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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3246D it is the complementary color #3CDB92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3246D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3246D shade: #C82468, #D9367B, #EA488E, #FB5AA1 and #FF6CB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3246D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3246D shade: #C3246D, #B2125A, #A10047, #900034 and #7F0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3246D shade: #C1236C, #C12341 and #C12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3246D shade: #C1236C, #C12396, #C123C1, #9723C1 and #6C23C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3246D shade matches the following richer shades: #C1236C and #D4116A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3246D shade: #C1236C, #AF366D, #9C486F, #8A5B70 and #776D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3246D shade: #C123C1, #C12397, #C1236D, #C12343 and #C12E23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3246D shade: #7C1645, #9F1D58, #C1236C, #D93480 and #E05796

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3246D shade: #C3246D, #C19723 and #23ACC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3246D shade: #C3246D, #6DC123 and #236DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3246D shade: #C3246D, #C19723, #23C178 and #234DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3246D shade: #C3246D, #BCC123, #23C178 and #2823C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 44 / 24

HEX #C3246D

RGB 195 36 109

HSL 332.45, 0.69%, 0.45%

LAB 44.19, 64.72, -1.33

 

Complementary color

CMYK 73 / 0 / 33 / 14

HEX #3CDB92

RGB 60 219 146

HSL 152.45, 0.69%, 0.55%

LAB 78.29, -57.19, 24.45

 

CMYK 0 / 82 / 48 / 22

HEX #C82468

RGB 200 36 104

HSL 335.12, 0.69%, 0.46%

LAB 45, 65.55, 3.08

 

CMYK 0 / 75 / 43 / 15

HEX #D9367B

RGB 217 54 123

HSL 334.6, 0.68%, 0.53%

LAB 50.48, 66.69, -0.21

 

CMYK 0 / 69 / 39 / 8

HEX #EA488E

RGB 234 72 142

HSL 334.07, 0.79%, 0.6%

LAB 56.17, 67.13, -2.86

 

CMYK 0 / 64 / 36 / 2

HEX #FB5AA1

RGB 251 90 161

HSL 333.54, 0.95%, 0.67%

LAB 61.99, 67.11, -5.04

 

CMYK 0 / 58 / 29 / 0

HEX #FF6CB4

RGB 255 108 180

HSL 330.61, 1%, 0.71%

LAB 65.97, 62.95, -9.94

 

CMYK 0 / 82 / 44 / 24

HEX #C3246D

RGB 195 36 109

HSL 332.45, 0.69%, 0.45%

LAB 44.19, 64.72, -1.33

 

CMYK 0 / 90 / 49 / 30

HEX #B2125A

RGB 178 18 90

HSL 333, 0.82%, 0.38%

LAB 38.96, 62.57, 2.61

 

CMYK 0 / 100 / 56 / 37

HEX #A10047

RGB 161 0 71

HSL 333.54, 1%, 0.32%

LAB 34.05, 59.4, 7.42

 

CMYK 0 / 100 / 64 / 44

HEX #900034

RGB 144 0 52

HSL 338.33, 1%, 0.28%

LAB 29.86, 54.02, 13.69

 

CMYK 0 / 100 / 74 / 50

HEX #7F0021

RGB 127 0 33

HSL 344.41, 1%, 0.25%

LAB 25.63, 48.69, 20.31

 

CMYK 0 / 82 / 44 / 24

HEX #C1236C

RGB 193 35 108

HSL 332.28, 0.69%, 0.45%

LAB 43.69, 64.37, -1.48

 

CMYK 0 / 82 / 66 / 24

HEX #C12341

RGB 193 35 65

HSL 348.61, 0.69%, 0.45%

LAB 42.64, 61.25, 23.94

 

CMYK 0 / 82 / 82 / 24

HEX #C12323

RGB 193 35 35

HSL 0, 0.69%, 0.45%

LAB 42.25, 60.04, 41.2

 

CMYK 0 / 82 / 44 / 24

HEX #C1236C

RGB 193 35 108

HSL 332.28, 0.69%, 0.45%

LAB 43.69, 64.37, -1.48

 

CMYK 0 / 82 / 22 / 24

HEX #C12396

RGB 193 35 150

HSL 316.33, 0.69%, 0.45%

LAB 45.28, 68.95, -24.81

 

CMYK 0 / 82 / 0 / 24

HEX #C123C1

RGB 193 35 193

HSL 300, 0.69%, 0.45%

LAB 47.48, 75, -46.8

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 44 / 82 / 0 / 24

HEX #6C23C1

RGB 108 35 193

HSL 267.72, 0.69%, 0.45%

LAB 34.48, 60.84, -68.47

 

CMYK 0 / 82 / 44 / 24

HEX #C1236C

RGB 193 35 108

HSL 332.28, 0.69%, 0.45%

LAB 43.69, 64.37, -1.48

 

CMYK 0 / 92 / 50 / 17

HEX #D4116A

RGB 212 17 106

HSL 332.62, 0.85%, 0.45%

LAB 46.23, 72.03, 3.91

 

CMYK 0 / 82 / 44 / 24

HEX #C1236C

RGB 193 35 108

HSL 332.28, 0.69%, 0.45%

LAB 43.69, 64.37, -1.48

 

CMYK 0 / 69 / 38 / 31

HEX #AF366D

RGB 175 54 109

HSL 332.73, 0.53%, 0.45%

LAB 42.55, 53.51, -4.16

 

