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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C33168 it is the complementary color #3CCE97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C33168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C33168 shade: #C83163, #D94376, #EA5589, #FB679C and #FF79AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C33168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C33168 shade: #C33168, #B21F55, #A10D42, #90002F and #7F001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C33168 shade: #C33068, #C33040 and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C33168 shade: #C33068, #C3308F, #C330B7, #A830C3 and #8030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C33168 shade matches the following richer shades: #C33068, #D71D63 and #EB095E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C33168 shade: #C33068, #B0446D, #9C5872, #886C76 and #74807B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C33168 shade: #C330B7, #C33090, #C33069, #C33042 and #C34630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C33168 shade: #812045, #A22856, #C33068, #D24B7E and #DA6C96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C33168 shade: #C33168, #C3A830 and #30A4C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C33168 shade: #C33168, #69C330 and #3069C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C33168 shade: #C33168, #C3A830, #30C38B and #304BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C33168 shade: #C33168, #B2C330, #30C38B and #4230C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 47 / 24

HEX #C33168

RGB 195 49 104

HSL 337.4, 0.6%, 0.48%

LAB 45.36, 60.53, 3.47

 

Complementary color

CMYK 71 / 0 / 27 / 19

HEX #3CCE97

RGB 60 206 151

HSL 157.4, 0.6%, 0.52%

LAB 74.41, -51.07, 16.48

 

CMYK 0 / 76 / 51 / 22

HEX #C83163

RGB 200 49 99

HSL 340.13, 0.61%, 0.49%

LAB 46.15, 61.5, 7.81

 

CMYK 0 / 69 / 46 / 15

HEX #D94376

RGB 217 67 118

HSL 339.6, 0.66%, 0.56%

LAB 51.92, 61.8, 4.9

 

CMYK 0 / 64 / 41 / 8

HEX #EA5589

RGB 234 85 137

HSL 339.06, 0.78%, 0.63%

LAB 57.84, 61.63, 2.53

 

CMYK 0 / 59 / 38 / 2

HEX #FB679C

RGB 251 103 156

HSL 338.51, 0.95%, 0.69%

LAB 63.84, 61.17, 0.56

 

CMYK 0 / 53 / 31 / 0

HEX #FF79AF

RGB 255 121 175

HSL 335.82, 1%, 0.74%

LAB 68.04, 56.45, -4.03

 

CMYK 0 / 75 / 47 / 24

HEX #C33168

RGB 195 49 104

HSL 337.4, 0.6%, 0.48%

LAB 45.36, 60.53, 3.47

 

CMYK 0 / 83 / 52 / 30

HEX #B21F55

RGB 178 31 85

HSL 337.96, 0.7%, 0.41%

LAB 39.75, 59.5, 6.93

 

CMYK 0 / 92 / 59 / 37

HEX #A10D42

RGB 161 13 66

HSL 338.51, 0.85%, 0.34%

LAB 34.52, 57.33, 11.35

 

CMYK 0 / 100 / 67 / 44

HEX #90002F

RGB 144 0 47

HSL 340.42, 1%, 0.28%

LAB 29.75, 53.74, 16.9

 

CMYK 0 / 100 / 78 / 50

HEX #7F001C

RGB 127 0 28

HSL 346.77, 1%, 0.25%

LAB 25.55, 48.48, 23.55

 

CMYK 0 / 75 / 47 / 24

HEX #C33068

RGB 195 48 104

HSL 337.14, 0.6%, 0.48%

LAB 45.24, 60.86, 3.31

 

CMYK 0 / 75 / 67 / 24

HEX #C33040

RGB 195 48 64

HSL 353.47, 0.6%, 0.48%

LAB 44.36, 58, 26.79

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 75 / 47 / 24

HEX #C33068

RGB 195 48 104

HSL 337.14, 0.6%, 0.48%

LAB 45.24, 60.86, 3.31

 

CMYK 0 / 75 / 27 / 24

HEX #C3308F

RGB 195 48 143

HSL 321.22, 0.6%, 0.48%

LAB 46.58, 65.01, -18.55

 

CMYK 0 / 75 / 6 / 24

HEX #C330B7

RGB 195 48 183

HSL 304.9, 0.6%, 0.48%

LAB 48.43, 70.52, -39.43

 

CMYK 14 / 75 / 0 / 24

HEX #A830C3

RGB 168 48 195

HSL 288.98, 0.6%, 0.48%

LAB 44.77, 66.96, -52.53

 

CMYK 34 / 75 / 0 / 24

HEX #8030C3

RGB 128 48 195

HSL 272.65, 0.6%, 0.48%

LAB 38.97, 59.49, -62.19

 

CMYK 0 / 75 / 47 / 24

HEX #C33068

RGB 195 48 104

HSL 337.14, 0.6%, 0.48%

LAB 45.24, 60.86, 3.31

 

CMYK 0 / 87 / 54 / 16

HEX #D71D63

RGB 215 29 99

HSL 337.42, 0.76%, 0.48%

LAB 47.27, 70.4, 9.81

 

CMYK 0 / 96 / 60 / 8

HEX #EB095E

RGB 235 9 94

HSL 337.43, 0.93%, 0.48%

LAB 50.29, 77.28, 17.68

 

CMYK 0 / 75 / 47 / 24

HEX #C33068

RGB 195 48 104

HSL 337.14, 0.6%, 0.48%

LAB 45.24, 60.86, 3.31

 

