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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35064 it is the complementary color #3CAF9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35064 shade: #C8505F, #D96272, #EA7485, #FB8698 and #FF98AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35064 shade: #C35064, #B23E51, #A12C3E, #901A2B and #7F0818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35064 shade: #C35064 and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35064 shade: #C35064, #C35083, #C350A2, #C350C1 and #A650C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35064 shade matches the following richer shades: #C35064, #D63D57, #E92A4B and #FC173F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35064 shade: #C35064, #B06370, #9D767C, #8A8989 and #779C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35064 shade: #C350A2, #C35083, #C35065, #C35950 and #C37850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35064 shade: #8F3141, #AE3B4F, #C35064, #CD6E7F and #D88D9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35064 shade: #C35064, #C1C350 and #5093C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35064 shade: #C35064, #65C350 and #5065C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35064 shade: #C35064, #C1C350, #50C3AE and #5250C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35064 shade: #C35064, #9EC350, #50C3AE and #7450C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

Complementary color

CMYK 66 / 0 / 11 / 31

HEX #3CAF9B

RGB 60 175 155

HSL 169.57, 0.49%, 0.46%

LAB 64.95, -36.86, 0.83

 

CMYK 0 / 60 / 53 / 22

HEX #C8505F

RGB 200 80 95

HSL 352.5, 0.52%, 0.55%

LAB 50.5, 49, 16.31

 

CMYK 0 / 55 / 47 / 15

HEX #D96272

RGB 217 98 114

HSL 351.93, 0.61%, 0.62%

LAB 56.78, 48.11, 14.14

 

CMYK 0 / 50 / 43 / 8

HEX #EA7485

RGB 234 116 133

HSL 351.36, 0.74%, 0.69%

LAB 63.07, 47.15, 12.31

 

CMYK 0 / 47 / 39 / 2

HEX #FB8698

RGB 251 134 152

HSL 350.77, 0.94%, 0.75%

LAB 69.35, 46.19, 10.74

 

CMYK 0 / 40 / 33 / 0

HEX #FF98AB

RGB 255 152 171

HSL 348.93, 1%, 0.8%

LAB 73.97, 40.69, 6.83

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 0 / 65 / 54 / 30

HEX #B23E51

RGB 178 62 81

HSL 350.17, 0.48%, 0.47%

LAB 43.51, 48.45, 14.67

 

CMYK 0 / 73 / 61 / 37

HEX #A12C3E

RGB 161 44 62

HSL 350.77, 0.57%, 0.4%

LAB 37.35, 48.8, 17.75

 

CMYK 0 / 82 / 70 / 44

HEX #901A2B

RGB 144 26 43

HSL 351.36, 0.69%, 0.33%

LAB 31.45, 48.45, 21.68

 

CMYK 0 / 94 / 81 / 50

HEX #7F0818

RGB 127 8 24

HSL 351.93, 0.88%, 0.26%

LAB 26.02, 46.83, 26.65

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 0 / 59 / 33 / 24

HEX #C35083

RGB 195 80 131

HSL 333.39, 0.49%, 0.54%

LAB 50.66, 51.09, -5.17

 

CMYK 0 / 59 / 17 / 24

HEX #C350A2

RGB 195 80 162

HSL 317.22, 0.49%, 0.54%

LAB 51.78, 55.31, -21.89

 

CMYK 0 / 59 / 1 / 24

HEX #C350C1

RGB 195 80 193

HSL 301.04, 0.49%, 0.54%

LAB 53.16, 60.29, -37.79

 

CMYK 15 / 59 / 0 / 24

HEX #A650C3

RGB 166 80 195

HSL 284.87, 0.49%, 0.54%

LAB 49.23, 53.27, -45.41

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 0 / 71 / 59 / 16

HEX #D63D57

RGB 214 61 87

HSL 349.8, 0.65%, 0.54%

LAB 49.88, 60.64, 20.69

 

CMYK 0 / 82 / 68 / 9

HEX #E92A4B

RGB 233 42 75

HSL 349.63, 0.81%, 0.54%

LAB 51.25, 70.88, 30.35

 

CMYK 0 / 91 / 75 / 1

HEX #FC173F

RGB 252 23 63

HSL 349.52, 0.97%, 0.54%

LAB 53.67, 78.55, 41.14

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 0 / 44 / 36 / 31

HEX #B06370

RGB 176 99 112

HSL 349.87, 0.33%, 0.54%

LAB 51.06, 32.53, 6.42

 

