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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3554B it is the complementary color #3CAAB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3554B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3554B shade: #C85546, #D96759, #EA796C, #FB8B7F and #FF9D92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3554B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3554B shade: #C3554B, #B24338, #A13125, #901F12 and #7F0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3554B shade: #C3554B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3554B shade: #C3554B, #C3754B, #C3954B, #C3B64B and #AFC34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3554B shade matches the following richer shades: #C3554B, #D64537, #E93424 and #FD2411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3554B shade: #C3554B, #AF655E, #9C7572, #888585 and #759598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3554B shade: #C34B81, #C34B61, #C3554B, #C3754B and #C3954B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3554B shade: #8C362E, #AB4239, #C3554B, #CD726A and #D78F89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3554B shade: #C3554B, #A1C34B and #4B71C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3554B shade: #C3554B, #4BC355 and #554BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3554B shade: #C3554B, #A1C34B, #4BB9C3 and #6D4BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3554B shade: #C3554B, #7DC34B, #4BB9C3 and #914BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

Complementary color

CMYK 67 / 6 / 0 / 29

HEX #3CAAB4

RGB 60 170 180

HSL 185, 0.5%, 0.47%

LAB 64.17, -27.43, -14.27

 

CMYK 0 / 58 / 65 / 22

HEX #C85546

RGB 200 85 70

HSL 6.92, 0.54%, 0.53%

LAB 50.94, 44.84, 31.58

 

CMYK 0 / 53 / 59 / 15

HEX #D96759

RGB 217 103 89

HSL 6.56, 0.63%, 0.6%

LAB 57.24, 43.59, 29.21

 

CMYK 0 / 48 / 54 / 8

HEX #EA796C

RGB 234 121 108

HSL 6.19, 0.75%, 0.67%

LAB 63.55, 42.36, 27.14

 

CMYK 0 / 45 / 49 / 2

HEX #FB8B7F

RGB 251 139 127

HSL 5.81, 0.94%, 0.74%

LAB 69.83, 41.19, 25.33

 

CMYK 0 / 38 / 43 / 0

HEX #FF9D92

RGB 255 157 146

HSL 6.06, 1%, 0.79%

LAB 74.48, 35.29, 21.28

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 62 / 69 / 30

HEX #B24338

RGB 178 67 56

HSL 5.41, 0.52%, 0.46%

LAB 43.89, 44.5, 30.3

 

CMYK 0 / 70 / 77 / 37

HEX #A13125

RGB 161 49 37

HSL 5.81, 0.63%, 0.39%

LAB 37.68, 45.46, 33.42

 

CMYK 0 / 78 / 88 / 44

HEX #901F12

RGB 144 31 18

HSL 6.19, 0.78%, 0.32%

LAB 31.7, 45.93, 36.81

 

CMYK 0 / 90 / 100 / 50

HEX #7F0D00

RGB 127 13 0

HSL 6.14, 1%, 0.25%

LAB 26.16, 45.31, 38.55

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 40 / 62 / 24

HEX #C3754B

RGB 195 117 75

HSL 21, 0.5%, 0.53%

LAB 56.91, 26.67, 35.89

 

CMYK 0 / 24 / 62 / 24

HEX #C3954B

RGB 195 149 75

HSL 37, 0.5%, 0.53%

LAB 64.65, 9.13, 45

 

CMYK 0 / 7 / 62 / 24

HEX #C3B64B

RGB 195 182 75

HSL 53.5, 0.5%, 0.53%

LAB 73.26, -8.49, 54.63

 

CMYK 10 / 0 / 62 / 24

HEX #AFC34B

RGB 175 195 75

HSL 70, 0.5%, 0.53%

LAB 75.23, -23.42, 56.31

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 68 / 74 / 16

HEX #D64537

RGB 214 69 55

HSL 5.28, 0.66%, 0.53%

LAB 50.49, 55.92, 40.08

 

CMYK 0 / 78 / 85 / 9

HEX #E93424

RGB 233 52 36

HSL 4.87, 0.82%, 0.53%

LAB 51.73, 66.95, 52.24

 

CMYK 0 / 86 / 93 / 1

HEX #FD2411

RGB 253 36 17

HSL 4.83, 0.98%, 0.53%

LAB 54.22, 75.84, 63.2

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 42 / 46 / 31

HEX #AF655E

RGB 175 101 94

HSL 5.19, 0.34%, 0.53%

LAB 50.95, 28.98, 16.91

 

