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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C302BA it is the complementary color #3CFD45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C302BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C302BA shade: #C802B5, #D914C8, #EA26DB, #FB38EE and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C302BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C302BA shade: #C302BA, #B200A7, #A10094, #900081 and #7F006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C302BA shade: #C401BB, #C40187, #C40152, #C4011E and #C40101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C302BA shade: #C401BB, #9901C4, #6401C4, #3001C4 and #0101C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C302BA shade matches the following richer shades: #C401BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C302BA shade: #C401BB, #B412AD, #A4229E, #943290 and #844281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C302BA shade: #6301C4, #9701C4, #C401BE, #C4018A and #C40156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C302BA shade: #73016D, #9C0194, #C401BB, #ED02E2 and #FC1CF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C302BA shade: #C302BA, #C42F01 and #01C47D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C302BA shade: #C302BA, #BEC401 and #01BEC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C302BA shade: #C302BA, #C42F01, #01C408 and #0197C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C302BA shade: #C302BA, #C46901, #01C408 and #015CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 5 / 24

HEX #C302BA

RGB 195 2 186

HSL 302.8, 0.98%, 0.39%

LAB 45.89, 78.83, -45.22

 

Complementary color

CMYK 76 / 0 / 73 / 1

HEX #3CFD45

RGB 60 253 69

HSL 122.8, 0.98%, 0.61%

LAB 87.8, -78.85, 70.32

 

CMYK 0 / 99 / 10 / 22

HEX #C802B5

RGB 200 2 181

HSL 305.76, 0.98%, 0.4%

LAB 46.52, 78.99, -41.22

 

CMYK 0 / 91 / 8 / 15

HEX #D914C8

RGB 217 20 200

HSL 305.18, 0.83%, 0.46%

LAB 51.18, 82.91, -44.72

 

CMYK 0 / 84 / 6 / 8

HEX #EA26DB

RGB 234 38 219

HSL 304.59, 0.82%, 0.53%

LAB 56.08, 85.84, -47.64

 

CMYK 0 / 78 / 5 / 2

HEX #FB38EE

RGB 251 56 238

HSL 304, 0.96%, 0.6%

LAB 61.23, 87.85, -49.98

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 99 / 5 / 24

HEX #C302BA

RGB 195 2 186

HSL 302.8, 0.98%, 0.39%

LAB 45.89, 78.83, -45.22

 

CMYK 0 / 100 / 6 / 30

HEX #B200A7

RGB 178 0 167

HSL 303.71, 1%, 0.35%

LAB 41.62, 73.43, -40.96

 

CMYK 0 / 100 / 8 / 37

HEX #A10094

RGB 161 0 148

HSL 304.84, 1%, 0.32%

LAB 37.33, 67.75, -36.49

 

CMYK 0 / 100 / 10 / 44

HEX #900081

RGB 144 0 129

HSL 306.25, 1%, 0.28%

LAB 32.95, 61.97, -31.89

 

CMYK 0 / 100 / 13 / 50

HEX #7F006E

RGB 127 0 110

HSL 308.03, 1%, 0.25%

LAB 28.48, 56.06, -27.13

 

CMYK 0 / 99 / 5 / 23

HEX #C401BB

RGB 196 1 187

HSL 302.77, 0.99%, 0.39%

LAB 46.1, 79.22, -45.46

 

CMYK 0 / 99 / 31 / 23

HEX #C40187

RGB 196 1 135

HSL 318.77, 0.99%, 0.39%

LAB 43.52, 72.75, -18.36

 

CMYK 0 / 99 / 58 / 23

HEX #C40152

RGB 196 1 82

HSL 335.08, 0.99%, 0.39%

LAB 41.79, 68.23, 12.24

 

CMYK 0 / 99 / 85 / 23

HEX #C4011E

RGB 196 1 30

HSL 351.08, 0.99%, 0.39%

LAB 40.98, 66.03, 42.93

 

CMYK 0 / 99 / 99 / 23

HEX #C40101

RGB 196 1 1

HSL 0, 0.99%, 0.39%

LAB 40.83, 65.62, 54.78

 

CMYK 0 / 99 / 5 / 23

HEX #C401BB

RGB 196 1 187

HSL 302.77, 0.99%, 0.39%

LAB 46.1, 79.22, -45.46

 

CMYK 22 / 99 / 0 / 23

HEX #9901C4

RGB 153 1 196

HSL 286.77, 0.99%, 0.39%

LAB 39.21, 74.12, -62.23

 

CMYK 49 / 99 / 0 / 23

HEX #6401C4

RGB 100 1 196

HSL 270.46, 0.99%, 0.39%

LAB 31.15, 68.33, -75.75

 

CMYK 76 / 99 / 0 / 23

HEX #3001C4

RGB 48 1 196

HSL 254.46, 0.99%, 0.39%

LAB 25.67, 65.47, -85.01

 

CMYK 99 / 99 / 0 / 23

HEX #0101C4

RGB 1 1 196

HSL 240, 0.99%, 0.39%

LAB 23.72, 64.75, -88.33

 

CMYK 0 / 99 / 5 / 23

HEX #C401BB

RGB 196 1 187

HSL 302.77, 0.99%, 0.39%

LAB 46.1, 79.22, -45.46

 

CMYK 0 / 99 / 5 / 23

HEX #C401BB

RGB 196 1 187

HSL 302.77, 0.99%, 0.39%

LAB 46.1, 79.22, -45.46

 

