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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C338E8 it is the complementary color #3CC717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C338E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C338E8 shade: #C838E3, #D94AF6, #EA5CFF, #FB6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C338E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C338E8 shade: #C338E8, #B226D5, #A114C2, #9002AF and #7F009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C338E8 shade: #C236E7, #E736DC, #E736AD, #E7367D and #E7364D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C338E8 shade: #C236E7, #9236E7, #6236E7 and #3636E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C338E8 shade matches the following richer shades: #C236E7 and #CC24F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C338E8 shade: #C236E7, #B748D5, #AD5AC3, #A26CB0 and #987E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C338E8 shade: #6236E7, #9136E7, #C136E7, #E736DE and #E736AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C338E8 shade: #9415B5, #B219DA, #C236E7, #CD5BEB and #D880F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C338E8 shade: #C338E8, #E73639 and #36E77A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C338E8 shade: #C338E8, #E7C136 and #36E7C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C338E8 shade: #C338E8, #E73639, #5CE736 and #36E7E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C338E8 shade: #C338E8, #E76836, #5CE736 and #36B5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 76 / 0 / 9

HEX #C338E8

RGB 195 56 232

HSL 287.39, 0.79%, 0.56%

LAB 52.13, 76.26, -61.67

 

Complementary color

CMYK 70 / 0 / 88 / 22

HEX #3CC717

RGB 60 199 23

HSL 107.39, 0.79%, 0.44%

LAB 70.78, -65.02, 66.88

 

CMYK 12 / 75 / 0 / 11

HEX #C838E3

RGB 200 56 227

HSL 290.53, 0.75%, 0.55%

LAB 52.57, 76.31, -58.09

 

CMYK 12 / 70 / 0 / 4

HEX #D94AF6

RGB 217 74 246

HSL 289.88, 0.91%, 0.63%

LAB 58.32, 76.98, -59.38

 

CMYK 8 / 64 / 0 / 0

HEX #EA5CFF

RGB 234 92 255

HSL 292.27, 1%, 0.68%

LAB 63.64, 75.39, -55.73

 

CMYK 2 / 57 / 0 / 0

HEX #FB6EFF

RGB 251 110 255

HSL 298.34, 1%, 0.72%

LAB 68.67, 71.96, -47.63

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 16 / 76 / 0 / 9

HEX #C338E8

RGB 195 56 232

HSL 287.39, 0.79%, 0.56%

LAB 52.13, 76.26, -61.67

 

CMYK 16 / 82 / 0 / 16

HEX #B226D5

RGB 178 38 213

HSL 288, 0.7%, 0.49%

LAB 46.52, 74.93, -60.03

 

CMYK 17 / 90 / 0 / 24

HEX #A114C2

RGB 161 20 194

HSL 288.62, 0.81%, 0.42%

LAB 41.17, 72.58, -57.81

 

CMYK 18 / 99 / 0 / 31

HEX #9002AF

RGB 144 2 175

HSL 289.25, 0.98%, 0.35%

LAB 36.11, 69.06, -54.91

 

CMYK 19 / 100 / 0 / 39

HEX #7F009C

RGB 127 0 156

HSL 288.85, 1%, 0.31%

LAB 31.61, 63.51, -50.9

 

CMYK 16 / 77 / 0 / 9

HEX #C236E7

RGB 194 54 231

HSL 287.46, 0.79%, 0.56%

LAB 51.7, 76.51, -61.8

 

CMYK 0 / 77 / 5 / 9

HEX #E736DC

RGB 231 54 220

HSL 303.73, 0.79%, 0.56%

LAB 56.87, 81.81, -46.98

 

CMYK 0 / 77 / 25 / 9

HEX #E736AD

RGB 231 54 173

HSL 319.66, 0.79%, 0.56%

LAB 54.7, 75.52, -23.34

 

CMYK 0 / 77 / 46 / 9

HEX #E7367D

RGB 231 54 125

HSL 335.93, 0.79%, 0.56%

LAB 53.07, 70.56, 2.66

 

CMYK 0 / 77 / 67 / 9

HEX #E7364D

RGB 231 54 77

HSL 352.2, 0.79%, 0.56%

LAB 52.02, 67.27, 30.04

 

CMYK 16 / 77 / 0 / 9

HEX #C236E7

RGB 194 54 231

HSL 287.46, 0.79%, 0.56%

LAB 51.7, 76.51, -61.8

 

CMYK 37 / 77 / 0 / 9

HEX #9236E7

RGB 146 54 231

HSL 271.19, 0.79%, 0.56%

LAB 44.97, 68.3, -73.03

 

CMYK 58 / 77 / 0 / 9

HEX #6236E7

RGB 98 54 231

HSL 254.92, 0.79%, 0.56%

LAB 39.59, 61.61, -82.06

 

CMYK 77 / 77 / 0 / 9

HEX #3636E7

RGB 54 54 231

HSL 240, 0.79%, 0.56%

LAB 36.35, 57.51, -87.51

 

CMYK 16 / 77 / 0 / 9

HEX #C236E7

RGB 194 54 231

HSL 287.46, 0.79%, 0.56%

LAB 51.7, 76.51, -61.8

 

CMYK 18 / 86 / 0 / 2

HEX #CC24F9

RGB 204 36 249

HSL 287.32, 0.95%, 0.56%

LAB 52.88, 85.83, -69.91

 

CMYK 16 / 77 / 0 / 9

HEX #C236E7

RGB 194 54 231

HSL 287.46, 0.79%, 0.56%

LAB 51.7, 76.51, -61.8

 