CMYK 0 / 61 / 38 / 31

HEX #B0446D

RGB 176 68 109

HSL 337.22, 0.44%, 0.48%

LAB 44.9, 47.87, -0.68

 

CMYK 0 / 44 / 27 / 39

HEX #9C5872

RGB 156 88 114

HSL 337.06, 0.28%, 0.48%

LAB 45.99, 31.36, -2.47

 

CMYK 0 / 21 / 13 / 47

HEX #886C76

RGB 136 108 118

HSL 338.57, 0.11%, 0.48%

LAB 48.6, 12.82, -1.33

 

CMYK 9 / 0 / 4 / 50

HEX #74807B

RGB 116 128 123

HSL 155, 0.05%, 0.48%

LAB 52.49, -5.46, 1.19

 

CMYK 0 / 75 / 6 / 24

HEX #C330B7

RGB 195 48 183

HSL 304.9, 0.6%, 0.48%

LAB 48.43, 70.52, -39.43

 

CMYK 0 / 75 / 26 / 24

HEX #C33090

RGB 195 48 144

HSL 320.82, 0.6%, 0.48%

LAB 46.62, 65.14, -19.09

 

CMYK 0 / 75 / 46 / 24

HEX #C33069

RGB 195 48 105

HSL 336.73, 0.6%, 0.48%

LAB 45.27, 60.95, 2.73

 

CMYK 0 / 75 / 66 / 24

HEX #C33042

RGB 195 48 66

HSL 352.65, 0.6%, 0.48%

LAB 44.39, 58.11, 25.62

 

CMYK 0 / 64 / 75 / 24

HEX #C34630

RGB 195 70 48

HSL 8.98, 0.6%, 0.48%

LAB 47.23, 48.79, 39.4

 

CMYK 0 / 75 / 47 / 49

HEX #812045

RGB 129 32 69

HSL 337.11, 0.6%, 0.32%

LAB 29.74, 43.86, 1.7

 

CMYK 0 / 75 / 47 / 36

HEX #A22856

RGB 162 40 86

HSL 337.38, 0.6%, 0.4%

LAB 37.61, 52.5, 2.81

 

CMYK 0 / 75 / 47 / 24

HEX #C33068

RGB 195 48 104

HSL 337.14, 0.6%, 0.48%

LAB 45.24, 60.86, 3.31

 

CMYK 0 / 64 / 40 / 18

HEX #D24B7E

RGB 210 75 126

HSL 337.33, 0.6%, 0.56%

LAB 52.11, 57.36, 0.22

 

CMYK 0 / 50 / 31 / 15

HEX #DA6C96

RGB 218 108 150

HSL 337.09, 0.6%, 0.64%

LAB 59.74, 47.56, -2.57

 

CMYK 0 / 75 / 47 / 24

HEX #C33168

RGB 195 49 104

HSL 337.4, 0.6%, 0.48%

LAB 45.36, 60.53, 3.47

 

CMYK 0 / 14 / 75 / 24

HEX #C3A830

RGB 195 168 48

HSL 48.98, 0.6%, 0.48%

LAB 69.34, -2.63, 61.56

 

CMYK 75 / 16 / 0 / 24

HEX #30A4C3

RGB 48 164 195

HSL 192.65, 0.6%, 0.48%

LAB 62.61, -21.29, -25.05

 

CMYK 0 / 75 / 47 / 24

HEX #C33168

RGB 195 49 104

HSL 337.4, 0.6%, 0.48%

LAB 45.36, 60.53, 3.47

 

CMYK 46 / 0 / 75 / 24

HEX #69C330

RGB 105 195 48

HSL 96.73, 0.6%, 0.48%

LAB 71.04, -51.12, 61.09

 

CMYK 75 / 46 / 0 / 24

HEX #3069C3

RGB 48 105 195

HSL 216.73, 0.6%, 0.48%

LAB 45.18, 13.06, -52.45

 

CMYK 0 / 75 / 47 / 24

HEX #C33168

RGB 195 49 104

HSL 337.4, 0.6%, 0.48%

LAB 45.36, 60.53, 3.47

 

CMYK 0 / 14 / 75 / 24

HEX #C3A830

RGB 195 168 48

HSL 48.98, 0.6%, 0.48%

LAB 69.34, -2.63, 61.56

 

CMYK 75 / 0 / 29 / 24

HEX #30C38B

RGB 48 195 139

HSL 157.14, 0.6%, 0.48%

LAB 70.54, -50.99, 17.49

 

CMYK 75 / 62 / 0 / 24

HEX #304BC3

RGB 48 75 195

HSL 228.98, 0.6%, 0.48%

LAB 37.12, 32.48, -65.52

 

CMYK 0 / 75 / 47 / 24

HEX #C33168

RGB 195 49 104

HSL 337.4, 0.6%, 0.48%

LAB 45.36, 60.53, 3.47

 

CMYK 9 / 0 / 75 / 24

HEX #B2C330

RGB 178 195 48

HSL 66.94, 0.6%, 0.48%

LAB 75.27, -23.75, 66.61

 

CMYK 75 / 0 / 29 / 24

HEX #30C38B

RGB 48 195 139

HSL 157.14, 0.6%, 0.48%

LAB 70.54, -50.99, 17.49

 

CMYK 66 / 75 / 0 / 24

HEX #4230C3

RGB 66 48 195

HSL 247.35, 0.6%, 0.48%

LAB 32.29, 50.5, -73.41

 

Description

Color code: HEX #C33168 | qconv.com Color code: HEX #C33168 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 49 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 49 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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