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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3525D it is the complementary color #3CADA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3525D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3525D shade: #C85258, #D9646B, #EA767E, #FB8891 and #FF9AA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3525D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3525D shade: #C3525D, #B2404A, #A12E37, #901C24 and #7F0A11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3525D shade: #C2515C and #C25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3525D shade: #C2515C, #C2517A, #C25199, #C251B7 and #AE51C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3525D shade matches the following richer shades: #C2515C, #D43E4D, #E72B3D and #FA182E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3525D shade: #C2515C, #AF646B, #9C777A, #898A8A and #769D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3525D shade: #C25198, #C2517A, #C2515C, #C26451 and #C28251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3525D shade: #8E323B, #AD3C47, #C2515C, #CC6F78 and #D78E95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3525D shade: #C3525D, #B6C251 and #5189C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3525D shade: #C3525D, #5CC251 and #515CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3525D shade: #C3525D, #B6C251, #51C2B6 and #5C51C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3525D shade: #C3525D, #94C251, #51C2B6 and #7E51C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 52 / 24

HEX #C3525D

RGB 195 82 93

HSL 354.16, 0.48%, 0.54%

LAB 50.01, 46.17, 16.7

 

Complementary color

CMYK 65 / 0 / 6 / 32

HEX #3CADA2

RGB 60 173 162

HSL 174.16, 0.48%, 0.46%

LAB 64.53, -34.05, -3.69

 

CMYK 0 / 59 / 56 / 22

HEX #C85258

RGB 200 82 88

HSL 356.95, 0.52%, 0.55%

LAB 50.71, 47.51, 20.76

 

CMYK 0 / 54 / 51 / 15

HEX #D9646B

RGB 217 100 107

HSL 356.41, 0.61%, 0.62%

LAB 57, 46.5, 18.53

 

CMYK 0 / 50 / 46 / 8

HEX #EA767E

RGB 234 118 126

HSL 355.86, 0.73%, 0.69%

LAB 63.31, 45.47, 16.63

 

CMYK 0 / 46 / 42 / 2

HEX #FB8891

RGB 251 136 145

HSL 355.3, 0.93%, 0.76%

LAB 69.58, 44.44, 14.99

 

CMYK 0 / 40 / 36 / 0

HEX #FF9AA4

RGB 255 154 164

HSL 354.06, 1%, 0.8%

LAB 74.22, 38.82, 11.05

 

CMYK 0 / 58 / 52 / 24

HEX #C3525D

RGB 195 82 93

HSL 354.16, 0.48%, 0.54%

LAB 50.01, 46.17, 16.7

 

CMYK 0 / 64 / 58 / 30

HEX #B2404A

RGB 178 64 74

HSL 354.74, 0.47%, 0.47%

LAB 43.69, 47.03, 19.22

 

CMYK 0 / 71 / 66 / 37

HEX #A12E37

RGB 161 46 55

HSL 355.3, 0.56%, 0.41%

LAB 37.49, 47.58, 22.35

 

CMYK 0 / 81 / 75 / 44

HEX #901C24

RGB 144 28 36

HSL 355.86, 0.67%, 0.34%

LAB 31.55, 47.51, 26.27

 

CMYK 0 / 92 / 87 / 50

HEX #7F0A11

RGB 127 10 17

HSL 356.41, 0.85%, 0.27%

LAB 26.07, 46.25, 30.95

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 58 / 37 / 24

HEX #C2517A

RGB 194 81 122

HSL 338.23, 0.48%, 0.54%

LAB 50.4, 49.23, -0.18

 

CMYK 0 / 58 / 21 / 24

HEX #C25199

RGB 194 81 153

HSL 321.77, 0.48%, 0.54%

LAB 51.44, 53.25, -17.1

 

CMYK 0 / 58 / 6 / 24

HEX #C251B7

RGB 194 81 183

HSL 305.84, 0.48%, 0.54%

LAB 52.7, 57.9, -32.74

 

CMYK 10 / 58 / 0 / 24

HEX #AE51C2

RGB 174 81 194

HSL 289.38, 0.48%, 0.54%

LAB 50.43, 54.62, -42.87

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 71 / 64 / 17

HEX #D43E4D

RGB 212 62 77

HSL 354, 0.64%, 0.54%

LAB 49.47, 59.04, 26.08

 

CMYK 0 / 81 / 74 / 9

HEX #E72B3D

RGB 231 43 61

HSL 354.26, 0.8%, 0.54%

LAB 50.75, 69.51, 37.87

 

CMYK 0 / 90 / 82 / 2

HEX #FA182E

RGB 250 24 46

HSL 354.16, 0.96%, 0.54%

LAB 53.14, 77.44, 49.8

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 43 / 39 / 31

HEX #AF646B

RGB 175 100 107

HSL 354.4, 0.32%, 0.54%

LAB 51.02, 30.99, 9.32

 

