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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C350B8 it is the complementary color #3CAF47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C350B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C350B8 shade: #C850B3, #D962C6, #EA74D9, #FB86EC and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C350B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C350B8 shade: #C350B8, #B23EA5, #A12C92, #901A7F and #7F086C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C350B8 shade: #C350B8, #C35099, #C3507A, #C3505B and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C350B8 shade: #C350B8, #AF50C3, #9050C3, #7150C3 and #5250C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C350B8 shade matches the following richer shades: #C350B8, #D63DC7, #E92AD6 and #FC17E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C350B8 shade: #C350B8, #B063A8, #9D7699, #8A898A and #779C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C350B8 shade: #8F50C3, #AE50C3, #C350B9, #C3509A and #C3507C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C350B8 shade: #8F3186, #AE3BA3, #C350B8, #CD6EC4 and #D88DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C350B8 shade: #C350B8, #C37050 and #50C39E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C350B8 shade: #C350B8, #B9C350 and #50B9C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C350B8 shade: #C350B8, #C37050, #50C359 and #50A2C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C350B8 shade: #C350B8, #C39350, #50C359 and #5080C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

Complementary color

CMYK 66 / 0 / 59 / 31

HEX #3CAF47

RGB 60 175 71

HSL 125.74, 0.49%, 0.46%

LAB 63.41, -53.38, 43.23

 

CMYK 0 / 60 / 11 / 22

HEX #C850B3

RGB 200 80 179

HSL 310.5, 0.52%, 0.55%

LAB 53.25, 59.31, -29.5

 

CMYK 0 / 55 / 9 / 15

HEX #D962C6

RGB 217 98 198

HSL 309.58, 0.61%, 0.62%

LAB 59.49, 58.96, -30.53

 

CMYK 0 / 50 / 7 / 8

HEX #EA74D9

RGB 234 116 217

HSL 308.64, 0.74%, 0.69%

LAB 65.74, 58.43, -31.37

 

CMYK 0 / 47 / 6 / 2

HEX #FB86EC

RGB 251 134 236

HSL 307.69, 0.94%, 0.75%

LAB 71.97, 57.8, -32.07

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 65 / 7 / 30

HEX #B23EA5

RGB 178 62 165

HSL 306.72, 0.48%, 0.47%

LAB 46.48, 58.86, -32.09

 

CMYK 0 / 73 / 9 / 37

HEX #A12C92

RGB 161 44 146

HSL 307.69, 0.57%, 0.4%

LAB 40.33, 58.42, -30.52

 

CMYK 0 / 82 / 12 / 44

HEX #901A7F

RGB 144 26 127

HSL 308.64, 0.69%, 0.33%

LAB 34.4, 57.12, -28.36

 

CMYK 0 / 94 / 15 / 50

HEX #7F086C

RGB 127 8 108

HSL 309.58, 0.88%, 0.26%

LAB 28.82, 54.44, -25.31

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 59 / 22 / 24

HEX #C35099

RGB 195 80 153

HSL 321.91, 0.49%, 0.54%

LAB 51.43, 54, -17.12

 

CMYK 0 / 59 / 37 / 24

HEX #C3507A

RGB 195 80 122

HSL 338.09, 0.49%, 0.54%

LAB 50.39, 50.02, -0.18

 

CMYK 0 / 59 / 53 / 24

HEX #C3505B

RGB 195 80 91

HSL 354.26, 0.49%, 0.54%

LAB 49.61, 46.94, 17.36

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 10 / 59 / 0 / 24

HEX #AF50C3

RGB 175 80 195

HSL 289.57, 0.49%, 0.54%

LAB 50.44, 55.54, -43.42

 

CMYK 26 / 59 / 0 / 24

HEX #9050C3

RGB 144 80 195

HSL 273.39, 0.49%, 0.54%

LAB 46.45, 47.8, -50.01

 

CMYK 42 / 59 / 0 / 24

HEX #7150C3

RGB 113 80 195

HSL 257.22, 0.49%, 0.54%

LAB 43.05, 40.54, -55.67

 

CMYK 58 / 59 / 0 / 24

HEX #5250C3

RGB 82 80 195

HSL 241.04, 0.49%, 0.54%

LAB 40.36, 34.27, -60.14

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 71 / 7 / 16

HEX #D63DC7

RGB 214 61 199

HSL 305.88, 0.65%, 0.54%

LAB 53.77, 73.06, -40.08

 

CMYK 0 / 82 / 8 / 9

HEX #E92AD6

RGB 233 42 214

HSL 305.97, 0.81%, 0.54%

LAB 55.92, 84.17, -45.06

 

