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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35972 it is the complementary color #3CA68D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35972. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35972 shade: #C8596D, #D96B80, #EA7D93, #FB8FA6 and #FFA1B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35972. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35972 shade: #C35972, #B2475F, #A1354C, #902339 and #7F1126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35972 shade: #C35A72 and #C35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35972 shade: #C35A72, #C35A8F, #C35AAB, #BE5AC3 and #A25AC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35972 shade matches the following richer shades: #C35A72, #D54769, #E7355F and #F92356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35972 shade: #C35A72, #B16C7C, #9F7E86, #8D908F and #7AA299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35972 shade: #C35AAC, #C35A90, #C35A74, #C35B5A and #C3775A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35972 shade: #95354C, #B3405B, #C35A72, #CE788C and #D996A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35972 shade: #C35972, #C3BE5A and #5A9EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35972 shade: #C35972, #74C35A and #5A74C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35972 shade: #C35972, #C3BE5A, #5AC3A9 and #5A5FC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35972 shade: #C35972, #A9C35A, #5AC3A9 and #745AC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 42 / 24

HEX #C35972

RGB 195 89 114

HSL 345.85, 0.47%, 0.56%

LAB 51.79, 44.84, 6.64

 

Complementary color

CMYK 64 / 0 / 15 / 35

HEX #3CA68D

RGB 60 166 141

HSL 165.85, 0.47%, 0.44%

LAB 61.79, -36.39, 4.05

 

CMYK 0 / 56 / 46 / 22

HEX #C8596D

RGB 200 89 109

HSL 349.19, 0.5%, 0.57%

LAB 52.43, 46.05, 10.62

 

CMYK 0 / 51 / 41 / 15

HEX #D96B80

RGB 217 107 128

HSL 348.55, 0.59%, 0.64%

LAB 58.81, 45.13, 8.83

 

CMYK 0 / 47 / 37 / 8

HEX #EA7D93

RGB 234 125 147

HSL 347.89, 0.72%, 0.7%

LAB 65.17, 44.19, 7.31

 

CMYK 0 / 43 / 34 / 2

HEX #FB8FA6

RGB 251 143 166

HSL 347.22, 0.93%, 0.77%

LAB 71.49, 43.26, 5.98

 

CMYK 0 / 37 / 27 / 0

HEX #FFA1B9

RGB 255 161 185

HSL 344.68, 1%, 0.82%

LAB 76.22, 37.84, 2.38

 

CMYK 0 / 54 / 42 / 24

HEX #C35972

RGB 195 89 114

HSL 345.85, 0.47%, 0.56%

LAB 51.79, 44.84, 6.64

 

CMYK 0 / 60 / 47 / 30

HEX #B2475F

RGB 178 71 95

HSL 346.54, 0.43%, 0.49%

LAB 45.36, 45.66, 8.62

 

CMYK 0 / 67 / 53 / 37

HEX #A1354C

RGB 161 53 76

HSL 347.22, 0.5%, 0.42%

LAB 38.98, 46.26, 11.08

 

CMYK 0 / 76 / 60 / 44

HEX #902339

RGB 144 35 57

HSL 347.89, 0.61%, 0.35%

LAB 32.76, 46.39, 14.27

 

CMYK 0 / 87 / 70 / 50

HEX #7F1126

RGB 127 17 38

HSL 348.55, 0.76%, 0.28%

LAB 26.88, 45.58, 18.5

 

CMYK 0 / 54 / 42 / 24

HEX #C35A72

RGB 195 90 114

HSL 346.29, 0.47%, 0.56%

LAB 51.98, 44.34, 6.91

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 54 / 42 / 24

HEX #C35A72

RGB 195 90 114

HSL 346.29, 0.47%, 0.56%

LAB 51.98, 44.34, 6.91

 

CMYK 0 / 54 / 27 / 24

HEX #C35A8F

RGB 195 90 143

HSL 329.71, 0.47%, 0.56%

LAB 52.84, 47.9, -9.07

 

CMYK 0 / 54 / 12 / 24

HEX #C35AAB

RGB 195 90 171

HSL 313.71, 0.47%, 0.56%

LAB 53.87, 52.06, -23.93

 

CMYK 3 / 54 / 0 / 24

HEX #BE5AC3

RGB 190 90 195

HSL 297.14, 0.47%, 0.56%

LAB 54.24, 54.75, -37.29

 

CMYK 17 / 54 / 0 / 24

HEX #A25AC3

RGB 162 90 195

HSL 281.14, 0.47%, 0.56%

LAB 50.61, 47.19, -43.26

 

CMYK 0 / 54 / 42 / 24

HEX #C35A72

RGB 195 90 114

HSL 346.29, 0.47%, 0.56%

LAB 51.98, 44.34, 6.91

 

CMYK 0 / 67 / 51 / 16

HEX #D54769

RGB 213 71 105

HSL 345.63, 0.63%, 0.56%

LAB 51.46, 57.92, 11.97

 

CMYK 0 / 77 / 59 / 9

HEX #E7355F

RGB 231 53 95

HSL 345.84, 0.79%, 0.56%

LAB 52.24, 68.59, 19.57

 

CMYK 0 / 86 / 65 / 2

HEX #F92356

RGB 249 35 86

HSL 345.7, 0.95%, 0.56%

LAB 54.04, 76.95, 27.97

 

CMYK 0 / 54 / 42 / 24

HEX #C35A72

RGB 195 90 114

HSL 346.29, 0.47%, 0.56%

LAB 51.98, 44.34, 6.91

 

