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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37845 it is the complementary color #3C87BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37845 shade: #C87840, #D98A53, #EA9C66, #FBAE79 and #FFC08C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37845 shade: #C37845, #B26632, #A1541F, #90420C and #7F3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37845 shade: #C37846, #C35746 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37845 shade: #C37846, #C39A46, #C3BC46, #A8C346 and #86C346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37845 shade matches the following richer shades: #C37846, #D67432, #EA711E and #FE6D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37845 shade: #C37846, #AF7C59, #9B806D, #878481 and #738795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37845 shade: #C34656, #C35646, #C37846, #C39946 and #C3BA46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37845 shade: #89522C, #A96536, #C37846, #CD8F65 and #D7A584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37845 shade: #C37845, #78C346 and #4646C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37845 shade: #C37845, #46C378 and #7846C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37845 shade: #C37845, #78C346, #4691C3 and #9146C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37845 shade: #C37845, #52C346, #4691C3 and #B646C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 65 / 24

HEX #C37845

RGB 195 120 69

HSL 24.29, 0.51%, 0.52%

LAB 57.53, 24.63, 39.81

 

Complementary color

CMYK 68 / 27 / 0 / 27

HEX #3C87BA

RGB 60 135 186

HSL 204.29, 0.51%, 0.48%

LAB 53.85, -6.74, -33.5

 

CMYK 0 / 40 / 68 / 22

HEX #C87840

RGB 200 120 64

HSL 24.71, 0.55%, 0.52%

LAB 58.12, 26.41, 43.23

 

CMYK 0 / 36 / 62 / 15

HEX #D98A53

RGB 217 138 83

HSL 24.63, 0.64%, 0.59%

LAB 64.61, 24.94, 41.54

 

CMYK 0 / 33 / 56 / 8

HEX #EA9C66

RGB 234 156 102

HSL 24.55, 0.76%, 0.66%

LAB 71.03, 23.65, 39.92

 

CMYK 0 / 31 / 52 / 2

HEX #FBAE79

RGB 251 174 121

HSL 24.46, 0.94%, 0.73%

LAB 77.38, 22.51, 38.4

 

CMYK 0 / 25 / 45 / 0

HEX #FFC08C

RGB 255 192 140

HSL 27.13, 1%, 0.77%

LAB 82.3, 16.41, 34.95

 

CMYK 0 / 38 / 65 / 24

HEX #C37845

RGB 195 120 69

HSL 24.29, 0.51%, 0.52%

LAB 57.53, 24.63, 39.81

 

CMYK 0 / 43 / 72 / 30

HEX #B26632

RGB 178 102 50

HSL 24.38, 0.56%, 0.45%

LAB 50.92, 26.21, 41.56

 

CMYK 0 / 48 / 81 / 37

HEX #A1541F

RGB 161 84 31

HSL 24.46, 0.68%, 0.38%

LAB 44.26, 28.02, 43.17

 

CMYK 0 / 54 / 92 / 44

HEX #90420C

RGB 144 66 12

HSL 24.55, 0.85%, 0.31%

LAB 37.58, 30.05, 44.04

 

CMYK 0 / 62 / 100 / 50

HEX #7F3000

RGB 127 48 0

HSL 22.68, 1%, 0.25%

LAB 30.94, 32.21, 42.45

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 0 / 55 / 64 / 24

HEX #C35746

RGB 195 87 70

HSL 8.16, 0.51%, 0.52%

LAB 50.52, 42.02, 30.89

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 0 / 21 / 64 / 24

HEX #C39A46

RGB 195 154 70

HSL 40.32, 0.51%, 0.52%

LAB 65.87, 6.06, 48.78

 

CMYK 0 / 4 / 64 / 24

HEX #C3BC46

RGB 195 188 70

HSL 56.64, 0.51%, 0.52%

LAB 74.83, -11.91, 58.46

 

CMYK 14 / 0 / 64 / 24

HEX #A8C346

RGB 168 195 70

HSL 72.96, 0.51%, 0.52%

LAB 74.7, -26.61, 57.68

 

CMYK 31 / 0 / 64 / 24

HEX #86C346

RGB 134 195 70

HSL 89.28, 0.51%, 0.52%

LAB 72.59, -39.71, 54.8

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 0 / 46 / 77 / 16

HEX #D67432

RGB 214 116 50

HSL 24.15, 0.67%, 0.52%

LAB 58.99, 33.62, 51.49

 

CMYK 0 / 52 / 87 / 8

HEX #EA711E

RGB 234 113 30

HSL 24.41, 0.83%, 0.52%

LAB 61.13, 42.46, 62.38

 

CMYK 0 / 57 / 96 / 0

HEX #FE6D0A

RGB 254 109 10

HSL 24.34, 0.99%, 0.52%

LAB 63.37, 51.59, 70.22

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 0 / 29 / 49 / 31

HEX #AF7C59

RGB 175 124 89

HSL 24.42, 0.35%, 0.52%

LAB 56.34, 15.62, 26.94

 

