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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35056 it is the complementary color #3CAFA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35056 shade: #C85051, #D96264, #EA7477, #FB868A and #FF989D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35056 shade: #C35056, #B23E43, #A12C30, #901A1D and #7F080A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35056 shade: #C35056 and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35056 shade: #C35056, #C35075, #C35094, #C350B3 and #B450C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35056 shade matches the following richer shades: #C35056, #D63D45, #E92A34 and #FC1723

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35056 shade: #C35056, #B06367, #9D7678, #8A8989 and #779C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35056 shade: #C35095, #C35076, #C35057, #C36750 and #C38550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35056 shade: #8F3136, #AE3B41, #C35056, #CD6E73 and #D88D91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35056 shade: #C35056, #B3C350 and #5085C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35056 shade: #C35056, #57C350 and #5057C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35056 shade: #C35056, #B3C350, #50C3BB and #5F50C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35056 shade: #C35056, #91C350, #50C3BB and #8250C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

Complementary color

CMYK 66 / 0 / 3 / 31

HEX #3CAFA9

RGB 60 175 169

HSL 176.87, 0.49%, 0.46%

LAB 65.35, -33.05, -6.38

 

CMYK 0 / 60 / 60 / 22

HEX #C85051

RGB 200 80 81

HSL 359.5, 0.52%, 0.55%

LAB 50.23, 47.91, 24.28

 

CMYK 0 / 55 / 54 / 15

HEX #D96264

RGB 217 98 100

HSL 358.99, 0.61%, 0.62%

LAB 56.49, 46.88, 21.91

 

CMYK 0 / 50 / 49 / 8

HEX #EA7477

RGB 234 116 119

HSL 358.47, 0.74%, 0.69%

LAB 62.77, 45.8, 19.89

 

CMYK 0 / 47 / 45 / 2

HEX #FB868A

RGB 251 134 138

HSL 357.95, 0.94%, 0.75%

LAB 69.04, 44.74, 18.14

 

CMYK 0 / 40 / 38 / 0

HEX #FF989D

RGB 255 152 157

HSL 357.09, 1%, 0.8%

LAB 73.64, 39.05, 14.09

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 0 / 65 / 62 / 30

HEX #B23E43

RGB 178 62 67

HSL 357.41, 0.48%, 0.47%

LAB 43.23, 47.41, 22.9

 

CMYK 0 / 73 / 70 / 37

HEX #A12C30

RGB 161 44 48

HSL 357.95, 0.57%, 0.4%

LAB 37.1, 47.96, 26.21

 

CMYK 0 / 82 / 80 / 44

HEX #901A1D

RGB 144 26 29

HSL 358.47, 0.69%, 0.33%

LAB 31.25, 47.83, 30.24

 

CMYK 0 / 94 / 92 / 50

HEX #7F080A

RGB 127 8 10

HSL 358.99, 0.88%, 0.26%

LAB 25.88, 46.46, 34.23

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 0 / 59 / 40 / 24

HEX #C35075

RGB 195 80 117

HSL 340.7, 0.49%, 0.54%

LAB 50.24, 49.46, 2.61

 

CMYK 0 / 59 / 24 / 24

HEX #C35094

RGB 195 80 148

HSL 324.52, 0.49%, 0.54%

LAB 51.24, 53.3, -14.44

 

CMYK 0 / 59 / 8 / 24

HEX #C350B3

RGB 195 80 179

HSL 308.35, 0.49%, 0.54%

LAB 52.5, 57.96, -30.71

 

CMYK 8 / 59 / 0 / 24

HEX #B450C3

RGB 180 80 195

HSL 292.17, 0.49%, 0.54%

LAB 51.13, 56.81, -42.28

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 0 / 71 / 68 / 16

HEX #D63D45

RGB 214 61 69

HSL 356.86, 0.65%, 0.54%

LAB 49.57, 59.58, 31.03

 

CMYK 0 / 82 / 78 / 9

HEX #E92A34

RGB 233 42 52

HSL 356.86, 0.81%, 0.54%

LAB 50.95, 69.97, 43.28

 

CMYK 0 / 91 / 86 / 1

HEX #FC1723

RGB 252 23 35

HSL 356.86, 0.97%, 0.54%

LAB 53.42, 77.83, 55.62

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 0 / 44 / 41 / 31

HEX #B06367

RGB 176 99 103

HSL 356.88, 0.33%, 0.54%

LAB 50.84, 31.45, 11.46

 

