2C093 and #B7C293

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39B94 shade matches the following richer shades: #C29A93, #D09085, #DD8778, #EB7D6A and #F8745C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39B94 shade: #C29A93, #B4A3A0, #A7ADAE, #99B6BC and #8BC0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39B94 shade: #C293A6, #C29399, #C29993, #C2A693 and #C2B293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39B94 shade: #A4685E, #B38178, #C29A93, #D1B2AD and #E0CBC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39B94 shade: #C39B94, #B2C293 and #939FC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39B94 shade: #C39B94, #93C299 and #9993C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39B94 shade: #C39B94, #B2C293, #93BCC2 and #A293C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39B94 shade: #C39B94, #A4C293, #93BCC2 and #B193C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 24 / 24

HEX #C39B94

RGB 195 155 148

HSL 8.94, 0.28%, 0.67%

LAB 67.41, 13.81, 9.33

 

Complementary color

CMYK 44 / 7 / 0 / 58

HEX #3C646B

RGB 60 100 107

HSL 188.94, 0.28%, 0.33%

LAB 39.81, -12.03, -8.39

 

CMYK 0 / 23 / 29 / 22

HEX #C89B8F

RGB 200 155 143

HSL 12.63, 0.34%, 0.67%

LAB 67.8, 15.03, 12.73

 

CMYK 0 / 20 / 25 / 15

HEX #D9ADA2

RGB 217 173 162

HSL 12, 0.42%, 0.74%

LAB 74.35, 14.41, 11.75

 

CMYK 0 / 18 / 23 / 8

HEX #EABFB5

RGB 234 191 181

HSL 11.32, 0.56%, 0.81%

LAB 80.79, 13.87, 10.83

 

CMYK 0 / 17 / 20 / 2

HEX #FBD1C8

RGB 251 209 200

HSL 10.59, 0.86%, 0.88%

LAB 87.13, 13.37, 9.97

 

CMYK 0 / 11 / 14 / 0

HEX #FFE3DB

RGB 255 227 219

HSL 13.33, 1%, 0.93%

LAB 92.27, 8.32, 7.4

 

CMYK 0 / 21 / 24 / 24

HEX #C39B94

RGB 195 155 148

HSL 8.94, 0.28%, 0.67%

LAB 67.41, 13.81, 9.33

 

CMYK 0 / 23 / 28 / 30

HEX #B28981

RGB 178 137 129

HSL 9.8, 0.24%, 0.6%

LAB 60.73, 14.43, 10.3

 

CMYK 0 / 26 / 32 / 37

HEX #A1776E

RGB 161 119 110

HSL 10.59, 0.21%, 0.53%

LAB 53.92, 15.14, 11.38

 

CMYK 0 / 30 / 37 / 44

HEX #90655B

RGB 144 101 91

HSL 11.32, 0.23%, 0.46%

LAB 46.96, 15.97, 12.58

 

CMYK 0 / 35 / 43 / 50

HEX #7F5348

RGB 127 83 72

HSL 12, 0.28%, 0.39%

LAB 39.86, 16.94, 13.96

 

CMYK 0 / 21 / 24 / 24

HEX #C29A93

RGB 194 154 147

HSL 8.94, 0.28%, 0.67%

LAB 67.04, 13.83, 9.34

 

CMYK 0 / 24 / 24 / 24

HEX #C29393

RGB 194 147 147

HSL 0, 0.28%, 0.67%

LAB 65.31, 17.69, 6.87

 

CMYK 0 / 21 / 24 / 24

HEX #C29A93

RGB 194 154 147

HSL 8.94, 0.28%, 0.67%

LAB 67.04, 13.83, 9.34

 

CMYK 0 / 14 / 24 / 24

HEX #C2A793

RGB 194 167 147

HSL 25.53, 0.28%, 0.67%

LAB 70.33, 6.72, 13.98

 

CMYK 0 / 8 / 24 / 24

HEX #C2B393

RGB 194 179 147

HSL 40.85, 0.28%, 0.67%

LAB 73.43, 0.26, 18.3

 

CMYK 0 / 1 / 24 / 24

HEX #C2C093

RGB 194 192 147

HSL 57.45, 0.28%, 0.67%

LAB 76.85, -6.6, 23

 

CMYK 6 / 0 / 24 / 24

HEX #B7C293

RGB 183 194 147

HSL 74.04, 0.28%, 0.67%

LAB 76.53, -11.8, 22.43

 

CMYK 0 / 21 / 24 / 24

HEX #C29A93

RGB 194 154 147

HSL 8.94, 0.28%, 0.67%

LAB 67.04, 13.83, 9.34

 

CMYK 0 / 31 / 36 / 18

HEX #D09085

RGB 208 144 133

HSL 8.8, 0.44%, 0.67%

LAB 65.79, 22.85, 15.62

 

CMYK 0 / 39 / 46 / 13

HEX #DD8778

RGB 221 135 120

HSL 8.91, 0.6%, 0.67%

LAB 65.01, 31.28, 22.07

 

CMYK 0 / 47 / 55 / 8

HEX #EB7D6A

RGB 235 125 106

HSL 8.84, 0.76%, 0.67%

LAB 64.46, 40.56, 29.47

 

CMYK 0 / 53 / 63 / 3

HEX #F8745C

RGB 248 116 92

HSL 9.23, 0.92%, 0.67%

LAB 64.34, 48.79, 37.41

 

CMYK 0 / 21 / 24 / 24

HEX #C29A93

RGB 194 154 147

HSL 8.94, 0.28%, 0.67%

LAB 67.04, 13.83, 9.34

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A0

RGB 180 163 160

HSL 9, 0.12%, 0.67%

LAB 68.34, 5.66, 3.79

 