CMYK 0 / 54 / 29 / 39

HEX #9C486F

RGB 156 72 111

HSL 332.14, 0.37%, 0.45%

LAB 42.54, 39.51, -5.75

 

CMYK 0 / 34 / 19 / 46

HEX #8A5B70

RGB 138 91 112

HSL 333.19, 0.21%, 0.45%

LAB 44.31, 22.56, -4

 

CMYK 0 / 8 / 4 / 53

HEX #776D72

RGB 119 109 114

HSL 330, 0.04%, 0.45%

LAB 47.07, 4.87, -1.37

 

CMYK 0 / 82 / 0 / 24

HEX #C123C1

RGB 193 35 193

HSL 300, 0.69%, 0.45%

LAB 47.48, 75, -46.8

 

CMYK 0 / 82 / 22 / 24

HEX #C12397

RGB 193 35 151

HSL 315.95, 0.69%, 0.45%

LAB 45.32, 69.08, -25.34

 

CMYK 0 / 82 / 44 / 24

HEX #C1236D

RGB 193 35 109

HSL 331.9, 0.69%, 0.45%

LAB 43.72, 64.46, -2.06

 

CMYK 0 / 82 / 65 / 24

HEX #C12343

RGB 193 35 67

HSL 347.85, 0.69%, 0.45%

LAB 42.68, 61.36, 22.75

 

CMYK 0 / 76 / 82 / 24

HEX #C12E23

RGB 193 46 35

HSL 4.18, 0.69%, 0.45%

LAB 43.38, 56.86, 42.29

 

CMYK 0 / 82 / 44 / 51

HEX #7C1645

RGB 124 22 69

HSL 332.35, 0.7%, 0.29%

LAB 27.54, 45.76, -1.63

 

CMYK 0 / 82 / 45 / 38

HEX #9F1D58

RGB 159 29 88

HSL 332.77, 0.69%, 0.37%

LAB 35.9, 55.23, -1.03

 

CMYK 0 / 82 / 44 / 24

HEX #C1236C

RGB 193 35 108

HSL 332.28, 0.69%, 0.45%

LAB 43.69, 64.37, -1.48

 

CMYK 0 / 76 / 41 / 15

HEX #D93480

RGB 217 52 128

HSL 332.36, 0.68%, 0.53%

LAB 50.41, 67.77, -3.33

 

CMYK 0 / 61 / 33 / 12

HEX #E05796

RGB 224 87 150

HSL 332.41, 0.69%, 0.61%

LAB 56.94, 59.19, -6.6

 

CMYK 0 / 82 / 44 / 24

HEX #C3246D

RGB 195 36 109

HSL 332.45, 0.69%, 0.45%

LAB 44.19, 64.72, -1.33

 

CMYK 0 / 22 / 82 / 24

HEX #C19723

RGB 193 151 35

HSL 44.05, 0.69%, 0.45%

LAB 64.64, 5.13, 61.61

 

CMYK 82 / 11 / 0 / 24

HEX #23ACC1

RGB 35 172 193

HSL 187.97, 0.69%, 0.45%

LAB 64.73, -27.33, -20.7

 

CMYK 0 / 82 / 44 / 24

HEX #C3246D

RGB 195 36 109

HSL 332.45, 0.69%, 0.45%

LAB 44.19, 64.72, -1.33

 

CMYK 44 / 0 / 82 / 24

HEX #6DC123

RGB 109 193 35

HSL 91.9, 0.69%, 0.45%

LAB 70.53, -49.75, 64.57

 

CMYK 82 / 44 / 0 / 24

HEX #236DC1

RGB 35 109 193

HSL 211.9, 0.69%, 0.45%

LAB 45.83, 8.33, -50.27

 

CMYK 0 / 82 / 44 / 24

HEX #C3246D

RGB 195 36 109

HSL 332.45, 0.69%, 0.45%

LAB 44.19, 64.72, -1.33

 

CMYK 0 / 22 / 82 / 24

HEX #C19723

RGB 193 151 35

HSL 44.05, 0.69%, 0.45%

LAB 64.64, 5.13, 61.61

 

CMYK 82 / 0 / 38 / 24

HEX #23C178

RGB 35 193 120

HSL 152.28, 0.69%, 0.45%

LAB 69.36, -55.68, 25.96

 

CMYK 82 / 60 / 0 / 24

HEX #234DC1

RGB 35 77 193

HSL 224.05, 0.69%, 0.45%

LAB 36.96, 29.17, -64.63

 

CMYK 0 / 82 / 44 / 24

HEX #C3246D

RGB 195 36 109

HSL 332.45, 0.69%, 0.45%

LAB 44.19, 64.72, -1.33

 

CMYK 3 / 0 / 82 / 24

HEX #BCC123

RGB 188 193 35

HSL 61.9, 0.69%, 0.45%

LAB 75.42, -19.01, 70.75

 

CMYK 82 / 0 / 38 / 24

HEX #23C178

RGB 35 193 120

HSL 152.28, 0.69%, 0.45%

LAB 69.36, -55.68, 25.96

 

CMYK 79 / 82 / 0 / 24

HEX #2823C1

RGB 40 35 193

HSL 241.9, 0.69%, 0.45%

LAB 28.12, 54.22, -79.18

 

Description

Color code: HEX #C3246D | qconv.com Color code: HEX #C3246D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 36 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 36 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 44 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 44% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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