CMYK 0 / 25 / 24 / 38

HEX #9D7678

RGB 157 118 120

HSL 356.92, 0.17%, 0.54%

LAB 53.47, 15.58, 4.85

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 24 / 0 / 1 / 39

HEX #779C9A

RGB 119 156 154

HSL 176.76, 0.16%, 0.54%

LAB 61.68, -13.08, -3.11

 

CMYK 0 / 59 / 24 / 24

HEX #C35095

RGB 195 80 149

HSL 324, 0.49%, 0.54%

LAB 51.28, 53.44, -14.97

 

CMYK 0 / 59 / 39 / 24

HEX #C35076

RGB 195 80 118

HSL 340.17, 0.49%, 0.54%

LAB 50.27, 49.57, 2.05

 

CMYK 0 / 59 / 55 / 24

HEX #C35057

RGB 195 80 87

HSL 356.35, 0.49%, 0.54%

LAB 49.53, 46.61, 19.64

 

CMYK 0 / 47 / 59 / 24

HEX #C36750

RGB 195 103 80

HSL 12, 0.49%, 0.54%

LAB 53.9, 34.55, 29.41

 

CMYK 0 / 32 / 59 / 24

HEX #C38550

RGB 195 133 80

HSL 27.65, 0.49%, 0.54%

LAB 60.74, 18.28, 37.85

 

CMYK 0 / 66 / 62 / 44

HEX #8F3136

RGB 143 49 54

HSL 356.81, 0.49%, 0.38%

LAB 34.61, 40.09, 18.61

 

CMYK 0 / 66 / 63 / 32

HEX #AE3B41

RGB 174 59 65

HSL 356.87, 0.49%, 0.46%

LAB 42.01, 47.21, 22.41

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 0 / 46 / 44 / 20

HEX #CD6E73

RGB 205 110 115

HSL 356.84, 0.49%, 0.62%

LAB 57.43, 37.88, 14.2

 

CMYK 0 / 35 / 33 / 15

HEX #D88D91

RGB 216 141 145

HSL 356.8, 0.49%, 0.7%

LAB 66.28, 29.03, 9.72

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 8 / 0 / 59 / 24

HEX #B3C350

RGB 179 195 80

HSL 68.35, 0.49%, 0.54%

LAB 75.57, -21.41, 54.59

 

CMYK 59 / 32 / 0 / 24

HEX #5085C3

RGB 80 133 195

HSL 212.35, 0.49%, 0.54%

LAB 54.47, 1.12, -37.61

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 55 / 0 / 59 / 24

HEX #57C350

RGB 87 195 80

HSL 116.35, 0.49%, 0.54%

LAB 70.62, -53.45, 47.65

 

CMYK 59 / 55 / 0 / 24

HEX #5057C3

RGB 80 87 195

HSL 236.35, 0.49%, 0.54%

LAB 41.94, 29.55, -57.59

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 8 / 0 / 59 / 24

HEX #B3C350

RGB 179 195 80

HSL 68.35, 0.49%, 0.54%

LAB 75.57, -21.41, 54.59

 

CMYK 59 / 0 / 4 / 24

HEX #50C3BB

RGB 80 195 187

HSL 175.83, 0.49%, 0.54%

LAB 72.44, -34.14, -5.72

 

CMYK 51 / 59 / 0 / 24

HEX #5F50C3

RGB 95 80 195

HSL 247.83, 0.49%, 0.54%

LAB 41.39, 36.74, -58.42

 

CMYK 0 / 59 / 56 / 24

HEX #C35056

RGB 195 80 86

HSL 356.87, 0.49%, 0.54%

LAB 49.51, 46.53, 20.21

 

CMYK 26 / 0 / 59 / 24

HEX #91C350

RGB 145 195 80

HSL 86.09, 0.49%, 0.54%

LAB 73.3, -34.79, 51.43

 

CMYK 59 / 0 / 4 / 24

HEX #50C3BB

RGB 80 195 187

HSL 175.83, 0.49%, 0.54%

LAB 72.44, -34.14, -5.72

 

CMYK 33 / 59 / 0 / 24

HEX #8250C3

RGB 130 80 195

HSL 266.09, 0.49%, 0.54%

LAB 44.83, 44.43, -52.7

 

Description

Color code: HEX #C35056 | qconv.com Color code: HEX #C35056 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 80 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 80 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 56 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 56% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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