CMYK 0 / 25 / 27 / 39

HEX #9C7572

RGB 156 117 114

HSL 4.29, 0.18%, 0.53%

LAB 52.96, 14.85, 7.61

 

CMYK 0 / 2 / 2 / 47

HEX #888585

RGB 136 133 133

HSL 0, 0.01%, 0.53%

LAB 55.79, 1.12, 0.39

 

CMYK 23 / 2 / 0 / 40

HEX #759598

RGB 117 149 152

HSL 185.14, 0.15%, 0.53%

LAB 59.47, -10.39, -5.25

 

CMYK 0 / 62 / 34 / 24

HEX #C34B81

RGB 195 75 129

HSL 333, 0.5%, 0.53%

LAB 49.76, 53.09, -5.31

 

CMYK 0 / 62 / 50 / 24

HEX #C34B61

RGB 195 75 97

HSL 349, 0.5%, 0.53%

LAB 48.88, 49.75, 12.74

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 40 / 62 / 24

HEX #C3754B

RGB 195 117 75

HSL 21, 0.5%, 0.53%

LAB 56.91, 26.67, 35.89

 

CMYK 0 / 24 / 62 / 24

HEX #C3954B

RGB 195 149 75

HSL 37, 0.5%, 0.53%

LAB 64.65, 9.13, 45

 

CMYK 0 / 61 / 67 / 45

HEX #8C362E

RGB 140 54 46

HSL 5.11, 0.51%, 0.36%

LAB 34.82, 36.06, 23.78

 

CMYK 0 / 61 / 67 / 33

HEX #AB4239

RGB 171 66 57

HSL 4.74, 0.5%, 0.45%

LAB 42.54, 42.49, 27.79

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 0 / 44 / 48 / 20

HEX #CD726A

RGB 205 114 106

HSL 4.85, 0.5%, 0.61%

LAB 58.09, 34.88, 20.29

 

CMYK 0 / 33 / 36 / 16

HEX #D78F89

RGB 215 143 137

HSL 4.62, 0.49%, 0.69%

LAB 66.44, 26.58, 14.41

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 17 / 0 / 62 / 24

HEX #A1C34B

RGB 161 195 75

HSL 77, 0.5%, 0.53%

LAB 74.26, -29.04, 54.97

 

CMYK 62 / 42 / 0 / 24

HEX #4B71C3

RGB 75 113 195

HSL 221, 0.5%, 0.53%

LAB 48.57, 12.27, -46.96

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 62 / 0 / 56 / 24

HEX #4BC355

RGB 75 195 85

HSL 125, 0.5%, 0.53%

LAB 70.3, -55.72, 44.88

 

CMYK 56 / 62 / 0 / 24

HEX #554BC3

RGB 85 75 195

HSL 245, 0.5%, 0.53%

LAB 39.42, 37.86, -61.67

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 17 / 0 / 62 / 24

HEX #A1C34B

RGB 161 195 75

HSL 77, 0.5%, 0.53%

LAB 74.26, -29.04, 54.97

 

CMYK 62 / 5 / 0 / 24

HEX #4BB9C3

RGB 75 185 195

HSL 185, 0.5%, 0.53%

LAB 69.56, -28, -14.4

 

CMYK 44 / 62 / 0 / 24

HEX #6D4BC3

RGB 109 75 195

HSL 257, 0.5%, 0.53%

LAB 41.57, 42.52, -58.07

 

CMYK 0 / 56 / 62 / 24

HEX #C3554B

RGB 195 85 75

HSL 5, 0.5%, 0.53%

LAB 50.22, 43.33, 27.63

 

CMYK 36 / 0 / 62 / 24

HEX #7DC34B

RGB 125 195 75

HSL 95, 0.5%, 0.53%

LAB 72.16, -42.46, 52.05

 

CMYK 62 / 5 / 0 / 24

HEX #4BB9C3

RGB 75 185 195

HSL 185, 0.5%, 0.53%

LAB 69.56, -28, -14.4

 

CMYK 26 / 62 / 0 / 24

HEX #914BC3

RGB 145 75 195

HSL 275, 0.5%, 0.53%

LAB 45.62, 50.6, -51.33

 

Description

Color code: HEX #C3554B | qconv.com Color code: HEX #C3554B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 85 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 85 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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