CMYK 0 / 39 / 30 / 31

HEX #B16C7C

RGB 177 108 124

HSL 346.09, 0.31%, 0.56%

LAB 53.52, 29.56, 2.87

 

CMYK 0 / 21 / 16 / 38

HEX #9F7E86

RGB 159 126 134

HSL 345.45, 0.15%, 0.56%

LAB 56.1, 14.05, 0.53

 

CMYK 2 / 0 / 1 / 44

HEX #8D908F

RGB 141 144 143

HSL 160, 0.01%, 0.56%

LAB 59.52, -1.29, 0.14

 

CMYK 25 / 0 / 6 / 36

HEX #7AA299

RGB 122 162 153

HSL 166.5, 0.18%, 0.56%

LAB 63.57, -15.54, 0.24

 

CMYK 0 / 54 / 12 / 24

HEX #C35AAC

RGB 195 90 172

HSL 313.14, 0.47%, 0.56%

LAB 53.91, 52.22, -24.45

 

CMYK 0 / 54 / 26 / 24

HEX #C35A90

RGB 195 90 144

HSL 329.14, 0.47%, 0.56%

LAB 52.87, 48.04, -9.61

 

CMYK 0 / 54 / 41 / 24

HEX #C35A74

RGB 195 90 116

HSL 345.14, 0.47%, 0.56%

LAB 52.03, 44.56, 5.79

 

CMYK 0 / 53 / 54 / 24

HEX #C35B5A

RGB 195 91 90

HSL 0.57, 0.47%, 0.56%

LAB 51.64, 41.52, 20.68

 

CMYK 0 / 39 / 54 / 24

HEX #C3775A

RGB 195 119 90

HSL 16.57, 0.47%, 0.56%

LAB 57.59, 26.77, 28.48

 

CMYK 0 / 64 / 49 / 42

HEX #95354C

RGB 149 53 76

HSL 345.63, 0.48%, 0.4%

LAB 36.85, 42.23, 7.8

 

CMYK 0 / 64 / 49 / 30

HEX #B3405B

RGB 179 64 91

HSL 345.91, 0.47%, 0.48%

LAB 44.24, 48.78, 9.53

 

CMYK 0 / 54 / 42 / 24

HEX #C35A72

RGB 195 90 114

HSL 346.29, 0.47%, 0.56%

LAB 51.98, 44.34, 6.91

 

CMYK 0 / 42 / 32 / 19

HEX #CE788C

RGB 206 120 140

HSL 346.05, 0.47%, 0.64%

LAB 60.29, 35.92, 3.82

 

CMYK 0 / 31 / 24 / 15

HEX #D996A6

RGB 217 150 166

HSL 345.67, 0.47%, 0.72%

LAB 68.98, 27.41, 1.84

 

CMYK 0 / 54 / 42 / 24

HEX #C35972

RGB 195 89 114

HSL 345.85, 0.47%, 0.56%

LAB 51.79, 44.84, 6.64

 

CMYK 0 / 3 / 54 / 24

HEX #C3BE5A

RGB 195 190 90

HSL 57.14, 0.47%, 0.56%

LAB 75.56, -11.5, 50.35

 

CMYK 54 / 19 / 0 / 24

HEX #5A9EC3

RGB 90 158 195

HSL 201.14, 0.47%, 0.56%

LAB 62.14, -11.02, -25.65

 

CMYK 0 / 54 / 42 / 24

HEX #C35972

RGB 195 89 114

HSL 345.85, 0.47%, 0.56%

LAB 51.79, 44.84, 6.64

 

CMYK 41 / 0 / 54 / 24

HEX #74C35A

RGB 116 195 90

HSL 105.14, 0.47%, 0.56%

LAB 71.88, -43.89, 44.76

 

CMYK 54 / 41 / 0 / 24

HEX #5A74C3

RGB 90 116 195

HSL 225.14, 0.47%, 0.56%

LAB 50.22, 13.5, -44.28

 

CMYK 0 / 54 / 42 / 24

HEX #C35972

RGB 195 89 114

HSL 345.85, 0.47%, 0.56%

LAB 51.79, 44.84, 6.64

 

CMYK 0 / 3 / 54 / 24

HEX #C3BE5A

RGB 195 190 90

HSL 57.14, 0.47%, 0.56%

LAB 75.56, -11.5, 50.35

 

CMYK 54 / 0 / 13 / 24

HEX #5AC3A9

RGB 90 195 169

HSL 165.14, 0.47%, 0.56%

LAB 72.27, -36.72, 3.87

 

CMYK 54 / 51 / 0 / 24

HEX #5A5FC3

RGB 90 95 195

HSL 237.14, 0.47%, 0.56%

LAB 44.66, 26.52, -53.17

 

CMYK 0 / 54 / 42 / 24

HEX #C35972

RGB 195 89 114

HSL 345.85, 0.47%, 0.56%

LAB 51.79, 44.84, 6.64

 

CMYK 13 / 0 / 54 / 24

HEX #A9C35A

RGB 169 195 90

HSL 74.86, 0.47%, 0.56%

LAB 74.95, -24.59, 49.14

 

CMYK 54 / 0 / 13 / 24

HEX #5AC3A9

RGB 90 195 169

HSL 165.14, 0.47%, 0.56%

LAB 72.27, -36.72, 3.87

 

CMYK 41 / 54 / 0 / 24

HEX #745AC3

RGB 116 90 195

HSL 254.86, 0.47%, 0.56%

LAB 45.59, 35.41, -51.56

 

Description

Color code: HEX #C35972 | qconv.com Color code: HEX #C35972 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 89 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 89 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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