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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C320ED it is the complementary color #3CDF12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C320ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C320ED shade: #C820E8, #D932FB, #EA44FF, #FB56FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C320ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C320ED shade: #C320ED, #B20EDA, #A100C7, #9000B4 and #7F00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C320ED shade: #C321ED, #ED21DF, #ED21A8, #ED2171 and #ED213A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C320ED shade: #C321ED, #8C21ED, #5521ED and #2121ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C320ED shade matches the following richer shades: #C321ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C320ED shade: #C321ED, #B734D9, #AC48C6, #A05BB2 and #956E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C320ED shade: #5421ED, #8A21ED, #C021ED, #ED21E2 and #ED21AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C320ED shade: #8D0EAD, #AB11D3, #C321ED, #CD47F0 and #D76DF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C320ED shade: #C320ED, #ED2124 and #21ED6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C320ED shade: #C320ED, #EDC021 and #21EDC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C320ED shade: #C320ED, #ED2124, #4DED21 and #21EDE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C320ED shade: #C320ED, #ED5B21, #4DED21 and #21B3ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 86 / 0 / 7

HEX #C320ED

RGB 195 32 237

HSL 287.71, 0.85%, 0.53%

LAB 50.39, 83.16, -67.28

 

Complementary color

CMYK 73 / 0 / 92 / 13

HEX #3CDF12

RGB 60 223 18

HSL 107.71, 0.85%, 0.47%

LAB 78.33, -72.49, 74.07

 

CMYK 14 / 86 / 0 / 9

HEX #C820E8

RGB 200 32 232

HSL 290.4, 0.81%, 0.52%

LAB 50.85, 83.09, -63.69

 

CMYK 14 / 80 / 0 / 2

HEX #D932FB

RGB 217 50 251

HSL 289.85, 0.96%, 0.59%

LAB 56.09, 85.15, -65.75

 

CMYK 8 / 73 / 0 / 0

HEX #EA44FF

RGB 234 68 255

HSL 293.26, 1%, 0.63%

LAB 60.65, 83.87, -60.51

 

CMYK 2 / 66 / 0 / 0

HEX #FB56FF

RGB 251 86 255

HSL 298.58, 1%, 0.67%

LAB 65.27, 81.38, -53

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 18 / 86 / 0 / 7

HEX #C320ED

RGB 195 32 237

HSL 287.71, 0.85%, 0.53%

LAB 50.39, 83.16, -67.28

 

CMYK 18 / 94 / 0 / 15

HEX #B20EDA

RGB 178 14 218

HSL 288.24, 0.88%, 0.45%

LAB 45.42, 80.09, -64.69

 

CMYK 19 / 100 / 0 / 22

HEX #A100C7

RGB 161 0 199

HSL 288.54, 1%, 0.39%

LAB 40.74, 75.84, -61.43

 

CMYK 20 / 100 / 0 / 29

HEX #9000B4

RGB 144 0 180

HSL 288, 1%, 0.35%

LAB 36.41, 70.18, -57.41

 

CMYK 21 / 100 / 0 / 37

HEX #7F00A1

RGB 127 0 161

HSL 287.33, 1%, 0.32%

LAB 32, 64.41, -53.31

 

CMYK 18 / 86 / 0 / 7

HEX #C321ED

RGB 195 33 237

HSL 287.65, 0.85%, 0.53%

LAB 50.46, 82.97, -67.18

 

CMYK 0 / 86 / 6 / 7

HEX #ED21DF

RGB 237 33 223

HSL 304.12, 0.85%, 0.53%

LAB 56.51, 87.81, -49.2

 

CMYK 0 / 86 / 29 / 7

HEX #ED21A8

RGB 237 33 168

HSL 320.29, 0.85%, 0.53%

LAB 53.94, 80.98, -21.49

 

CMYK 0 / 86 / 52 / 7

HEX #ED2171

RGB 237 33 113

HSL 336.47, 0.85%, 0.53%

LAB 52.16, 76.01, 8.75

 

CMYK 0 / 86 / 76 / 7

HEX #ED213A

RGB 237 33 58

HSL 352.65, 0.85%, 0.53%

LAB 51.15, 73.1, 40.36

 

CMYK 18 / 86 / 0 / 7

HEX #C321ED

RGB 195 33 237

HSL 287.65, 0.85%, 0.53%

LAB 50.46, 82.97, -67.18

 

CMYK 41 / 86 / 0 / 7

HEX #8C21ED

RGB 140 33 237

HSL 271.47, 0.85%, 0.53%

LAB 42.43, 75.4, -80.62

 

CMYK 64 / 86 / 0 / 7

HEX #5521ED

RGB 85 33 237

HSL 255.29, 0.85%, 0.53%

LAB 36.24, 70.11, -91.04

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 18 / 86 / 0 / 7

HEX #C321ED

RGB 195 33 237

HSL 287.65, 0.85%, 0.53%

LAB 50.46, 82.97, -67.18

 

CMYK 18 / 86 / 0 / 7

HEX #C321ED

RGB 195 33 237

HSL 287.65, 0.85%, 0.53%

LAB 50.46, 82.97, -67.18

 

CMYK 16 / 76 / 0 / 15

HEX #B734D9

RGB 183 52 217

HSL 287.64, 0.68%, 0.53%

LAB 48.92, 72.57, -58.41

 

