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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3784A it is the complementary color #3C87B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3784A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3784A shade: #C87845, #D98A58, #EA9C6B, #FBAE7E and #FFC091

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3784A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3784A shade: #C3784A, #B26637, #A15424, #904211 and #7F3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3784A shade: #C3784B, #C3584B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3784A shade: #C3784B, #C3994B, #C3B94B, #ACC34B and #8CC34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3784A shade matches the following richer shades: #C3784B, #D67437, #E96F24 and #FD6A11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3784A shade: #C3784B, #AF7D5E, #9C8272, #888685 and #758B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3784A shade: #C34B5F, #C3574B, #C3774B, #C3974B and #C3B74B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3784A shade: #8C522E, #AB6439, #C3784B, #CD8F6A and #D7A689

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3784A shade: #C3784A, #7FC34B and #4B4FC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3784A shade: #C3784A, #4BC377 and #774BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3784A shade: #C3784A, #7FC34B, #4B97C3 and #8F4BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3784A shade: #C3784A, #5BC34B, #4B97C3 and #B34BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 62 / 24

HEX #C3784A

RGB 195 120 74

HSL 22.81, 0.5%, 0.53%

LAB 57.59, 24.97, 37.24

 

Complementary color

CMYK 67 / 25 / 0 / 29

HEX #3C87B5

RGB 60 135 181

HSL 202.81, 0.5%, 0.47%

LAB 53.63, -8.44, -30.99

 

CMYK 0 / 40 / 66 / 22

HEX #C87845

RGB 200 120 69

HSL 23.36, 0.54%, 0.53%

LAB 58.17, 26.71, 40.73

 

CMYK 0 / 36 / 59 / 15

HEX #D98A58

RGB 217 138 88

HSL 23.26, 0.63%, 0.6%

LAB 64.67, 25.3, 39

 

CMYK 0 / 33 / 54 / 8

HEX #EA9C6B

RGB 234 156 107

HSL 23.15, 0.75%, 0.67%

LAB 71.1, 24.05, 37.39

 

CMYK 0 / 31 / 50 / 2

HEX #FBAE7E

RGB 251 174 126

HSL 23.04, 0.94%, 0.74%

LAB 77.45, 22.95, 35.88

 

CMYK 0 / 25 / 43 / 0

HEX #FFC091

RGB 255 192 145

HSL 25.64, 1%, 0.78%

LAB 82.38, 16.91, 32.45

 

CMYK 0 / 38 / 62 / 24

HEX #C3784A

RGB 195 120 74

HSL 22.81, 0.5%, 0.53%

LAB 57.59, 24.97, 37.24

 

CMYK 0 / 43 / 69 / 30

HEX #B26637

RGB 178 102 55

HSL 22.93, 0.53%, 0.46%

LAB 50.97, 26.49, 39.05

 

CMYK 0 / 48 / 78 / 37

HEX #A15424

RGB 161 84 36

HSL 23.04, 0.63%, 0.39%

LAB 44.3, 28.22, 40.85

 

CMYK 0 / 54 / 88 / 44

HEX #904211

RGB 144 66 17

HSL 23.15, 0.79%, 0.32%

LAB 37.6, 30.16, 42.23

 

CMYK 0 / 62 / 100 / 50

HEX #7F3000

RGB 127 48 0

HSL 22.68, 1%, 0.25%

LAB 30.94, 32.21, 42.45

 

CMYK 0 / 38 / 62 / 24

HEX #C3784B

RGB 195 120 75

HSL 22.5, 0.5%, 0.53%

LAB 57.6, 25.04, 36.72

 

CMYK 0 / 55 / 62 / 24

HEX #C3584B

RGB 195 88 75

HSL 6.5, 0.5%, 0.53%

LAB 50.79, 41.86, 28.35

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 38 / 62 / 24

HEX #C3784B

RGB 195 120 75

HSL 22.5, 0.5%, 0.53%

LAB 57.6, 25.04, 36.72

 

CMYK 0 / 22 / 62 / 24

HEX #C3994B

RGB 195 153 75

HSL 39, 0.5%, 0.53%

LAB 65.66, 6.95, 46.16

 

CMYK 0 / 5 / 62 / 24

HEX #C3B94B

RGB 195 185 75

HSL 55, 0.5%, 0.53%

LAB 74.07, -10.05, 55.5

 

CMYK 12 / 0 / 62 / 24

HEX #ACC34B

RGB 172 195 75

HSL 71.5, 0.5%, 0.53%

LAB 75.02, -24.63, 56.01

 

CMYK 28 / 0 / 62 / 24

HEX #8CC34B

RGB 140 195 75

HSL 87.5, 0.5%, 0.53%

LAB 72.97, -37.1, 53.17

 

CMYK 0 / 38 / 62 / 24

HEX #C3784B

RGB 195 120 75

HSL 22.5, 0.5%, 0.53%

LAB 57.6, 25.04, 36.72

 

CMYK 0 / 46 / 74 / 16

HEX #D67437

RGB 214 116 55

HSL 23.02, 0.66%, 0.53%

LAB 59.03, 33.83, 49.2

 

CMYK 0 / 52 / 85 / 9

HEX #E96F24

RGB 233 111 36

HSL 22.84, 0.82%, 0.53%

LAB 60.62, 43.19, 59.81

 

CMYK 0 / 58 / 93 / 1

HEX #FD6A11

RGB 253 106 17

HSL 22.63, 0.98%, 0.53%

LAB 62.7, 52.65, 68.41

 

CMYK 0 / 38 / 62 / 24

HEX #C3784B

RGB 195 120 75

HSL 22.5, 0.5%, 0.53%

LAB 57.6, 25.04, 36.72

 