CMYK 0 / 91 / 9 / 1

HEX #FC17E6

RGB 252 23 230

HSL 305.76, 0.97%, 0.54%

LAB 58.99, 92.73, -49.04

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 44 / 5 / 31

HEX #B063A8

RGB 176 99 168

HSL 306.23, 0.33%, 0.54%

LAB 52.93, 41.17, -23.85

 

CMYK 0 / 25 / 3 / 38

HEX #9D7699

RGB 157 118 153

HSL 306.15, 0.17%, 0.54%

LAB 54.47, 21.36, -12.95

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 24 / 0 / 22 / 39

HEX #779C7A

RGB 119 156 122

HSL 124.86, 0.16%, 0.54%

LAB 60.87, -19.73, 13.75

 

CMYK 27 / 59 / 0 / 24

HEX #8F50C3

RGB 143 80 195

HSL 272.87, 0.49%, 0.54%

LAB 46.33, 47.55, -50.21

 

CMYK 11 / 59 / 0 / 24

HEX #AE50C3

RGB 174 80 195

HSL 289.04, 0.49%, 0.54%

LAB 50.31, 55.29, -43.64

 

CMYK 0 / 59 / 5 / 24

HEX #C350B9

RGB 195 80 185

HSL 305.22, 0.49%, 0.54%

LAB 52.78, 58.94, -33.76

 

CMYK 0 / 59 / 21 / 24

HEX #C3509A

RGB 195 80 154

HSL 321.39, 0.49%, 0.54%

LAB 51.46, 54.14, -17.65

 

CMYK 0 / 59 / 36 / 24

HEX #C3507C

RGB 195 80 124

HSL 337.04, 0.49%, 0.54%

LAB 50.45, 50.25, -1.3

 

CMYK 0 / 66 / 6 / 44

HEX #8F3186

RGB 143 49 134

HSL 305.74, 0.49%, 0.38%

LAB 37.4, 50.02, -27.99

 

CMYK 0 / 66 / 6 / 32

HEX #AE3BA3

RGB 174 59 163

HSL 305.74, 0.49%, 0.46%

LAB 45.32, 58.72, -32.77

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 46 / 4 / 20

HEX #CD6EC4

RGB 205 110 196

HSL 305.68, 0.49%, 0.62%

LAB 59.99, 49.36, -28.74

 

CMYK 0 / 35 / 3 / 15

HEX #D88DD1

RGB 216 141 209

HSL 305.6, 0.49%, 0.7%

LAB 68.21, 38.92, -23.31

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 43 / 59 / 24

HEX #C37050

RGB 195 112 80

HSL 16.7, 0.49%, 0.54%

LAB 55.86, 29.75, 31.86

 

CMYK 59 / 0 / 19 / 24

HEX #50C39E

RGB 80 195 158

HSL 160.7, 0.49%, 0.54%

LAB 71.69, -41.4, 8.97

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 5 / 0 / 59 / 24

HEX #B9C350

RGB 185 195 80

HSL 65.22, 0.49%, 0.54%

LAB 76.02, -18.95, 55.21

 

CMYK 59 / 5 / 0 / 24

HEX #50B9C3

RGB 80 185 195

HSL 185.22, 0.49%, 0.54%

LAB 69.71, -27.11, -14.17

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 43 / 59 / 24

HEX #C37050

RGB 195 112 80

HSL 16.7, 0.49%, 0.54%

LAB 55.86, 29.75, 31.86

 

CMYK 59 / 0 / 54 / 24

HEX #50C359

RGB 80 195 89

HSL 124.7, 0.49%, 0.54%

LAB 70.49, -54.07, 43.25

 

CMYK 59 / 17 / 0 / 24

HEX #50A2C3

RGB 80 162 195

HSL 197.22, 0.49%, 0.54%

LAB 62.92, -15.25, -24.5

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 0 / 25 / 59 / 24

HEX #C39350

RGB 195 147 80

HSL 34.96, 0.49%, 0.54%

LAB 64.2, 10.59, 41.97

 

CMYK 59 / 0 / 54 / 24

HEX #50C359

RGB 80 195 89

HSL 124.7, 0.49%, 0.54%

LAB 70.49, -54.07, 43.25

 

CMYK 59 / 34 / 0 / 24

HEX #5080C3

RGB 80 128 195

HSL 214.96, 0.49%, 0.54%

LAB 53.04, 4.09, -39.86

 

Description

Color code: HEX #C350B8 | qconv.com Color code: HEX #C350B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 80 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 80 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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