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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3674C it is the complementary color #3C98B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3674C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3674C shade: #C86747, #D9795A, #EA8B6D, #FB9D80 and #FFAF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3674C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3674C shade: #C3674C, #B25539, #A14326, #903113 and #7F1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3674C shade: #C3664B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3674C shade: #C3664B, #C3864B, #C3A74B, #BEC34B and #9EC34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3674C shade matches the following richer shades: #C3664B, #D65B37, #E95124 and #FD4611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3674C shade: #C3664B, #AF715E, #9C7B72, #888685 and #759098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3674C shade: #C34B71, #C34B51, #C3654B, #C3854B and #C3A54B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3674C shade: #8C442E, #AB5339, #C3664B, #CD806A and #D79A89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3674C shade: #C3674C, #91C34B and #4B61C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3674C shade: #C3674C, #4BC365 and #654BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3674C shade: #C3674C, #91C34B, #4BA9C3 and #7D4BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3674C shade: #C3674C, #6DC34B, #4BA9C3 and #A14BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 61 / 24

HEX #C3674C

RGB 195 103 76

HSL 13.61, 0.5%, 0.53%

LAB 53.84, 34.25, 31.59

 

Complementary color

CMYK 66 / 15 / 0 / 30

HEX #3C98B3

RGB 60 152 179

HSL 193.61, 0.5%, 0.47%

LAB 58.67, -18.49, -22.06

 

CMYK 0 / 49 / 65 / 22

HEX #C86747

RGB 200 103 71

HSL 14.88, 0.54%, 0.53%

LAB 54.49, 35.88, 35.32

 

CMYK 0 / 44 / 59 / 15

HEX #D9795A

RGB 217 121 90

HSL 14.65, 0.63%, 0.6%

LAB 60.93, 34.48, 33.31

 

CMYK 0 / 41 / 53 / 8

HEX #EA8B6D

RGB 234 139 109

HSL 14.4, 0.75%, 0.67%

LAB 67.32, 33.2, 31.51

 

CMYK 0 / 37 / 49 / 2

HEX #FB9D80

RGB 251 157 128

HSL 14.15, 0.94%, 0.74%

LAB 73.66, 32.03, 29.88

 

CMYK 0 / 31 / 42 / 0

HEX #FFAF93

RGB 255 175 147

HSL 15.56, 1%, 0.79%

LAB 78.48, 26.02, 26.19

 

CMYK 0 / 47 / 61 / 24

HEX #C3674C

RGB 195 103 76

HSL 13.61, 0.5%, 0.53%

LAB 53.84, 34.25, 31.59

 

CMYK 0 / 52 / 68 / 30

HEX #B25539

RGB 178 85 57

HSL 13.88, 0.51%, 0.46%

LAB 47.31, 35.71, 33.77

 

CMYK 0 / 58 / 76 / 37

HEX #A14326

RGB 161 67 38

HSL 14.15, 0.62%, 0.39%

LAB 40.79, 37.25, 36.19

 

CMYK 0 / 66 / 87 / 44

HEX #903113

RGB 144 49 19

HSL 14.4, 0.77%, 0.32%

LAB 34.34, 38.75, 38.6

 

CMYK 0 / 76 / 100 / 50

HEX #7F1F00

RGB 127 31 0

HSL 14.65, 1%, 0.25%

LAB 28.09, 39.87, 40.24

 

CMYK 0 / 48 / 62 / 24

HEX #C3664B

RGB 195 102 75

HSL 13.5, 0.5%, 0.53%

LAB 53.61, 34.71, 31.87

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 48 / 62 / 24

HEX #C3664B

RGB 195 102 75

HSL 13.5, 0.5%, 0.53%

LAB 53.61, 34.71, 31.87

 

CMYK 0 / 31 / 62 / 24

HEX #C3864B

RGB 195 134 75

HSL 29.5, 0.5%, 0.53%

LAB 60.92, 17.36, 40.67

 

CMYK 0 / 14 / 62 / 24

HEX #C3A74B

RGB 195 167 75

HSL 46, 0.5%, 0.53%

LAB 69.29, -0.6, 50.25

 

CMYK 3 / 0 / 62 / 24

HEX #BEC34B

RGB 190 195 75

HSL 62.5, 0.5%, 0.53%

LAB 76.37, -17.23, 57.86

 

CMYK 19 / 0 / 62 / 24

HEX #9EC34B

RGB 158 195 75

HSL 78.5, 0.5%, 0.53%

LAB 74.07, -30.23, 54.7

 

CMYK 0 / 48 / 62 / 24

HEX #C3664B

RGB 195 102 75

HSL 13.5, 0.5%, 0.53%

LAB 53.61, 34.71, 31.87

 

CMYK 0 / 57 / 74 / 16

HEX #D65B37

RGB 214 91 55

HSL 13.58, 0.66%, 0.53%

LAB 54.08, 46.33, 43.99

 

CMYK 0 / 65 / 85 / 9

HEX #E95124

RGB 233 81 36

HSL 13.71, 0.82%, 0.53%

LAB 55.42, 56.81, 55.39

 

CMYK 0 / 72 / 93 / 1

HEX #FD4611

RGB 253 70 17

HSL 13.47, 0.98%, 0.53%

LAB 57.37, 66.99, 65.05

 