CMYK 0 / 25 / 21 / 38

HEX #9D767C

RGB 157 118 124

HSL 350.77, 0.17%, 0.54%

LAB 53.58, 16.21, 2.66

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 24 / 0 / 4 / 39

HEX #779C95

RGB 119 156 149

HSL 168.65, 0.16%, 0.54%

LAB 61.54, -14.21, -0.5

 

CMYK 0 / 59 / 17 / 24

HEX #C350A2

RGB 195 80 162

HSL 317.22, 0.49%, 0.54%

LAB 51.78, 55.31, -21.89

 

CMYK 0 / 59 / 33 / 24

HEX #C35083

RGB 195 80 131

HSL 333.39, 0.49%, 0.54%

LAB 50.66, 51.09, -5.17

 

CMYK 0 / 59 / 48 / 24

HEX #C35065

RGB 195 80 101

HSL 349.04, 0.49%, 0.54%

LAB 49.83, 47.83, 11.66

 

CMYK 0 / 54 / 59 / 24

HEX #C35950

RGB 195 89 80

HSL 4.7, 0.49%, 0.54%

LAB 51.07, 41.72, 25.79

 

CMYK 0 / 38 / 59 / 24

HEX #C37850

RGB 195 120 80

HSL 20.87, 0.49%, 0.54%

LAB 57.67, 25.41, 34.1

 

CMYK 0 / 66 / 55 / 44

HEX #8F3141

RGB 143 49 65

HSL 349.79, 0.49%, 0.38%

LAB 34.84, 40.97, 11.88

 

CMYK 0 / 66 / 55 / 32

HEX #AE3B4F

RGB 174 59 79

HSL 349.57, 0.49%, 0.46%

LAB 42.29, 48.25, 14.13

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 0 / 46 / 38 / 20

HEX #CD6E7F

RGB 205 110 127

HSL 349.26, 0.49%, 0.62%

LAB 57.72, 39.21, 7.63

 

CMYK 0 / 35 / 29 / 15

HEX #D88D9A

RGB 216 141 154

HSL 349.6, 0.49%, 0.7%

LAB 66.51, 30.21, 4.97

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 1 / 0 / 59 / 24

HEX #C1C350

RGB 193 195 80

HSL 61.04, 0.49%, 0.54%

LAB 76.65, -15.64, 56.08

 

CMYK 59 / 25 / 0 / 24

HEX #5093C3

RGB 80 147 195

HSL 205.04, 0.49%, 0.54%

LAB 58.52, -6.98, -31.28

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 48 / 0 / 59 / 24

HEX #65C350

RGB 101 195 80

HSL 109.04, 0.49%, 0.54%

LAB 71.13, -49.62, 48.37

 

CMYK 59 / 48 / 0 / 24

HEX #5065C3

RGB 80 101 195

HSL 229.04, 0.49%, 0.54%

LAB 45.57, 20.74, -51.74

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 1 / 0 / 59 / 24

HEX #C1C350

RGB 193 195 80

HSL 61.04, 0.49%, 0.54%

LAB 76.65, -15.64, 56.08

 

CMYK 59 / 0 / 11 / 24

HEX #50C3AE

RGB 80 195 174

HSL 169.04, 0.49%, 0.54%

LAB 72.09, -37.52, 0.84

 

CMYK 58 / 59 / 0 / 24

HEX #5250C3

RGB 82 80 195

HSL 241.04, 0.49%, 0.54%

LAB 40.36, 34.27, -60.14

 

CMYK 0 / 59 / 49 / 24

HEX #C35064

RGB 195 80 100

HSL 349.57, 0.49%, 0.54%

LAB 49.81, 47.74, 12.23

 

CMYK 19 / 0 / 59 / 24

HEX #9EC350

RGB 158 195 80

HSL 79.3, 0.49%, 0.54%

LAB 74.11, -29.81, 52.56

 

CMYK 59 / 0 / 11 / 24

HEX #50C3AE

RGB 80 195 174

HSL 169.04, 0.49%, 0.54%

LAB 72.09, -37.52, 0.84

 

CMYK 41 / 59 / 0 / 24

HEX #7450C3

RGB 116 80 195

HSL 258.78, 0.49%, 0.54%

LAB 43.35, 41.2, -55.17

 

Description

Color code: HEX #C35064 | qconv.com Color code: HEX #C35064 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 80 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 80 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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