CMYK 4 / 1 / 0 / 32

HEX #A7ADAE

RGB 167 173 174

HSL 188.57, 0.04%, 0.67%

LAB 70.29, -1.91, -1.26

 

CMYK 19 / 3 / 0 / 26

HEX #99B6BC

RGB 153 182 188

HSL 190.29, 0.21%, 0.67%

LAB 72.13, -8.53, -6.34

 

CMYK 31 / 4 / 0 / 21

HEX #8BC0C9

RGB 139 192 201

HSL 188.71, 0.36%, 0.67%

LAB 74.45, -15.04, -10.09

 

CMYK 0 / 24 / 14 / 24

HEX #C293A6

RGB 194 147 166

HSL 335.74, 0.28%, 0.67%

LAB 65.82, 20.66, -3.08

 

CMYK 0 / 24 / 21 / 24

HEX #C29399

RGB 194 147 153

HSL 352.34, 0.28%, 0.67%

LAB 65.46, 18.59, 3.72

 

CMYK 0 / 21 / 24 / 24

HEX #C29993

RGB 194 153 147

HSL 7.66, 0.28%, 0.67%

LAB 66.79, 14.38, 8.99

 

CMYK 0 / 14 / 24 / 24

HEX #C2A693

RGB 194 166 147

HSL 24.26, 0.28%, 0.67%

LAB 70.07, 7.26, 13.62

 

CMYK 0 / 8 / 24 / 24

HEX #C2B293

RGB 194 178 147

HSL 39.57, 0.28%, 0.67%

LAB 73.17, 0.79, 17.94

 

CMYK 0 / 37 / 43 / 36

HEX #A4685E

RGB 164 104 94

HSL 8.57, 0.28%, 0.51%

LAB 50.22, 22.87, 15.67

 

CMYK 0 / 28 / 33 / 30

HEX #B38178

RGB 179 129 120

HSL 9.15, 0.28%, 0.59%

LAB 58.64, 18.07, 12.52

 

CMYK 0 / 21 / 24 / 24

HEX #C29A93

RGB 194 154 147

HSL 8.94, 0.28%, 0.67%

LAB 67.04, 13.83, 9.34

 

CMYK 0 / 15 / 17 / 18

HEX #D1B2AD

RGB 209 178 173

HSL 8.33, 0.28%, 0.75%

LAB 75.08, 10.37, 6.69

 

CMYK 0 / 9 / 11 / 12

HEX #E0CBC8

RGB 224 203 200

HSL 7.5, 0.28%, 0.83%

LAB 83.3, 6.83, 4.15

 

CMYK 0 / 21 / 24 / 24

HEX #C39B94

RGB 195 155 148

HSL 8.94, 0.28%, 0.67%

LAB 67.41, 13.81, 9.33

 

CMYK 8 / 0 / 24 / 24

HEX #B2C293

RGB 178 194 147

HSL 80.43, 0.28%, 0.67%

LAB 76.16, -13.67, 21.87

 

CMYK 24 / 18 / 0 / 24

HEX #939FC2

RGB 147 159 194

HSL 224.68, 0.28%, 0.67%

LAB 65.67, 3.51, -19.41

 

CMYK 0 / 21 / 24 / 24

HEX #C39B94

RGB 195 155 148

HSL 8.94, 0.28%, 0.67%

LAB 67.41, 13.81, 9.33

 

CMYK 24 / 0 / 21 / 24

HEX #93C299

RGB 147 194 153

HSL 127.66, 0.28%, 0.67%

LAB 74.25, -23.66, 15.69

 

CMYK 21 / 24 / 0 / 24

HEX #9993C2

RGB 153 147 194

HSL 247.66, 0.28%, 0.67%

LAB 62.96, 12.18, -23.51

 

CMYK 0 / 21 / 24 / 24

HEX #C39B94

RGB 195 155 148

HSL 8.94, 0.28%, 0.67%

LAB 67.41, 13.81, 9.33

 

CMYK 8 / 0 / 24 / 24

HEX #B2C293

RGB 178 194 147

HSL 80.43, 0.28%, 0.67%

LAB 76.16, -13.67, 21.87

 

CMYK 24 / 3 / 0 / 24

HEX #93BCC2

RGB 147 188 194

HSL 187.66, 0.28%, 0.67%

LAB 73.59, -12.23, -7.51

 

CMYK 16 / 24 / 0 / 24

HEX #A293C2

RGB 162 147 194

HSL 259.15, 0.28%, 0.67%

LAB 63.71, 15.06, -22.29

 

CMYK 0 / 21 / 24 / 24

HEX #C39B94

RGB 195 155 148

HSL 8.94, 0.28%, 0.67%

LAB 67.41, 13.81, 9.33

 

CMYK 15 / 0 / 24 / 24

HEX #A4C293

RGB 164 194 147

HSL 98.3, 0.28%, 0.67%

LAB 75.19, -18.78, 20.38

 

CMYK 24 / 3 / 0 / 24

HEX #93BCC2

RGB 147 188 194

HSL 187.66, 0.28%, 0.67%

LAB 73.59, -12.23, -7.51

 

CMYK 9 / 24 / 0 / 24

HEX #B193C2

RGB 177 147 194

HSL 278.3, 0.28%, 0.67%

LAB 65.05, 19.97, -20.12

 

Description

Color code: HEX #C39B94 | qconv.com Color code: HEX #C39B94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 155 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 155 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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