CMYK 14 / 66 / 0 / 16

HEX #B748D5

RGB 183 72 213

HSL 287.23, 0.63%, 0.56%

LAB 51.27, 64.46, -52.35

 

CMYK 11 / 54 / 0 / 24

HEX #AD5AC3

RGB 173 90 195

HSL 287.43, 0.47%, 0.56%

LAB 51.99, 50.14, -40.98

 

CMYK 8 / 39 / 0 / 31

HEX #A26CB0

RGB 162 108 176

HSL 287.65, 0.3%, 0.56%

LAB 53.54, 33.36, -27.69

 

CMYK 4 / 20 / 0 / 38

HEX #987E9E

RGB 152 126 158

HSL 288.75, 0.14%, 0.56%

LAB 56.15, 15.97, -13.37

 

CMYK 58 / 77 / 0 / 9

HEX #6236E7

RGB 98 54 231

HSL 254.92, 0.79%, 0.56%

LAB 39.59, 61.61, -82.06

 

CMYK 37 / 77 / 0 / 9

HEX #9136E7

RGB 145 54 231

HSL 270.85, 0.79%, 0.56%

LAB 44.84, 68.14, -73.24

 

CMYK 16 / 77 / 0 / 9

HEX #C136E7

RGB 193 54 231

HSL 287.12, 0.79%, 0.56%

LAB 51.55, 76.33, -62.05

 

CMYK 0 / 77 / 4 / 9

HEX #E736DE

RGB 231 54 222

HSL 303.05, 0.79%, 0.56%

LAB 56.98, 82.11, -47.94

 

CMYK 0 / 77 / 24 / 9

HEX #E736AF

RGB 231 54 175

HSL 318.98, 0.79%, 0.56%

LAB 54.79, 75.77, -24.38

 

CMYK 18 / 88 / 0 / 29

HEX #9415B5

RGB 148 21 181

HSL 287.63, 0.79%, 0.4%

LAB 38.14, 68.04, -55.16

 

CMYK 18 / 89 / 0 / 15

HEX #B219DA

RGB 178 25 218

HSL 287.56, 0.79%, 0.48%

LAB 45.94, 78.54, -63.84

 

CMYK 16 / 77 / 0 / 9

HEX #C236E7

RGB 194 54 231

HSL 287.46, 0.79%, 0.56%

LAB 51.7, 76.51, -61.8

 

CMYK 13 / 61 / 0 / 8

HEX #CD5BEB

RGB 205 91 235

HSL 287.5, 0.78%, 0.64%

LAB 58.47, 65.54, -53.11

 

CMYK 10 / 47 / 0 / 6

HEX #D880F0

RGB 216 128 240

HSL 287.14, 0.79%, 0.72%

LAB 66.77, 51.56, -42.68

 

CMYK 16 / 76 / 0 / 9

HEX #C338E8

RGB 195 56 232

HSL 287.39, 0.79%, 0.56%

LAB 52.13, 76.26, -61.67

 

CMYK 0 / 77 / 75 / 9

HEX #E73639

RGB 231 54 57

HSL 358.98, 0.79%, 0.56%

LAB 51.75, 66.4, 41.25

 

CMYK 77 / 0 / 47 / 9

HEX #36E77A

RGB 54 231 122

HSL 143.05, 0.79%, 0.56%

LAB 81.48, -66.59, 40.74

 

CMYK 16 / 76 / 0 / 9

HEX #C338E8

RGB 195 56 232

HSL 287.39, 0.79%, 0.56%

LAB 52.13, 76.26, -61.67

 

CMYK 0 / 16 / 77 / 9

HEX #E7C136

RGB 231 193 54

HSL 47.12, 0.79%, 0.56%

LAB 79.27, 0.1, 69.98

 

CMYK 77 / 0 / 16 / 9

HEX #36E7C1

RGB 54 231 193

HSL 167.12, 0.79%, 0.56%

LAB 82.8, -52.03, 6.12

 

CMYK 16 / 76 / 0 / 9

HEX #C338E8

RGB 195 56 232

HSL 287.39, 0.79%, 0.56%

LAB 52.13, 76.26, -61.67

 

CMYK 0 / 77 / 75 / 9

HEX #E73639

RGB 231 54 57

HSL 358.98, 0.79%, 0.56%

LAB 51.75, 66.4, 41.25

 

CMYK 60 / 0 / 77 / 9

HEX #5CE736

RGB 92 231 54

HSL 107.12, 0.79%, 0.56%

LAB 81.67, -67.26, 69.32

 

CMYK 77 / 0 / 1 / 9

HEX #36E7E4

RGB 54 231 228

HSL 178.98, 0.79%, 0.56%

LAB 83.72, -42.76, -11.01

 

CMYK 16 / 76 / 0 / 9

HEX #C338E8

RGB 195 56 232

HSL 287.39, 0.79%, 0.56%

LAB 52.13, 76.26, -61.67

 

CMYK 0 / 55 / 77 / 9

HEX #E76836

RGB 231 104 54

HSL 16.95, 0.79%, 0.56%

LAB 59.12, 46.39, 50.56

 

CMYK 60 / 0 / 77 / 9

HEX #5CE736

RGB 92 231 54

HSL 107.12, 0.79%, 0.56%

LAB 81.67, -67.26, 69.32

 

CMYK 77 / 22 / 0 / 9

HEX #36B5E7

RGB 54 181 231

HSL 196.95, 0.79%, 0.56%

LAB 69.18, -17.65, -34.75

 

Description

Color code: HEX #C338E8 | qconv.com Color code: HEX #C338E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 56 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 56 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 76 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 76% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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