CMYK 0 / 90 / 4 / 29

HEX #B412AD

RGB 180 18 173

HSL 302.59, 0.82%, 0.39%

LAB 42.99, 72.7, -42.33

 

CMYK 0 / 79 / 4 / 36

HEX #A4229E

RGB 164 34 158

HSL 302.77, 0.66%, 0.39%

LAB 40.42, 64.06, -37.62

 

CMYK 0 / 66 / 3 / 42

HEX #943290

RGB 148 50 144

HSL 302.45, 0.49%, 0.39%

LAB 38.88, 52.61, -31.74

 

CMYK 0 / 50 / 2 / 48

HEX #844281

RGB 132 66 129

HSL 302.73, 0.33%, 0.39%

LAB 38.53, 37.7, -23.28

 

CMYK 49 / 99 / 0 / 23

HEX #6301C4

RGB 99 1 196

HSL 270.15, 0.99%, 0.39%

LAB 31.02, 68.25, -75.97

 

CMYK 23 / 99 / 0 / 23

HEX #9701C4

RGB 151 1 196

HSL 286.15, 0.99%, 0.39%

LAB 38.88, 73.86, -62.78

 

CMYK 0 / 99 / 3 / 23

HEX #C401BE

RGB 196 1 190

HSL 301.85, 0.99%, 0.39%

LAB 46.28, 79.65, -46.94

 

CMYK 0 / 99 / 30 / 23

HEX #C4018A

RGB 196 1 138

HSL 317.85, 0.99%, 0.39%

LAB 43.64, 73.07, -20

 

CMYK 0 / 99 / 56 / 23

HEX #C40156

RGB 196 1 86

HSL 333.85, 0.99%, 0.39%

LAB 41.89, 68.49, 9.83

 

CMYK 0 / 99 / 5 / 55

HEX #73016D

RGB 115 1 109

HSL 303.16, 0.98%, 0.23%

LAB 26.07, 53.45, -30.46

 

CMYK 0 / 99 / 5 / 39

HEX #9C0194

RGB 156 1 148

HSL 303.1, 0.99%, 0.31%

LAB 36.42, 66.75, -38

 

CMYK 0 / 99 / 5 / 23

HEX #C401BB

RGB 196 1 187

HSL 302.77, 0.99%, 0.39%

LAB 46.1, 79.22, -45.46

 

CMYK 0 / 99 / 5 / 7

HEX #ED02E2

RGB 237 2 226

HSL 302.81, 0.98%, 0.47%

LAB 55.62, 91.31, -52.3

 

CMYK 0 / 89 / 4 / 1

HEX #FC1CF2

RGB 252 28 242

HSL 302.68, 0.97%, 0.55%

LAB 59.83, 93.77, -54.43

 

CMYK 0 / 99 / 5 / 24

HEX #C302BA

RGB 195 2 186

HSL 302.8, 0.98%, 0.39%

LAB 45.89, 78.83, -45.22

 

CMYK 0 / 76 / 99 / 23

HEX #C42F01

RGB 196 47 1

HSL 14.15, 0.99%, 0.39%

LAB 43.9, 56.89, 56.06

 

CMYK 99 / 0 / 36 / 23

HEX #01C47D

RGB 1 196 125

HSL 158.15, 0.99%, 0.39%

LAB 70.15, -57.73, 24.34

 

CMYK 0 / 99 / 5 / 24

HEX #C302BA

RGB 195 2 186

HSL 302.8, 0.98%, 0.39%

LAB 45.89, 78.83, -45.22

 

CMYK 3 / 0 / 99 / 23

HEX #BEC401

RGB 190 196 1

HSL 61.85, 0.99%, 0.39%

LAB 76.33, -20.25, 76.84

 

CMYK 99 / 3 / 0 / 23

HEX #01BEC4

RGB 1 190 196

HSL 181.85, 0.99%, 0.39%

LAB 70.05, -36.67, -14.33

 

CMYK 0 / 99 / 5 / 24

HEX #C302BA

RGB 195 2 186

HSL 302.8, 0.98%, 0.39%

LAB 45.89, 78.83, -45.22

 

CMYK 0 / 76 / 99 / 23

HEX #C42F01

RGB 196 47 1

HSL 14.15, 0.99%, 0.39%

LAB 43.9, 56.89, 56.06

 

CMYK 99 / 0 / 96 / 23

HEX #01C408

RGB 1 196 8

HSL 122.15, 0.99%, 0.39%

LAB 69.11, -70.49, 67.36

 

CMYK 99 / 23 / 0 / 23

HEX #0197C4

RGB 1 151 196

HSL 193.85, 0.99%, 0.39%

LAB 58.16, -17.16, -32.54

 

CMYK 0 / 99 / 5 / 24

HEX #C302BA

RGB 195 2 186

HSL 302.8, 0.98%, 0.39%

LAB 45.89, 78.83, -45.22

 

CMYK 0 / 46 / 99 / 23

HEX #C46901

RGB 196 105 1

HSL 32, 0.99%, 0.39%

LAB 53.86, 30.87, 61.57

 

CMYK 99 / 0 / 96 / 23

HEX #01C408

RGB 1 196 8

HSL 122.15, 0.99%, 0.39%

LAB 69.11, -70.49, 67.36

 

CMYK 99 / 53 / 0 / 23

HEX #015CC4

RGB 1 92 196

HSL 212, 0.99%, 0.39%

LAB 40.65, 18.64, -60.39

 

Description

Color code: HEX #C302BA | qconv.com Color code: HEX #C302BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 2 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 2 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 5 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 5% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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