CMYK 0 / 17 / 30 / 39

HEX #9B806D

RGB 155 128 109

HSL 24.78, 0.19%, 0.52%

LAB 55.59, 7.42, 14.2

 

CMYK 0 / 2 / 4 / 47

HEX #878481

RGB 135 132 129

HSL 30, 0.02%, 0.52%

LAB 55.32, 0.55, 2.01

 

CMYK 23 / 9 / 0 / 42

HEX #738795

RGB 115 135 149

HSL 204.71, 0.14%, 0.52%

LAB 55.22, -3.95, -9.88

 

CMYK 0 / 64 / 56 / 24

HEX #C34656

RGB 195 70 86

HSL 352.32, 0.51%, 0.52%

LAB 47.82, 51.04, 17.95

 

CMYK 0 / 56 / 64 / 24

HEX #C35646

RGB 195 86 70

HSL 7.68, 0.51%, 0.52%

LAB 50.33, 42.51, 30.66

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 0 / 22 / 64 / 24

HEX #C39946

RGB 195 153 70

HSL 39.84, 0.51%, 0.52%

LAB 65.61, 6.61, 48.5

 

CMYK 0 / 5 / 64 / 24

HEX #C3BA46

RGB 195 186 70

HSL 55.68, 0.51%, 0.52%

LAB 74.29, -10.88, 57.89

 

CMYK 0 / 40 / 68 / 46

HEX #89522C

RGB 137 82 44

HSL 24.52, 0.51%, 0.35%

LAB 40.47, 19.33, 31.53

 

CMYK 0 / 40 / 68 / 34

HEX #A96536

RGB 169 101 54

HSL 24.52, 0.52%, 0.44%

LAB 49.51, 23.15, 37.59

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 0 / 30 / 51 / 20

HEX #CD8F65

RGB 205 143 101

HSL 24.23, 0.51%, 0.6%

LAB 64.61, 18.75, 31.67

 

CMYK 0 / 23 / 39 / 16

HEX #D7A584

RGB 215 165 132

HSL 23.86, 0.51%, 0.68%

LAB 71.57, 14.09, 24.21

 

CMYK 0 / 38 / 65 / 24

HEX #C37845

RGB 195 120 69

HSL 24.29, 0.51%, 0.52%

LAB 57.53, 24.63, 39.81

 

CMYK 38 / 0 / 64 / 24

HEX #78C346

RGB 120 195 70

HSL 96, 0.51%, 0.52%

LAB 71.87, -44.61, 53.81

 

CMYK 64 / 64 / 0 / 24

HEX #4646C3

RGB 70 70 195

HSL 240, 0.51%, 0.52%

LAB 37.16, 38.45, -65.4

 

CMYK 0 / 38 / 65 / 24

HEX #C37845

RGB 195 120 69

HSL 24.29, 0.51%, 0.52%

LAB 57.53, 24.63, 39.81

 

CMYK 64 / 0 / 38 / 24

HEX #46C378

RGB 70 195 120

HSL 144, 0.51%, 0.52%

LAB 70.66, -51.33, 27.8

 

CMYK 38 / 64 / 0 / 24

HEX #7846C3

RGB 120 70 195

HSL 264, 0.51%, 0.52%

LAB 41.71, 47.58, -57.79

 

CMYK 0 / 38 / 65 / 24

HEX #C37845

RGB 195 120 69

HSL 24.29, 0.51%, 0.52%

LAB 57.53, 24.63, 39.81

 

CMYK 38 / 0 / 64 / 24

HEX #78C346

RGB 120 195 70

HSL 96, 0.51%, 0.52%

LAB 71.87, -44.61, 53.81

 

CMYK 64 / 26 / 0 / 24

HEX #4691C3

RGB 70 145 195

HSL 204, 0.51%, 0.52%

LAB 57.55, -7.73, -32.82

 

CMYK 26 / 64 / 0 / 24

HEX #9146C3

RGB 145 70 195

HSL 276, 0.51%, 0.52%

LAB 44.72, 53.07, -52.79

 

CMYK 0 / 38 / 65 / 24

HEX #C37845

RGB 195 120 69

HSL 24.29, 0.51%, 0.52%

LAB 57.53, 24.63, 39.81

 

CMYK 58 / 0 / 64 / 24

HEX #52C346

RGB 82 195 70

HSL 114.24, 0.51%, 0.52%

LAB 70.36, -55.78, 51.72

 

CMYK 64 / 26 / 0 / 24

HEX #4691C3

RGB 70 145 195

HSL 204, 0.51%, 0.52%

LAB 57.55, -7.73, -32.82

 

CMYK 7 / 64 / 0 / 24

HEX #B646C3

RGB 182 70 195

HSL 293.76, 0.51%, 0.52%

LAB 49.82, 61.71, -44.35

 

Description

Color code: HEX #C37845 | qconv.com Color code: HEX #C37845 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 120 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 120 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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