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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39531 it is the complementary color #3C6ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39531 shade: #C8952C, #D9A73F, #EAB952, #FBCB65 and #FFDD78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39531 shade: #C39531, #B2831E, #A1710B, #905F00 and #7F4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39531 shade: #C39530, #C36D30, #C34630 and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39531 shade: #C39530, #C3BD30, #A2C330, #7BC330 and #53C330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39531 shade matches the following richer shades: #C39530, #D79C1D and #EBA409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39531 shade: #C39530, #B08E44, #9C8658, #887F6C and #747880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39531 shade: #C34630, #C36E30, #C39530, #C3BC30 and #A4C330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39531 shade: #816320, #A27C28, #C39530, #D2A74B and #DAB76C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39531 shade: #C39531, #42C330 and #5A30C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39531 shade: #C39531, #30C395 and #9530C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39531 shade: #C39531, #42C330, #305FC3 and #B230C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39531 shade: #C39531, #30C34B, #305FC3 and #C330A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 75 / 24

HEX #C39531

RGB 195 149 49

HSL 41.1, 0.6%, 0.48%

LAB 64.42, 7.63, 56.47

 

Complementary color

CMYK 71 / 49 / 0 / 19

HEX #3C6ACE

RGB 60 106 206

HSL 221.1, 0.6%, 0.52%

LAB 46.61, 18.09, -56.45

 

CMYK 0 / 26 / 78 / 22

HEX #C8952C

RGB 200 149 44

HSL 40.38, 0.64%, 0.48%

LAB 64.93, 9.63, 59.06

 

CMYK 0 / 23 / 71 / 15

HEX #D9A73F

RGB 217 167 63

HSL 40.52, 0.67%, 0.55%

LAB 71.38, 8.17, 58.45

 

CMYK 0 / 21 / 65 / 8

HEX #EAB952

RGB 234 185 82

HSL 40.66, 0.78%, 0.62%

LAB 77.76, 6.91, 57.47

 

CMYK 0 / 19 / 60 / 2

HEX #FBCB65

RGB 251 203 101

HSL 40.8, 0.95%, 0.69%

LAB 84.05, 5.83, 56.31

 

CMYK 0 / 13 / 53 / 0

HEX #FFDD78

RGB 255 221 120

HSL 44.89, 1%, 0.74%

LAB 89.08, -0.34, 53.38

 

CMYK 0 / 24 / 75 / 24

HEX #C39531

RGB 195 149 49

HSL 41.1, 0.6%, 0.48%

LAB 64.42, 7.63, 56.47

 

CMYK 0 / 26 / 83 / 30

HEX #B2831E

RGB 178 131 30

HSL 40.95, 0.71%, 0.41%

LAB 57.84, 9.24, 56.66

 

CMYK 0 / 30 / 93 / 37

HEX #A1710B

RGB 161 113 11

HSL 40.8, 0.87%, 0.34%

LAB 51.17, 11.14, 55.57

 

CMYK 0 / 34 / 100 / 44

HEX #905F00

RGB 144 95 0

HSL 39.58, 1%, 0.28%

LAB 44.4, 13.4, 52.23

 

CMYK 0 / 39 / 100 / 50

HEX #7F4D00

RGB 127 77 0

HSL 36.38, 1%, 0.25%

LAB 37.52, 15.95, 46.63

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 44 / 75 / 24

HEX #C36D30

RGB 195 109 48

HSL 24.9, 0.6%, 0.48%

LAB 54.82, 29.45, 47.34

 

CMYK 0 / 64 / 75 / 24

HEX #C34630

RGB 195 70 48

HSL 8.98, 0.6%, 0.48%

LAB 47.23, 48.79, 39.4

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 3 / 75 / 24

HEX #C3BD30

RGB 195 189 48

HSL 57.55, 0.6%, 0.48%

LAB 74.96, -13.54, 66.8

 

CMYK 17 / 0 / 75 / 24

HEX #A2C330

RGB 162 195 48

HSL 73.47, 0.6%, 0.48%

LAB 74.14, -30.33, 65.15

 

CMYK 37 / 0 / 75 / 24

HEX #7BC330

RGB 123 195 48

HSL 89.39, 0.6%, 0.48%

LAB 71.86, -45.17, 62.17

 

CMYK 57 / 0 / 75 / 24

HEX #53C330

RGB 83 195 48

HSL 105.71, 0.6%, 0.48%

LAB 70.23, -57.36, 60.03

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 27 / 87 / 16

HEX #D79C1D

RGB 215 156 29

HSL 40.97, 0.76%, 0.48%

LAB 68.25, 11.97, 67.33

 

CMYK 0 / 30 / 96 / 8

HEX #EBA409

RGB 235 164 9

HSL 41.15, 0.93%, 0.48%

LAB 72.38, 16.06, 75.08

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 19 / 61 / 31

HEX #B08E44

RGB 176 142 68

HSL 41.11, 0.44%, 0.48%

LAB 60.78, 4.2, 43.49

 