CMYK 0 / 48 / 62 / 24

HEX #C3664B

RGB 195 102 75

HSL 13.5, 0.5%, 0.53%

LAB 53.61, 34.71, 31.87

 

CMYK 0 / 35 / 46 / 31

HEX #AF715E

RGB 175 113 94

HSL 14.07, 0.34%, 0.53%

LAB 53.74, 22.31, 20.68

 

CMYK 0 / 21 / 27 / 39

HEX #9C7B72

RGB 156 123 114

HSL 12.86, 0.18%, 0.53%

LAB 54.5, 11.4, 9.8

 

CMYK 0 / 1 / 2 / 47

HEX #888685

RGB 136 134 133

HSL 20, 0.01%, 0.53%

LAB 56.07, 0.55, 0.79

 

CMYK 23 / 5 / 0 / 40

HEX #759098

RGB 117 144 152

HSL 193.71, 0.15%, 0.53%

LAB 58.03, -7.63, -7.39

 

CMYK 0 / 62 / 42 / 24

HEX #C34B71

RGB 195 75 113

HSL 341, 0.5%, 0.53%

LAB 49.29, 51.3, 3.64

 

CMYK 0 / 62 / 58 / 24

HEX #C34B51

RGB 195 75 81

HSL 357, 0.5%, 0.53%

LAB 48.55, 48.45, 21.92

 

CMYK 0 / 48 / 62 / 24

HEX #C3654B

RGB 195 101 75

HSL 13, 0.5%, 0.53%

LAB 53.4, 35.23, 31.61

 

CMYK 0 / 32 / 62 / 24

HEX #C3854B

RGB 195 133 75

HSL 29, 0.5%, 0.53%

LAB 60.68, 17.91, 40.39

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 51 / 67 / 45

HEX #8C442E

RGB 140 68 46

HSL 14.04, 0.51%, 0.36%

LAB 37.67, 28.71, 27.23

 

CMYK 0 / 51 / 67 / 33

HEX #AB5339

RGB 171 83 57

HSL 13.68, 0.5%, 0.45%

LAB 45.83, 33.98, 31.75

 

CMYK 0 / 48 / 62 / 24

HEX #C3664B

RGB 195 102 75

HSL 13.5, 0.5%, 0.53%

LAB 53.61, 34.71, 31.87

 

CMYK 0 / 38 / 48 / 20

HEX #CD806A

RGB 205 128 106

HSL 13.33, 0.5%, 0.61%

LAB 61.18, 27.38, 24.44

 

CMYK 0 / 28 / 36 / 16

HEX #D79A89

RGB 215 154 137

HSL 13.08, 0.49%, 0.69%

LAB 69.01, 20.63, 17.98

 

CMYK 0 / 47 / 61 / 24

HEX #C3674C

RGB 195 103 76

HSL 13.61, 0.5%, 0.53%

LAB 53.84, 34.25, 31.59

 

CMYK 26 / 0 / 62 / 24

HEX #91C34B

RGB 145 195 75

HSL 85, 0.5%, 0.53%

LAB 73.26, -35.23, 53.58

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

CMYK 0 / 47 / 61 / 24

HEX #C3674C

RGB 195 103 76

HSL 13.61, 0.5%, 0.53%

LAB 53.84, 34.25, 31.59

 

CMYK 62 / 0 / 48 / 24

HEX #4BC365

RGB 75 195 101

HSL 133, 0.5%, 0.53%

LAB 70.5, -53.49, 37.36

 

CMYK 48 / 62 / 0 / 24

HEX #654BC3

RGB 101 75 195

HSL 253, 0.5%, 0.53%

LAB 40.8, 40.89, -59.36

 

CMYK 0 / 47 / 61 / 24

HEX #C3674C

RGB 195 103 76

HSL 13.61, 0.5%, 0.53%

LAB 53.84, 34.25, 31.59

 

CMYK 26 / 0 / 62 / 24

HEX #91C34B

RGB 145 195 75

HSL 85, 0.5%, 0.53%

LAB 73.26, -35.23, 53.58

 

CMYK 62 / 13 / 0 / 24

HEX #4BA9C3

RGB 75 169 195

HSL 193, 0.5%, 0.53%

LAB 64.81, -19.89, -21.61

 

CMYK 36 / 62 / 0 / 24

HEX #7D4BC3

RGB 125 75 195

HSL 265, 0.5%, 0.53%

LAB 43.26, 45.99, -55.26

 

CMYK 0 / 47 / 61 / 24

HEX #C3674C

RGB 195 103 76

HSL 13.61, 0.5%, 0.53%

LAB 53.84, 34.25, 31.59

 

CMYK 44 / 0 / 62 / 24

HEX #6DC34B

RGB 109 195 75

HSL 103, 0.5%, 0.53%

LAB 71.41, -47.72, 51.01

 

CMYK 62 / 13 / 0 / 24

HEX #4BA9C3

RGB 75 169 195

HSL 193, 0.5%, 0.53%

LAB 64.81, -19.89, -21.61

 

CMYK 17 / 62 / 0 / 24

HEX #A14BC3

RGB 161 75 195

HSL 283, 0.5%, 0.53%

LAB 47.69, 54.43, -47.91

 

Description

Color code: HEX #C3674C | qconv.com Color code: HEX #C3674C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 103 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 103 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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