CMYK 0 / 29 / 46 / 31

HEX #AF7D5E

RGB 175 125 94

HSL 22.96, 0.34%, 0.53%

LAB 56.67, 15.57, 24.57

 

CMYK 0 / 17 / 27 / 39

HEX #9C8272

RGB 156 130 114

HSL 22.86, 0.18%, 0.53%

LAB 56.34, 7.41, 12.38

 

CMYK 0 / 1 / 2 / 47

HEX #888685

RGB 136 134 133

HSL 20, 0.01%, 0.53%

LAB 56.07, 0.55, 0.79

 

CMYK 23 / 9 / 0 / 40

HEX #758B98

RGB 117 139 152

HSL 202.29, 0.15%, 0.53%

LAB 56.6, -4.84, -9.53

 

CMYK 0 / 62 / 51 / 24

HEX #C34B5F

RGB 195 75 95

HSL 350, 0.5%, 0.53%

LAB 48.84, 49.58, 13.89

 

CMYK 0 / 55 / 62 / 24

HEX #C3574B

RGB 195 87 75

HSL 6, 0.5%, 0.53%

LAB 50.6, 42.35, 28.11

 

CMYK 0 / 39 / 62 / 24

HEX #C3774B

RGB 195 119 75

HSL 22, 0.5%, 0.53%

LAB 57.37, 25.58, 36.45

 

CMYK 0 / 23 / 62 / 24

HEX #C3974B

RGB 195 151 75

HSL 38, 0.5%, 0.53%

LAB 65.16, 8.04, 45.58

 

CMYK 0 / 6 / 62 / 24

HEX #C3B74B

RGB 195 183 75

HSL 54, 0.5%, 0.53%

LAB 73.53, -9.01, 54.92

 

CMYK 0 / 41 / 67 / 45

HEX #8C522E

RGB 140 82 46

HSL 22.98, 0.51%, 0.36%

LAB 40.91, 20.8, 31.03

 

CMYK 0 / 42 / 67 / 33

HEX #AB6439

RGB 171 100 57

HSL 22.63, 0.5%, 0.45%

LAB 49.58, 24.75, 36.15

 

CMYK 0 / 38 / 62 / 24

HEX #C3784B

RGB 195 120 75

HSL 22.5, 0.5%, 0.53%

LAB 57.6, 25.04, 36.72

 

CMYK 0 / 30 / 48 / 20

HEX #CD8F6A

RGB 205 143 106

HSL 22.42, 0.5%, 0.61%

LAB 64.7, 19.22, 29.06

 

CMYK 0 / 23 / 36 / 16

HEX #D7A689

RGB 215 166 137

HSL 22.31, 0.49%, 0.69%

LAB 71.91, 14.14, 21.96

 

CMYK 0 / 38 / 62 / 24

HEX #C3784A

RGB 195 120 74

HSL 22.81, 0.5%, 0.53%

LAB 57.59, 24.97, 37.24

 

CMYK 35 / 0 / 62 / 24

HEX #7FC34B

RGB 127 195 75

HSL 94, 0.5%, 0.53%

LAB 72.26, -41.77, 52.2

 

CMYK 62 / 59 / 0 / 24

HEX #4B4FC3

RGB 75 79 195

HSL 238, 0.5%, 0.53%

LAB 39.63, 33.68, -61.36

 

CMYK 0 / 38 / 62 / 24

HEX #C3784A

RGB 195 120 74

HSL 22.81, 0.5%, 0.53%

LAB 57.59, 24.97, 37.24

 

CMYK 62 / 0 / 39 / 24

HEX #4BC377

RGB 75 195 119

HSL 142, 0.5%, 0.53%

LAB 70.77, -50.5, 28.5

 

CMYK 39 / 62 / 0 / 24

HEX #774BC3

RGB 119 75 195

HSL 262, 0.5%, 0.53%

LAB 42.6, 44.67, -56.35

 

CMYK 0 / 38 / 62 / 24

HEX #C3784A

RGB 195 120 74

HSL 22.81, 0.5%, 0.53%

LAB 57.59, 24.97, 37.24

 

CMYK 35 / 0 / 62 / 24

HEX #7FC34B

RGB 127 195 75

HSL 94, 0.5%, 0.53%

LAB 72.26, -41.77, 52.2

 

CMYK 62 / 23 / 0 / 24

HEX #4B97C3

RGB 75 151 195

HSL 202, 0.5%, 0.53%

LAB 59.5, -10.19, -29.78

 

CMYK 27 / 62 / 0 / 24

HEX #8F4BC3

RGB 143 75 195

HSL 274, 0.5%, 0.53%

LAB 45.38, 50.13, -51.74

 

CMYK 0 / 38 / 62 / 24

HEX #C3784A

RGB 195 120 74

HSL 22.81, 0.5%, 0.53%

LAB 57.59, 24.97, 37.24

 

CMYK 53 / 0 / 62 / 24

HEX #5BC34B

RGB 91 195 75

HSL 112, 0.5%, 0.53%

LAB 70.71, -52.95, 50.03

 

CMYK 62 / 23 / 0 / 24

HEX #4B97C3

RGB 75 151 195

HSL 202, 0.5%, 0.53%

LAB 59.5, -10.19, -29.78

 

CMYK 8 / 62 / 0 / 24

HEX #B34BC3

RGB 179 75 195

HSL 292, 0.5%, 0.53%

LAB 50.16, 58.83, -43.82

 

Description

Color code: HEX #C3784A | qconv.com Color code: HEX #C3784A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 120 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 120 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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