CMYK 0 / 14 / 44 / 39

HEX #9C8658

RGB 156 134 88

HSL 40.59, 0.28%, 0.48%

LAB 56.9, 1.78, 27.82

 

CMYK 0 / 7 / 21 / 47

HEX #887F6C

RGB 136 127 108

HSL 40.71, 0.11%, 0.48%

LAB 53.49, 0.09, 11.57

 

CMYK 9 / 6 / 0 / 50

HEX #747880

RGB 116 120 128

HSL 220, 0.05%, 0.48%

LAB 50.34, 0.2, -4.89

 

CMYK 0 / 64 / 75 / 24

HEX #C34630

RGB 195 70 48

HSL 8.98, 0.6%, 0.48%

LAB 47.23, 48.79, 39.4

 

CMYK 0 / 44 / 75 / 24

HEX #C36E30

RGB 195 110 48

HSL 25.31, 0.6%, 0.48%

LAB 55.04, 28.91, 47.57

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 4 / 75 / 24

HEX #C3BC30

RGB 195 188 48

HSL 57.14, 0.6%, 0.48%

LAB 74.69, -13.03, 66.55

 

CMYK 16 / 0 / 75 / 24

HEX #A4C330

RGB 164 195 48

HSL 72.65, 0.6%, 0.48%

LAB 74.28, -29.52, 65.32

 

CMYK 0 / 23 / 75 / 49

HEX #816320

RGB 129 99 32

HSL 41.44, 0.6%, 0.32%

LAB 43.79, 4.92, 40.84

 

CMYK 0 / 23 / 75 / 36

HEX #A27C28

RGB 162 124 40

HSL 41.31, 0.6%, 0.4%

LAB 54.29, 6.28, 49.02

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 20 / 64 / 18

HEX #D2A74B

RGB 210 167 75

HSL 40.89, 0.6%, 0.56%

LAB 70.77, 5.84, 52.29

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76C

RGB 218 183 108

HSL 40.91, 0.6%, 0.64%

LAB 75.98, 3.23, 42.57

 

CMYK 0 / 24 / 75 / 24

HEX #C39531

RGB 195 149 49

HSL 41.1, 0.6%, 0.48%

LAB 64.42, 7.63, 56.47

 

CMYK 66 / 0 / 75 / 24

HEX #42C330

RGB 66 195 48

HSL 112.65, 0.6%, 0.48%

LAB 69.75, -61.27, 59.4

 

CMYK 54 / 75 / 0 / 24

HEX #5A30C3

RGB 90 48 195

HSL 257.14, 0.6%, 0.48%

LAB 34.45, 53.47, -69.76

 

CMYK 0 / 24 / 75 / 24

HEX #C39531

RGB 195 149 49

HSL 41.1, 0.6%, 0.48%

LAB 64.42, 7.63, 56.47

 

CMYK 75 / 0 / 24 / 24

HEX #30C395

RGB 48 195 149

HSL 161.22, 0.6%, 0.48%

LAB 70.75, -48.7, 12.4

 

CMYK 24 / 75 / 0 / 24

HEX #9530C3

RGB 149 48 195

HSL 281.22, 0.6%, 0.48%

LAB 41.91, 63.31, -57.28

 

CMYK 0 / 24 / 75 / 24

HEX #C39531

RGB 195 149 49

HSL 41.1, 0.6%, 0.48%

LAB 64.42, 7.63, 56.47

 

CMYK 66 / 0 / 75 / 24

HEX #42C330

RGB 66 195 48

HSL 112.65, 0.6%, 0.48%

LAB 69.75, -61.27, 59.4

 

CMYK 75 / 51 / 0 / 24

HEX #305FC3

RGB 48 95 195

HSL 220.82, 0.6%, 0.48%

LAB 42.39, 19.49, -56.95

 

CMYK 9 / 75 / 0 / 24

HEX #B230C3

RGB 178 48 195

HSL 293.06, 0.6%, 0.48%

LAB 46.34, 68.94, -49.93

 

CMYK 0 / 24 / 75 / 24

HEX #C39531

RGB 195 149 49

HSL 41.1, 0.6%, 0.48%

LAB 64.42, 7.63, 56.47

 

CMYK 75 / 0 / 62 / 24

HEX #30C34B

RGB 48 195 75

HSL 131.02, 0.6%, 0.48%

LAB 69.59, -61.9, 48.46

 

CMYK 75 / 51 / 0 / 24

HEX #305FC3

RGB 48 95 195

HSL 220.82, 0.6%, 0.48%

LAB 42.39, 19.49, -56.95

 

CMYK 0 / 75 / 14 / 24

HEX #C330A8

RGB 195 48 168

HSL 311.02, 0.6%, 0.48%

LAB 47.68, 68.32, -31.79

 

Description

Color code: HEX #C39531 | qconv.com Color code: HEX #C39531 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 149 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 149 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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