CMYK 0 / 24 / 22 / 39

HEX #9C777A

RGB 156 119 122

HSL 355.14, 0.16%, 0.54%

LAB 53.67, 14.93, 3.95

 

CMYK 1 / 0 / 0 / 46

HEX #898A8A

RGB 137 138 138

HSL 180, 0%, 0.54%

LAB 57.4, -0.37, -0.14

 

CMYK 25 / 0 / 3 / 38

HEX #769D99

RGB 118 157 153

HSL 173.85, 0.17%, 0.54%

LAB 61.88, -14.16, -2.26

 

CMYK 0 / 58 / 22 / 24

HEX #C25198

RGB 194 81 152

HSL 322.3, 0.48%, 0.54%

LAB 51.41, 53.1, -16.57

 

CMYK 0 / 58 / 37 / 24

HEX #C2517A

RGB 194 81 122

HSL 338.23, 0.48%, 0.54%

LAB 50.4, 49.23, -0.18

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 33 / 58 / 24

HEX #C28251

RGB 194 130 81

HSL 26.02, 0.48%, 0.54%

LAB 59.91, 19.59, 36.29

 

CMYK 0 / 65 / 58 / 44

HEX #8E323B

RGB 142 50 59

HSL 354.13, 0.48%, 0.38%

LAB 34.7, 39.66, 15.51

 

CMYK 0 / 65 / 59 / 32

HEX #AD3C47

RGB 173 60 71

HSL 354.16, 0.48%, 0.46%

LAB 42.11, 46.86, 18.81

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 46 / 41 / 20

HEX #CC6F78

RGB 204 111 120

HSL 354.19, 0.48%, 0.62%

LAB 57.62, 37.53, 11.54

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 58 / 52 / 24

HEX #C3525D

RGB 195 82 93

HSL 354.16, 0.48%, 0.54%

LAB 50.01, 46.17, 16.7

 

CMYK 6 / 0 / 58 / 24

HEX #B6C251

RGB 182 194 81

HSL 66.37, 0.48%, 0.54%

LAB 75.53, -19.61, 54.16

 

CMYK 58 / 29 / 0 / 24

HEX #5189C2

RGB 81 137 194

HSL 210.27, 0.48%, 0.54%

LAB 55.62, -1.36, -35.23

 

CMYK 0 / 58 / 52 / 24

HEX #C3525D

RGB 195 82 93

HSL 354.16, 0.48%, 0.54%

LAB 50.01, 46.17, 16.7

 

CMYK 53 / 0 / 58 / 24

HEX #5CC251

RGB 92 194 81

HSL 114.16, 0.48%, 0.54%

LAB 70.49, -51.64, 47.09

 

CMYK 58 / 53 / 0 / 24

HEX #515CC2

RGB 81 92 194

HSL 234.16, 0.48%, 0.54%

LAB 43.21, 26.27, -54.96

 

CMYK 0 / 58 / 52 / 24

HEX #C3525D

RGB 195 82 93

HSL 354.16, 0.48%, 0.54%

LAB 50.01, 46.17, 16.7

 

CMYK 6 / 0 / 58 / 24

HEX #B6C251

RGB 182 194 81

HSL 66.37, 0.48%, 0.54%

LAB 75.53, -19.61, 54.16

 

CMYK 58 / 0 / 6 / 24

HEX #51C2B6

RGB 81 194 182

HSL 173.63, 0.48%, 0.54%

LAB 72.03, -34.81, -3.59

 

CMYK 53 / 58 / 0 / 24

HEX #5C51C2

RGB 92 81 194

HSL 245.84, 0.48%, 0.54%

LAB 41.3, 35.23, -58

 

CMYK 0 / 58 / 52 / 24

HEX #C3525D

RGB 195 82 93

HSL 354.16, 0.48%, 0.54%

LAB 50.01, 46.17, 16.7

 

CMYK 24 / 0 / 58 / 24

HEX #94C251

RGB 148 194 81

HSL 84.42, 0.48%, 0.54%

LAB 73.2, -33.11, 50.91

 

CMYK 58 / 0 / 6 / 24

HEX #51C2B6

RGB 81 194 182

HSL 173.63, 0.48%, 0.54%

LAB 72.03, -34.81, -3.59

 

CMYK 35 / 58 / 0 / 24

HEX #7E51C2

RGB 126 81 194

HSL 263.89, 0.48%, 0.54%

LAB 44.54, 42.68, -52.61

 

Description

Color code: HEX #C3525D | qconv.com Color code: HEX #C3525D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 82 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 82 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 52 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 52% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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