CMYK 13 / 64 / 0 / 22

HEX #AC48C6

RGB 172 72 198

HSL 287.62, 0.53%, 0.53%

LAB 48.86, 59.04, -47.68

 

CMYK 10 / 49 / 0 / 30

HEX #A05BB2

RGB 160 91 178

HSL 287.59, 0.36%, 0.53%

LAB 49.7, 42.51, -34.85

 

CMYK 6 / 31 / 0 / 38

HEX #956E9F

RGB 149 110 159

HSL 287.76, 0.2%, 0.53%

LAB 51.89, 24.41, -20.47

 

CMYK 65 / 86 / 0 / 7

HEX #5421ED

RGB 84 33 237

HSL 255, 0.85%, 0.53%

LAB 36.15, 70.04, -91.19

 

CMYK 42 / 86 / 0 / 7

HEX #8A21ED

RGB 138 33 237

HSL 270.88, 0.85%, 0.53%

LAB 42.16, 75.16, -81.06

 

CMYK 19 / 86 / 0 / 7

HEX #C021ED

RGB 192 33 237

HSL 286.76, 0.85%, 0.53%

LAB 49.99, 82.51, -67.96

 

CMYK 0 / 86 / 5 / 7

HEX #ED21E2

RGB 237 33 226

HSL 303.24, 0.85%, 0.53%

LAB 56.67, 88.23, -50.64

 

CMYK 0 / 86 / 27 / 7

HEX #ED21AC

RGB 237 33 172

HSL 319.12, 0.85%, 0.53%

LAB 54.1, 81.42, -23.59

 

CMYK 18 / 92 / 0 / 32

HEX #8D0EAD

RGB 141 14 173

HSL 287.92, 0.85%, 0.37%

LAB 35.97, 66.71, -53.97

 

CMYK 19 / 92 / 0 / 17

HEX #AB11D3

RGB 171 17 211

HSL 287.63, 0.85%, 0.45%

LAB 43.89, 77.5, -63.19

 

CMYK 18 / 86 / 0 / 7

HEX #C321ED

RGB 195 33 237

HSL 287.65, 0.85%, 0.53%

LAB 50.46, 82.97, -67.18

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 12 / 55 / 0 / 5

HEX #D76DF3

RGB 215 109 243

HSL 287.46, 0.85%, 0.69%

LAB 63.22, 61.26, -49.93

 

CMYK 18 / 86 / 0 / 7

HEX #C320ED

RGB 195 32 237

HSL 287.71, 0.85%, 0.53%

LAB 50.39, 83.16, -67.28

 

CMYK 0 / 86 / 85 / 7

HEX #ED2124

RGB 237 33 36

HSL 359.12, 0.85%, 0.53%

LAB 50.94, 72.5, 51.87

 

CMYK 86 / 0 / 53 / 7

HEX #21ED6F

RGB 33 237 111

HSL 142.94, 0.85%, 0.53%

LAB 82.93, -72.27, 47.73

 

CMYK 18 / 86 / 0 / 7

HEX #C320ED

RGB 195 32 237

HSL 287.71, 0.85%, 0.53%

LAB 50.39, 83.16, -67.28

 

CMYK 0 / 19 / 86 / 7

HEX #EDC021

RGB 237 192 33

HSL 46.76, 0.85%, 0.53%

LAB 79.51, 2.57, 76.39

 

CMYK 86 / 0 / 19 / 7

HEX #21EDC0

RGB 33 237 192

HSL 166.76, 0.85%, 0.53%

LAB 84.33, -56.43, 8.8

 

CMYK 18 / 86 / 0 / 7

HEX #C320ED

RGB 195 32 237

HSL 287.71, 0.85%, 0.53%

LAB 50.39, 83.16, -67.28

 

CMYK 0 / 86 / 85 / 7

HEX #ED2124

RGB 237 33 36

HSL 359.12, 0.85%, 0.53%

LAB 50.94, 72.5, 51.87

 

CMYK 68 / 0 / 86 / 7

HEX #4DED21

RGB 77 237 33

HSL 107.06, 0.85%, 0.53%

LAB 83.05, -73.33, 75.74

 

CMYK 86 / 0 / 2 / 7

HEX #21EDE9

RGB 33 237 233

HSL 178.82, 0.85%, 0.53%

LAB 85.39, -45.55, -11.19

 

CMYK 18 / 86 / 0 / 7

HEX #C320ED

RGB 195 32 237

HSL 287.71, 0.85%, 0.53%

LAB 50.39, 83.16, -67.28

 

CMYK 0 / 62 / 86 / 7

HEX #ED5B21

RGB 237 91 33

HSL 17.06, 0.85%, 0.53%

LAB 57.65, 53.89, 58.74

 

CMYK 68 / 0 / 86 / 7

HEX #4DED21

RGB 77 237 33

HSL 107.06, 0.85%, 0.53%

LAB 83.05, -73.33, 75.74

 

CMYK 86 / 24 / 0 / 7

HEX #21B3ED

RGB 33 179 237

HSL 197.06, 0.85%, 0.53%

LAB 68.52, -16.34, -39.08

 

Description

Color code: HEX #C320ED | qconv.com Color code: HEX #C320ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 32 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 32 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 86 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 86% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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